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2020 – today
- 2024
[j10]Kieran Robson, Ian Ruthven, Perla Innocenti:
God's intermediaries: a study into chaplains' information behaviour. Inf. Res. 29(2): 512-524 (2024)- [j9]Perla Innocenti
:
Pilgrim's progress? A field ethnography of multimodal recording, curating and sharing of the Camino de Santiago experience. J. Documentation 80(1): 218-238 (2024) - [j8]Inga Allan, Perla Innocenti:
Library based walking groups in Scotland: Exploring benefits, challenges and opportunities. J. Libr. Inf. Sci. 56(2): 514-533 (2024) - 2023
- [j7]Kahina Le Louvier, Perla Innocenti:
A grounded theory of information exclusion and information inclusion: framing the information experience of people seeking asylum. J. Documentation 79(2): 468-486 (2023) - [j6]Keith Munro, Ian Ruthven, Perla Innocenti:
Can you feel it? The information behaviour of creative DJs. J. Documentation 79(4): 830-846 (2023) - 2022
- [j5]Kahina Le Louvier, Perla Innocenti:
Heritage as an affective and meaningful information literacy practice: An interdisciplinary approach to the integration of asylum seekers and refugees. J. Assoc. Inf. Sci. Technol. 73(5): 687-701 (2022) - 2021
- [j4]Ed Hyatt, Morgan Harvey, Matthew Pointon, Perla Innocenti:
Whither wilderness? An investigation of technology use by long-distance backpackers. J. Assoc. Inf. Sci. Technol. 72(6): 683-698 (2021)
2010 – 2019
- 2015
- [c8]Perla Innocenti:
The pursuit of authenticity in preserving digital art. Digital Heritage 2015: 425-430 - 2013
- [c7]Perla Innocenti:
Migrating heritage, digital cultural networks and social inclusion in Europe. Digital Heritage (2) 2013: 7-14 - 2012
- [c6]Perla Innocenti, John Richards, Sabine Wieber:
Bridging Multicultural Communities: Developing a Framework for a European Network of Museum, Libraries and Public Cultural Institutions. DH 2012: 232-235 - [c5]Perla Innocenti:
Rethinking authenticity in digital art preservation. iPRES 2012 - 2011
- [j3]Perla Innocenti, MacKenzie Smith, Kevin Ashley, Seamus Ross, Antonella De Robbio, Hans Pfeiffenberger, John L. Faundeen:
Towards a Holistic Approach to Policy Interoperability in Digital Libraries and Digital Repositories. Int. J. Digit. Curation 6(1): 111-124 (2011) - [c4]Leo Konstantelos, Seamus Ross, Perla Innocenti:
How Clean is Your Software? The Role of Software Validation in Digital Preservation Research Projects. iPRES 2011
2000 – 2009
- 2009
- [c3]Perla Innocenti, Seamus Ross, Elena Maceviciute, Thomas D. Wilson, Jens Ludwig, Wolfgang Pempe:
Assessing digital preservation frameworks: the approach of the SHAMAN project. MEDES 2009: 412-416 - 2008
- [j2]Kellie Snow, Bart Ballaux, Birte Christensen-Dalsgaard, Hans Hofman, Jens Hofman Hansen, Perla Innocenti, Michael Poltorak Nielsen, Seamus Ross, Jørn Thøgersen:
Considering the User Perspective: Research into Usage and Communication of Digital Information. D Lib Mag. 14(5/6) (2008) - [j1]Andrew McHugh, Seamus Ross, Perla Innocenti, Raivo Ruusalepp, Hans Hofman:
Bringing Self-assessment Home: Repository Profiling and Key Lines of Enquiry within DRAMBORA. Int. J. Digit. Curation 3(2): 130-142 (2008) - 2007
- [c2]Perla Innocenti, Raivo Ruusalepp, Seamus Ross, Andrew McHugh:
Digital Curation Centre (DCC) and DigitalPreservationEurope (DPE) Audit Toolkit: DRAMBORA. iPRES 2007 - 2002
- [c1]Mida Boghetich, Paolo Ciuccarelli, Perla Innocenti, Federico Vidari:
An Online Knowledge Gateway for Industrial Design Education and Research Activities. Dublin Core Conference 2002: 197-198
Coauthor Index
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