Dinggedicht (orig. German: literally, 'poem of things' or 'thing poem'; plural, Dinggedichte) is a poetic form, referring to a specific focus and mood in the choice of a poetic theme. Developed during the second half of the 19th century, the focus in a Dinggedicht rests on an animate or inanimate object that is described in a distanced, often dissociated and objectified way. The poet aims at finding the language that is specific and supposedly indigenous to the thing in view. The poet attempts to let the very object itself speak in its own language. It is supposed to express the inner being of the object in focus. In this tradition, objects from the arts have often been taken up, but more recently poets have also sought out objects from every-day life. Furthermore, the Dinggedicht needs no
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- Dinggedicht (en)
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| - Das Dinggedicht ist ein Gedichttypus, der seit der zweiten Hälfte des 19. Jahrhunderts deutlich ausgeprägt ist. Sujets eines Dinggedichtes sind lebendige und leblose Objekte, Kunstgegenstände, Situationen oder Vorgänge. Diese Dinge werden distanziert und objektiviert erfasst, also ohne eine explizite subjektive Deutung. Das lyrische Ich tritt in einem Dinggedicht meist in den Hintergrund, wobei das Gedicht den Anspruch hat, das Innere und das Wesen des Gegenstandes so auszudrücken, als spräche das Ding über sich selbst. Der Terminus „Dinggedicht“ wurde 1926 von dem Germanisten geprägt. (de)
- Dinggedicht (orig. German: literally, 'poem of things' or 'thing poem'; plural, Dinggedichte) is a poetic form, referring to a specific focus and mood in the choice of a poetic theme. Developed during the second half of the 19th century, the focus in a Dinggedicht rests on an animate or inanimate object that is described in a distanced, often dissociated and objectified way. The poet aims at finding the language that is specific and supposedly indigenous to the thing in view. The poet attempts to let the very object itself speak in its own language. It is supposed to express the inner being of the object in focus. In this tradition, objects from the arts have often been taken up, but more recently poets have also sought out objects from every-day life. Furthermore, the Dinggedicht needs no (en)
- Dinggedicht (dal Tedesco; letteralmente: "poesia delle cose" | plurale: Dinggedichte) è una forma poetica, che ha come soggetto la descrizione meticolosa di un oggetto. Sviluppatasi durante la seconda metà del XIX secolo, una Dinggedicht si basa su un oggetto animato o inanimato descritto in da un punto di vista distante, spesso dissociato e oggettivato. Il poeta mira a trovare la lingua specifica e possibilmente propria dell’oggetto descritto. Il poeta tenta infatti di lasciare che l'oggetto stesso parli nella sua lingua, affinché esprima la sua essenza interiore. In questa tradizione sono stati spesso ripresi oggetti d'arte, quali sculture, vasi, quadri, ma più recentemente i poeti hanno utilizzato anche oggetti della vita quotidiana. Inoltre, la Dinggedicht non deve necessariamente desc (it)
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| - Das Dinggedicht ist ein Gedichttypus, der seit der zweiten Hälfte des 19. Jahrhunderts deutlich ausgeprägt ist. Sujets eines Dinggedichtes sind lebendige und leblose Objekte, Kunstgegenstände, Situationen oder Vorgänge. Diese Dinge werden distanziert und objektiviert erfasst, also ohne eine explizite subjektive Deutung. Das lyrische Ich tritt in einem Dinggedicht meist in den Hintergrund, wobei das Gedicht den Anspruch hat, das Innere und das Wesen des Gegenstandes so auszudrücken, als spräche das Ding über sich selbst. Der Terminus „Dinggedicht“ wurde 1926 von dem Germanisten geprägt. (de)
- Dinggedicht (orig. German: literally, 'poem of things' or 'thing poem'; plural, Dinggedichte) is a poetic form, referring to a specific focus and mood in the choice of a poetic theme. Developed during the second half of the 19th century, the focus in a Dinggedicht rests on an animate or inanimate object that is described in a distanced, often dissociated and objectified way. The poet aims at finding the language that is specific and supposedly indigenous to the thing in view. The poet attempts to let the very object itself speak in its own language. It is supposed to express the inner being of the object in focus. In this tradition, objects from the arts have often been taken up, but more recently poets have also sought out objects from every-day life. Furthermore, the Dinggedicht needs not necessarily aim at a physical object, but also recapture abstract notions in an objectified fashion. The voice in the Dinggedicht is frequently the third person. The poetological technical terms has been coined by the German literary scholar . (en)
- Dinggedicht (dal Tedesco; letteralmente: "poesia delle cose" | plurale: Dinggedichte) è una forma poetica, che ha come soggetto la descrizione meticolosa di un oggetto. Sviluppatasi durante la seconda metà del XIX secolo, una Dinggedicht si basa su un oggetto animato o inanimato descritto in da un punto di vista distante, spesso dissociato e oggettivato. Il poeta mira a trovare la lingua specifica e possibilmente propria dell’oggetto descritto. Il poeta tenta infatti di lasciare che l'oggetto stesso parli nella sua lingua, affinché esprima la sua essenza interiore. In questa tradizione sono stati spesso ripresi oggetti d'arte, quali sculture, vasi, quadri, ma più recentemente i poeti hanno utilizzato anche oggetti della vita quotidiana. Inoltre, la Dinggedicht non deve necessariamente descrivere un oggetto fisico, ma anche recuperare nozioni astratte in modo oggettivato. La forma di scrittura utilizzata nella Dinggedicht è spesso la terza persona. Il termine tecnico Dinggedicht è stato coniato dallo studioso letterario tedesco Kurt Oppert. (it)
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