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{{see also|Rostam Farrokhzad}}
{{short description|Persian mythological hero of the epic poem Shahnameh}}
{{short description|Persian mythological hero of the epic poem Shahnameh}}
{{Other uses}}
{{Other uses}}
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| birth_place = [[Zabulistan]] (present-day [[Zabul]], [[Afghanistan]])<ref>{{Cite web|url=https://www.bl.uk/learning/cult/inside/shahnamestories/storyfour/birthofrostam.html|title = Rostam life story explaied based on Shahname Book</ref>
| birth_place = [[Zabulistan]] (present-day [[Zabul]])<ref>{{Cite web|url=https://www.bl.uk/learning/cult/inside/shahnamestories/storyfour/birthofrostam.html|title = Rostam life story explaied based on Shahname Book}}</ref>
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[[File:Sohrab and Rostam fighting (TMoCA).png|thumb|upright|Sohrab and Rostam fighting:from "[[Shahnama|The Shahnama of Shah Tahmasp"]] (circa 1522)]]
[[File:Sohrab and Rostam fighting (TMoCA).png|thumb|upright|Sohrab and Rostam fighting:from "[[Shahnama|The Shahnama of Shah Tahmasp"]] (circa 1522)]]


'''Rostam''' or '''Rustam''' ({{lang-fa|رستم}} {{IPA-fa|rosˈtæm|}}) is a legendary hero in [[Persian mythology]], the son of [[Zāl]] and [[Rudaba]], whose life and work was immortalized by the 10th-century Persian poet [[Ferdowsi]] in the ''[[Shahnameh]]'', or ''Epic of Kings'', which contains pre-Islamic [[Iranian folklore]] and history. However, the roots of the narrative date much earlier.
'''Rostam''' or '''Rustam''' ({{langx|fa|رستم}} {{IPA|fa|rosˈtæm|}}) is a legendary hero in [[Persian mythology]], the son of [[Zāl]] and [[Rudaba]], whose life and work was immortalized by the 10th-century Persian poet [[Ferdowsi]] in the ''[[Shahnameh]]'', or ''Epic of Kings'', which contains pre-Islamic [[Iranian folklore]] and history. However, the roots of the narrative date much earlier.


In the ''Shahnameh'', Rostam and his predecessors are [[Marzban]]s of [[Sistan]] (present-day [[Iran]] and [[Afghanistan]]). Rostam is best known for his tragic fight with [[Esfandiyār]], the other legendary Iranian hero; for [[Rostam's Seven Labours|his expedition]] to [[Mazandaran (Shahnameh)|Mazandaran]] (not to be confused with the modern [[Mazandaran Province]]); and for tragically fighting and killing his son, [[Sohrab]], without knowing who his opponent was. He is also known for the story of [[Rostam's Seven Labours|Seven Labours]]. Rostam was eventually killed by [[Shaghad]], his half-brother.
In the ''Shahnameh'', Rostam and his predecessors are [[Marzban]]s of [[Sistan]] (present-day [[Iran]] and [[Afghanistan]]). Rostam is best known for his tragic fight with [[Esfandiyār]], the other legendary Iranian hero; for [[Rostam's Seven Labours|his expedition]] to [[Mazandaran (Shahnameh)|Mazandaran]] (not to be confused with the modern [[Mazandaran Province]]). He is also known for the story of his [[Rostam's Seven Labours|Seven Labours]].


Rostam was always represented as the mightiest of Iranian paladins (holy warriors), and the atmosphere of the episodes in which he features is strongly reminiscent of the [[Parthian Empire]]. He rode the legendary stallion [[Rakhsh]] and wore a special suit named [[Babr-e Bayan]] in battles.
Rostam was always represented as the mightiest of Iranian paladins (holy warriors), and the atmosphere of the episodes in which he features is strongly reminiscent of the [[Parthian Empire]]. He rides the legendary stallion [[Rakhsh]] and wears a special suit named [[Babr-e Bayan]] in battles.


==Origins==
==Origins==
While the narrative of the ''Shahname'' is the definitive work on Rostam, Ferdowsi did not invent the character; Rostam stories were popular as far back as the seventh century in [[Pars (Sasanian province)|Pars]] and originated much earlier, likely in Eastern Iranian-speaking territories. He famously wears the ''zīn-i palang'' or "panther-skin garment":
While the narrative of the ''Shahname'' is the definitive work on Rostam, Ferdowsi did not invent the character; Rostam stories were popular as far back as the seventh century in [[Pars (Sasanian province)|Pars]] and originated much earlier, likely in Eastern Iranian-speaking territories. He famously wears the ''zīn-i palang'' or "panther-skin garment":


{{quote|The material surveyed so far proves that the Rustam legend was fully formed and well known in Western Iran by the seventh century AD at the latest and in the Eastern Iranian lands by the early eighth century. In some recent publications Frantz Grenet has attempted to find pictorial allusions several centuries earlier, in the “sīmurgh” depicted on the buckle of [[Shapur I]] (AD 240–272) on the [[Rag-i-Bibi|Rag-i Bībī]] rock relief in northern Afghanistan, and in the scene of a prince breaking in a foal depicted on an Eastern Sasanian silver dish attributed to the first half of the fourth century. [[Nicholas Sims-Williams]] has referred to the personal name Purlang-zin, spelt πορλαγγοζινο in Greek script, in a Bactrian document which was almost certainly written in the fourth century under Sasanian rule, claiming that this may be translated as “the man with the panther’s skin” and that it represents “a clear reference to the zīn-i palang of Rustam.” [...] the first element of this name, is the Bactrian word for “panther” or “leopard”.<ref>{{cite journal |last1=Sims-Williams |first1=Nicholas |last2=Sims-Williams |first2=Ursula |title=Rustam and his ''zīn-i palang'' |journal=Iran Nameh |date=Summer 2014 |volume=29 |issue=2 |pages=252–3 |url=http://213.32.55.132/index.php/journal/article/view/2146 |access-date=9 August 2020}}</ref>}}
{{quote|The material surveyed so far proves that the Rustam legend was fully formed and well known in Western Iran by the seventh century AD at the latest and in the Eastern Iranian lands by the early eighth century. In some recent publications Frantz Grenet has attempted to find pictorial allusions several centuries earlier, in the “sīmurgh” depicted on the buckle of [[Shapur I]] (AD 240–272) on the [[Rag-i-Bibi|Rag-i Bībī]] rock relief in northern Afghanistan, and in the scene of a prince breaking in a foal depicted on an Eastern Sasanian silver dish attributed to the first half of the fourth century. [[Nicholas Sims-Williams]] has referred to the personal name Purlang-zin, spelt πορλαγγοζινο in Greek script, in a Bactrian document which was almost certainly written in the fourth century under Sasanian rule, claiming that this may be translated as “the man with the panther’s skin” and that it represents “a clear reference to the zīn-i palang of Rustam.” [...] the first element of this name, is the Bactrian word for “panther” or “leopard”.<ref>{{cite journal |last1=Sims-Williams |first1=Nicholas |last2=Sims-Williams |first2=Ursula |title=Rustam and his ''zīn-i palang'' |journal=Iran Nameh |date=Summer 2014 |volume=29 |issue=2 |pages=252–3 |url=http://213.32.55.132/index.php/journal/article/view/2146 |access-date=9 August 2020 |archive-date=14 March 2022 |archive-url=https://web.archive.org/web/20220314013839/http://213.32.55.132/index.php/journal/article/view/2146 |url-status=dead }}</ref>}}


== Background ==
== Background ==
[[File:Rostam, Iranian hero, mythical king of Zabulistan. Panjikent, 7th century CE.jpg|thumb|upright|Rostam in the murals of [[Panjikent]], 7-8th century CE. He is represented with an [[elongated skull]], in the fashion of the [[Alchon Huns]].<ref>{{cite book |last1=Rezakhani |first1=Khodadad |title=ReOrienting the Sasanians: East Iran in Late Antiquity |date=15 March 2017 |publisher=Edinburgh University Press |isbn=978-1-4744-0030-5 |page=124|url=https://books.google.com/books?id=bjRWDwAAQBAJ&pg=PA109 |language=en}}</ref><ref>{{cite web |title=A Silk Road Renaissance - Archaeology Magazine |url=https://www.archaeology.org/issues/386-2007/features/8756-a-silk-road-renaissance#art_page4 |website=www.archaeology.org}}</ref><ref>"It is possible that the Sogdian aristocratic culture of that time preserved some memory of the glorious days of Khingila, the first Hephthalite conqueror of India. The profile of Rustam, shown on different paintings at Pendzhikent, is very distinct from the other depictions in the Sogdian art, and resembles the Hephthalite prototypes. The portraits feature narrow skulls, V-shaped eyebrows, hooked noses and heavy jaws, and thus closely resemble some portraits of Khingila on the coins(Grenet 2002, 218-219)." {{cite journal |last1=Kurbanov |first1=Aydogdy |title=THE HEPHTHALITES: ICONOGRAPHICAL MATERIALS |journal=Tyragetia |date=2014 |pages=317–334 |url=http://oaji.net/articles/2017/4586-1488311404.pdf}}</ref><ref>{{cite journal |last1=Grenet |first1=Frantz |title=Regional interaction in Central Asia and Northwest India in the Kidarite and Hephthalite periods |journal=Indo-Iranian Languages and Peoples |page=218 |url=https://www.academia.edu/24461575 |language=en}}</ref>]]
[[File:Rostam, Iranian hero, mythical king of Zabulistan. Panjikent, 7th century CE.jpg|thumb|upright|Rostam in the murals of [[Panjikent]], 7-8th century CE. He is represented with an [[elongated skull]], in the fashion of the [[Alchon Huns]].<ref>{{cite book |last1=Rezakhani |first1=Khodadad |title=ReOrienting the Sasanians: East Iran in Late Antiquity |date=15 March 2017 |publisher=Edinburgh University Press |isbn=978-1-4744-0030-5 |page=124|url=https://books.google.com/books?id=bjRWDwAAQBAJ&pg=PA109 |language=en}}</ref><ref>{{cite web |title=A Silk Road Renaissance - Archaeology Magazine |url=https://www.archaeology.org/issues/386-2007/features/8756-a-silk-road-renaissance#art_page4 |website=www.archaeology.org}}</ref><ref>"It is possible that the Sogdian aristocratic culture of that time preserved some memory of the glorious days of Khingila, the first Hephthalite conqueror of India. The profile of Rustam, shown on different paintings at Pendzhikent, is very distinct from the other depictions in the Sogdian art, and resembles the Hephthalite prototypes. The portraits feature narrow skulls, V-shaped eyebrows, hooked noses and heavy jaws, and thus closely resemble some portraits of Khingila on the coins(Grenet 2002, 218-219)." {{cite journal |last1=Kurbanov |first1=Aydogdy |title=THE HEPHTHALITES: ICONOGRAPHICAL MATERIALS |journal=Tyragetia |date=2014 |pages=317–334 |url=http://oaji.net/articles/2017/4586-1488311404.pdf}}</ref><ref>{{cite journal |last1=Grenet |first1=Frantz |title=Regional interaction in Central Asia and Northwest India in the Kidarite and Hephthalite periods |journal=Indo-Iranian Languages and Peoples |year=2003 |page=218 |url=https://www.academia.edu/24461575 |language=en}}</ref>]]
In the ''Shahnameh'', Rostam is a native of [[Zabulistan]], a historical region roughly corresponding to today's [[Zabul Province]], southern [[Afghanistan]]. His mother Rudaba was a princess of [[Kabul]]. Rostam is the champion of champions and is involved in numerous stories, constituting some of the most popular (and arguably some of most masterfully created) parts of the ''Shahnameh''. In ''Shahnameh'', Rostam—like his grandfather Sam—works as both a faithful military general as well as king-maker for the [[Kayanian dynasty]] of Persia.
In the ''Shahnameh'', Rostam is a native of [[Zabulistan]], a historical region roughly corresponding to today's [[Zabul Province]], southern [[Afghanistan]]. His mother Rudaba was a princess of [[Kabul]]. Rostam is the champion of champions and is involved in numerous stories, constituting some of the most popular (and arguably some of most masterfully created) parts of the ''Shahnameh''. In ''Shahnameh'', Rostam—like his grandfather Sam—works as both a faithful military general as well as king-maker for the [[Kayanian dynasty]] of Persia.


As a young child, he slays the maddened [[White elephant (animal)|white elephant]] of the king Manuchehr with just one blow of the [[mace (bludgeon)|mace]] owned by his grandfather Sam, son of Nariman. He then tames his legendary stallion, [[Rakhsh]].
As a young child, he slays the maddened [[White elephant (animal)|white elephant]] of the king Manuchehr with just one blow of the [[mace (bludgeon)|mace]] owned by his grandfather Sam, son of Nariman. He then tames his legendary stallion, [[Rakhsh]].


The etymology of Rostam's name is from [[Proto-Iranian language|Common Iranian]] "*rautas-taxma-, "'river-strong', i.e. 'as strong as a river',<ref name="SW">{{cite journal |last1=Sims-Williams |first1=Nicholas |last2=Sims-Williams |first2=Ursula |title=Rustam and his ''zīn-i palang'' |journal=Iran Nameh |date=Summer 2014 |volume=29 |issue=2 |pages=250–1 |url=http://213.32.55.132/index.php/journal/article/view/2146 |access-date=9 August 2020}}</ref> Rostam's mother is ''Rūdāba'' "(she) of the River Water",<ref name="SW" /> and his father is [[Zāl]], who has white hair.
The etymology of Rostam's name is from [[Proto-Iranian language|Common Iranian]] "*rautas-taxma-, "'river-strong', i.e. 'as strong as a river',<ref name="SW">{{cite journal |last1=Sims-Williams |first1=Nicholas |last2=Sims-Williams |first2=Ursula |title=Rustam and his ''zīn-i palang'' |journal=Iran Nameh |date=Summer 2014 |volume=29 |issue=2 |pages=250–1 |url=http://213.32.55.132/index.php/journal/article/view/2146 |access-date=9 August 2020 |archive-date=14 March 2022 |archive-url=https://web.archive.org/web/20220314013839/http://213.32.55.132/index.php/journal/article/view/2146 |url-status=dead }}</ref> Rostam's mother is ''Rūdāba'' "(she) of the River Water",<ref name="SW" /> and his father is [[Zāl]], who has white hair.


=== Birth and early life ===
=== Birth and early life ===
Line 110: Line 109:
In Persian mythology, Rudaba's labour in giving birth to Rostam was prolonged due to the extraordinary size of her baby - so much so that [[Zāl]], her lover and husband, felt sure that his wife would die in labour. Rudaba was indeed near death when Zāl decided to summon the [[Simurgh]], which duly appeared and instructed him upon how to perform a ''Rostamzad'', a [[Caesarean section]], thus saving both Rudaba and the child.
In Persian mythology, Rudaba's labour in giving birth to Rostam was prolonged due to the extraordinary size of her baby - so much so that [[Zāl]], her lover and husband, felt sure that his wife would die in labour. Rudaba was indeed near death when Zāl decided to summon the [[Simurgh]], which duly appeared and instructed him upon how to perform a ''Rostamzad'', a [[Caesarean section]], thus saving both Rudaba and the child.


After Zāl's father, Sam learned of his grandchild's birth, he rushed to see Rostam and was overjoyed. Rostam was brought up and trained by Zāl in warfare. When Rostam single-handedly slew a mad elephant, his father sent him on his first military assignment.
After Zāl's father, Sam, learned of his grandchild's birth, he rushed to see Rostam and was overjoyed. Rostam was brought up and trained by Zāl in warfare. When Rostam single-handedly slew a mad elephant, his father sent him on his first military assignment.


