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ORCIDDigital Applications in Archaeology and Cultural Heritage, Volume 2
Volume 2, Number 1, January 2015
- Anja Schäfer, Hans Georg Bock, John Sanday, Heike Leitte
:
Virtually reassembling Angkor-style Khmer temples. 2-11 - Fernando Zvietcovich, Benjamín Castañeda, Renato Perucchio:
3D solid model updating of complex ancient monumental structures based on local geometrical meshes. 12-27 - Alexander J. Stephen, Peter K. Wegscheider, Andrew J. Nelson, James P. Dickey:
Quantifying the precision and accuracy of the MicroScribe G2X three-dimensional digitizer. 28-33
Volume 2, Numbers 2-3, January 2015
- Guillaume Robin:
Editorial. 35-40 - Marta Díaz-Guardamino, Leonardo García Sanjuán, David Wheatley, Víctor Rodríguez Zamora:
RTI and the study of engraved rock art: A re-examination of the Iberian south-western stelae of Setefilla and Almadén de la Plata 2 (Seville, Spain). 41-54 - Jean-Loïc Le Quellec, Frédérique Duquesnoy, Claudia Defrasne:
Digital image enhancement with DStretch®: Is complexity always necessary for efficiency? 55-67 - Miguel Ángel Rogerio-Candelera:
Digital image analysis based study, recording, and protection of painted rock art. Some Iberian experiences. 68-78 - I. Domingo, Berta Carrión-Ruiz, Silvia Blanco-Pons, José Luis Lerma:
Evaluating conventional and advanced visible image enhancement solutions to produce digital tracings at el Carche rock art shelter. 79-88 - Natalia Cortón Noya, Ángela López García, Fernando Carrera Ramírez:
Combining photogrammetry and photographic enhancement techniques for the recording of megalithic art in north-west Iberia. 89-101 - Hugues Plisson, Lydia V. Zotkina:
From 2D to 3D at macro- and microscopic scale in rock art studies. 102-119 - Ken Williams, Elizabeth Shee Twohig:
From sketchbook to structure from motion: Recording prehistoric carvings in Ireland. 120-131 - Riccardo Dessì, Carla Mannu, Giuseppe Rodriguez, Giuseppa Tanda, Massimo Vanzi:
Recent improvements in photometric stereo for rock art 3D imaging. 132-139 - Camille Bourdier, Oscar Fuentes, Geneviève Pinçon:
Contribution of 3D technologies to the analysis of form in late palaeolithic rock carvings: The case of the Roc-aux-Sorciers rock-shelter (Angles-sur-l'Anglin, France). 140-154 - Kenneth Lymer:
Image processing and visualisation of rock art laser scans from Loups's Hill, County Durham. 155-165 - David Robinson, Matthew J. Baker, Clare Bedford, Jennifer Perry, Michelle Wienhold, Julienne Bernard, Dan Reeves, Eleni Kotoula, Devlin Gandy, James Miles:
Methodological considerations of integrating portable digital technologies in the analysis and management of complex superimposed Californian pictographs: From spectroscopy and spectral imaging to 3-D scanning. 166-180 - Craig Alexander, Axel Pinz, Christian Reinbacher:
Multi-scale 3D rock-art recording. 181-195 - Markus Seidl, Ewald Wieser, Craig Alexander:
Automated classification of petroglyphs. 196-212 - Serge Cassen, Valentin Grimaud, Laurent Lescop:
Intuition and analysis in the recording, interpretation and public translation of Neolithic engraved signs in western France. 213-221 - Silvia Tomásková:
Digital technologies in context: Prehistoric engravings in the Northern Cape, South Africa. 222-232
Volume 2, Number 4, January 2015
- Laura Lai, Matteo Sordini, Stefano Campana, Luisanna Usai, Francesca Condò:
4D recording and analysis: The case study of Nuraghe Oes (Giave, Sardinia). 233-239 - Sarah Younan, Cathy Treadaway:
Digital 3D models of heritage artefacts: Towards a digital dream space. 240-247 - Andrés Bustillo, Mario Alaguero, Ines Miguel, Jose M. Saiz, Lena S. Iglesias:
A flexible platform for the creation of 3D semi-immersive environments to teach Cultural Heritage. 248-259
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