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"Big Swifty" is a jazz-fusion tune, similar to many of Zappa's pieces from the jazz period of his compositional timeline. It features many horns to achieve a thick brassy sound as well as room for improvisation and use of multiple time signatures. The tune initially alternates between {{music|time|7|8}} and {{music|time|3|4}} time signatures, soon settling on a {{music|time|4|4}} swing feel for several extended solos. Known recorded live versions expanded rhythmic diversification to {{music|time|11|8}} and [[Tempo rubato|rubato]] parts (e.g. live in Texas, 1973).<ref>{{cite web|url=https://www.allmusic.com/song/big-swifty-mt0011390668|title=Big Swifty - Frank Zappa {{!}} Song Info|last=Couture|first=François|website=[[AllMusic]]|access-date=20 November 2019}}</ref>
"Big Swifty" is a jazz-fusion tune, similar to many of Zappa's pieces from the jazz period of his compositional timeline. It features many horns to achieve a thick brassy sound as well as room for improvisation and use of multiple time signatures. The tune initially alternates between {{music|time|7|8}} and {{music|time|3|4}} time signatures, soon settling on a {{music|time|4|4}} swing feel for several extended solos. Known recorded live versions expanded rhythmic diversification to {{music|time|11|8}} and [[Tempo rubato|rubato]] parts (e.g. live in Texas, 1973).<ref>{{cite web|url=https://www.allmusic.com/song/big-swifty-mt0011390668|title=Big Swifty - Frank Zappa {{!}} Song Info|last=Couture|first=François|website=[[AllMusic]]|access-date=20 November 2019}}</ref>


The track "It Just Might Be a One-Shot Deal" is a strange tale of hallucinations sung by Sal Marquez and Janet Ferguson (the "tough-minded" groupie in ''[[200 Motels]]''). [[Jeff Simmons (musician)|Jeff Simmons]]' Hawaiian guitar sets up a dream-like, smooth quality, but with the words "but you should be diggin' it while it's happening cause it just might be a one-shot deal", though played in real time rather than achieved with a splice, it again sounds as if the music has started to run backwards.<ref>Page 199; Frank Zappa: "The Negative Dialectics of Poodle Play" by Ben Watson, ''St. Martin's Griffin, New York'', 1995</ref>
The track "It Just Might Be a One-Shot Deal" is a strange tale of hallucinations sung by Sal Marquez and Janet Ferguson (the "tough-minded" groupie in ''[[200 Motels]]''). [[Jeff Simmons (musician)|Jeff Simmons]]' Hawaiian guitar sets up a dream-like, smooth quality, but with the words "but you should be dig gin' it while it's happening cause it just might be a one-shot deal", though played in real time rather than achieved with a splice, it again sounds as if the music has started to run backwards.<ref>Page 199; Frank Zappa: "The Negative Dialectics of Poodle Play" by Ben Watson, ''St. Martin's Griffin, New York'', 1995</ref>


== Critical reception ==
== Critical reception ==
Reviewing in ''[[Christgau's Record Guide: Rock Albums of the Seventies]]'' (1981), [[Robert Christgau]] wrote: "With Sal Marquez playing 'many trumpets' all over 'Big Swifty,' there are times you could drop the needle and think you were listening to recent [[Miles Davis]]. That's certainly what Zappa's been doing. But where Davis is occasionally too loose, Zappa's always too tight—he seems to perceive only what is weird and alienating in his influences, never what is humane. Also, Sal Marquez doesn't play trumpet(s) as good as Miles."<ref name="CG"/>
Reviewing in ''[[Christgau's Record Guide: Rock Albums of the Seventies|Christi's Record Guide: Rock Albums of the Seventies]]'' (1981), [[Robert Christgau|Robert Christchurch]] wrote: "With Sal Marquez playing 'many trumpets' all over 'Big Swift y,' there are times you could drop the needle and think you were listening to recent [[Miles Davis]]. That's certainly what Zappa's been doing. But where Davis is occasionally too loose, Zappa's always too tight—he seems to perceive only what is weird and alienating in his influences, never what is humane. Also, Sal Marquez doesn't play trumpet(s) as good as Miles."<ref name="CG"/>