Rostam's task was to conquer the fortress on the summit of Mt Sipand where his great grandfather, Nariman, once besieged it and was slain in the battle. Rostam breached the fortress, defeated the enemy, ransacked its treasury and reported his success to his father, Zāl and grandfather, Sam.
Rostam's task was to conquer the fortress on the summit of Mt Sipand where his great grandfather, Nariman, once besieged it and was slain in the battle. Rostam breached the fortress, defeated the enemy, ransacked its treasury and reported his success to his father, Zāl, and grandfather, Sam.


=== Haft Khan ===
=== Haft Khan ===
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=== Death ===
=== Death ===
{{main|Rostam and Shaghad}}
{{main|Rostam and Shaghad}}
In Shahnameh, the life spans of the heroes who are from the generation of [[Sām|Sam Yale]] (Rostam's grandfather) are described as being very long, and that of Rostam fits this pattern: he has reached the age of six hundred at the time of his death by violence (dying at the hand of his envious half-brother Shaghad, who kills him by throwing him into a well full of poisoned spears). In this incident, Rostam's faithful steed Rakhsh and the hero's brother, [[Zavara|Zavareh]] are also killed.
In Shahnameh, the life spans of the heroes who are from the generation of [[Sām]] (Rostam's grandfather) are described as being very long, and that of Rostam fits this pattern: he has reached the age of six hundred at the time of his violent demise (dying at the hand of his envious half-brother Shaghad, who kills him by throwing him into a well full of poisoned spears). In this incident, Rostam's faithful steed Rakhsh and the hero's brother, [[Zavara|Zavareh]] are also killed.


== Descent and other relations ==
== Descent and other relations ==
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File:Firdawsi - Rustam Kills the White Div (the Seventh Feat) - Walters W601131B - Full Page.jpg|The final feat of Rostam's seven labours: Rostam kills the White Demon.
File:Firdawsi - Rustam Kills the White Div (the Seventh Feat) - Walters W601131B - Full Page.jpg|The final feat of Rostam's seven labours: Rostam kills the White Demon.
File:Firdawsi - Rustam Rescues Bizhan from the Pit - Walters W601308B - Full Page.jpg|Rustam rescues Bizhan from the pit.
File:Firdawsi - Rustam Rescues Bizhan from the Pit - Walters W601308B - Full Page.jpg|Rustam rescues Bizhan from the pit.
File:Rostam.jpg|Rostam kills dragons by Adel Adili
File:Portrait of Rustam Zal by Mirza Gadim Irevani.jpg|Rostam by Mirza Gadim Irevani
</gallery>
</gallery>

==In popular and traditional culture==
The word 'Rustam' is synonymous with physical prowess, especially for wrestlers in Persian, Urdu, Hindi and [[Persianate culture]]s generally. For example, [[The Great Gama]] was popularly referred to as [[Rustam-e-Hind]], or "Rustam of India".

[[Rostam (name)|Rustam]] remains a popular name in Persianate cultures from Turkey to India.


== See also ==
== See also ==
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== External links ==
== External links ==
{{commons|Category:Rostam|Rostam}}
{{commons}}
{{wikisource|Shah Nameh}}
{{wikisource|Shah Nameh}}
* ''Shahnameh'', by Hakim Abol-Qasem Ferdowsi Tusi, the complete work (64 Epics), in Persian ([http://www.parstech.org/detail.php?id=1261 ParsTech] {{Webarchive|url=https://web.archive.org/web/20090703202016/http://www.parstech.org/detail.php?id=1261 |date=3 July 2009 }}). This work can be freely downloaded (File size, compiled in the form of an HTML help file: 1.4 MB).
{{commons|Shahnama}}
* ''Shahnameh'', by Hakim Abol-Qasem Ferdowsi Tusi, the complete work (64 Epics), in Persian ([http://www.parstech.org/detail.php?id=1261 ParsTech]). This work can be freely downloaded (File size, compiled in the form of an HTML help file: 1.4 MB).
* Iraj Bashiri, ''Characters of Ferdowsi's Shahnameh'', [http://www.iranchamber.com/literature/shahnameh/characters_ferdowsi_shahname.php Iran Chamber Society], 2003.
* Iraj Bashiri, ''Characters of Ferdowsi's Shahnameh'', [http://www.iranchamber.com/literature/shahnameh/characters_ferdowsi_shahname.php Iran Chamber Society], 2003.
* [http://classics.mit.edu/Ferdowsi/kings.html ''Shahnameh''], English translation by [[Helen Zimmern]].
* [http://classics.mit.edu/Ferdowsi/kings.html ''Shahnameh''], English translation by [[Helen Zimmern]].
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{{Shahnameh}}
{{Shahnameh}}
{{Rostam and Sohrab}}
{{Rostam and Sohrab}}
{{National personifications}}
{{Authority control}}
{{Authority control}}



