Glad Music: Difference between revisions
m En dash |
|||
(16 intermediate revisions by 11 users not shown) | |||
Line 1: | Line 1: | ||
{{ |
{{more citations needed|date=May 2016}} |
||
{{Infobox album |
|||
{{Infobox Album | <!-- See Wikipedia:WikiProject_Albums --> |
|||
| name = Glad Music |
|||
| type = studio |
|||
| artist = [[R. Stevie Moore]] |
|||
| cover = gladmusic.jpg |
|||
| alt = |
|||
| released = February 1986 |
|||
| recorded = {{hlist|1979|1983–1985}} |
|||
Genre = [[Psychedelic pop]]<ref name="Dill89">{{cite magazine|last=Dillingham|first=Mick|year=1989|title=R. Stevie Moore – The Best Kept Secret in the World|magazine=[[Bucketfull of Brains]]|issue=29|date=April–May 1989|pp=6–9|url=http://www.moorestevie.com/press/bucketful.html}}</ref> | |
|||
| venue = |
|||
| studio = |
|||
| genre = {{hlist|[[Psychedelic pop]]<ref name="Dill89">{{cite magazine|last=Dillingham|first=Mick|title=R. Stevie Moore – The Best Kept Secret in the World|magazine=[[Bucketfull of Brains]]|issue=29|date=April–May 1989|pages=6–9|url=http://www.moorestevie.com/press/bucketful.html}}</ref>|[[New wave music|new wave]]<ref>{{cite web|last=Wray|first=Daniel|date=12 May 2020|title= 'My studio is an extra limb right now': bedroom pop, the perfect genre for lockdown|url=https://www.theguardian.com/music/2020/may/12/my-studio-is-an-extra-limb-right-now-bedroom-pop-the-perfect-genre-for-lockdown|access-date=12 October 2023|work=[[The Guardian]]|quote=...writer of the new wave number I Like to Stay Home.}}</ref>}} |
|||
⚫ | |||
| length = 52:00 |
|||
| label = New Rose |
|||
⚫ | |||
⚫ | |||
This album = '''''Glad Music'''''<br/>(1986) | |
|||
⚫ | |||
Next album = ''[[(1952-19??)]]''<br/>(1987) }} |
|||
| prev_year = 1985 |
|||
| next_title = [[(1952-19??)]] |
|||
| next_year = 1987 |
|||
}} |
|||
{{Music ratings |
|||
| rev1 = [[AllMusic]] |
|||
| rev1Score = {{rating|4.5|5}}<ref>{{cite web|last=|first=|url=https://www.allmusic.com/album/glad-music-mw0000942944|title=Glad Music – R. Stevie Moore|publisher=[[AllMusic]]|accessdate=December 5, 2019}}</ref> |
|||
}} |
|||
'''''Glad Music''''' is the sixth vinyl record album by American multi-instrumentalist [[R. Stevie Moore]] (RSM). It was the second of four RSM albums released by New Rose Records in Paris. ''Glad Music'' differed from most Moore record albums by being almost exclusively recorded in a professional 8- and 16-track studio. The record sleeve's art design mimics the UK version of [[the Beatles]]' 1964 soundtrack album ''[[A Hard Day's Night (album)|A Hard Day's Night]]''. The title "Glad Music" was a nod to the music publishing company of the same name. |
'''''Glad Music''''' is the sixth vinyl record album by American multi-instrumentalist [[R. Stevie Moore]] (RSM). It was the second of four RSM albums released by New Rose Records in Paris. ''Glad Music'' differed from most Moore record albums by being almost exclusively recorded in a professional 8- and 16-track studio. The record sleeve's art design mimics the UK version of [[the Beatles]]' 1964 soundtrack album ''[[A Hard Day's Night (album)|A Hard Day's Night]]''. The title "Glad Music" was a nod to the music publishing company of the same name. |
||
Earlier recordings of some of the songs had appeared on other albums, such as 1978's ''[[Delicate Tension]]''. |
