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* In an interview by the ''Industrial Nation'' [[zine]], [[Lustmord]] mainman '''Brian Williams''' declared the following about Ministry's Industrial metal phase: "I have no time for all this [[rock and roll]] shit they're doing now. (...) I can't understand why they would want to do it, I can't imagine why people would want to listen to it, but people have a right to do what they want. [[Ministry (band)|Ministry]] just doesn't interest me"<ref>FERGUNSON, Paul. '''Terror Against Terror:''' Lustmord's dancefloor coup. Industrial Nation, no. 7, p. 53-7, Spring 1993.</ref>.
* In an interview by the ''Industrial Nation'' [[zine]], [[Lustmord]] mainman '''Brian Williams''' declared the following about Ministry's Industrial metal phase: "I have no time for all this [[rock and roll]] shit they're doing now. (...) I can't understand why they would want to do it, I can't imagine why people would want to listen to it, but people have a right to do what they want. [[Ministry (band)|Ministry]] just doesn't interest me"<ref>FERGUNSON, Paul. '''Terror Against Terror:''' Lustmord's dancefloor coup. Industrial Nation, no. 7, p. 53-7, Spring 1993.</ref>.


* [[cEvin Key]] (of [[Skinny Puppy]]) listened to ''The Downward Spiral'' "1 or 2 times" and wasn't impressed<ref>{{cite web | url= http://69.13.120.241/interviews/newlife95.html|title= ???|author= Bali, Gunnar|publisher= New Life|date= [[May]] [[1995]]|accessdate= 2007-09-08}} Archived at [http://69.13.120.241 Litany: Music News Covering Skinny Puppy, Download, ohGr and Related Projects].</ref>; he thought that [[NIN]]'s success was "a bit of hype"<ref>{{cite web | url= http://69.13.120.241/interviews/newempire.html|title= cEvin Key: Music for Cats and Video Games|author= Radish, Diakon|publisher= New Empire|date= [[1997]]|accessdate= 2007-09-08}} Archived at [http://69.13.120.241 Litany: Music News Covering Skinny Puppy, Download, ohGr and Related Projects].</ref>. [[Nivek Ogre|Ogre]] went further: he called [[Nine Inch Nails]] "[[cock rock]]"<ref>BRIGHT, Matt. '''Dog Gone.''' Melody Maker, p. 39, February 24th 1996.</ref> and referred to [[Filter (band)|Filter]] and [[KMFDM]] derisively as "the new Metal", although he was admittedly impressed by [[Ministry (band)|Ministry's]] ''[[Psalm 69: The Way to Succeed and the Way to Suck Eggs|Psalm 69]]''<ref>GILL, Chris; ROTONDI, James. '''Heady Metal.''' Guitar Player, v. 30, n. 3, p. 74-82, , mar 1996.</ref>.
* [[cEvin Key]] (of [[Skinny Puppy]]) listened to ''The Downward Spiral'' "1 or 2 times" and wasn't impressed<ref>{{cite web | url= http://69.13.120.241/interviews/newlife95.html|title= ???|author= Bali, Gunnar|publisher= New Life|date= [[May]] [[1995]]|accessdate= 2007-09-08}} Archived at [http://69.13.120.241 Litany: Music News Covering Skinny Puppy, Download, ohGr and Related Projects].</ref>; he thought that [[NIN]]'s success was "a bit of hype"<ref>{{cite web | url= http://69.13.120.241/interviews/newempire.html|title= cEvin Key: Music for Cats and Video Games|author= Radish, Diakon|publisher= New Empire|date= [[1997]]|accessdate= 2007-09-08}} Archived at [http://69.13.120.241 Litany: Music News Covering Skinny Puppy, Download, ohGr and Related Projects].</ref>. [[Nivek Ogre|Ogre]] went further: he called [[Nine Inch Nails]] "[[cock rock]]"<ref>BRIGHT, Matt. '''Dog Gone.''' Melody Maker, p. 39, February 24th 1996.</ref> and referred to [[Filter (band)|Filter]] and [[KMFDM]] derisively as "the new Metal", although he was admittedly impressed by [[Ministry (band)|Ministry's]] ''[[Psalm 69: The Way to Succeed and the Way to Suck Eggs|Psalm 69]]''<ref>GILL, Chris; ROTONDI, James. '''Heady Metal.''' Guitar Player, v. 30, n. 3, p. 74-82, mar 1996.</ref>.


