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Peter Gelb

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Peter Gelb at the 68th Annual Peabody Awards

Peter Gelb (born 1953[1]) is an American arts administrator. Since August 2006, he has been General Manager of the Metropolitan Opera in New York City.

Career

Early career

While in high school, Gelb began his association with the Metropolitan Opera as an usher. At age 17, Gelb began his career in classical music as office boy to impresario Sol Hurok.

Gelb managed the Boston Symphony Orchestra’s 1979 tour to China at the end of the Cultural Revolution. The following year Gelb became Vladimir Horowitz's manager. Gelb assisted the pianist in the revival of his performing career, and managed his return to Russia in 1986.[citation needed]

In 1982, Gelb founded, and was president of, CAMI Video, a division of Columbia Artists Management. In this capacity, for six years he was executive producer of "The Metropolitan Opera Presents", the Met's series of televised opera broadcasts. Gelb produced 25 televised productions for the Met.[citation needed]

In 1992, Gelb produced both the stage and film versions of Julie Taymor’s first opera production, Oedipus Rex, for Seiji Ozawa’s Saito Kinen Festival.[citation needed]

Sony Classical

From 1995 until joining the Met, Gelb was president of Sony Classical Records. Gelb pursued a strategy of emphasizing crossover music over mainstream classical repertoire.[2] Examples include cellist Yo-Yo Ma, who was encouraged to record Americana, including an album with fiddler and composer Mark O'Connor and double-bassist and composer Edgar Meyer, Appalachia Waltz; electronic composer Vangelis, who recorded the choral symphony Mythodea; and Charlotte Church, a pop artist who started her career as a classical singer.[3]

Metropolitan Opera

Gelb became the 16th General Manager of the Metropolitan Opera, taking over from Joseph Volpe, on August 1, 2006. He launched the beginning of his tenure with several new productions, including Madama Butterfly directed by Anthony Minghella; The Barber of Seville by Bartlett Sher; and of Tan Dun's new opera The First Emperor directed by Zhang Yimou.

Gelb launched a number of new ventures for the Met, capitalizing on new media technology to distribute Met performances to a wider global audience. This became The Met: Live in HD series, the Met becoming the first performing arts company to offer live high definition broadcasts of its operas to cinemas and other performing arts centres in many countries of the world. The series gained both a Peabody and an Emmy Award. Several digitally-recorded performances are later offered on public television stations and released on DVDs for purchase.

In September 2006, Sirius Satellite Radio (now SiriusXM) launched Metropolitan Opera Radio, broadcasting live performances each week as well as historic performances from the Met’s radio archive. The Met also presents free, live audio streaming of performances from its website once a week. Other initiatives launched by Gelb include a commissioning program for new operas; free dress rehearsals for the public; a free live transmission of the opening-night performance onto screens at Times Square and Lincoln Center Plaza; a rush tickets program that offers select orchestra seats for weekday and weekend performances at reduced prices; and the Arnold and Marie Schwartz Gallery Met, a contemporary art exhibition space in the Met lobby that presents new work connected to Met productions.

During his tenure at the Met, Gelb has spearheaded the production of contemporary works, including the staging of two of John Adams's operas, Doctor Atomic and Nixon in China, with a third, The Death of Klinghoffer, planned for autumn 2014.[needs update] His other ideas have included an annual "family-oriented" presentation at Christmas time, and collaborations with the Vivian Beaumont Theater of Lincoln Center to develop newer musical works with musicians such as Wynton Marsalis, Rachel Portman, and Rufus Wainwright.[4] In January 2007 Gelb announced a commission for a new opera from Osvaldo Golijov, tentatively scheduled for the 2010-11 season.[5] However, following the death in 2008 of Anthony Minghella who was to have written the libretto, the premiere was postponed to 2018.[needs update][6][7]

Gelb, whose contract was extended  in November 2019 until 2027,[8]  has taken measures to increase ticket sales,[9] cut costs and raise the number of new productions, including those of recent operas and works written for the Met. In 2021-22, in collaboration with Met Music Director Yannick Nezet-Seguin, he programed three contemporary works.[10]

Gelb has also pushed for the diversification of casts, productions and staff. Fire Shut Up in My Bones, which opened the 2021-22 season, was the first work on the Met stage by a Black composer – and featured the Met’s first Black director, Camille A. Brown (who co-directed with James Robinson). “X: The Life and Times of Malcolm X” by Anthony Davis will receive a new production [11]in the fall of 2023. Mr. Gelb also named three composers of color to its commissioning program: Valerie Coleman, Jessie Montgomery and Joel Thomson. In 2021, he appointed Marcia Sells as the Met’s first chief diversity officer.[12]

Awards and recognitions

Peter Gelb at the 68th Annual Peabody Awards for The Metropolitan Opera

Among Gelb’s Emmy Award-winning films are Soldiers of Music: Rostropovich Returns to Russia (1991) and Vladimir Horowitz: The Last Romantic (1985), both with Maysles Films. Gelb received a Peabody Award for his four-part television series Marsalis on Music (1995), in which jazz trumpeter Wynton Marsalis introduces young audiences to the full experience of classical music and jazz.

