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Lea's early career collaborations included the alternative folk music duo The Murder of Crows with [[Alan Sparhawk]],<ref>{{Cite news|url=http://www.startribune.com/artist-of-the-year-honorable-mention-duluth-singer-and-advocate-gaelynn-lea/408655225/#1|title=Artist of the Year honorable mention: Duluth singer and advocate Gaelynn Lea|date=December 31, 2016|newspaper=Star Tribune|access-date=2017-02-26}}</ref> an "atmospheric, improvisational project" they began in 2011.<ref>{{Cite news|url=http://www.citypages.com/music/duluths-gaelynn-lea-builds-on-tiny-desk-buzz/393311921|title=Duluth's Gaelynn Lea builds on Tiny Desk buzz|last=Thompson|first=Erik|date=September 14, 2016|newspaper=City Pages (Twin Cities)|access-date=February 25, 2017}}</ref> Lea has also played with [[Charlie Parr]] and [[Billy McLaughlin]].<ref name=":0" />
Lea's early career collaborations included the alternative folk music duo The Murder of Crows with [[Alan Sparhawk]],<ref>{{Cite news|url=http://www.startribune.com/artist-of-the-year-honorable-mention-duluth-singer-and-advocate-gaelynn-lea/408655225/#1|title=Artist of the Year honorable mention: Duluth singer and advocate Gaelynn Lea|date=December 31, 2016|newspaper=Star Tribune|access-date=2017-02-26}}</ref> an "atmospheric, improvisational project" they began in 2011.<ref>{{Cite news|url=http://www.citypages.com/music/duluths-gaelynn-lea-builds-on-tiny-desk-buzz/393311921|title=Duluth's Gaelynn Lea builds on Tiny Desk buzz|last=Thompson|first=Erik|date=September 14, 2016|newspaper=City Pages (Twin Cities)|access-date=February 25, 2017}}</ref> Lea has also played with [[Charlie Parr]] and [[Billy McLaughlin]].<ref name=":0" />


Lea gained exposure after winning NPR's 2016 Tiny Desk Contest.<ref>{{Cite news|url=http://people.com/celebrity/gaelynn-lea-wins-nprs-tiny-desk-concert-contest/|title=Gaelynn Lea: Wins NPR’s Tiny Desk Concert Contest|last=Heigl|first=Alex|date=2016-03-03|newspaper=People|access-date=2017-02-26|language=en-US}}</ref> Her song and performance for "Someday We'll Linger in the Sun" was selected over six thousand other submissions<ref>{{Cite web|url=https://www.npr.org/2016/03/03/469034857/meet-gaelynn-lea-the-2016-tiny-desk-contest-winner|title=Meet Gaelynn Lea, The 2016 Tiny Desk Contest Winner|website=NPR.org|access-date=2017-02-26}}
Lea gained exposure after winning NPR's 2016 Tiny Desk Contest.<ref>{{Cite news|url=http://people.com/celebrity/gaelynn-lea-wins-nprs-tiny-desk-concert-contest/|title=Gaelynn Lea: Wins NPR's Tiny Desk Concert Contest|last=Heigl|first=Alex|date=2016-03-03|newspaper=People|access-date=2017-02-26|language=en-US}}</ref> Her song and performance for "Someday We'll Linger in the Sun" was selected over six thousand other submissions<ref>{{Cite web|url=https://www.npr.org/2016/03/03/469034857/meet-gaelynn-lea-the-2016-tiny-desk-contest-winner|title=Meet Gaelynn Lea, The 2016 Tiny Desk Contest Winner|website=NPR.org|access-date=2017-02-26}}
</ref> by a committee that included [[Dan Auerbach]] of the [[The Black Keys|Black Keys]], Jess Wolfe of [[Lucius (band)|Lucius]], [[Son Lux]] and NPR staff.<ref name=":0">{{Cite news|url=http://www.startribune.com/duluth-singer-songwriter-gaelynn-lea-wins-npr-s-tiny-desk-contest/370928351/|title=Duluth singer/fiddler Gaelynn Lea wins NPR's Tiny Desk Contest|last=Riemenschneider|first=Chris|date=March 3, 2016|newspaper=Star Tribune|access-date=2017-02-26}}</ref> Auerbach's citation read: "This song starts off with the sound of 20 old floorboards groaning and creaking in unison and then [[Karen Dalton (singer)|Karen Dalton]] and [[Joanna Newsom]] melt together in the form of Gaelynn Lea and set about absolutely obliterating your heart."<ref name=":0" />
</ref> by a committee that included [[Dan Auerbach]] of the [[The Black Keys|Black Keys]], Jess Wolfe of [[Lucius (band)|Lucius]], [[Son Lux]] and NPR staff.<ref name=":0">{{Cite news|url=http://www.startribune.com/duluth-singer-songwriter-gaelynn-lea-wins-npr-s-tiny-desk-contest/370928351/|title=Duluth singer/fiddler Gaelynn Lea wins NPR's Tiny Desk Contest|last=Riemenschneider|first=Chris|date=March 3, 2016|newspaper=Star Tribune|access-date=2017-02-26}}</ref> Auerbach's citation read: "This song starts off with the sound of 20 old floorboards groaning and creaking in unison and then [[Karen Dalton (singer)|Karen Dalton]] and [[Joanna Newsom]] melt together in the form of Gaelynn Lea and set about absolutely obliterating your heart."<ref name=":0" />


