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===Wuxia and the superhero genre ===
===Wuxia and the superhero genre ===
In 1999, Li-Kong Hsu, Lee’s old partner and supporter, invited him to make a movie based on the traditional Chinese “[[wuxia]]” (martial arts and chivalry) genre. Excited about the opportunity to fulfill his childhood dream, Lee assembled a team from Taiwan, [[Hong Kong]], and [[China]] for ''[[Crouching Tiger, Hidden Dragon]]'' (2000). The film was a surprising success worldwide. With Chinese dialogue and English subtitles, the film became the highest grossing foreign film in many countries, including the United States and the United Kingdom, and was nominated for [[Best Picture]], Best Foreign Language Film, and Best Director at the Academy Awards. It ended up winning Best Foreign Language Film and three technical awards. The success of ''Crouching Tiger'' demonstrated that Lee's artistry had a general appeal; it also inspired such established directors as [[Zhang Yimou]] and [[Chen Kaige]] to explore wuxia films for Western audience.
In 1999, Li-Kong Hsu, Lee’s old partner and supporter, invited him to make a movie based on the traditional Chinese “[[wuxia]]” (martial arts and chivalry) genre. Excited about the opportunity to fulfill his childhood dream, Lee assembled a team from Taiwan, [[Hong Kong]], and [[Mainland China]] for ''[[Crouching Tiger, Hidden Dragon]]'' (2000). The film was a surprising success worldwide. With Chinese dialogue and English subtitles, the film became the highest grossing foreign film in many countries, including the United States and the United Kingdom, and was nominated for [[Best Picture]], Best Foreign Language Film, and Best Director at the Academy Awards. It ended up winning Best Foreign Language Film and three technical awards. The success of ''Crouching Tiger'' demonstrated that Lee's artistry had a general appeal; it also inspired such established directors as [[Zhang Yimou]] and [[Chen Kaige]] to explore wuxia films for Western audience.


In 2003, Lee returned to Hollywood to direct ''[[Hulk (film)|Hulk]]'', his first big-budget movie. Even though the film was based on a comic book superhero and was filled with obligatory [[Computer-generated imagery|CGI]] special effects, Lee used the genre to tell the tortuous story between a father and his son. The movie was a disappointment amongst both critics and audiences. After the setback, Lee considered retiring early, but his father encouraged him to continue making movies.
In 2003, Lee returned to Hollywood to direct ''[[Hulk (film)|Hulk]]'', his first big-budget movie. Even though the film was based on a comic book superhero and was filled with obligatory [[Computer-generated imagery|CGI]] special effects, Lee used the genre to tell the tortuous story between a father and his son. The movie was a disappointment amongst both critics and audiences. After the setback, Lee considered retiring early, but his father encouraged him to continue making movies.

Revision as of 19:43, 17 December 2007

Ang Lee
李安
File:Ang lee.jpg
Years active1992–present
SpouseJane Lin (1983–)
ChildrenHaan Lee (b.1984)
Mason Lee (b.1990)
AwardsGolden Berlin Bear
1993 The Wedding Banquet
1995 Sense and Sensibility
NYFCC Award for Best Director
1995 Sense and Sensibility
2005 Brokeback Mountain
NBR Award for Best Director
1995 Sense and Sensibility
2005 Brokeback Mountain
Golden Lion
2005 Brokeback Mountain
2007 Lust, Caution

Ang Lee (Chinese: 李安; pinyin: Lǐ Ān) (born October 23, 1954) is an Academy Award–winning film director from Taiwan.[1]

Career overview

Many of Ang Lee's films have focused on the interactions between modernity and tradition. Some of his films have also had a light-hearted comic tone which marks a break from the tragic historical realism which characterized Taiwanese filmmaking after the end of the martial law period in 1987. Lee's films also tend to draw on deep secrets and internal torment that come to the surface, such as in the gay-themed films The Wedding Banquet (1993) and Brokeback Mountain (2005) (won the Academy Award for Best Director), the martial arts epic Crouching Tiger, Hidden Dragon (2000) (nominated for Academy Award for Best Director), and the comic book adaptation Hulk (2003).

