default search action
Google
Google Scholar
Semantic Scholar
Internet Archive Scholar
CiteSeerX
ORCID21st NIME 2021: Shanghai, China
- 21th International Conference on New Interfaces for Musical Expression, NIME 2021, Shanghai, China, June 14-18, 2021. nime.org 2021
- Stefano Fasciani, Jackson Goode:
20 NIMEs: Twenty Years of New Interfaces for Musical Expression. - Raul Masu
, Nuno N. Correia, Teresa Romão:
NIME Scores: a Systematic Review of How Scores Have Shaped Performance Ecologies in NIME. - Christian Frisson, Mathias Bredholt, Joseph W. Malloch, Marcelo M. Wanderley:
MapLooper: Live-looping of distributed gesture-to-sound mappings. - P. J. Charles Reimer, Marcelo M. Wanderley:
Embracing Less Common Evaluation Strategies for Studying User Experience in NIME. - Takuto Fukuda, Eduardo Meneses, Travis J. West, Marcelo M. Wanderley:
The T-Stick Music Creation Project: An approach to building a creative community around a DMI. - Doga Cavdir, Christopher Clarke, Patrick Chiu, Laurent Denoue, Don Kimber:
Reactive Video: Movement Sonification for Learning Physical Activity with Adaptive Video Playback. - Daniel Chin, Ian Zhang, Gus Xia:
Hyper-hybrid Flute: Simulating and Augmenting How Breath Affects Octave and Microtone. - Beat Rossmy, Alexander Wiethoff:
Musical Grid Interfaces: Past, Present, and Future Directions. - Beat Rossmy, Sebastian Unger, Alexander Wiethoff:
TouchGrid - Combining Touch Interaction with Musical Grid Interfaces. - Corey Ford, Nick Bryan-Kinns, Chris Nash:
Creativity in Children's Digital Music Composition. - Yinmiao Li, Ziyue Piao, Gus Xia:
A Wearable Haptic Interface for Breath Guidance in Vocal Training. - Lior Arbel:
Aeolis: A Virtual Instrument Producing Pitched Tones With Soundscape Timbres. - Florent Berthaut:
Musical Exploration of Volumetric Textures in Mixed and Virtual Reality. - Abby Aresty, Rachel Gibson:
Changing GEAR: The Girls Electronic Arts Retreat's Teaching Interfaces for Musical Expression. - Anne Sophie Andersen, Derek Kwan:
Grisey's 'Talea': Musical Representation As An Interactive 3D Map. - Enrique Tomás, Thomas Gorbach, Hilda Tellioglu, Martin Kaltenbrunner:
Embodied Gestures: Sculpting Energy-Motion Models into Musical Interfaces. - Raul Masu, Adam Pultz Melbye, John Sullivan, Alexander Refsum Jensenius:
NIME and the Environment: Toward a More Sustainable NIME Practice. - Randall Harlow, Mattias Petersson, Robert Ek, Federico Visi, Stefan Östersjö:
Global Hyperorgan: a platform for telematic musicking and research. - Luis Zayas-Garin, Jacob Harrison, Robert Jack, Andrew McPherson:
DMI Apprenticeship: Sharing and Replicating Musical Artefacts. - Kelsey Cotton, Pedro Sanches, Vasiliki Tsaknaki, Pavel Karpashevich:
The Body Electric: A NIME designed through and with the somatic experience of singing. - Emma Frid, Alon Ilsar:
Reimagining (Accessible) Digital Musical Instruments: A Survey on Electronic Music-Making Tools. - Jonathan Pitkin:
SoftMRP: a Software Emulation of the Magnetic Resonator Piano. - Andreas Förster, Mathias Komesker:
LoopBlocks: Design and Preliminary Evaluation of an Accessible Tangible Musical Step Sequencer. - Kyriakos D. Tsoukalas, Ivica Bukvic:
Music Computing and Computational Thinking: A Case Study. - Travis J. West, Baptiste Caramiaux, Stéphane Huot, Marcelo M. Wanderley:
Making Mappings: Design Criteria for Live Performance. - Andrea Martelloni, Andrew McPherson, Mathieu Barthet:
Guitar augmentation for Percussive Fingerstyle: Combining self-reflexive practice and user-centred design. - Thomas Nuttall, Behzad Haki, Sergi Jordà:
Transformer Neural Networks for Automated Rhythm Generation. - Derek Holzer, Henrik Frisk, Andre Holzapfel:
Sounds of Futures Passed: Media Archaeology and Design Fiction as NIME Methodologies. - Juliette Regimbal, Marcelo M. Wanderley:
Interpolating Audio and Haptic Control Spaces. - Shelly Knotts:
Algorithmic Power Ballads. - Myungin Lee:
Entangled: A Multi-Modal, Multi-User Interactive Instrument in Virtual 3D Space Using the Smartphone for Gesture Control. - Notto J. W. Thelle, Philippe Pasquier:
Spire Muse: A Virtual Musical Partner for Creative Brainstorming. - Hans Leeuw:
Virtuoso mapping for the Electrumpet, a hyperinstrument strategy. - Filipe Calegario, João Tragtenberg, Christian Frisson, Eduardo Meneses, Joseph W. Malloch, Vincent Cusson, Marcelo M. Wanderley:
Documentation and Replicability in the NIME Community. - Anna Xambó, Gerard Roma, Sam Roig, Eduard Solaz:
Live Coding with the Cloud and a Virtual Agent. - Yixiao Zhang, Gus Xia, Mark Levy, Simon Dixon:
COSMIC: A Conversational Interface for Human-AI Music Co-Creation. - Gershon Dublon, Xin Liu:
Living Sounds: Live Nature Sound as Online Performance Space. - Nathan Villicaña-Shaw, Dale A. Carnegie, Jim W. Murphy, Mo H. Zareei:
Speculātor: visual soundscape augmentation of natural environments. - William Thompson, Edgar Berdahl:
An Infinitely Sustaining Piano Achieved Through a Soundboard-Mounted Shaker . - Michael Quigley, William Payne:
Toneblocks: Block-based musical programming. - Yi Wu, Jason Freeman:
Ripples: An Auditory Augmented Reality iOS Application for the Atlanta Botanical Garden. - Thomas Lucas, Christophe d'Alessandro, Serge de Laubier:
Mono-Replay : a software tool for digitized sound animation. - Ward J. Slager:
Designing and performing with Pandora's Box: transforming feedback physically and with algorithms. - Chris Chronopoulos:
Quadrant: A Multichannel, Time-of-Flight Based Hand Tracking Interface for Computer Music. - Marinos Koutsomichalis:
A Yellow Box with a Key Switch and a 1/4" TRS Balanced Audio Output. - Lisa Andersson López, Thelma Svenns, Andre Holzapfel:
Sensitiv - Designing a Sonic Co-play Tool for Interactive Dance. - Geise Santos, Johnty Wang, Carolina Brum Medeiros, Marcelo M. Wanderley, Tiago Fernandes Tavares, Anderson Rocha:
Comparative Latency Analysis of Optical and Inertial Motion Capture Systems for Gestural Analysis and Musical Performance. - Henrique Portovedo, Paulo Ferreira-Lopes, Ricardo Mendes, Tiago Gala:
HASGS: Five Years of Reduced Augmented Evolution. - Valérian Fraisse, Catherine Guastavino, Marcelo M. Wanderley:
A Visualization Tool to Explore Interactive Sound Installations. - Alice Eldridge, Chris Kiefer, Dan Overholt, Halldór Úlfarsson:
Self-resonating Vibrotactile Feedback Instruments \textbar\textbar: Making, Playing, Conceptualising : \textbar\textbar. - Vincent Reynaert, Florent Berthaut, Yosra Rekik, Laurent Grisoni:
The Effect of Control-Display Ratio on User Experience in Immersive Virtual Musical Instruments. - Alex Michael Lucas, Jacob Harrison, Franziska Schroeder, Miguel Ortiz:
Cross-Pollinating Ecological Perspectives in ADMI Design and Evaluation. - Matthew D. Skarha, Vincent Cusson, Christian Frisson, Marcelo M. Wanderley:
Le Bâton: A Digital Musical Instrument Based on the Chaotic Triple Pendulum. - Claire Pelofi, Michal Goldstein, Dana Bevilacqua, Michael McPhee, Ellie Abrams, Pablo Ripollés:
CHILLER: a Computer Human Interface for the Live Labeling of Emotional Responses. - Jeffrey A. T. Lupker:
Score-Transformer: A Deep Learning Aid for Music Composition. - Jon Gillick, David Bamman:
What to Play and How to Play it: Guiding Generative Music Models with Multiple Demonstrations. - Romain Michon, Catinca Dumitrascu, Sandrine Chudet, Yann Orlarey, Stéphane Letz, Dominique Fober:
Amstramgrame: Making Scientific Concepts More Tangible Through Music Technology at School. - Vivian Reuter, Lorenz Schwarz:
Wireless Sound Modules. - Joshua Ryan Lam, Charalampos Saitis:
The Timbre Explorer: A Synthesizer Interface for Educational Purposes and Perceptual Studies. - Maria Svahn, Josefine Hölling, Fanny Curtsson, Nina Nokelainen:
The Rullen Band. - Stefan Püst, Lena Gieseke, Angela Brennecke:
Interaction Taxonomy for Sequencer-Based Music Performances. - Isabela Corintha Almeida, Giordano Cabral:
Improvised Sound-Making within Musical Apprenticeship and Enactivism: An Intersection between the 4E's Model and DMIs. - Tim Murray Browne, Panagiotis Tigas:
Latent Mappings: Generating Open-Ended Expressive Mappings Using Variational Autoencoders. - Graham Wakefield:
A streamlined workflow from Max/gen~ to modular hardware. - Roger B. Dannenberg:
Canons for Conlon: Composing and Performing Multiple Tempi on the Web. - Artemi-Maria Gioti:
A Compositional Exploration of Computational Aesthetic Evaluation and AI Bias. - Paul Dunham, Mo H. Zareei, Dale A. Carnegie, Dugal McKinnon:
Click: : RAND#2. An Indeterminate Sound Sculpture. - Raghavasimhan Sankaranarayanan, Gil Weinberg:
Design of Hathaani - A Robotic Violinist for Carnatic Music. - Damian Mills, Franziska Schroeder, John D'Arcy:
GIVME: Guided Interactions in Virtual Musical Environments: . - Anne Hege, Camille Noufi, Elena Georgieva, Ge Wang:
Instrument Design for The Furies: A LaptOpera. - Staas de Jong:
Human noise at the fingertip: Positional (non)control under varying haptic × musical conditions. - Christian Faubel:
Emergent Polyrhythmic Patterns with a Neuromorph Electronic Network. - João Tragtenberg, Gabriel Albuquerque, Filipe Calegario:
Gambiarra and Techno-Vernacular Creativity in NIME Research. - Timothy Roth, Aiyun Huang, Tyler Cunningham:
On Parallel Performance Practices: Some Observations on Personalizing DMIs as Percussionists. - Sofy Yuditskaya, Sophia Sun, Margaret Schedel:
Synthetic Erudition Assist Lattice. - Michael Blandino, Edgar Berdahl:
Using a Pursuit Tracking Task to Compare Continuous Control of Various NIME Sensors. - Margaret Schedel, Brian Smith, Robert Cosgrove, Nick Hwang:
RhumbLine: Plectrohyla Exquisita - Spatial Listening of Zoomorphic Musical Robots. - S. M. Astrid Bin:
Discourse is critical: Towards a collaborative NIME history. - Koray Tahiroglu, Miranda Kastemaa, Oskar Koli:
AI-terity 2.0: An Autonomous NIME Featuring GANSpaceSynth Deep Learning Model. - Alex Champagne, Bob Pritchard, Paul Dietz, Sidney S. Fels:
Investigation of a Novel Shape Sensor for Musical Expression. - Frederic Anthony Robinson:
Debris: A playful interface for direct manipulation of audio waveforms. - Jeff Gregorio, Youngmoo E. Kim:
Evaluation of Timbre-Based Control of a Parametric Synthesizer. - Milton Riaño:
Hybridization No. 1: Standing at the Boundary between Physical and Virtual Space. - Lloyd May, Peter Larsson:
Nerve Sensors in Inclusive Musical Performance. - Guadalupe Babio Fernandez, Kent Larson:
Tune Field. - Taejun Kim, Yi-Hsuan Yang, Juhan Nam:
Reverse-Engineering The Transition Regions of Real-World DJ Mixes using Sub-band Analysis with Convex Optimization. - Benedict R. Gaster, Ryan Challinor:
Bespoke Anywhere. - Sang-won Leigh, Jeonghyun Lee:
A Study on Learning Advanced Skills on Co-Playable Robotic Instruments.
manage site settings
To protect your privacy, all features that rely on external API calls from your browser are turned off by default. You need to opt-in for them to become active. All settings here will be stored as cookies with your web browser. For more information see our F.A.Q.
last updated on 2024-11-15 19:20 CET by the dblp team
all metadata released as open data under CC0 1.0 license
see also: Terms of Use | Privacy Policy | Imprint
dblp was originally created in 1993 at:
since 2018, dblp has been operated and maintained by:
the dblp computer science bibliography is funded and supported by:
