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Tony Hawk's Underground
Developer(s)Neversoft (PS2, GameCube, Xbox)
Vicarious Visions (GBA)
Beenox (PC)
Jamdat (mobile)
Publisher(s)Activision
SeriesTony Hawk's
Platform(s)PlayStation 2, GameCube, Xbox, Game Boy Advance, Microsoft Windows, mobile phone
ReleaseConsole/GBA: Mobile: PC:
Genre(s)Adventure, role-playing, sports, platformer
Mode(s)Single-player, Multiplayer

Tony Hawk's Underground is a skateboarding-adventure video game with elements of role-playing gameplay, part of the Tony Hawk's series. It was developed by Neversoft and published by Activision in 2003 for the GameCube, PlayStation 2, and Xbox consoles. A Game Boy Advance version was developed by Vicarious Visions, an Australian-exclusive Microsoft Windows version by Beenox and a mobile phone version by Jamdat, and Activision published all versions. A sequel, Tony Hawk's Underground 2, came out in 2004.

Underground largely follows the skateboarding formula of previous Tony Hawk's games: the player explores levels and completes goals to move on, and the bulk of the game is spent skating around and performing various kinds of tricks. However, the game is more focused on customization; the player cannot select a professional skater for the main game, instead creating a custom character. It also adds the ability to dismount one's board and explore on foot. The plot follows this character and their friend Eric Sparrow as the two become well-known professionals while growing apart as friends.

The game was developed with a strong theme of individuality, which was manifest in the rich customization options, the presence of a narrative, and the product's characterization as an adventure game. Real-life professional skateboarders were brought in to Neversoft's offices to contribute their experiences to the plot's script. Underground was critically acclaimed; reviewers praised it for its ability to appeal to a variety of players, soundtrack, customization, multiplayer, and plot. However, the game's graphics and the controls for walking and driving vehicles were less well received. The game's PlayStation 2 incarnation had sold 2.11 million copies in the United States by December 2007.

Gameplay

Like its predecessors in the Tony Hawk's series, Underground is centered around skateboarding in a series of levels.[1] The player can perform a large variety of tricks while jumping, grinding on rails and edges, or freestyle skating, as well as wall jumps, wall rides, and lip tricks on the edges of quarter or half pipes. If the player falls with their board not landing on the ground or is otherwise injured, they will bail and need a few seconds to recover. Completing tricks in succession without bailing is called a combo.[2] Comboing raises the player's score and fills up the Special Meter; when it is full, the player is granted access to more elaborate tricks worth more points.[3] Underground introduces the ability to dismount one's skateboard and thereby explore levels more carefully and reach additional areas, such as by climbing ladders. In addition, each level features at least one vehicle, usually a car, that the player can drive.[1]

The levels are based on various cities and other locations in the United States and elsewhere, such as Hawaii and San Diego, California.[1] In each level, the player must complete a certain number of tasks that advance the game's narrative before moving on. These tasks are wide-ranging and include score attacks, races, item collecting, and reaching one of the dozens of gaps[i] found in each level.[3] Each level also houses one professional skateboarder, who will provide the player with an optional goal that unlocks a trick for the Special Meter.[5] Due to the integration of goals into the story and the levels' large size, Underground has been described as an adventure game.[6][7]

The custom skater performs a 360 Varial Heelflip Lien as an objective in Moscow.

Underground features extensive customization. The player can create characters and is unable to select pre-made professional skaters for the campaign. There is also a level editor in which the player creates skate parks with a large array of pieces,[1] ranging from traditional skate park elements to buildings and sections of elevated freeways.[8] The player can also change their park's environmental backdrop and time of day. Additional customization modes exist for tricks, skateboards, and goals that can be placed in either existing or custom levels.[1] Characters can level up their stats—which include jump height and speed—through optional goals that can be completed in any level;[3] this adds an element of role-playing gameplay.[6][7] Other gameplay modes include a series of multiplayer minigames—one, a fighting setup called "Firefight", can be played online on the PlayStation 2 version of the game[1]—and a "free skate" mode that has the player explore levels with no goals or story.[1]

While the console versions of the game are fully three-dimensional, the Game Boy Advance version is rendered in an isometric style that incorporates both 2D sprites and 3D models. This version is a more traditional Tony Hawk's game, with little attention given to story or customization.[9]The mobile phone version is similarly restricted.[10]

Plot

The playable protagonist and their best friend, Eric Sparrow, are two skateboarders who have been friends since childhood and live in suburban New Jersey. Pro skater Chad Muska is in town for a skate demo, which the player and Eric are impressed by. Later, Muska is impressed to see the player's skating and suggests seeking a sponsorship from a skate shop. The closest shop belongs to Stacy Peralta, who will not sponsor the player if their video is shot locally. Suddenly, Eric implores the player to leave with him, as he has incurred the wrath of drug dealers while retrieving a stolen skateboard, and the two set off for Manhattan. Once there, they complete the sponsorship video over Manhattan's exotic locales; Stacy is impressed and tells the player and Eric to attend the Tampa AM skate event in Tampa, Florida.

In Tampa, Eric is arrested for insulting a police officer, so the player must do the police favors to bail him from imprisonment. Soon, it is time for the Tampa AM, but the staff only let Eric in. However, the player impresses local professionals and is allowed in and after having succeeded in the competition the player is given several large-scale skateboard sponsors that offer them deals. The two skaters head to San Diego, where the player meets Todd, the manager of the team. They complete several photo shoots and appear in a magazine, and Eric is recruited to the team the next morning despite not having done anything.

The team is sent to Hawaii to film a video together. While there, the player searches for local spots that skaters have not touched, including unused canals and landmarks. None of these proves satisfying until the player notices a tall hotel, takes the elevator to its roof, and calls Eric to film them skating on the roof. Eric agrees, but a police helicopter arrives to arrest them for trespassing. Eric wants to leave, but the player sees a chance too good to pass up: despite Eric's cautioning, the player performs a McTwist over the helicopter and lands safely on the awning of an adjacent hotel. Eric, who filmed the trick, is awestruck, and the two evade a police pursuit.

The team then travels to Vancouver, Canada. After the player does favors for some locals and hurriedly finishes their part of the team video, they are allowed into the Slam City Jam for a skating competition. However, the final edit of the video implies that Eric was the one who jumped the helicopter. Impressed, Todd, who was not present for the original jump, declares Eric a pro. Incensed, the player lies that they are a pro and enters the contest anyway. The player wins successively against officially recognized professionals, culminating in a match against Eric. The player is victorious and Todd, although upset at the technicality of lying to enter a pro contest, ecstatically declares the player a pro for having won.

As recognized professionals, the player and Eric are both admitted at the last minute to a team trip to Moscow, Russia, where they meet up, reconcile, and skate together for a while. That night, Eric gets drunk and steals the keys to a Russian military tank. Eric wants to go on a joyride, and the player hops in to steer the tank safely and try to stop it. However, the tank crashes into a building and Eric jumps out and runs off. A chunk of concrete tumbles off the building and traps the player inside, leaving them to be found by the Russian military. Unwilling to pay the damages, Todd pretends the player has never been on the team and kicks them off. The American Embassy bails the player out, has them do favors for locals involved in international crimes, and deports them back to New Jersey.

Upon return, the player learns that Eric no longer needs the team, as he is sponsored, and was plotting to bring the player down all along. Moreover, Eric has long abandoned the idea of "soul skating"—skating for enjoyment rather than riches—so the player teams up with Peralta and several professionals to create a soul skating video. The video is released to some success, and the player challenges Eric to one last skate-off: if the player wins, Eric will hand over the helicopter tape, but if Eric wins, the player will never skate again. When the player wins, Eric accepts but loses and breaks down in anger. In an alternate ending shown after completing the story more than once, the player knocks out Eric unconscious and steals the tape rather than holding the skate-off.