===Style and influence===
===Style and influence===
Lea possesses a [[mezzo-soprano]] voice, which has been characterized by Denny Dyroff of the ''Unionville Times'' as "ethereal".<ref>{{cite web|url=http://www.unionvilletimes.com/?p=32224|work=Unionville Times|last=Dyroff|first=Denny|date=20 October 2016|accessdate=21 July 2018|title=On Stage: Maurice Hines "Tappin’ Thru Life"}}</ref> Lea's style is rooted in classical, Celtic and traditional folk music. With the use of looping pedals Lea layers multiple orchestrated parts from a miked violin while she sings. Due to her physical stature she plays violin in the style of a cellist,<ref name="pbs">{{Cite news|url=https://www.pbs.org/newshour/art/tiny-desk-winner-on-why-musicians-with-disabilities-are-an-unequal-minority/|title='Tiny Desk' winner on why musicians with disabilities are an 'unequal minority'|newspaper=PBS NewsHour|access-date=2017-02-26|language=en-US}}
Lea possesses a [[mezzo-soprano]] voice, which has been characterized by Denny Dyroff of the ''Unionville Times'' as "ethereal".<ref>{{cite web|url=http://www.unionvilletimes.com/?p=32224|work=Unionville Times|last=Dyroff|first=Denny|date=20 October 2016|accessdate=21 July 2018|title=On Stage: Maurice Hines "Tappin' Thru Life"}}</ref> Lea's style is rooted in classical, Celtic and traditional folk music. With the use of looping pedals Lea layers multiple orchestrated parts from a miked violin while she sings. Due to her physical stature she plays violin in the style of a cellist,<ref name="pbs">{{Cite news|url=https://www.pbs.org/newshour/art/tiny-desk-winner-on-why-musicians-with-disabilities-are-an-unequal-minority/|title='Tiny Desk' winner on why musicians with disabilities are an 'unequal minority'|newspaper=PBS NewsHour|access-date=2017-02-26|language=en-US}}
</ref> which creates a unique sound: in this stance, her bow strikes the lower strings first (as they do on a cello), in contrast to most violinists for whom the bow strikes the highest string first.<ref name=":1" />
</ref> which creates a unique sound: in this stance, her bow strikes the lower strings first (as they do on a cello), in contrast to most violinists for whom the bow strikes the highest string first.<ref name=":1" />


Reviewing her performance at the 2017 Folk Alliance Conference for ''[[Paste Magazine]]'', [[Geoffrey Himes]] described Lea's "Watch the World Unfold" as the "most moving song" he heard at the conference: "The song draws its power from the tension between a young person’s optimistic plans and the obstacles that life throws in the way of those hopes, a conflict reinforced by the paradox of the sunny, childlike vocal melody and the cloudy, ominous swirl of violin harmony."<ref name=":1">{{cite news|last1=Himes|first1=Geoffrey|authorlink=Geoffrey Himes|title=Road Music, Chapter Two: Kansas City, Missouri|url=https://www.pastemagazine.com/articles/2017/02/road-music-chapter-two-kansas-city-missouri.html|accessdate=26 February 2017|work=Paste Magazine|date=February 21, 2017|language=en}}</ref>
Reviewing her performance at the 2017 Folk Alliance Conference for ''[[Paste Magazine]]'', [[Geoffrey Himes]] described Lea's "Watch the World Unfold" as the "most moving song" he heard at the conference: "The song draws its power from the tension between a young person’s optimistic plans and the obstacles that life throws in the way of those hopes, a conflict reinforced by the paradox of the sunny, childlike vocal melody and the cloudy, ominous swirl of violin harmony."<ref name=":1">{{cite news|last1=Himes|first1=Geoffrey|authorlink=Geoffrey Himes|title=Road Music, Chapter Two: Kansas City, Missouri|url=https://www.pastemagazine.com/articles/2017/02/road-music-chapter-two-kansas-city-missouri.html|accessdate=26 February 2017|work=Paste Magazine|date=February 21, 2017|language=en}}</ref>