== Wavering Popularity ==
== Wavering Popularity ==

Revision as of 15:22, 18 December 2007

Industrial rock
Stylistic originsPunk rock, Industrial Music, Post-punk, No Wave, Oi!, Hardcore punk, Hard rock
Cultural originsEarly 1980s, United States, United Kingdom, Germany
Typical instrumentsElectric guitar - Synthesizer - Drum machine - Drums - Sequencer - Keyboard - Sampler
Derivative formsIndustrial Metal
Regional scenes
Neue Deutsche Härte
Other topics
Notable artists

Industrial Rock is a musical genre that fuses Industrial Music and specific Rock subgenres such as Punk, Oi!, Hardcore and later on Hard Rock. Industrial Rock spawned Industrial Metal and is frequently confused with the latter[citation needed].

Musical style

Industrial Rock artists generally employ the basic Rock instrumentation of electric guitars, drums and bass and pair it with white noise blasts, electronic music gear (synthesizers, sequencers, samplers and drum machines). Guitars are commonly heavily-distorted or otherwise-effected. Bass guitars and drums may be played live, or be replaced by electronic musical instruments or computers in general.

One characteristic that distinguishes Industrial Rock from its non-Industrial counterpart is the incorporation of sounds commonly associated with machinery and industry. The incorporation of this sound palette was pioneered by the early 1980s "Metal Music" artists (SPK, Einstürzende Neubauten, Die Krupps, Test Dept, Z'ev and others), who practiced an Industrial Music variation that relied heavily on Metal percussion, generally made with pipes, tubes and other products of industrial waste. The psychological effect was symbolic of urban decay[citation needed].

Both the music and the lyrics of Industrial Rock are commonly presented in a manner that some listeners might find unsettling. Many bands produce and release their own records, honoring the DIY credo. A combination of the elements above can be seen in a handful of post-punk purveyors: Chrome, Killing Joke, Laibach, The Swans and Big Black.

In his introduction for the Industrial Culture Handbook (1983), Jon Savage considered some hallmarks of the Industrial Music genre: organizational autonomy, shock tactics and the use of synthesizers and "anti-music"[1]. Furthermore, a "special interest" in the investigation of "cults, wars, psychological techniques of persuasion, unusual murders (especially by children and psychopaths), forensic pathology, venereology, concentration camp behavior, the history of uniforms and insignia" and "Aleister Crowley's magick" was present on Throbbing Gristle's work[2], as well as in other Industrial pioneers.

Origins

Industrial Music was created in the mid to late 1970s, amidst the Punk rock revolution and Disco fever, and was epitomised by bands such as Throbbing Gristle, Cabaret Voltaire, and SPK[3]. Within a few years, many other musical performers were incorporating industrial-musical elements into a variety of musical styles. The term "industrial rock" most likely had its genesis in the mid-1990s as a reaction to crossover bands being referred to as simply "industrial." [citation needed] The industrial rock designation called attention to the fundamental similarities with rock, as opposed to industrial.[citation needed] However, casual listeners still often use "industrial" to refer to the more accessible industrial rock style.

Many post-punk performers were early adopters of Industrial Music's techniques. Pere Ubu's debut (The Modern Dance, 1978), for example, was tagged "Industrial"[4]; it probably was the first rock record to be called such, even though Ubu's warped Rock 'n' roll was hardly the only one to make parallels with Industrial Music's nihilistic sonic science. PIL's early "death-disco" records were close in spirit to Industrial. So was San Francisco's Chrome, which melded Jimi Hendrix, The Sex Pistols and tape music experiments[5]; or Killing Joke, considered by Simon Reynolds as "a post-punk version of Heavy Metal"[6].