Latest revision as of 12:43, 21 October 2024

Rostam
رستم
Rostam mourning Sohrab. Persian miniature.
Born
Zabulistan (present-day Zabul)[1]
Died
Cause of deathWith the conspiracy of his half-brother Shaghad, he fell into a well full of poisoned spears and was killed in Kabulistan.
Other namesRustam
Rustem
Known forSeven Labours
Battle with Sohrab
Battle with Esfandiyār
killing Demon Albino
SpouseTahmina
ChildrenSohrab
Faramarz
Siyâvash (adopted son)
Banu Goshasp (In Banu Goshasp Nama)
Parents
FamilySām (grandfather)
Zavara (brother)
Shaghad (half brother)
Sohrab and Rostam fighting:from "The Shahnama of Shah Tahmasp" (circa 1522)

Rostam or Rustam (Persian: رستم [rosˈtæm]) is a legendary hero in Persian mythology, the son of Zāl and Rudaba, whose life and work was immortalized by the 10th-century Persian poet Ferdowsi in the Shahnameh, or Epic of Kings, which contains pre-Islamic Iranian folklore and history. However, the roots of the narrative date much earlier.

In the Shahnameh, Rostam and his predecessors are Marzbans of Sistan (present-day Iran and Afghanistan). Rostam is best known for his tragic fight with Esfandiyār, the other legendary Iranian hero; for his expedition to Mazandaran (not to be confused with the modern Mazandaran Province). He is also known for the story of his Seven Labours.

Rostam was always represented as the mightiest of Iranian paladins (holy warriors), and the atmosphere of the episodes in which he features is strongly reminiscent of the Parthian Empire. He rides the legendary stallion Rakhsh and wears a special suit named Babr-e Bayan in battles.

Origins

[edit]

While the narrative of the Shahname is the definitive work on Rostam, Ferdowsi did not invent the character; Rostam stories were popular as far back as the seventh century in Pars and originated much earlier, likely in Eastern Iranian-speaking territories. He famously wears the zīn-i palang or "panther-skin garment":

The material surveyed so far proves that the Rustam legend was fully formed and well known in Western Iran by the seventh century AD at the latest and in the Eastern Iranian lands by the early eighth century. In some recent publications Frantz Grenet has attempted to find pictorial allusions several centuries earlier, in the “sīmurgh” depicted on the buckle of Shapur I (AD 240–272) on the Rag-i Bībī rock relief in northern Afghanistan, and in the scene of a prince breaking in a foal depicted on an Eastern Sasanian silver dish attributed to the first half of the fourth century. Nicholas Sims-Williams has referred to the personal name Purlang-zin, spelt πορλαγγοζινο in Greek script, in a Bactrian document which was almost certainly written in the fourth century under Sasanian rule, claiming that this may be translated as “the man with the panther’s skin” and that it represents “a clear reference to the zīn-i palang of Rustam.” [...] the first element of this name, is the Bactrian word for “panther” or “leopard”.[2]

Background

[edit]
Rostam in the murals of Panjikent, 7-8th century CE. He is represented with an elongated skull, in the fashion of the Alchon Huns.[3][4][5][6]

In the Shahnameh, Rostam is a native of Zabulistan, a historical region roughly corresponding to today's Zabul Province, southern Afghanistan. His mother Rudaba was a princess of Kabul. Rostam is the champion of champions and is involved in numerous stories, constituting some of the most popular (and arguably some of most masterfully created) parts of the Shahnameh. In Shahnameh, Rostam—like his grandfather Sam—works as both a faithful military general as well as king-maker for the Kayanian dynasty of Persia.

