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S. M. Astrid Bin
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2020 – today
- 2023
- [c8]S. M. Astrid Bin:
Where Few NIMEs Have Gone Before: Lessons in instrument design from Star Trek. NIME 2023 - 2022
- [c7]Laurel Pardue, S. M. Astrid Bin:
The Other Hegemony: Effects of software development culture on music software, and what we can do about it. NIME 2022 - 2021
- [c6]S. M. Astrid Bin:
Discourse is critical: Towards a collaborative NIME history. NIME 2021 - 2020
- [c5]Fabio Morreale, S. M. Astrid Bin, Andrew P. McPherson, Paul Stapleton, Marcelo M. Wanderley:
A NIME Of The Times: Developing an Outward-Looking Political Agenda For This Community. NIME 2020: 160-165
2010 – 2019
- 2018
- [c4]S. M. Astrid Bin, Nick Bryan-Kinns, Andrew P. McPherson:
Risky business: Disfluency as a design strategy. NIME 2018: 45-50 - 2017
- [c3]S. M. Astrid Bin, Nick Bryan-Kinns, Andrew P. McPherson:
Hands where we can see them! Investigating the impact of gesture size on audience perception. ICMC 2017 - [c2]S. M. Astrid Bin, Fabio Morreale, Nick Bryan-Kinns, Andrew P. McPherson:
In-the-moment and Beyond: Combining Post-hoc and Real-Time Data for the Study of Audience Perception of Electronic Music Performance. INTERACT (1) 2017: 263-281 - 2016
- [c1]S. M. Astrid Bin, Nick Bryan-Kinns, Andrew P. McPherson:
Skip the Pre-Concert Demo: How Technical Familiarity and Musical Style Affect Audience Response. NIME 2016: 200-205
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