Others followed in their wake. The NYC band Swans were inspired by the local No Wave scene as well as Punk rock (Buzzcocks, The Sex Pistols), Noise (Whitehouse) and the original purveyors of Industrial Music - Cabaret Voltaire, Throbbing Gristle and SPK[7]. Steve Albini's Big Black followed a similar path, adding American Hardcore (Minor Threat, Black Flag) and Oi! (Skrewdriver) to the mix[8]. There was also Swiss industrialmeisters The Young Gods, who ditched guitars in favor of a sampler.

Mainstream Breakthrough

Industrial Rock's first commercial success might be attributed to Killing Joke's 1985 album, Night Time. It won a silver sales certificate (60,000+ in sales) by the BPI[9] on the strength of its four hits, including club favorite "Love Like Blood" and "Eighties".

Industrial Rock's true commercial breakthrough, though, came through Industrial Metal's early leading lights: Ministry and Nine Inch Nails. NIN's 1992 EP Broken hit the platinum mark in America and so did Ministry's Psalm 69[10]. Both groups participated in the Grammy's 1992 Best Metal Performance category (NIN won[11]). NIN went on the win another Grammy[12] and four more nominations[13]. Trent Reznor was also chosen by Time as one of the most influential americans in 1997[14]. The Downward Spiral (1994) was voted one of the top 100 records in 1990s by Rolling Stone magazine, as well as Marilyn Manson's Antichrist Superstar.[citation needed]

Industrial Rock reached its commercial peak in the latter half of the 1990s. According to the RIAA databases, its top-selling artists[15], together, shifted around 17,5 million units[16]. Other style-related groups gained recognition from the mainstream, being nominated for the Grammys: Rammstein, Marilyn Manson, White Zombie, and Spineshank.

Sales were still going strong throughout 2000-2005; at least 10 million records were sold during that timeframe[17].

Controversies

Industrial Rock vs. Industrial Metal

There is commonly some confusion concerning the difference between Industrial Rock and Industrial Metal genres. The problems of categorisation stem from the "fusional origins" of the musical styles, as well as issues of subjectivity, and are considered further in the main article on musical genres. For example: stalwarts Nine Inch Nails and KMFDM and other bands (such as Orgy[18]) are considered both Industrial Rock[19] and Industrial Metal[20].

The main differences between (early) Industrial Rock and Industrial Metal can be compared to the latter's adoption of elements from extreme forms of Punk and Heavy Metal - elements, by the way, not found on the music of the post-punk pioneers of "I-rock". The following items considered below are an attempt to differentiate Industrial Rock from it's metallic cousin[citation needed]:

  • Palm-Muted Speed Picking: Palm-muted speed picking is a defining element of Thrash Metal[28]. Notable Industrial songs that use this technique include: "Thieves" (Ministry), "Mr. Self Destruct" (Nine Inch Nails), the chorus of White Zombie's "More Human Than Human" and the majority of Fear Factory's compositions.
  • Guitar Solos: Although rare in Industrial Metal, guitar solos are a staple of the Hard Rock and Heavy Metal world. A few specimens: Adrian Belew's "guitar-texturing"[29] on the The Downward Spiral and a couple of songs off Psalm 69. (To be precise, "N.W.O." and "Jesus Built My Hotrod").
  • Unusually Fast Tempi: Industrial Metal songs sometimes use the incredibly fast tempi of Hardcore Punk[30]. These sped-up songs were also influenced by Metal subgenres that absorbed Hardcore's speed, such as Thrash[31] and Grindcore[32]. Fast music: "Envoyé" (The Young Gods), Ministry's "TV Song II", NIN's "March of the Pigs" and Marilyn Manson's "Antichrist Superstar" (the song).