The director's cut of Crouching Tiger, Hidden Dragon premiered on the Ivy League campus of Dartmouth College in 2000.[1] He received the Dartmouth Film Award in 2001, along with Meryl Streep.[2] At Dartmouth, he also taught Kai Wong filmmaking.

Lee's film Brokeback Mountain (2005) won the Golden Lion (best film) award at the Venice International Film Festival and was named 2005's best film by the Los Angeles, New York, Boston, and London film critics. It also won best picture at the 2005 Broadcast Film Critics Association, Directors Guild of America, Writers Guild of America (Adapted Screenplay), Producers Guild of America and the Independent Spirit Awards as well as the Golden Globe Award for Best Motion Picture — Drama, with Lee winning the Golden Globe Award for Best Director. Brokeback also won Best Film and Best Director at the 2006 British Academy Awards (BAFTA). In January 2006, Brokeback scored a leading eight Academy Award nominations including Best Picture and Best Director, which Lee won. He is the first Asian director to do so.

In 2007, Lee's film Lust, Caution earned him a second Golden Lion, making him one of only two directors to have ever won Venice's most prestigious award twice[2]

Biography

Education

Ang Lee was born in the town of Chaochou in Pingtung,[3] a southern agricultural county in Taiwan. He grew up in a household that put heavy emphasis on education and the Chinese classics. Both of Ang Lee's parents moved to Taiwan from mainland China following the Nationalists' defeat in the Chinese Civil War in 1949. Lee's father, a native of Jiangxi Province in southern China, imbued his children with studying Chinese culture and art, especially calligraphy. Lee's grandparents died during the Cultural Revolution because they were accused of being one of the Five Black Categories (simplified Chinese: 黑五类; traditional Chinese: 黑五類; pinyin: hēiwǔlèi)[4]

Lee studied in the prestigious National Tainan First Senior High School where his father was a former principal. He was expected to pass the annual Joint College/University Entrance Examination, the only route to a university education in Taiwan. But after failing the Exam twice, to the disappointment of his father, he entered a three-year college, National Arts School (now reorganized and expanded as National Taiwan University of Arts) and graduated in 1975. His father had wanted him to become a professor, but he had become interested in art at college. This early frustration set his career on the path of performance art.

After finishing the mandatory military service, Lee went to the U.S. in 1979 to study at the University of Illinois at Urbana-Champaign, where he completed his bachelor's in theater in 1980. Thereupon, he enrolled at the Tisch School of the Arts of New York University, where he received his MFA. He was a classmate of Spike Lee and worked on the crew of his thesis film, Joe's Bed-Stuy Barbershop: We Cut Heads. During graduate school, Lee finished a 16 mm short film, Shades of the Lake (1982), which won the Best Drama Award in Short Film in Taiwan. His own thesis work, a 43-minute drama, Fine Line (1984), won NYU's prestigious Wasserman Award for Outstanding Direction and was later selected for the Public Broadcasting Service.

Dormancy after graduation

Lee's NYU thesis drew attention from the William Morris Agency, the famous talent and literary agency that later represented Lee. At first, though, WMA found Lee few opportunities, and Lee remained unemployed for six years. During this time, he was a full-time househusband, while his wife Jane Lin (Chinese: 林惠嘉; pinyin: Lín Huìjiā), a molecular biologist, was the sole breadwinner for the family of four. This arrangement, an embarrassment in Chinese culture, put enormous pressure on the couple, but with Lin’s support and understanding, Lee did not abandon his career in films but continued to generate new ideas from movies and performances. He also wrote several screenplays during this time. [5]

In 1990, Lee submitted two screenplays, Pushing Hands and The Wedding Banquet, to a competition sponsored by Taiwan’s Government Information Office, and they came in first and second respectively. The winning screenplays brought Lee to the attention of Li-Kong Hsu (Chinese: 徐立功; pinyin: Xú Lìgōng), a recently promoted senior manager in a major studio who had strong interests in Lee’s unique style and freshness. Hsu, a first-time producer, invited Lee to direct Pushing Hands, a full-length feature that debuted in 1991.

Debut from Taiwan

Pushing Hands (1992) was a success in Taiwan both among critics and at the box office. It received eight nominations in the Golden Horse Film Festival, Taiwan’s premier film festival. Inspired by the success, Hsu collaborated with Lee in their second film, The Wedding Banquet (1993), which won the Golden Bear in the Berlin Film Festival and was nominated as the Best Foreign Language Film in both the Golden Globe and the Academy Awards. In all, this film collected eleven Taiwanese and international awards and made Lee a rising star.

Lee's first two movies were based on stories of Taiwanese Americans, and both were filmed in the US. In 1995, Hsu invited Lee to return to Taiwan to make Eat Drink Man Woman, a film that depicts traditional values, modern relationships, and family conflicts in Taipei. The film was once again a box office hit and was critically acclaimed. For a second consecutive year, Lee’s film received the Best Foreign Language Film nomination in both the Golden Globe and Academy Awards, as well as in the British Academy Award. Eat Drink Man Woman won five awards in Taiwan and internationally, including the Best Director from Independent Spirit. Hollywood optioned the film rights and remade it into Tortilla Soup (2001, dir. María Ripoll). This is one of the rare occasions in which a Taiwanese film was remade outside the island.

Coming to Hollywood

Lee's three dramas opened the door to Hollywood for him. In 1995, Lee directed Columbia TriStar's British classical Sense and Sensibility. The switching from Taiwanese to British films did not stop Lee from claiming awards in the film festivals. Sense and Sensibility made Lee a second time director of the Golden Bear film in the Berlin Film Festival, and it was nominated in 7 Academy Awards and won the Best Adapted Screenplay by Emma Thompson. It also won the Golden Globe Award for Best Motion Picture - Drama. After these successes, Lee directed another two Hollywood movies: The Ice Storm (1997), a family-oriented satire set in 1970s suburban America, and Ride with the Devil, an American Civil War drama (1999).

Although the critics still highly favored these works, the box office was not impressive, which paused Lee’s uninterrupted popularity from the general audience and art schools since his first full-length movie. However, in the late 1990s and 2000s, The Ice Storm has had high VHS and DVD sales and rentals and repeated screenings on Cable television, which has increased the film's popularity among audiences.

Wuxia and the superhero genre

In 1999, Li-Kong Hsu, Lee’s old partner and supporter, invited him to make a movie based on the traditional Chinese “wuxia” (martial arts and chivalry) genre. Excited about the opportunity to fulfill his childhood dream, Lee assembled a team from Taiwan, Hong Kong, and Mainland China for Crouching Tiger, Hidden Dragon (2000). The film was a surprising success worldwide. With Chinese dialogue and English subtitles, the film became the highest grossing foreign film in many countries, including the United States and the United Kingdom, and was nominated for Best Picture, Best Foreign Language Film, and Best Director at the Academy Awards. It ended up winning Best Foreign Language Film and three technical awards. The success of Crouching Tiger demonstrated that Lee's artistry had a general appeal; it also inspired such established directors as Zhang Yimou and Chen Kaige to explore wuxia films for Western audience.

In 2003, Lee returned to Hollywood to direct Hulk, his first big-budget movie. Even though the film was based on a comic book superhero and was filled with obligatory CGI special effects, Lee used the genre to tell the tortuous story between a father and his son. The movie was a disappointment amongst both critics and audiences. After the setback, Lee considered retiring early, but his father encouraged him to continue making movies.

Climbing the Mountain

Lee decided to take on a small-budget, low-profile independent film based on Annie Proulx's Pulitzer Prize-finalist short story, Brokeback Mountain. In a 2005 article by Robert K. Elder, Lee was quoted as saying, "What do I know about gay ranch hands in Wyoming?" In spite of the director's removal from the subject at hand, Brokeback Mountain showcased Lee's skills in probing depths of the human heart.

The 2005 movie about the forbidden love between two Wyoming cowboys immediately caught public attention and initiated intense debates. The film was critically acclaimed at major international film festivals and won Lee numerous Best Director and Best Film awards worldwide. In addition, "Brokeback" became a cultural phenomenon and a box office hit. "Brokeback" was nominated for a leading eight Oscars and was the frontrunner for Best Picture heading into the March 5 ceremony, but lost out to Crash, a story about race relations in Los Angeles, in a controversial upset. There was speculation that the film's depiction of homosexuality might have been the reason for that upset, while others speculate that Crash was simply a better movie. Lee said he was disappointed that his film did not win Best Picture[6], but was honored to win Best Director, becoming the first Asian to ever win the award.

Lust, Caution

After Brokeback Mountain, Lee returned to a Chinese topic. His next film is Lust, Caution, which is adapted from a short novel by a Chinese author Eileen Chang. The story was written in 1950 loosely based on an actual event that took place in 1939-1940 in Japanese occupied-Shanghai, China, during World War II. Similar to Brokeback Mountain, Ang Lee adapted and expanded a short, simple story into a featured film in a way that allows individual figures to develop sophisticated layers of reserved emotions, without being sidetracked by complicated plots or overstuffed materials.

Lust, Caution is being distributed by Focus Features and premiered at international film festivals in the summer and early fall of 2007. In the US, the movie received a NC-17 rating (no one 17 and under admitted) from the MPAA mainly due to several strongly explicit sex scenes. This was a challenge to the film's distribution because many theater chains in the United States refuse to show NC-17 films. The director and film studio have decided not to appeal the decision. In order to be permitted to show Lust, Caution in mainland China, however, Lee removed 9 minutes from the film to make the content suitable for minor audiences, according to government restrictions.[7]

Lust, Caution won the Golden Lion from 2007 Biennale Venice Film Festival, making Lee awarded the highest prize for the second time in three years. The critics in the US, however, are not all positive. When Lust, Caution was played in Lee's native Taiwan in its original full-length edition, it was very well received. Staying in Taiwan to promote the film and to participate in a traditional Chinese holiday, Lee got emotional when he found that his work was widely applauded by fellow Chinese. Lee admitted that he had low expectations for this film from the US audience since "its pace, its film language — it's all very Chinese."[8]


Collaborations with James Schamus

Ang Lee is also known for his longtime collaboration with writer/producer James Schamus, with whom he co-wrote and produced nearly all his films, including Pushing Hands, Eat Drink Man Woman, The Wedding Banquet, The Ice Storm, Ride with the Devil, Crouching Tiger Hidden Dragon, Tortilla Soup, Hulk, Brokeback Mountain, and Lust, Caution.

Personal life

Lee lives in Larchmont, New York, with his wife, Jane Lin, a microbiologist, whom he married in 1983, and their younger son, Mason Lee (born 1990), a student at Mamaroneck High School. The couple also has another son, Haan Lee (born 1984).[3]

Linguistic diversity in Chinese films

Ang’s Chinese language films show a fair amount of linguistic diversity, which is rarely found at all in most Chinese films.[citation needed] In Pushing Hands, Mr. Old Chu had a fat Tai chi chuan student who spoke Cantonese. In The Wedding Banquet, Wai-tun Gao’s would-be bride of convenience Wei-wei, spoke to her parents on the telephone in the Wu dialect (Shanghainese). And the Chinese restaurant's owner spoke Mandarin with a Sichuan accent. In Eat Drink Man Woman, most of the younger generation spoke Mandarin with a Taiwanese accent; a matriarch spoke Mandarin with a Hunan accent. There was also a scene in Eat Drink Man Woman where an old man spoke to Jia-Chien in Taiwanese, while she responded in Mandarin.

