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'''Jochem Hendricks''' (born |
'''Jochem Hendricks''' (born c. 1959) is a contemporary artist from [[Frankfurt, Germany]].<ref name=Indy1>''[[The Independent]]'', "Art and man-made diamonds", 13 August 2007</ref> One of his works which asked "far-reaching questions about the value and meaning of labour" involved paying [[illegal immigrants]] to count millions of sand grains over a period of over eight years.<ref>Henley, Jon. "[http://www.guardian.co.uk/politics/2007/jul/25/1 Comment & Debate: Diary]", ''[[The Guardian]]'' 25 July 2007</ref> |
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His earlier work included "eye drawings" whereby his pupils where tracked by a head-mounted scanner; the results were printed out and exhibited at the [[San Francisco Museum of Modern Art]].<ref>Rugoff, Ralph ''Virtual corridors of power'', [[Financial Times]], 31 March 2001</ref> His first solo exhibition in London was held at the [[Haunch of Venison]] in |
His earlier work included "eye drawings" whereby his pupils where tracked by a head-mounted scanner; the results were printed out and exhibited at the [[San Francisco Museum of Modern Art]].<ref>Rugoff, Ralph ''Virtual corridors of power'', ''[[Financial Times]]'', 31 March 2001</ref> His first solo exhibition in London was held at the [[Haunch of Venison]] in August 2007.<ref name=Indy1/> In 2013, [[The New Art Gallery Walsall]] exhibited a collection of his installations, sculpture, film and paintings.<ref>DAILYLIVE, ''[[Coventry Telegraph]]'', 9 March 2013</ref> |
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==References== |
==References== |
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Revision as of 02:29, 3 May 2013
Jochem Hendricks | |
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| Born | c1959 |
| Occupation | Artist |
Jochem Hendricks (born c. 1959) is a contemporary artist from Frankfurt, Germany.[1] One of his works which asked "far-reaching questions about the value and meaning of labour" involved paying illegal immigrants to count millions of sand grains over a period of over eight years.[2]
His earlier work included "eye drawings" whereby his pupils where tracked by a head-mounted scanner; the results were printed out and exhibited at the San Francisco Museum of Modern Art.[3] His first solo exhibition in London was held at the Haunch of Venison in August 2007.[1] In 2013, The New Art Gallery Walsall exhibited a collection of his installations, sculpture, film and paintings.[4]
References
- ^ a b The Independent, "Art and man-made diamonds", 13 August 2007
- ^ Henley, Jon. "Comment & Debate: Diary", The Guardian 25 July 2007
- ^ Rugoff, Ralph Virtual corridors of power, Financial Times, 31 March 2001
- ^ DAILYLIVE, Coventry Telegraph, 9 March 2013
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