Mixed-Reactions from Inside the Scene

While Industrial Rock was riding high on the charts of the late 1990s and early 2000s, its sudden popularity was met with mixed reactions from the music's early practitioners - from mild estrangement to outright hostility. Some examples:

  • Peter Christopherson (ex-TG, Coil) told The Wire that he "went into this record shop out in the middle of Wiltshire and they had an 'Industrial' section - so many of which I'd played on and I suddenly felt separate from it - like, this is not me, this is not what I'm about"[37].
  • In an interview by the Industrial Nation zine, Lustmord mainman Brian Williams declared the following about Ministry's Industrial metal phase: "I have no time for all this rock and roll shit they're doing now. (...) I can't understand why they would want to do it, I can't imagine why people would want to listen to it, but people have a right to do what they want. Ministry just doesn't interest me"[38].

Wavering Popularity

The Decline in America

While Industrial Rock was riding high on the American charts of the late 1990s and early 2000s, specific quarters of the music press were mounting a backlash against the genre.

This attitude is best represented by well-known music critic Jim DeRogatis. In a controversial April 2000 review for the Chicago Sun Times, DeRogatis dismissed NIN's new music as a "generic brand of industrial thrash" and accused Ministry of still repeating an act that "was old by 1992"[43]. Oddly enough, in the said review DeRogatis considered The Fragile a "commercial flop"[44]. A strange thought indeed for a double-album that reached the top spot of the Billboard 200[45] and went on to earn a Double Platinum status[46] - and was later named by Spin as "Album of the Year"[47].

A myriad of other reasons conspire to support Jim DeRogatis's line of thinking:

Recent controversial assessments of Industrial Rock include a recent interview with Skinny Puppy conducted by Matt Child. A scathing excerpt condemns the genre as simply plagiarizing earlier influences:

"Industrial music -- or whatever it is we're calling that convergence of electronic elements, big guitars and punk's troublemaking spirit these days -- has got a bad rap. Admittedly, a lot of it's deserved: Most of today's rivet-heads are content to simply plagiarize Ministry and KMFDM riffs, pack a few heavy beats behind the noise and round out the package with a few samples and a few electronic bleeps pulled from the latest software plug-in. It's probably pretty engaging and energizing if you're the type who walks around in a long, black trench-coat visualizing public-space massacres. For everyone else, sadly, it's just another sad, tired offshoot of metal that has its moments now and then."[50].

The Boom in Europe

Parallel to the "i-rock" decline in North America, Europe belched forth its own brand of electro-metal. Germany's Neue Deutsche Härte, in particular, has had an incredible success rate on continental Europe. Its leading light, Rammstein, has sold nearly 4 million records in Germany alone[51], while racking up gold (and platinum) records in Sweden[52], Austria[53], Belgium[54], the Netherlands[55], Switzerland[56], Denmark[57], Norway[58], Poland[59][60] and the Czech Republic[61].

Other like-minded German musicians have been making dents in the charts as well. Neue Deutsche Härte pioneers Oomph! have achieved a gold record for their Augen Auf! (2004) single[62]. Eisbrecher's debut entered at #13 on the Deutschen Alternative Top 20 Chart[63], while the group's second album (Antikörper, 2006) reached the #85 position on the German main chart[64].

Another born and bred European variation of Industrial Rock, "Cyber-metal" - led by Scandinavian acts such as Deathstars and The Kovenant - has had a remarkable underground success 'til now. Termination Bliss (2006), the sophomore Deathstars effort, landed on #87 in the German Media Control Chart[65]. They've already toured with goth metal "superstars" Paradise Lost and Lacuna Coil; as of September 2007, they're the opening act of Korn's European tour[66]. The Norwegian horror rockers Gothminister released their debut single "Angel" which entered at #10 on the Deutschen Alternative Top 20 Chart[67]. "Monsters" reached a peak position at #11. The Kovenant won two Spellemann awards[68], the Norwegian equivalent to the Grammys[69].

Artists

Labels

Sales & Awards

Main article: Industrial Rock: Sales & Awards

The template above re-directs to a page dedicated exclusively to the awards (Grammys, MTV Video Music Awards) and certifications (IFPI, RIAA, CRIA) given to Industrial Rock groups.