While Chow Yun-Fat and Michelle Yeoh were criticized by Mandarin speakers for what they considered Mandarin with poor accents in Crouching Tiger Hidden Dragon, Yeoh pointed out in an December 28, 2000 interview with Cinescape that, “My character lived outside of Beijing, and so I didn’t have to do the Beijing accent.” When the interviewer Craig Reid remarked that, “[M]y mother-in-law has this strange Sichuan-Mandarin accent that’s hard for me to understand,” Yeoh responded, “[Y]es, provinces all have their very own strong accents. When we first started the movie, Cheng Pei Pei was going to have her accent, and Chang Zhen was going to have his accent, and this person would have that accent. And in the end nobody could understand what they were saying. Forget about us, even the crew from Beijing thought this was all weird.” In Lust, Caution, languages range from Cantonese, Shanghainese, Mandarin, Suzhou dialect, to Hindi, Japanese and English.

Films

Director

Year Title Chinese Title No. of Oscar nominations No. of Oscar wins
1992 Pushing Hands <<推手>>
1993 The Wedding Banquet <<喜宴>> 1
1994 Eat Drink Man Woman <<飲食男女>> 1
1995 Sense and Sensibility <<理性與感性>> 7 1
1997 The Ice Storm <<冰風暴>>
1999 Ride with the Devil <<與魔鬼共騎>>
2000 Crouching Tiger, Hidden Dragon <<臥虎藏龍>> 10 4
2002 The Hire
2003 Hulk <<绿巨人>>
2005 Brokeback Mountain <<斷背山>> 8 3
2007 Lust, Caution <<色，戒>>

See also: Films directed by Ang Lee

Writer

Actor

Editing

Producer

Awards

Notes

  1. ^ "Best picture goes to gritty drama 'Crash', Lee best director; Hoffman best actor; Witherspoon best actress". CNN. March 7, 2006. Retrieved 2007-04-22.
  2. ^ "Mongtomery Fellow Ang Lee to receive Dartmouth film award". Dartmouth News. 2006-10-13.
  3. ^ Ho Yi. Family and friends praise Ang Lee's quiet dedication. Taipei Times. March 7 2006.
  4. ^ Lycos (2006), Ang Lee, Lycos.com
  5. ^ "China Focus: Ang Lee". Retrieved 2007-04-22.
  6. ^ AP (2006-03-08). "Lee Disappointed Over 'Brokeback' Loss". CBSNews. {{cite news}}: Check date values in: |date= (help); Cite has empty unknown parameter: |1= (help)
  7. ^ AFP (2007-09-11). "Ang Lee bows to China and self-censors award-winning film". Yahoo! News. {{cite news}}: Check date values in: |date= (help); Cite has empty unknown parameter: |1= (help)
  8. ^ Min Lee, Associated Press (2007-09-23). "Ang Lee: Don't expect much from 'Lust, Caution'". USA Today. {{cite news}}: Check date values in: |date= (help)
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Template:S-awards
Preceded by National Board of Review Award for Best Director
1995
for Sense and Sensibility 		Succeeded by
Preceded by New York Film Critics Circle Award for Best Director
1995
for Sense and Sensibility 		Succeeded by
Preceded by BAFTA Award for Best Direction
2000
for Crouching Tiger, Hidden Dragon 		Succeeded by
Preceded by Golden Globe Award for Best Director - Motion Picture
2001
for Crouching Tiger, Hidden Dragon 		Succeeded by
Preceded by Academy Award for Best Director
2005
for Brokeback Mountain 		Succeeded by
Preceded by National Board of Review Award for Best Director
2005
for Brokeback Mountain 		Succeeded by
Preceded by BFCA Critics' Choice Award for Best Director
2005
for Brokeback Mountain 		Succeeded by
Preceded by Dallas-Fort Worth Film Critics Association Award for Best Director
2005
for Brokeback Mountain 		Succeeded by
Preceded by New York Film Critics Circle Award for Best Director
2005
for Brokeback Mountain 		Succeeded by
Preceded by San Francisco Film Critics Circle Award for Best Director
2005
for Brokeback Mountain 		Succeeded by
Preceded by BAFTA Award for Best Direction
2005
for Brokeback Mountain 		Succeeded by
Preceded by Golden Globe Award for Best Director - Motion Picture
2006
for Brokeback Mountain 		Succeeded by
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