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Sergi Jordà
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- affiliation: Pompeu Fabra University, Barcelona, Spain
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2020 – today
- 2023
- [c61]Behzad Haki, Blazej Kotowski, Cheuk Lun Isaac Lee, Sergi Jordà:
TapTamDrum: A Dataset for Dualized Drum Patterns. ISMIR 2023: 114-120 - [c60]Juan Salamanca, Daniel Gómez-Marín, Sergi Jordà:
The Dynamic Creativity of Proto-artifacts in Generative Computational Co-Creation 98-107. IUI Workshops 2023: 98-107 - [c59]Behzad Haki, Teresa Pelinski, Marina Nieto Giménez, Sergi Jordà:
Completing Audio Drum Loops with Symbolic Drum Suggestions. NIME 2023 - 2021
- [j11]Alayna Hughes, Sergi Jordà:
Applications of Biological and Physiological Signals in Commercial Video Gaming and Game Research: A Review. Frontiers Comput. Sci. 3: 557608 (2021) - [c58]Thomas Nuttall, Behzad Haki, Sergi Jordà:
Transformer Neural Networks for Automated Rhythm Generation. NIME 2021 - 2020
- [i1]Sergi Jordà:
New Musical Interfaces and New Music-making Paradigms. CoRR abs/2010.01579 (2020)
2010 – 2019
- 2019
- [c57]Behzad Haki, Sergi Jordà:
A Bassline Generation System Based on Sequence-to-Sequence Learning. NIME 2019: 204-209 - 2017
- [j10]Cárthach Ó Nuanáin, Perfecto Herrera, Sergi Jordà:
Rhythmic Concatenative Synthesis for Electronic Music: Techniques, Implementation, and Evaluation. Comput. Music. J. 41(2): 21-37 (2017) - [j9]Carles Sora, Sergi Jordà, Lluís Codina:
Chasing real-time interaction in new media: towards a new theoretical approach and definition. Digit. Creativity 28(3): 196-205 (2017) - [j8]Anna Xambó, Eva Hornecker, Paul Marshall, Sergi Jordà, Chris Dobbyn, Robin C. Laney:
Exploring Social Interaction With a Tangible Music Interface. Interact. Comput. 29(2): 248-270 (2017) - [c56]Cárthach Ó Nuanáin, Perfecto Herrera, Sergi Jordà:
k-Best Unit Selection Strategies for Musical Concatenative Synthesis. CMMR 2017: 76-97 - [c55]Daniel Gómez-Marín, Sergi Jordà, Perfecto Herrera:
Drum Rhythm Spaces: From Global Models to Style-Specific Maps. CMMR 2017: 123-134 - [c54]Ángel Faraldo, Sergi Jordà, Perfecto Herrera:
A Multi-Profile Method for Key Estimation in EDM. Semantic Audio 2017 - 2016
- [j7]Sebastián Mealla Cincuegrani, Sergi Jordà, Aleksander Väljamäe:
Physiopucks: Increasing User Motivation by Combining Tangible and Implicit Physiological Interaction. ACM Trans. Comput. Hum. Interact. 23(1): 4:1-4:22 (2016) - [c53]Chloé Turquois, Martin Hermant, Daniel Gómez-Marín, Sergi Jordà:
Exploring the Benefits of 2D Visualizations for Drum Samples Retrieval. CHIIR 2016: 329-332 - [c52]Ángel Faraldo, Emilia Gómez, Sergi Jordà, Perfecto Herrera:
Key Estimation in Electronic Dance Music. ECIR 2016: 335-347 - [c51]Peter Knees, Kristina Andersen, Sergi Jordà, Michael Hlatky, Andrés Bucci, Wulf Gaebele, Roman Kaurson:
The GiantSteps Project: A Second-Year Intermediate Report. ICMC 2016 - [c50]Cárthach Ó Nuanáin, Perfecto Herrera, Sergi Jordà:
An Evaluation Framework and Case Study for Rhythmic Concatenative Synthesis. ISMIR 2016: 67-72 - [c49]Carles Fernandes Julià, Panos Papiotis, Sebastián Mealla Cincuegrani, Sergi Jordà:
Prototyping interactions with Online Multimodal Repositories and Interactive Machine Learning. MOCO 2016: 46:1-46:2 - [c48]Sergi Jordà, Daniel Gómez-Marín, Ángel Faraldo, Perfecto Herrera:
Drumming with style: From user needs to a working prototype. NIME 2016: 365-370 - [c47]Cárthach Ó Nuanáin, Sergi Jordà, Perfecto Herrera:
An Interactive Software Instrument for Real-time Rhythmic Concatenative Synthesis. NIME 2016: 383-387 - 2015
- [j6]Carles Fernandes Julià, Sergi Jordà:
Towards Concurrent Multi-Tasking in Shareable Interfaces. Comput. Support. Cooperative Work. 24(2-3): 79-108 (2015) - [j5]Nina Valkanova, Sergi Jordà, Andrew Vande Moere:
Public visualization displays of citizen data: Design, impact and implications. Int. J. Hum. Comput. Stud. 81: 4-16 (2015) - [c46]Daniel Gómez-Marín, Sergi Jordà, Perfecto Herrera:
Strictly Rhythm: Exploring the Effects of Identical Regions and Meter Induction in Rhythmic Similarity Perception. CMMR 2015: 449-463 - [c45]Peter Knees, Kristina Andersen, Sergi Jordà, Michael Hlatky, Günter Geiger, Wulf Gaebele, Roman Kaurson:
Giantsteps - progress towards developing intelligent and collaborative interfaces for music production and performance. ICME Workshops 2015: 1-4 - [c44]Daniel Gómez-Marín, Sergi Jordà, Perfecto Herrera:
PAD and SAD: Two Awareness-Weighted Rhythmic Similarity Distances. ISMIR 2015: 666-672 - [c43]Sergi Jordà:
Past and Future of Physiological Computing and Creativity - An Underexplored and Promising Territory. PhyCS 2015: IS-5 - 2014
- [c42]Anna Xambó, Gerard Roma, Robin C. Laney, Chris Dobbyn, Sergi Jordà:
SoundXY4: Supporting Tabletop Collaboration and Awareness with Ambisonics Spatialisation. NIME 2014: 40-45 - [c41]Sergi Jordà, Sebastián Mealla C.:
A Methodological Framework for Teaching, Evaluating and Informing NIME Design with a Focus on Mapping and Expressiveness. NIME 2014: 233-238 - [c40]Sebastián Mealla C., Aluizio Oliveira, Xavier Marimon, Tony Steffert, Sergi Jordà, Aleksander Väljamäe:
The Role of Personalization and Multiple EEG and Sound Features Selection in Real Time Sonification for Neurofeedback. PhyCS 2014: 323-330 - 2013
- [j4]Anna Xambó, Eva Hornecker, Paul Marshall, Sergi Jordà, Chris Dobbyn, Robin C. Laney:
Let's jam the reactable: Peer learning during musical improvisation with a tabletop tangible interface. ACM Trans. Comput. Hum. Interact. 20(6): 36:1-36:34 (2013) - [c39]Nina Valkanova, Sergi Jordà, Martin Tomitsch, Andrew Vande Moere:
Reveal-it!: the impact of a social visualization projection on public awareness and discourse. CHI 2013: 3461-3470 - [c38]Daniel Gallardo, Sergi Jordà:
SLFiducials: 6DoF markers for tabletop interaction. ITS 2013: 401-404 - [c37]Carles Fernandes Julià, Nicolas Earnshaw, Sergi Jordà:
GestureAgents: an agent-based framework for concurrent multi-task multi-user interaction. TEI 2013: 207-214 - [c36]Daniel Gallardo, Carles Fernandes Julià, Sergi Jordà:
Using MTCF for live prototyping on tablet and tangible tabletop devices. TEI 2013: 443-446 - [p2]Anna Xambó, Robin C. Laney, Chris Dobbyn, Sergi Jordà:
Video Analysis for Evaluating Music Interaction: Musical Tabletops. Music and Human-Computer Interaction 2013: 241-258 - [e2]Sergi Jordà, Narcís Parés:
Seventh International Conference on Tangible, Embedded, and Embodied Interaction, TEI'13, Barcelona, Spain, February 10-13, 2013. ACM 2013, ISBN 978-1-4503-1898-3 [contents] - 2012
- [c35]Lilia B. Villafuerte, Milena Markova, Sergi Jordà:
Acquisition of social abilities through musical tangible user interface: children with autism spectrum condition and the reactable. CHI Extended Abstracts 2012: 745-760 - [c34]Mathieu Bosi, Sergi Jordà:
Towards fast multi-point force and hit detection in tabletops using mechanically intercoupled force sensing resisors. NIME 2012 - [c33]Alejandro Catalá, Javier Jaén Martínez, Betsy van Dijk, Sergi Jordà:
Exploring tabletops as an effective tool to foster creativity traits. TEI 2012: 143-150 - [p1]Sergi Jordà:
Interactivity and live computer music. The Cambridge Companion to Electronic Music 2012: 89-106 - [e1]Roel Vertegaal, Stephen N. Spencer, Ylva Fernaeus, Audrey Girouard, Sergi Jordà:
Proceedings of the 6th International Conference on Tangible and Embedded Interaction 2012, Kingston, Ontario, Canada, February 19-22, 2012. ACM 2012, ISBN 978-1-4503-1174-8 [contents] - 2011
- [c32]Anna Xambó, Robin C. Laney, Chris Dobbyn, Sergi Jordà:
Multi-touch interaction principles for collaborative real-time music activities: towards a pattern language. ICMC 2011 - [c31]Juan Pablo Carrascal, Sergi Jordà:
Multitouch Interface for Audio Mixing. NIME 2011: 100-103 - [c30]Sebastián Mealla C., Aleksander Väljamäe, Mathieu Bosi, Sergi Jordà:
Listening to Your Brain: Implicit Interaction in Collaborative Music Performances. NIME 2011: 149-154 - [c29]Pablo Molina, Martín Haro, Sergi Jordà:
BeatJockey: A New Tool for Enhancing DJ Skills. NIME 2011: 288-291 - [c28]Carles Fernandes Julià, Daniel Gallardo, Sergi Jordà:
MTCF: A Framework for Designing and Coding Musical Tabletop Applications Directly in Pure Data. NIME 2011: 457-460 - 2010
- [j3]Sergi Jordà, Carles Fernandes Julià, Daniel Gallardo:
Interactive surfaces and tangibles. XRDS 16(4): 21-28 (2010) - [c27]Sergi Jordà:
The reactable: tangible and tabletop music performance. CHI Extended Abstracts 2010: 2989-2994 - [c26]Daniel Gallardo, Sergi Jordà:
Tangible jukebox: back to palpable music. TEI 2010: 199-202 - [c25]Sergi Jordà, Seth E. Hunter, Pol Pla i Conesa, Daniel Gallardo, Daniel Leithinger, Henry Kaufman, Carles Fernandes Julià, Martin Kaltenbrunner:
Development strategies for tangible interaction on horizontal surfaces. TEI 2010: 369-372
2000 – 2009
- 2009
- [c24]Carles Fernandes Julià, Sergi Jordà:
SongExplorer: A Tabletop Application for Exploring Large Collections of Songs. ISMIR 2009: 675-680 - [c23]Sergi Jordà:
Reactable performance. SIGGRAPH Music & Audio 2009 - 2008
- [j2]Sergi Jordà:
On stage: the reactable and other musical tangibles go real. Int. J. Arts Technol. 1(3/4): 268-287 (2008) - [c22]Daniel Gallardo, Carles Fernandes Julià, Sergi Jordà:
TurTan: A tangible programming language for creative exploration. Tabletop 2008: 89-92 - 2007
- [c21]Sergi Jordà, Günter Geiger, Marcos Alonso, Martin Kaltenbrunner:
The reacTable: exploring the synergy between live music performance and tabletop tangible interfaces. TEI 2007: 139-146 - 2006
- [c20]Sergi Jordà, Marcos Alonso:
Mary had a little scoreTable* or the reacTable* goes melodic. NIME 2006: 208-211 - [c19]Sergi Jordà:
the reacTable. SIGGRAPH Art Gallery 2006: 61 - [c18]Sergi Jordà, Martin Kaltenbrunner, Günter Geiger, Marcos Alonso:
The reacTable: a tangible tabletop musical instrument and collaborative workbench. SIGGRAPH Sketches 2006: 91 - [c17]Martin Kaltenbrunner, Sergi Jordà, Günter Geiger, Marcos Alonso:
The reacTable*: A Collaborative Musical Instrument. WETICE 2006: 406-411 - 2005
- [c16]Ross Bencina, Martin Kaltenbrunner, Sergi Jordà:
Improved Topological Fiducial Tracking in the reacTIVision System. CVPR Workshops 2005: 99 - [c15]Sergi Jordà, Martin Kaltenbrunner, Günter Geiger, Ross Bencina:
The reacTable. ICMC 2005 - [c14]Sergi Jordà:
Multi-user Instruments: Models, Examples and Promises. NIME 2005: 23-26 - 2004
- [c13]Marcos Alonso, Günter Geiger, Sergi Jordà:
An Internet Browser Plug-in for Real-time Sound Synthesis using Pure Data. ICMC 2004 - [c12]Sergi Jordà:
Digital Instruments and Players: Part II-Diversity, Freedom and Control. ICMC 2004 - [c11]Martin Kaltenbrunner, Günter Geiger, Sergi Jordà:
Dynamic Patching for Live Musical Performance. NIME 2004: 19-22 - [c10]Sergi Jordà:
Digital Instruments and Players: Part I - Efficiency and Apprenticeship. NIME 2004: 59-63 - [c9]Marcos Alonso, Günter Geiger, Sergi Jordà:
An Internet Browser Plug-in for Real-time Audio Synthesis. WEDELMUSIC 2004: 23-26 - 2003
- [c8]Sergi Jordà:
Sonigraphical Instruments: From FMOL to the reacTable*. NIME 2003: 70-76 - 2002
- [j1]Sergi Jordà:
FMOL: Toward User-Friendly, Sophisticated New Musical Instruments. Comput. Music. J. 26(3): 23-39 (2002) - [c7]Sergi Jordà:
Afasia: The Ultimate Homeric One-Man-Multimedia-Band. NIME 2002: 132-137 - 2001
- [c6]Sergi Jordà, Otto Wüst:
FMOL: A System for Collaborative Music Composition over the Web. DEXA Workshop 2001: 537-542 - [c5]Sergi Jordà:
Improvising with Computers: A Personal Survey (1989-2001). ICMC 2001 - [c4]Otto Wüst, Sergi Jordà:
Architectural Overview of a System for Collaborative Music Composition Over the Web. ICMC 2001 - [c3]Sergi Jordà:
New Musical Interfaces and New Music-making Paradigms. NIME 2001: 46-50 - [c2]Sergi Jordà:
FMOL. NIME 2001
1990 – 1999
- 1991
- [c1]Sergi Jordà:
A Real-Time MIDI Composer and Interactive Improviser by Means of Feedback Systems. ICMC 1991
Coauthor Index
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