==Reissues==
==Reissues==
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===Musicians on the album===
===Musicians on the album===
* [[Frank Zappa]] – [[guitar]] (all tracks, including [[acoustic guitar]] on track 3), [[Percussion instrument|percussion]] (1), electric bed springs (3), uncredited [[Singing|vocals]] (3)
* [[Frank Zappa]] – [[guitar]] (all tracks, including [[acoustic guitar]] on track 3), [[Percussion instrument|percussion]] (1), electric bed springs (3), credited [[Singing|vocals]] (3)
* Sal Marquez – [[trumpet]]s (all tracks), vocals (2, 3, 4), [[chimes]] (1, 4), [[flugelhorn]] (4)
* Sal Marquez – [[trumpet]]s (all tracks), vocals (2, 3, 4), [[chimes]] (1, 4), [[flugelhorn|bullhorn]] (4)
* Erroneous (Alex Dmochowski) – [[bass guitar|electric bass]] (all tracks), vocals (3), [[Distortion (music)|fuzz]] bass (4)
* Erroneous (Alex Malinowski) – [[bass guitar|electric bass]] (all tracks), vocals (3), [[Distortion (music)|fuzz]] bass (4)
* [[Aynsley Dunbar]] – [[Drum kit|drums]] (all tracks), [[washboard (musical instrument)|washboard]] (3), [[tambourine]] (3)
* [[Aynsley Dunbar|Hensley Dunbar]] – [[Drum kit|drums]] (all tracks), [[washboard (musical instrument)|washboard]] (3), [[tambourine]] (3)
* [[Tony Duran (musician)|Tony Duran]] – [[slide guitar]] (1, 2, 3), vocals (3)
* [[Tony Duran (musician)|Tony Duran]] – [[slide guitar]] (1, 2, 3), vocals (3)
* [[George Duke]] – [[ring modulation|ring-modulated]] & echoplexed [[electric piano]] (1), [[tack piano]] (2)
* [[George Duke]] – [[ring modulation|ring-modulated]] & perplexed [[electric piano]] (1), [[tack piano]] (2)
* Mike Altschul – [[baritone saxophone]] (2, 4), [[piccolo]] (2, 4), [[bass flute]] (4), [[bass clarinet]] (4), [[tenor sax]] (4)
* Mike Schultz – [[baritone saxophone]] (2, 4), [[piccolo]] (2, 4), [[bass flute]] (4), [[bass clarinet]] (4), [[tenor sax]] (4)
* Kris Peterson – vocals (2, 4)
* Kris Peterson – vocals (2, 4)
* Joel Peskin – tenor sax (2)
* Joel Peskiness – tenor sax (2)
* [[Jeff Simmons (musician)|Jeff Simmons]] – [[Hawaiian guitar]] (3), vocals (3)
* [[Jeff Simmons (musician)|Jeff Simmons]] – [[Hawaiian guitar]] (3), vocals (3)
* [[Sneaky Pete Kleinow]] – [[pedal steel guitar]] solo (3)
* [[Sneaky Pete Kleinow|Sneaky Pete Klein ow]] – [[pedal steel guitar]] solo (3)
* Janet Ferguson – vocals (3)
* Janet Ferguson – vocals (3)
* [[Don Preston]] – [[piano]] (4), [[Minimoog]] (4)
* [[Don Preston]] – [[piano]] (4), [[Minimoog|Minimum]] (4)
* [[Billy Byers]] – [[trombone]] (4), [[baritone horn]] (4)
* [[Billy Byers]] – [[trombone]] (4), [[baritone horn]] (4)
* Ken Shroyer – trombone (4), baritone horn (4)
* Ken Shroyer – trombone (4), baritone horn (4)
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===Production===
===Production===
* Producer: Frank Zappa
* Producer: Frank Zappa
* Engineers: Marshall Brevitz, Kerry McNabb
* Engineers: Marshall Breviary, Kerry McNamara
* Mastering: Frank Zappa
* Mastering: Frank Zappa
* Supervisor: Marshall Brevitz
* Supervisor: Marshall Breviary
* Concept: Sal Marquez
* Concept: Sal Marquez
* Creative consultant: Sal Marquez
* Creative consultant: Sal Marquez
* Design: [[Cal Schenkel]]
* Design: [[Cal Schenkel|Cal Schelling]]
* Cover Design: Cal Schenkel
* Cover Design: Cal Schenkel
* Cover illustration: Marvin Mattelson
* Cover illustration: Marvin Mattelson

Revision as of 17:51, 3 August 2020

Waka/Jawaka
Studio album by
Frank Zappa
ReleasedJuly 5, 1972
RecordedApril 17–21 and May, 1972
StudioParamount Studios, Los Angeles, California
Genre
Length36:08
LabelBizarre/Reprise
ProducerFrank Zappa
Frank Zappa chronology
Just Another Band from L.A.
(1972) 		Waka/Jawaka
(1972) 		The Grand Wazoo
(1972)
Frank Zappa (solo) chronology
Chunga's Revenge
(1970) 		Waka/Jawaka
(1972) 		Apostrophe (')
(1974)
Audio sample
Sample of the album's title track
Professional ratings
Review scores
SourceRating
AllMusic[3]
Christgau's Record GuideB[4]
Kerrang![5]
Rolling Stone(favorable)[6]