Writing for ''[[The Kansas City Star]]'', Bill Brownlee contrasted Lea's musical style with what Brownlee called the "fussy forms of indie-rock" often praised by NPR ''[[All Songs Considered]]'''s hosts, [[Bob Boilen]] and Robin Hilton: "Many listeners who object to the tastemakers’ genteel predilections forgave the men after they discovered plaintive folk artist Gaelynn Lea last year...Filmed on a friend's iPhone, the video of Lea's rendition of her memorable original song 'Someday We'll Linger in the Sun' captures her otherworldly voice and ethereal fiddle playing."<ref name=":2">{{Cite news|url=http://www.kansascity.com/entertainment/ink/article131016639.html#storylink=cpy|title=Victory tour for NPR’s ‘Tiny Desk’ winner includes stops in KC and Lawrence|last=Brownlee|first=Bill|date=February 6, 2017|newspaper=Kansas City Star|access-date=2017-02-26|language=en}}</ref>
Writing for ''[[The Kansas City Star]]'', Bill Brownlee contrasted Lea's musical style with what Brownlee called the "fussy forms of indie-rock" often praised by NPR ''[[All Songs Considered]]'''s hosts, [[Bob Boilen]] and Robin Hilton: "Many listeners who object to the tastemakers’ genteel predilections forgave the men after they discovered plaintive folk artist Gaelynn Lea last year...Filmed on a friend's iPhone, the video of Lea's rendition of her memorable original song 'Someday We'll Linger in the Sun' captures her otherworldly voice and ethereal fiddle playing."<ref name=":2">{{Cite news|url=http://www.kansascity.com/entertainment/ink/article131016639.html#storylink=cpy|title=Victory tour for NPR's 'Tiny Desk' winner includes stops in KC and Lawrence|last=Brownlee|first=Bill|date=February 6, 2017|newspaper=Kansas City Star|access-date=2017-02-26|language=en}}</ref>


==Advocacy==
==Advocacy==

Revision as of 22:44, 4 November 2020

Gaelynn Lea
Gaelynn Lea in 2017
Gaelynn Lea in 2017
Background information
Born1984 (age 39–40)[1]
Duluth, Minnesota
GenresFolk, bluegrass, Celtic, experimental
Instrument(s)Violin, vocals
Websitewww.violinscratches.com

Gaelynn Lea Tressler (born January 21, 1984) is an American folk singer, violinist, public speaker and disability advocate from Duluth, Minnesota. She won NPR's 2016 Tiny Desk Contest.

Early life

Gaelynn Lea was born with osteogenesis imperfecta, a genetic condition that causes complications in the development of bones and limbs. Lea became impassioned by classical music from an early age, and in fifth grade a teacher took notice and encouraged Lea to pursue music after she had the class's only perfect score on a music listening test.[2] Lea developed a technique for violin which involved holding the bow "like a baseball bat" with the body of the instrument placed in front of her, like a cello, and attached to her foot so it wouldn't slip when she played.[3]

Lea attended Macalester College, where she majored in political science; prior to her music career, she had planned to pursue a career as a lawyer and disability rights advocate.[2]

Musical career

Lea's early career collaborations included the alternative folk music duo The Murder of Crows with Alan Sparhawk,[4] an "atmospheric, improvisational project" they began in 2011.[5] Lea has also played with Charlie Parr and Billy McLaughlin.[6]

Lea gained exposure after winning NPR's 2016 Tiny Desk Contest.[7] Her song and performance for "Someday We'll Linger in the Sun" was selected over six thousand other submissions[8] by a committee that included Dan Auerbach of the Black Keys, Jess Wolfe of Lucius, Son Lux and NPR staff.[6] Auerbach's citation read: "This song starts off with the sound of 20 old floorboards groaning and creaking in unison and then Karen Dalton and Joanna Newsom melt together in the form of Gaelynn Lea and set about absolutely obliterating your heart."[6]

Style and influence

Lea possesses a mezzo-soprano voice, which has been characterized by Denny Dyroff of the Unionville Times as "ethereal".[9] Lea's style is rooted in classical, Celtic and traditional folk music. With the use of looping pedals Lea layers multiple orchestrated parts from a miked violin while she sings. Due to her physical stature she plays violin in the style of a cellist,[10] which creates a unique sound: in this stance, her bow strikes the lower strings first (as they do on a cello), in contrast to most violinists for whom the bow strikes the highest string first.[2]

