Kinoks: Difference between revisions
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'Kinok' is a term coined by Dziga Vertov, combining the words 'Kino,' meaning 'Cinema,' and 'Oko,' meaning 'Eye.' The suffix, '-ok,' indicates a male, human agent<ref>{{cite book|last=O'Brien and Michelson|first=Kevin and Annette|title=Kino-Eye: The Writings of Dziga Vertov|year=1984|publisher=University of California Press|location=California|isbn=0-86104-767-2|pages=5}}</ref> . |
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| ⚫ | The '''Kinoks''' |
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| ⚫ | The '''Kinoks''' were a collective of Soviet filmmakers in 1920s Russia, based most notably around the filmmaker, [[Dziga Vertov]]. In 1919 Vertov and his future wife, the talented film editor Elisaveta Svilova, plus several other young filmmakers created the group. Vertov's brother, [[Mikhail Kaufman]], returned from the civil war in 1922 and joined the group. From 1922 to 1923 Vertov, Kaufman, and Svilova published a number of manifestos in avant-garde journals which clarified the Kinoks' positions vis-à-vis other leftist groups. The Kinoks rejected "staged" cinema with its stars, plots, props and studio shooting. They insisted that the cinema of the future be the cinema of fact: newsreels recording the real world, "life caught unawares." Vertov proclaimed the primacy of camera ("Kino-Eye") over the human eye. The camera lens was a machine that could be perfected infinitely to grasp the world in its entirety and organize visual chaos into a coherent, objective picture. At the same time Vertov emphasized that his Kino-Eye principle was a method of "communist" deciphering of the world. For Vertov there was no contradiction here; as a true believer he considered [[Marxism]] the only objective and scientific tool of analysis and even called a series of the 23 newreels he directed between 1922 and 1925 [[Kino-Pravda]], "pravda" being not only the Russian word for the truth but also the title of the official party newspaper.<ref>http://72.14.253.104/search?q=cache:254Iuo-m0HwJ:cours.cegep-st-jerome.qc.ca/511-411-p.l/vertov.htm+kinoks&hl=en&ct=clnk&cd=4&gl=us&client=firefox-a |Dziga Vertov (1896-1954)</ref> |
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The most acclaimed work is undoubtedly the seminal city symphony, ''[[Man with a Movie Camera]]'' (1927). |
The most acclaimed work is undoubtedly the seminal city symphony, ''[[Man with a Movie Camera]]'' (1927). |
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Revision as of 10:01, 18 September 2011
'Kinok' is a term coined by Dziga Vertov, combining the words 'Kino,' meaning 'Cinema,' and 'Oko,' meaning 'Eye.' The suffix, '-ok,' indicates a male, human agent[1] .
The Kinoks were a collective of Soviet filmmakers in 1920s Russia, based most notably around the filmmaker, Dziga Vertov. In 1919 Vertov and his future wife, the talented film editor Elisaveta Svilova, plus several other young filmmakers created the group. Vertov's brother, Mikhail Kaufman, returned from the civil war in 1922 and joined the group. From 1922 to 1923 Vertov, Kaufman, and Svilova published a number of manifestos in avant-garde journals which clarified the Kinoks' positions vis-à-vis other leftist groups. The Kinoks rejected "staged" cinema with its stars, plots, props and studio shooting. They insisted that the cinema of the future be the cinema of fact: newsreels recording the real world, "life caught unawares." Vertov proclaimed the primacy of camera ("Kino-Eye") over the human eye. The camera lens was a machine that could be perfected infinitely to grasp the world in its entirety and organize visual chaos into a coherent, objective picture. At the same time Vertov emphasized that his Kino-Eye principle was a method of "communist" deciphering of the world. For Vertov there was no contradiction here; as a true believer he considered Marxism the only objective and scientific tool of analysis and even called a series of the 23 newreels he directed between 1922 and 1925 Kino-Pravda, "pravda" being not only the Russian word for the truth but also the title of the official party newspaper.[2]
The most acclaimed work is undoubtedly the seminal city symphony, Man with a Movie Camera (1927).
References
- ^ O'Brien and Michelson, Kevin and Annette (1984). Kino-Eye: The Writings of Dziga Vertov. California: University of California Press. p. 5. ISBN 0-86104-767-2.
- ^ http://72.14.253.104/search?q=cache:254Iuo-m0HwJ:cours.cegep-st-jerome.qc.ca/511-411-p.l/vertov.htm+kinoks&hl=en&ct=clnk&cd=4&gl=us&client=firefox-a |Dziga Vertov (1896-1954)
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