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ORCIDComputer Music Journal, Volume 42
Volume 42, Number 1, Spring 2018
- Miriam Richter:
From Radios to Biocomputers: An Interview with Eduardo Reck Miranda. - Sean Soraghan, Felix Faire, Alain Renaud, Ben Supper:
A New Timbre Visualization Technique Based on Semantic Descriptors. - Stefano Fasciani, Lonce Wyse:
Vocal Control of Sound Synthesis Personalized by Unsupervised Machine Listening and Learning. - Brian Bemman, David Meredith
:
Generating New Musical Works in the Style of Milton Babbitt. - Spencer Topel, Ross Feller:
Iced Bodies: Ice Music for Chicago at The Arts Club of Chicago. By Spencer Topel. (12 August 2017, performed by Seth Parker Woods.). - Jason Corey, Ross Feller:
Audio Production and Critical Listening: Technical Ear Training . By Jason Corey. ( New York City and London: Routledge , 2017, softcover.). - Gunnar Geisse, Seth Rozanoff:
The Wannsee Recordings. By Gunnar Geisse. (München, Germany: NEOS Music GmbH, 2017, two compact discs.). - Matthew Burtner, Nashim Ximena Gargari, Daniel Blinkhorn, Sophia Chakri, Yingjia Lemon Guo, Glen Whitehead, Anant Das, Tom Sobolik, Abigail Johnson, Siyang Sophia Shen, Cory Ryan, Jack Patton-Smith, D. Edward Davis, Stephanie Cheng Smith:
Sound Anthology: Program Notes.
Volume 42, Number 2, Summer 2018
- Victor Zappi, Andrew Allen, Sidney S. Fels:
Extended Playing Techniques on an Augmented Virtual Percussion Instrument. - Janko Gravner, Kyle Johnson:
Coupled Map Lattices as Musical Instruments. - Michael Krzyzaniak:
Interactive Learning of Timbral Rhythms for Percussion Robots. - Ken Déguernel, Emmanuel Vincent, Gérard Assayag:
Probabilistic Factor Oracles for Multidimensional Machine Improvisation. - Seth Aaron Rozanoff:
Steven Kemper: Mythical Spaces. By Seth Rozanoff. (Glascow, Scotland, UK .). - Ross Feller:
Örjan Sandred: The Musical Fundamentals of Computer Assisted Composition. By Ross Feller. (Gambier, Ohio, USA .).
Volume 42, Number 3, Fall 2018
- Martin Supper:
Constraints and Freedom: A Conversation with Georg Katzer. - John D. Moeller:
Multichannel Works for Nonstationary Audiences. - Eduardo Reck Miranda, Edward Braund, Satvik Venkatesh:
Composing with Biomemristors: Is Biocomputing the New Technology of Computer Music? - Karolin Stange, Christoph Wick, Haye Hinrichsen:
Playing Music in Just Intonation: A Dynamically Adaptive Tuning Scheme. - Kari Väkevä, Ross Feller:
Diptych by Kari Väkevä. - Gunhild Seim, Marilyn Crispell, David Rothenberg, Seth Aaron Rozanoff:
Grenseland by Gunhild Seim, Marilyn Crispell, and David Rothenberg.
Volume 42, Number 4, Winter 2018
- Giorgio Sancristoforo:
Letters. 8 - Anna Xambó, Alexander Lerch, Jason Freeman:
Music Information Retrieval in Live Coding: A Theoretical Framework. 9-25 - Marta Gentilucci, Luc Ardaillon, Marco Liuni:
Composing Vocal Distortion: A Tool for Real-Time Generation of Roughness. 26-40 - Serge Lemouton, Alain Bonardi, Laurent Pottier, Jacques Warnier:
On the Documentation of Electronic Music. 41-58 - Niccolò Pretto, Carlo Fantozzi, Edoardo Micheloni, Valentina Burini, Sergio Canazza:
Computing Methodologies Supporting the Preservation of Electroacoustic Music from Analog Magnetic Tape. 59-74 - D. J. Malinowski:
The Third Annual Cube Fest. 75-83 - Seth Rozanoff:
Gaudeamus Muziekweek. 75-83 - Ross Feller:
Esther Lamneck: Tárogáto Constructions. 75-83 - Folkmar Hein, Manuella Blackburn, Shintaro Imai, Erik Mikael Karlsson, Åke Parmerud, Horacio Vaggione, Trevor Wishart:
Sound Anthology: Program Notes. 96-102
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