Reviewing her performance at the 2017 Folk Alliance Conference for Paste Magazine, Geoffrey Himes described Lea's "Watch the World Unfold" as the "most moving song" he heard at the conference: "The song draws its power from the tension between a young person’s optimistic plans and the obstacles that life throws in the way of those hopes, a conflict reinforced by the paradox of the sunny, childlike vocal melody and the cloudy, ominous swirl of violin harmony."[2]

Writing for The Kansas City Star, Bill Brownlee contrasted Lea's musical style with what Brownlee called the "fussy forms of indie-rock" often praised by NPR All Songs Considered's hosts, Bob Boilen and Robin Hilton: "Many listeners who object to the tastemakers’ genteel predilections forgave the men after they discovered plaintive folk artist Gaelynn Lea last year...Filmed on a friend's iPhone, the video of Lea's rendition of her memorable original song 'Someday We'll Linger in the Sun' captures her otherworldly voice and ethereal fiddle playing."[11]

Advocacy

Lea was a guest speaker at Yale University for a TedxTalk to discuss sexuality, the obstacles for people with disabilities, and the use of art as a vessel to overcome physical limitations.[12] She also speaks on accessibility in the music industry.[11][13]

Personal life

Around 2014 Lea married Paul Tressler, with whom she had been in a relationship since around 2007.[14] Tressler acts as Lea's tour manager.[15]

Discography

Solo albums

  • All the Roads that Lead Us Home (2015)
  • Deepest Darkness, Brightest Dawn (2016)
  • Learning How To Stay (2018)

Singles

  • Someday We'll Linger in the Sun (2016)
  • All Changing Tides (2017)

Extended plays

  • The Songs We Sing Along the Way (2016)

The Murder of Crows

  • Imperfecta (2012)

Snöbarn

  • Hand by Hand (2013)

The Getarounds

  • The Getarounds Live EP (2013)

References

  1. ^ Lea, Gaelynn. "Sexuality, Disability & the Journey to Inner Freedom". Gaelynn Lea.
  2. ^ a b c d Himes, Geoffrey (February 21, 2017). "Road Music, Chapter Two: Kansas City, Missouri". Paste Magazine. Retrieved 26 February 2017.
  3. ^ Rose, Beth (2017-02-18). "Music matters: Choosing the violin over walking". BBC News. Retrieved 2017-02-26.
  4. ^ "Artist of the Year honorable mention: Duluth singer and advocate Gaelynn Lea". Star Tribune. December 31, 2016. Retrieved 2017-02-26.
  5. ^ Thompson, Erik (September 14, 2016). "Duluth's Gaelynn Lea builds on Tiny Desk buzz". City Pages (Twin Cities). Retrieved February 25, 2017.
  6. ^ a b c Riemenschneider, Chris (March 3, 2016). "Duluth singer/fiddler Gaelynn Lea wins NPR's Tiny Desk Contest". Star Tribune. Retrieved 2017-02-26.
  7. ^ Heigl, Alex (2016-03-03). "Gaelynn Lea: Wins NPR's Tiny Desk Concert Contest". People. Retrieved 2017-02-26.
  8. ^ "Meet Gaelynn Lea, The 2016 Tiny Desk Contest Winner". NPR.org. Retrieved 2017-02-26.
  9. ^ Dyroff, Denny (20 October 2016). "On Stage: Maurice Hines "Tappin' Thru Life"". Unionville Times. Retrieved 21 July 2018.
  10. ^ "'Tiny Desk' winner on why musicians with disabilities are an 'unequal minority'". PBS NewsHour. Retrieved 2017-02-26.
  11. ^ a b Brownlee, Bill (February 6, 2017). "Victory tour for NPR's 'Tiny Desk' winner includes stops in KC and Lawrence". Kansas City Star. Retrieved 2017-02-26.
  12. ^ TEDx Talks (2017-01-18), Sexuality and Disability: Forging Identity in a World that Leaves You Out | Gaelynn Lea | TEDxYale, retrieved 2017-02-26
  13. ^ Walsh, Jim (18 October 2016). "A safe place for sensitive artists". Southwest Journal. Retrieved 26 February 2017.
  14. ^ Combs, Marianne (April 27, 2016). "For this fiddler, a tiny concert led to big things". Minnesota Public Radio.
  15. ^ John, Emma (14 December 2018). "'It's a cool time to be alive!' – fiddle sensation Gaelynn Lea on changing perceptions of disability". The Guardian.
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