As a young child, he slays the maddened white elephant of the king Manuchehr with just one blow of the mace owned by his grandfather Sam, son of Nariman. He then tames his legendary stallion, Rakhsh.

The etymology of Rostam's name is from Common Iranian "*rautas-taxma-, "'river-strong', i.e. 'as strong as a river',[7] Rostam's mother is Rūdāba "(she) of the River Water",[7] and his father is Zāl, who has white hair.

Birth and early life

[edit]

Rostam's mother Rudaba, the princess of Kabul, was known for her peerless beauty, and Rostam's father was Zāl. Zāl was one of Persia's most powerful warriors and a great general who conquered many rebellious tribes and ruled over Zabulistan. Zāl was known for his wisdom and was unparalleled in riding and fighting on horseback. He once demonstrated his skills to Emperor Manuchehr to seek his approval to marry his lover Rudaba.

In Persian mythology, Rudaba's labour in giving birth to Rostam was prolonged due to the extraordinary size of her baby - so much so that Zāl, her lover and husband, felt sure that his wife would die in labour. Rudaba was indeed near death when Zāl decided to summon the Simurgh, which duly appeared and instructed him upon how to perform a Rostamzad, a Caesarean section, thus saving both Rudaba and the child.

After Zāl's father, Sam, learned of his grandchild's birth, he rushed to see Rostam and was overjoyed. Rostam was brought up and trained by Zāl in warfare. When Rostam single-handedly slew a mad elephant, his father sent him on his first military assignment.

Rostam's task was to conquer the fortress on the summit of Mt Sipand where his great grandfather, Nariman, once besieged it and was slain in the battle. Rostam breached the fortress, defeated the enemy, ransacked its treasury and reported his success to his father, Zāl, and grandfather, Sam.

Haft Khan

[edit]
Rostam kills Esfandiyār. Medieval Persian miniature

He undertakes a heroic journey to save his sovereign, the over-confident Kay Kāvus who is captured by the Divs of Mazandaran. This journey is called "Rostam's Seven Quests".

There are some similarities between the legends of Rostam and those pertaining to the great Irish hero Cú Chulainn. They both defeat a ferocious beast as a young man, slay their sons in combat ("Rostam and Sohrab", a motif also found in the Hildebrandslied), are virtually invincible in combat, and are murdered by treachery while killing their murderer on their last breath.[8]

Two Persian heroes, Rostam and Esfandiyār, share stories with the Labours of Hercules.[9]

Alternate views

[edit]

It is written by the Royal Central Asian Society in the Journal of the Royal Central Asian Society that the struggle between Rostam and the Div-e Sepid "White Demon" represents a struggle between Persians and invaders from the northern Caspian provinces.[10]

Death

[edit]

In Shahnameh, the life spans of the heroes who are from the generation of Sām (Rostam's grandfather) are described as being very long, and that of Rostam fits this pattern: he has reached the age of six hundred at the time of his violent demise (dying at the hand of his envious half-brother Shaghad, who kills him by throwing him into a well full of poisoned spears). In this incident, Rostam's faithful steed Rakhsh and the hero's brother, Zavareh are also killed.

Descent and other relations

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Rostam and Kay Kavus in castle

With Tahmineh, princess of Samangan, Rostam had a son called Sohrab, who was killed accidentally by his father in the time of Kay Kavus. In Banu Goshasp Nama Rostam later had a daughter called Banu Goshasp, who had a full brother called Faramarz, and both became renowned heroes in Turan and India. Goshasp, through her marriage with Giv had a son, Bijan.

Rostam had also a half brother called Shaghad, who was always jealous of him and provoked his death.

Just as famous as Rostam was his horse Rakhsh, which had an incredibly long life like Rostam, due to divine protection, and died at the same time as Rostam.