See Also

Notes

  1. ^ Savage, Jon. Introduction. In: Vale, Vivian; Juno, Andrea. RE/Search #6-7: Industrial Culture Handbook. San Francisco, CA: RE/SEARCH PUBLICATIONS, 1983, p. 5.
  2. ^ Throbbing Gristle. In: Vale, Vivian; Juno, Andrea. RE/Search #6-7: Industrial Culture Handbook. San Francisco, CA: RE/SEARCH PUBLICATIONS, 1983, p. 9.
  3. ^ Vale, Vivian; Juno, Andrea. RE/Search #6-#7: Industrial Culture Handbook. San Francisco, CA: RE/SEARCH PUBLICATIONS, 1983.
  4. ^ IRVIN, Jim. The Mojo Collection: The Greatest Albums of All Time. Edinburgh: Cannongate, 2001, p. 442.
  5. ^ REYNOLDS, Simon. Rip it up and start again: postpunk 1978-1984. London: Faber and Faber Limited, 2005, p. 257-8.
  6. ^ Ibid, p. 435.
  7. ^ Licht, Alan. Tunnel Vision. The Wire, n. 233, p. 30-37, jul 2003.
  8. ^ Sharp, Chris. Atari Teenage Riot: 60 Second Wipe Out. The Wire, n. 183, p. 48-49, may 1999.
  9. ^ "CERTIFIED AWARDS". THE BPI. Retrieved 2007-08-24. {{cite web}}: External link in |publisher= (help)
  10. ^ "GOLD AND PLATINUM - Searchable Database". RIAA. Retrieved 2007-12-12. {{cite web}}: External link in |publisher= (help)
  11. ^ "35th Annual Grammy Awards - 1993". ROCK ON THE NET. Retrieved 2007-12-12. {{cite web}}: External link in |publisher= (help)
  12. ^ "38th Annual Grammy Awards - 1996". ROCK ON THE NET. Retrieved 2007-12-14. {{cite web}}: External link in |publisher= (help)
  13. ^ "40th Annual Grammy Awards - 1998". ROCK ON THE NET. Retrieved 2007-12-14. {{cite web}}: External link in |publisher= (help)
  14. ^ "TIME'S 25 MOST INFLUENTIAL AMERICANS". TIME. 1997-04-21. Retrieved 2007-12-14. {{cite web}}: Check date values in: |date= (help); External link in |publisher= (help)
  15. ^ Groups such as Filter, Marilyn Manson, Ministry, Nine Inch Nails, Orgy, Rammstein, Stabbing Westward, Static-X and White Zombie, plus Rob Zombie's solo career.
  16. ^ "GOLD AND PLATINUM - Searchable Database". RIAA. Retrieved 2007-08-25. {{cite web}}: External link in |publisher= (help)
  17. ^ Same as above.
  18. ^ Bonyata, Tony. "Orgy Candy Coats Industrial-Metal". Concert Livewire. Retrieved 2007-09-25. {{cite web}}: External link in |publisher= (help)
  19. ^ "Industrial Rock Weekly Top 100 Music Videos.[1-10]". MICKEY.TV. Retrieved 2007-09-25. {{cite web}}: External link in |publisher= (help)
  20. ^ Stillman, Brian. The Revolver Record Collection Part 3: Industrial. Revolver, No. 36, p. 68-9, June 2005.
  21. ^ "crust". Urban Dictionary: Define Your World. 2004-05-13. Retrieved 2007-10-01. {{cite web}}: Check date values in: |date= (help); External link in |publisher= (help)
  22. ^ ork, Will (July 2004). "Voices from hell". San Francisco Bay Guardian. Retrieved 2007-09-25.
  23. ^ "Grindcore". allmusic. Retrieved 2007-10-12. {{cite web}}: External link in |publisher= (help)
  24. ^ Fusilli, Jim (Wednesday, February 1, 2006). "That's Good Enough for Me". The Wall Street Journal. Retrieved 2007-09-25. {{cite web}}: Check date values in: |date= (help)
  25. ^ "growl". Urban Dictionary: Define Your World. 2006-04-13. Retrieved 2007-09-30. {{cite web}}: Check date values in: |date= (help); External link in |publisher= (help)
  26. ^ "Playing the Double Bass Pedal". Bass Drum System. Retrieved 2007-09-30. {{cite web}}: External link in |publisher= (help)