Gelb also won Peabody Awards for the 1986 televised concert Horowitz in Moscow and for the Met’s Live in HD series. In 2001, he co-directed and produced a 90-minute documentary entitled Recording The Producers: A Musical Romp with Mel Brooks, about the making of the hit Broadway show’s cast album. The film was awarded a Grammy in 2002. Three of the Met’s Live in HD productions released on DVD—John Adams’s Doctor Atomic, Wagner’s Ring cycle, and Thomas Adès’s The Tempest (the last two both directed by Robert Lepage)—won consecutive Grammys for best opera recording for the company and for Gelb as executive producer between 2011 and 2013. He also received the Tribeca Disruptive Innovation Award for the Live in HD series in 2011.

TIME magazine named Gelb a 2008 honoree of the Time 100 list of the world’s most influential people. In 2010, France honored him as an Officier dans l’Ordre des Arts et des Lettres, and in 2012 he received the Diplomacy Award of the Foreign Policy Association. In 2013, Gelb received the Sanford Prize from the Yale School of Music, and was named Chevalier de la Légion d’honneur by the French President. Gelb has received honorary doctorates from Hamilton College and from the William E. Macaulay Honors College of the City University of New York. In 2019, he received the Gold Medal from the National Institute of Social Sciences.

Controversy

Gelb's history at Sony Classical caused concern among critics when he was appointed to take over as General Manager at the Metropolitan Opera. He responded to fears that he would dilute the Met's artistic standards as he seeks a wider audience for the company, saying “I think what I’m doing is exactly what the Met engaged me to do, which is build bridges to a broader public. This is not about dumbing down the Met, it’s just making it accessible."[13]

Gelb's relationship with the press became strained during his time at the Metropolitan Opera, that his new production of Der Ring des Nibelungen and, by extension his tenure as the company's general manager, received poor reviews. In 2012, radio station WQXR-FM rescinded a blog post by critic Olivia Giovetti reportedly after Gelb complained to the station's chief executive. Giovetti's piece opined that the Met under Gelb "bears the mothball-like scent of an oligarchy."

In a phone call to the station, Gelb called the piece "awful and nasty."[14] Weeks later, following an equally critical essay about the Met under Gelb by Brian Kellow and a negative review of the Met's new production of The Ring, the magazine Opera News—produced by the Met Opera Guild, a support organization—announced it would no longer review Metropolitan Opera productions.[15] Gelb said the decision was made “in collaboration with the guild". However, due to negative public reaction, the decision was quickly reversed.[16]

In 2014 Gelb and the Met were dogged by new controversy[17] with a production of John Adams's opera The Death of Klinghoffer,[18] due to criticism that the work was antisemitic.[19] In response to the controversy Gelb canceled the scheduled worldwide HD video presentation of a performance, but refused demands to cancel the live performances scheduled for October and November 2014.[20] Demonstrators held signs and chanted "Shame on Gelb".[21]

Gelb was contacted by a police detective in October 2016 about allegations of sexual abuse of a minor by Met conductor James Levine. Gelb had been aware of the accuser's abuse allegations since they were made in a 2016 police report, and of the attendant police investigation, but did not suspend Levine or launch an investigation until over a year later.[22][23][24] Classical music blogger, former Village Voice music critic, and Juilliard School faculty member Greg Sandow said: "Everybody in the classical music business at least since the 1980s has talked about Levine as a sex abuser. The investigation should have been done decades ago."[25]

Pulitzer Prize-winning music critic Justin Davidson mused: "I’m not sure the Met can survive Levine’s disgrace."[26] Similarly, The Wall Street Journal's drama critic Terry Teachout wrote an article entitled: “The Levine Cataclysm: How allegations against James Levine of sexual misconduct with teenagers could topple the entire Metropolitan Opera”.[27]

Personal life

Peter Gelb is the son of Arthur Gelb, former Managing Editor of The New York Times, and writer Barbara Gelb.