Earlier recordings of some of the songs had appeared on other albums, such as 1978's ''[[Delicate Tension]]''. "[[Why Should I Love You?]]", was later covered by the English [[indie rock]] band [[the Vaccines]] and released as a single. "[[Along Comes Mary]]" was originally recorded by [[the Association]] in 1966. "Colliding Circles" gets its name from the title of a [[The Beatles bootleg recordings#Fake or disputed bootleg songs|fake unreleased Beatles song]] invented by humorist [[Martin Lewis (humorist)|Martin Lewis]]. (Moore also wrote and recorded "Pink Litmus Paper Shirt", the name of another of Lewis' faux Beatles tunes; the song is included as a bonus track on a 2017 CD reissue of ''Glad Music''.) |
||
==Track listing== |
==Track listing== |
||
{{Track listing |
{{Track listing |
||
| collapsed = |
|||
| headline = Side one |
| headline = Side one |
||
Line 47: | Line 55: | ||
{{Track listing |
{{Track listing |
||
| collapsed = |
|||
| extra_column = Original album |
| extra_column = Original album |
||
| headline = Side two |
| headline = Side two |
||
Line 54: | Line 61: | ||
|length1= 3:23 |
|length1= 3:23 |
||
|title2= I Love You So Much It Hurts |
|title2= [[I Love You So Much It Hurts]] |
||
|length2= 3:13 |
|length2= 3:13 |
||
Line 70: | Line 77: | ||
|title7= The Strange |
|title7= The Strange |
||
|length7= |
|length7= |
||
}} |
}} |
||
:'''Note''' |
:'''Note''' |
||
:* "Part of the Problem" and "I Love You So Much It Hurts" are the same recordings that originally appeared on ''Clack!'' (1980).<ref name="RSMtracks">{{cite web| |
:* "Part of the Problem" and "I Love You So Much It Hurts" are the same recordings that originally appeared on ''Clack!'' (1980).<ref name="RSMtracks">{{cite web|author-link=R. Stevie Moore|last=Moore|first=R. Stevie|title=R. Stevie Moore Alphabetic|url=http://www.rsteviemoore.com/songs/A.html|website=rsteviemoore.com|accessdate=March 22, 2018}}</ref> |
||
{{Track listing |
{{Track listing |
||
| collapsed = yes |
|||
| extra_column = Original release<ref name="RSMtracks"/> |
| extra_column = Original release<ref name="RSMtracks"/> |
||
| headline = Expanded CD-R bonus tracks |
| headline = Expanded CD-R bonus tracks |
||
Line 90: | Line 96: | ||
{{Track listing |
{{Track listing |
||
| collapsed = yes |
|||
| extra_column = Original release<ref name="RSMtracks"/> |
| extra_column = Original release<ref name="RSMtracks"/> |
||
| headline = 2017 Cordelia reissue bonus tracks |
| headline = 2017 Cordelia reissue bonus tracks |
||
Line 137: | Line 142: | ||
* [https://rsteviemoore.bandcamp.com/album/glad-music ''Gladmusic'' on Bandcamp] |
* [https://rsteviemoore.bandcamp.com/album/glad-music ''Gladmusic'' on Bandcamp] |
||
* [http://www.myspace.com/gladmusic1 ''Glad Music'' on MySpace] |
* [http://www.myspace.com/gladmusic1 ''Glad Music'' on MySpace] |
||
* {{ |
* {{youTube|v1MfeLx6Uds|"I Like to Stay at Home"}} |
||
{{R. Stevie Moore}} |
{{R. Stevie Moore}} |
||
{{Authority control}} |
|||
[[Category:R. Stevie Moore albums]] |
[[Category:R. Stevie Moore albums]] |
Latest revision as of 20:35, 27 May 2024
This article needs additional citations for verification. (May 2016) |
Glad Music | ||||
---|---|---|---|---|
Studio album by | ||||
Released | February 1986 | |||
Recorded |
| |||
Genre | ||||
Length | 52:00 | |||
Label | New Rose | |||
Producer | R. Stevie Moore | |||
R. Stevie Moore chronology | ||||
|
Review scores | |
---|---|
Source | Rating |
AllMusic | [3] |
Glad Music is the sixth vinyl record album by American multi-instrumentalist R. Stevie Moore (RSM). It was the second of four RSM albums released by New Rose Records in Paris. Glad Music differed from most Moore record albums by being almost exclusively recorded in a professional 8- and 16-track studio. The record sleeve's art design mimics the UK version of the Beatles' 1964 soundtrack album A Hard Day's Night. The title "Glad Music" was a nod to the music publishing company of the same name.