Historical basis

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Ernst Herzfeld maintained that the dynasty of Gondophares represented the House of Suren, highest of the five premier families of Parthian Empire, invested with the hereditary right of commanding the royal armies, and placing the crown on the king's head at the coronation. Probably when around 129 BCE, nomad peoples, especially the Indo-Scythians (Sacaraucae, Old Persian Sakaravaka "nomadic Saka” or Saraucae) and the Tocharians attacked the eastern frontier of Parthia, defense was entrusted by the Parthian emperors to the Surens; and the latter eventually not only repelled the Indo-Scythians, but pursued them into Arachosia and the Punjab, this event probably representing interitus Saraucarum ( the perishing of the Sacaraucae) of Gnaeus Pompeius Trogus (Prologue 42).

Echoes of these events are preserved in the legends of the Sistān cycle, partly incorporated in the Shahnameh, but once also surviving as independent epics, such as the Garšāspnāma mentioned in the Tārikh-e Sistān, and the Ketāb al-Sakisarān cited by al-Masudi. These related the deeds of the hero Garshasp and his descendants, Narimān, Sām, Zāl or Dastān, and above all of the latter's son Rostam. It is difficult to relate the Indo-Parthian names known from coins and history to those of the epic, which are possibly honorific titles, since a recently reported silver coin describes Gondophares (spelt in Greek script Hyndopharres) as surnamed Sām. A single ruler may of course have received more than one such title, and the historical names may be repeated in succeeding generations.[11]

Family tree

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GarshaspMardas
NarimanZahhak
SāmMehrab KaboliSindukht
ZālRudaabeh
ShaghadRostamTahmineh
FaramarzSohrab
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Mughal era manuscripts depicting Rostam's seven labours and other feats:

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The word 'Rustam' is synonymous with physical prowess, especially for wrestlers in Persian, Urdu, Hindi and Persianate cultures generally. For example, The Great Gama was popularly referred to as Rustam-e-Hind, or "Rustam of India".

Rustam remains a popular name in Persianate cultures from Turkey to India.

See also

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References

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  1. ^ "Rostam life story explaied based on Shahname Book".
  2. ^ Sims-Williams, Nicholas; Sims-Williams, Ursula (Summer 2014). "Rustam and his zīn-i palang". Iran Nameh. 29 (2): 252–3. Archived from the original on 14 March 2022. Retrieved 9 August 2020.
  3. ^ Rezakhani, Khodadad (15 March 2017). ReOrienting the Sasanians: East Iran in Late Antiquity. Edinburgh University Press. p. 124. ISBN 978-1-4744-0030-5.
  4. ^ "A Silk Road Renaissance - Archaeology Magazine". www.archaeology.org.
  5. ^ "It is possible that the Sogdian aristocratic culture of that time preserved some memory of the glorious days of Khingila, the first Hephthalite conqueror of India. The profile of Rustam, shown on different paintings at Pendzhikent, is very distinct from the other depictions in the Sogdian art, and resembles the Hephthalite prototypes. The portraits feature narrow skulls, V-shaped eyebrows, hooked noses and heavy jaws, and thus closely resemble some portraits of Khingila on the coins(Grenet 2002, 218-219)." Kurbanov, Aydogdy (2014). "THE HEPHTHALITES: ICONOGRAPHICAL MATERIALS" (PDF). Tyragetia: 317–334.
  6. ^ Grenet, Frantz (2003). "Regional interaction in Central Asia and Northwest India in the Kidarite and Hephthalite periods". Indo-Iranian Languages and Peoples: 218.
  7. ^ a b Sims-Williams, Nicholas; Sims-Williams, Ursula (Summer 2014). "Rustam and his zīn-i palang". Iran Nameh. 29 (2): 250–1. Archived from the original on 14 March 2022. Retrieved 9 August 2020.
  8. ^ Connell Monette, The Medieval Hero: Christian and Muslim Traditions. (Saarsbruck: 2008).
  9. ^ Connell Monette, The Medieval Hero: Christian and Muslim Traditions. (Saarsbruck: 2008), pp. 227-28.
  10. ^ Journal of the Royal Central Asian Society By Royal Central Asian Society
  11. ^ "Rostam" at Encyclopædia Iranica

Sources

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Persian sources