Gelb is married to conductor Keri Lynn Wilson. He has two children from a previous marriage. His elder son, David Gelb, is a director and cinematographer, most known for his documentary Jiro Dreams of Sushi. His younger son, Matthew Gelb, is a film editor based in New York City. In 2019, Gelb received an Honorary Doctorate from Manhattan School of Music.

Videography

References

  1. ^ "Metropolitan Opera press release, 30 October 2004". Metoperafamily.org. Archived from the original on 2012-08-06. Retrieved 2012-08-14.
  2. ^ Winn, Steven (Jul 16, 2002). "CLASSICAL MUSIC: TUNING UP FOR THE 21ST CENTURY / Crossover works find an audience / But some say these projects are less interesting artistically". SFGate. Archived from the original on February 17, 2006. Retrieved Nov 21, 2019.
  3. ^ "Norman Lebrecht, "How the Met was fixed". La Scena Musicale, 11 November 2004". Scena.org. 2004-11-11. Retrieved 2012-08-14.
  4. ^ "Rupert Christiansen, "Met's new man is aiming for the stars", Telegraph, 24 June 2006". Telegraph.co.uk. Archived from the original on 2007-03-17. Retrieved 2012-08-14.
  5. ^ Tommasini, Anthony (January 22, 2007). "New Operas at the Met: What Works?". New York Times. p. E1. Retrieved September 23, 2017.
  6. ^ Lawless, Jill. "Minghella won Oscar for 'English Patient'". Rocky Mountain News via Associated Press (March 19, 2008) (subscription required)
  7. ^ Kaptainis, Arthur. "Lepage going cosmic for Metropolitan Opera". Montreal Gazette (December 18, 2010)
  8. ^ Cooper, Michael (2019-11-25). "Peter Gelb's Contract Is Extended at the Metropolitan Opera". The New York Times. ISSN 0362-4331. Retrieved 2022-09-12.
  9. ^ Hernández, Javier C. (2022-02-23). "The Met Opera's New Season: What We Want to See". The New York Times. ISSN 0362-4331. Retrieved 2022-09-12.
  10. ^ Cooper, Michael (2020-09-23). "The Metropolitan Opera Won't Reopen for Another Year". The New York Times. ISSN 0362-4331. Retrieved 2022-09-12.
  11. ^ Woolfe, Zachary (2021-09-16). "A Malcolm X Opera Will Come to the Met". The New York Times. ISSN 0362-4331. Retrieved 2022-09-21.
  12. ^ Barone, Joshua (2021-01-25). "The Metropolitan Opera Hires Its First Chief Diversity Officer". The New York Times. ISSN 0362-4331. Retrieved 2022-09-21.
  13. ^ Wakin, Daniel J. (September 7, 2006). "The Multiplex as Opera House: Will They Serve Popcorn?". New York Times. p. B1. Retrieved September 23, 2017.
  14. ^ Wakin, Daniel J. (May 1, 2012). "'Ring' Criticism, Rescinded". New York Times. Retrieved September 23, 2017.
  15. ^ Wakin, Daniel J. (May 21, 2012). "Latest Met Aria: Bad Opera News Is No News". The New York Times.
  16. ^ Pompeo, Joe (May 22, 2012). "In reversal, Opera News will continue to cover the Metropolitan Opera". Capital New York.
  17. ^ Ross, Alex (Jun 24, 2014). "The Met's "Klinghoffer" Problem". Retrieved Nov 21, 2019 – via www.newyorker.com.
  18. ^ "The Death of Klinghoffer - Adams | 2014-15 Tickets - Metropolitan Opera". Archived from the original on 2014-08-25. Retrieved 2014-09-01.
  19. ^ Kozinn, Allan (September 11, 1991). "Klinghoffer Daughters Protest Opera". Retrieved September 23, 2017.
  20. ^ The Met, the opera on the murder of Leon Klinghoffer and the politics of protest - The Washington Post
  21. ^ "'Death of Klinghoffer' goes on at Met Opera House despite protests". Los Angeles Times. Oct 21, 2014. Retrieved Nov 21, 2019.
  22. ^ "Metropolitan Opera suspends James Levine over sexual abuse allegations," The Washington Post.
  23. ^ "Legendary opera conductor molested teen for years: police report," The New York Post.
  24. ^ "Met Opera Reels as Fourth Man Accuses James Levine of Sexual Abuse," The New York Times.
  25. ^ "Met Opera waited year to act on accusation against James Levine," NY Daily News.
  26. ^ Justin Davidson. "The Met May Not Survive the James Levine Disgrace"
  27. ^ Teachout, Terry. "The Levine Cataclysm". WSJ. Retrieved Nov 21, 2019.
Preceded by General Manager of the Metropolitan Opera
2006-present 		Incumbent
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