Earlier recordings of some of the songs had appeared on other albums, such as 1978's Delicate Tension. "Why Should I Love You?", was later covered by the English indie rock band the Vaccines and released as a single. "Along Comes Mary" was originally recorded by the Association in 1966. "Colliding Circles" gets its name from the title of a fake unreleased Beatles song invented by humorist Martin Lewis. (Moore also wrote and recorded "Pink Litmus Paper Shirt", the name of another of Lewis' faux Beatles tunes; the song is included as a bonus track on a 2017 CD reissue of Glad Music.)
Track listing
[edit]No. | Title | Length |
---|---|---|
1. | "Norway" | 3:01 |
2. | "I Like to Stay Home" | 4:07 |
3. | "I Wouldn't Mind Dyin'" | 2:31 |
4. | "He's Nuts" | 4:14 |
5. | "Part of the Problem" | 3:42 |
6. | "Don't Let Me Go to the Dogs" | 4:09 |
No. | Title | Length |
---|---|---|
1. | "Why Should I Love You?" | 3:23 |
2. | "I Love You So Much It Hurts" | 3:13 |
3. | "Shaking' in the Sixties" | 2:40 |
4. | "Along Comes Mary" | 2:54 |
5. | "Colliding Circles" | 3:49 |
6. | "Time Stands Still" | 2:53 |
7. | "The Strange" |
- Note
- "Part of the Problem" and "I Love You So Much It Hurts" are the same recordings that originally appeared on Clack! (1980).[4]
No. | Title | Original release[4] | Length |
---|---|---|---|
14. | "Your Dancing Ears" | R. Stevie Moore Is Worth It (1985) | 3:34 |
15. | "Glib Contempt" | 4:35 |
No. | Title | Original release[4] | Length |
---|---|---|---|
13. | "The Strange" (extended) | 7:40 | |
14. | "Glib Contempt" | 4:31 | |
15. | "Your Dancing Ears" | R. Stevie Moore Is Worth It (1985) | 3:36 |
16. | "Man Without a Gland" | Piano Lessons (1977) | 4:35 |
17. | "Indian Giver" | R. Stevie Moore Is Worth It (1985) | 3:15 |
18. | "Kaleidoscopics" | Kaffeeklatsch (1984) | 4:48 |
19. | "Bigger than the Beatles" | 1984U (1984) | 2:02 |
20. | "I Like to Stay at Home" (live) | 4:23 | |
21. | "Pink Litmus Paper Shirt" | R. Stevie Moore Is Worth It (1985) | 3:41 |
References
[edit]- ^ Dillingham, Mick (April–May 1989). "R. Stevie Moore – The Best Kept Secret in the World". Bucketfull of Brains. No. 29. pp. 6–9.
- ^ Wray, Daniel (12 May 2020). "'My studio is an extra limb right now': bedroom pop, the perfect genre for lockdown". The Guardian. Retrieved 12 October 2023.
...writer of the new wave number I Like to Stay Home.
- ^ "Glad Music – R. Stevie Moore". AllMusic. Retrieved December 5, 2019.
- ^ a b c Moore, R. Stevie. "R. Stevie Moore Alphabetic". rsteviemoore.com. Retrieved March 22, 2018.