  27. ^ "Learn How To Be A Heavy Metal Drummer". How to Play Drums with Drum Lessons. Retrieved 2007-09-30. {{cite web}}: External link in |publisher= (help)
  28. ^ "Thrash". allmusic. Retrieved 2007-10-12. {{cite web}}: External link in |publisher= (help)
  29. ^ "Nine Inch Nails Meets The Lone Rhino". Guitar Player. April 1993. Retrieved 2007-09-27. {{cite web}}: Check date values in: |date= (help) Archived at Nine Inch Nails: Painful Convictions
  30. ^ "Hardcore Punk". allmusic. Retrieved 2007-10-12. {{cite web}}: External link in |publisher= (help)
  31. ^ "Thrash". allmusic. Retrieved 2007-10-12. {{cite web}}: External link in |publisher= (help)
  32. ^ Mudrian, Albert. Choosing Death: the Improbable History of Death Metal and Grindcore. Los Angeles, CA: Feral House, 2004, p. 31.
  33. ^ "The Godflesh FAQ". Godflesh-Crumbling Flesh. Retrieved 2007-09-25. {{cite web}}: External link in |publisher= (help)
  34. ^ Jenkins, Ryan. "Divine Heresy - Interview with Dino". Planet-Loud Dot Com. Retrieved 2007-10-10. {{cite web}}: External link in |publisher= (help)
  35. ^ "MIKE RIGGS (ROB ZOMBIE guitar player)". White Zombie + Rob Zombie : Zombie Land II. Retrieved 2007-09-25. {{cite web}}: External link in |publisher= (help)
  36. ^ "Termination Bliss guitar tabs". DEATHSTARS. 2007-01-01. Retrieved 2007-09-28. {{cite web}}: Check date values in: |date= (help); External link in |publisher= (help)
  37. ^ Keenan, David (1998-07-21). "Time Out Of Joint". THE WIRE - ADVENTURES IN MODERN MUSIC. Retrieved 2007-09-08. {{cite web}}: Check date values in: |date= (help); External link in |publisher= (help)
  38. ^ FERGUNSON, Paul. Terror Against Terror: Lustmord's dancefloor coup. Industrial Nation, no. 7, p. 53-7, Spring 1993.
  39. ^ Bali, Gunnar (May 1995). "???". New Life. Retrieved 2007-09-08. {{cite web}}: Check date values in: |date= (help) Archived at Litany: Music News Covering Skinny Puppy, Download, ohGr and Related Projects.
  40. ^ Radish, Diakon (1997). "cEvin Key: Music for Cats and Video Games". New Empire. Retrieved 2007-09-08. {{cite web}}: Check date values in: |date= (help) Archived at Litany: Music News Covering Skinny Puppy, Download, ohGr and Related Projects.
  41. ^ BRIGHT, Matt. Dog Gone. Melody Maker, p. 39, February 24th 1996.
  42. ^ GILL, Chris; ROTONDI, James. Heady Metal. Guitar Player, v. 30, n. 3, p. 74-82, mar 1996.
  43. ^ DeRogatis, Jim (April 2000). "Nine Inch Nails stuck in the '90s". Chicago Sun Times. Retrieved 2007-08-24. {{cite web}}: Check date values in: |date= (help) Archived at The NIN Hotline.
  44. ^ Same as above.
  45. ^ Soeder, John (2000-04-09). "Rock's outlook bleak, but this Nail won't bend". Cleveland.com. Retrieved 2006-10-28. {{cite web}}: Check date values in: |date= (help) Archived at The NIN Hotline.
  46. ^ "GOLD AND PLATINUM - Searchable Database". RIAA. Retrieved 2007-08-24. {{cite web}}: External link in |publisher= (help)
  47. ^ Kaufman, Gil (1999-12-02). "Rock radio pumps up volume". SonicNet News. Retrieved 2007-08-24. {{cite news}}: Check date values in: |date= (help) Archived at The NIN Hotline.
  48. ^ HOCHMAN, Steve. Rock & Roll: Hype or Hope? Rolling Stone, p. 20-1, n. 756, mar 1997.
  49. ^ Considered only are the artists have earned either gold or platinum certifications from the RIAA. This short list includes Björk, Fatboy Slim, Moby, Portishead, The Chemical Brothers, The Crystal Method and The Prodigy.
  50. ^ Child, Matt (2007-02-26). "Dog Days: Skinny Puppy". Aversion.com - Rock, Punk, Indie news. Retrieved 2007-09-08. {{cite web}}: Check date values in: |date= (help); External link in |publisher= (help)
  51. ^ "Gold/Platin Datenbank durchsuchen". www.ifpi.de - Die deutschen Phonoverbände. Retrieved 2007-12-14. {{cite web}}: External link in |publisher= (help)
  52. ^ "GULD & PLATINA - År 2004". IFPI. Retrieved 2007-12-14. {{cite web}}: External link in |publisher= (help)
  53. ^ "Gold und Platin Datenbank". IFPI Austria, Verband der Österreichischen Musik Wirstchaft. Retrieved 2007-12-14. {{cite web}}: External link in |publisher= (help)
  54. ^ "Belgium Database". Charts français. Retrieved 2007-12-14. {{cite web}}: External link in |publisher= (help)
  55. ^ "Goud/Platina Muziek". nvpi. Retrieved 2007-12-14. {{cite web}}: External link in |publisher= (help)
  56. ^ "Search for: Rammstein". The Official Swiss Charts and Music Community. Retrieved 2007-12-14. {{cite web}}: External link in |publisher= (help)
  57. ^ "Guld og platin". IFPI Danmark - IFPI.dk. Retrieved 2007-12-14. {{cite web}}: External link in |publisher= (help)
  58. ^ "SØK I TROFÉER". IFPI Norsk platebransje. Retrieved 2007-12-14. {{cite web}}: External link in |publisher= (help)
  59. ^ "Platinium certification awards". Związek Producentów Audio-Video. Retrieved 2007-12-14. {{cite web}}: External link in |publisher= (help)
  60. ^ "Gold certification awards". Związek Producentów Audio-Video. Retrieved 2007-12-14. {{cite web}}: External link in |publisher= (help)
  61. ^ "TIMELINE: October 28, 2005". RAMMSTEIN :: News. Retrieved 2007-12-14. {{cite web}}: External link in |publisher= (help)
  62. ^ "Gold/Platin Datenbank durchsuchen". www.ifpi.de - Die deutschen Phonoverbände. Retrieved 2007-12-14. {{cite web}}: External link in |publisher= (help)
  63. ^ "Former MEGAHERZ Duo Launch EISBRECHER". BLABBERMOUTH.NET. 2004-05-24. Retrieved 2007-08-24. {{cite web}}: Check date values in: |date= (help); External link in |publisher= (help)
  64. ^ "EISBRECHER: 'Antikörper' Enters German Chart At No. 85". BLABBERMOUTH.NET. 2006-11-02. Retrieved 2007-08-24. {{cite web}}: Check date values in: |date= (help); External link in |publisher= (help)
  65. ^ "DEATHSTARS: 'Virtue To Vice' Video Posted Online". BLABBERMOUTH.NET. June 13, 2007 2007-06-13. Retrieved 2007-10-07. {{cite web}}: Check date values in: |date= (help); External link in |publisher= (help)
  66. ^ "News Library: Live". Nuclear Blast Europe. September 2007. Retrieved 2007-10-10. {{cite web}}: Check date values in: |date= (help); External link in |publisher= (help)
  67. ^ "BIO(short version)". Gothminister. Retrieved 2007-10-10. {{cite web}}: External link in |publisher= (help)
  68. ^ "IFPI Norsk platebransje". Spellemannprisen. Retrieved 2007-12-14. {{cite web}}: External link in |publisher= (help)
  69. ^ "Spellemannsprisen - the Norwegian equivalent to the Grammy Awards". MIC - Musikkinformasjonssenteret. Retrieved 2007-12-14. {{cite web}}: External link in |publisher= (help)
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