Breakstep: Difference between revisions
MilkMiruku (talk | contribs) #REDIRECT Dubstep |
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'''Breakstep''' is a breakbeat influenced side of garage - originally called '''breakbeat garage''', now more often referred to as 'breakstep.' This sound is not to be confused with dubstep itself, although there is some cross-over between artists. |
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#REDIRECT [[Dubstep]] |
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Breakstep evolved from the [[2-step garage]] sound. Moving away from the more soulful elements of garage, it incorporated downtempo [[Drum n bass|drum & bass]] style basslines, trading the shuffle of 2 step for a more straight forward breakbeat drum pattern. The breakthrough for this style came in 1999 from [[DJ Deekline]]'s 'I Don't Smoke' selling 15,000 units on [[Rat Records]] until eventually being licenced to EastWest in 2000 and climbing the top 40 UK chart to number 11. Following this came [[DJ Zinc]]'s '138 Trek,' an experiment with [[Drum n bass|drum & bass]] production at garage tempo (138 bpm). This instigated a dialog between breaks and garage producers, with ''Forward>>'' playing host to Zed Bias and Oris Jay (aka Darqwan). They were mirrored in breaks by producers like DJ Quest, Osmosis and Ed209. Current descendants of these artists include Toasty Boy, Marlow, Mark One, Search & Destroy, Quiet Storm, DJ Distance, Reza, Blackmass Plastics and Warlock, many of whom are associated with [[Destructive Recordings]] or [[Storming Productions]]. |
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{{UK garage}} |
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[[Category:Electronic music genres]] |
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Revision as of 06:16, 12 May 2007
Breakstep is a breakbeat influenced side of garage - originally called breakbeat garage, now more often referred to as 'breakstep.' This sound is not to be confused with dubstep itself, although there is some cross-over between artists.
Breakstep evolved from the 2-step garage sound. Moving away from the more soulful elements of garage, it incorporated downtempo drum & bass style basslines, trading the shuffle of 2 step for a more straight forward breakbeat drum pattern. The breakthrough for this style came in 1999 from DJ Deekline's 'I Don't Smoke' selling 15,000 units on Rat Records until eventually being licenced to EastWest in 2000 and climbing the top 40 UK chart to number 11. Following this came DJ Zinc's '138 Trek,' an experiment with drum & bass production at garage tempo (138 bpm). This instigated a dialog between breaks and garage producers, with Forward>> playing host to Zed Bias and Oris Jay (aka Darqwan). They were mirrored in breaks by producers like DJ Quest, Osmosis and Ed209. Current descendants of these artists include Toasty Boy, Marlow, Mark One, Search & Destroy, Quiet Storm, DJ Distance, Reza, Blackmass Plastics and Warlock, many of whom are associated with Destructive Recordings or Storming Productions.