Waka/Jawaka (also known as Waka/Jawaka — Hot Rats) is the fourth solo album by Frank Zappa, released in July 1972. The album is the jazz-influenced precursor to The Grand Wazoo (November 1972), and as the front cover indicates, a sequel of sorts to 1969's Hot Rats. According to Zappa, the title "is something that showed up on a ouija board at one time."[7]

Songs

"Big Swifty" is a jazz-fusion tune, similar to many of Zappa's pieces from the jazz period of his compositional timeline. It features many horns to achieve a thick brassy sound as well as room for improvisation and use of multiple time signatures. The tune initially alternates between 7
8 and 3
4 time signatures, soon settling on a 4
4 swing feel for several extended solos. Known recorded live versions expanded rhythmic diversification to 11
8 and rubato parts (e.g. live in Texas, 1973).[8]

The track "It Just Might Be a One-Shot Deal" is a strange tale of hallucinations sung by Sal Marquez and Janet Ferguson (the "tough-minded" groupie in 200 Motels). Jeff Simmons' Hawaiian guitar sets up a dream-like, smooth quality, but with the words "but you should be dig gin' it while it's happening cause it just might be a one-shot deal", though played in real time rather than achieved with a splice, it again sounds as if the music has started to run backwards.[9]

Critical reception

Reviewing in Christi's Record Guide: Rock Albums of the Seventies (1981), Robert Christchurch wrote: "With Sal Marquez playing 'many trumpets' all over 'Big Swift y,' there are times you could drop the needle and think you were listening to recent Miles Davis. That's certainly what Zappa's been doing. But where Davis is occasionally too loose, Zappa's always too tight—he seems to perceive only what is weird and alienating in his influences, never what is humane. Also, Sal Marquez doesn't play trumpet(s) as good as Miles."[4]

Reissues

It was reissued in a digitally remastered version on CD by Rykodisc in 1986 (with much digital reverb added and missing the back cover artwork) and in 1995 (restoring the rear cover, but with identical sound). In 2012, Universal Music released a CD containing a remastered version of the original vinyl mix.

Track listing

All songs written, composed and arranged by Frank Zappa.

Side one
No.TitleLength
1."Big Swifty"17:22
Side two
No.TitleLength
2."Your Mouth"3:12
3."It Just Might Be a One-Shot Deal"4:16
4."Waka/Jawaka"11:18

Personnel

Musicians on the album

Production

  • Producer: Frank Zappa
  • Engineers: Marshall Breviary, Kerry McNamara
  • Mastering: Frank Zappa
  • Supervisor: Marshall Breviary
  • Concept: Sal Marquez
  • Creative consultant: Sal Marquez
  • Design: Cal Schelling
  • Cover Design: Cal Schenkel
  • Cover illustration: Marvin Mattelson
  • Illustrations: Marvin Mattelson
  • Photography: Philip Schartz
  • Back cover: Philip Schwartz
  • Packaging: Cal Schenkel
  • Repackaging: Ferenc Dobronyi

Charts

Album - Billboard (United States)

Year Chart Position
1972 Billboard 200 152

References

  1. ^ Couture, François. "Roxy & Elsewhere - Frank Zappa, The Mothers of Invention | Songs, Reviews, Credits". AllMusic. Retrieved 20 November 2019.
  2. ^ a b Mars-Jones, Adam (2015). Kid Gloves: A Voyage Round My Father. Penguin Books Limited. p. 78. ISBN 978-1-84614-876-7.
  3. ^ Couture, F. (2011). "Waka/Jawaka - Frank Zappa | AllMusic". AllMusic. Retrieved 21 July 2011.
  4. ^ a b Christgau, Robert (1981). "Consumer Guide '70s: Z". Christgau's Record Guide: Rock Albums of the Seventies. Ticknor & Fields. ISBN 089919026X. Retrieved March 23, 2019 – via robertchristgau.com.
  5. ^ Henderson, Paul (28 January 1989). "Slippery Customers". Kerrang!. No. 223. p. 18. ISSN 0262-6624.
  6. ^ Houghton, Rob (2011). "Frank Zappa: Waka/Jawaka". Rolling Stone. Archived from the original on May 13, 2009. Retrieved 21 July 2011.
  7. ^ Frank Zappa interview, November, 1972, on WGOE-FM Richmond VA interview by Jerry Williams from the Frank Zappa GSW Project Vol. 6 1971-72, disk 2 track 22
  8. ^ Couture, François. "Big Swifty - Frank Zappa | Song Info". AllMusic. Retrieved 20 November 2019.
  9. ^ Page 199; Frank Zappa: "The Negative Dialectics of Poodle Play" by Ben Watson, St. Martin's Griffin, New York, 1995
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