Development

Concept

File:1998 Neversoft 960.jpg
The members of Neversoft in 1998

The GameCube, PlayStation 2, and Xbox versions of Tony Hawk's Underground were developed by Neversoft,[6] while the Game Boy Advance version was developed by Vicarious Visions[9] and the mobile phone version by Jamdat.[10] Activision, which had acquired Neversoft in 1999, published all versions of the game.[6][9][10]

Underground was created with a theme of individuality: it was the first Tony Hawk's game to star an amateur skater in a true story mode rather than simply a team of professionals.[6] One reason for only allowing the player to use custom characters during the main story was that some criminal acts completed in the plot would not reflect well on real-life skaters.[8] While previous games in the series had included character editors, the individuality theme motivated Neversoft to implement face-scanning for the PlayStation 2 version;[6] sending an email of one's face to faces@thugonline.com would get the player a texture for their character's face.[1] Joel Jewett, the president of Neversoft, described Underground as a true adventure game: the developers used storytelling and exploration to distance their product from mere lists of tasks, which had been the format of the previous Tony Hawk's games.[6] Regarding the customization options, especially the park editor, producer Stacey Drellishak stated that Neversoft was "trying to create the most customizable game ever."[8]

Design

At the time, the console and PC versions' levels were the largest in the series by a wide margin; Neversoft expanded them continuously until they would not run correctly, then shrunk them slightly.[11] Most of the levels were modeled closely after real-life locations; the designers traveled to archetypal locales in each city they visited and took photographs and videos as reference. The New Jersey level was a replication of a neighborhood where team artist Henry Ji had grown up as a young skater.[12] Neversoft made sure to introduce the player to walking around on-foot and climbing along ledges during the first few missions of the game so that the player would become familiar with the new mechanics quickly and immediately notice Underground's differences from previous Tony Hawk's titles.[13] While Neversoft wanted to keep Underground realistic and relatable for the most part, they added driving missions as a source of silly enjoyment and to push boundaries of how much freedom could be expected from a skateboarding game.[12] However, these missions were intended not to take away from the main experience of skateboarding.[13]

Tony Hawk's Pro Skater 4, Underground's predecessor in the Tony Hawk's series, had received some criticism for its difficulty; Neversoft had not realized that each game in the series was adding new fans who were unaccustomed to the demanding tasks. As a result, Neversoft added four difficulty settings to Underground's story mode,[14] ranging from "Too Easy" to "Sick". Neversoft wanted players to be able to develop skills for higher difficulty settings on Too Easy while also enjoying progressing through the story. Throughout the series' history, the team had reliably created extremely difficult missions in each game; the methods behind creating these missions were the inspiration for Underground's Sick mode.[12] The game's basic gameplay mechanics and structure were developed quickly at first, but this process was not finished by the end of August 2003, only two months before its American release.[11]

While the game's cutscenes are all animated in 3D, the real-life skateboarding teams were given original live-action video introductions so that players could understand the teams as well as possible before selecting one to join. Neversoft invited professional skaters to its office to ask about their experiences becoming known in the skateboarding world, then compiled elements of these tales into an extensive script for the game.[6] Every skater who appears in the plot helped craft their own scenes and voiced their own character.[1]

Promotion and release

The game was promoted at Microsoft's "GameRiot" event held at Lollapalooza in July 2003, with a demo available for play.[15] Activision stirred up enthusiasm for Underground with the Tony Hawk's Face Off Mobile Tour, a series of promotional events across 29 cities in October 2003. Attendees could play the game early and compete in it for tickets to Boom Boom Huck Jam 2003, which the real-life Tony Hawk attended.[16] Activision, which sponsored the October 2003 Gravity Games extreme sports competition, promoted the game at the event and used its engine to model the real-life skaters' performances.[17] The console and Game Boy Advance versions were released on October 28 in the United States,[1] November 14 in Europe,[18] and May 2004 in Japan.[19] The mobile version was released worldwide in 2004.[10] That same year, Beenox ported the console version to Windows-based personal computers.[20]

Soundtrack

The game features 77 songs, 75 of which are immediately playable in the main game; the other two are unlockable. They range from the late 1970s to the early 2000s by release and are categorized into three genres: rock, punk, and hip hop. There was also a bonus song that was featured as the BGM for an in-game skate video. The playable songs are as follows:[21][22]

No.TitleGenreLength
1."Rapps on Deck" (Aceyalone)Hip-Hop 
2."Armageddon" (Alkaline Trio)Punk 
3."A Prototype" (Anacron)Hip-Hop 
4."She Said" (Angry Amputees)Punk 
5."Rebel Yell" (Assorted Jelly Beans)Punk 
6."Everyday" (Authority Zero)Rock/Other 
7."Big Bang" (Bad Religion)Punk 
8."Drive" (Blind Iris)Rock/Other 
9."Don't Wait" (Blue Collar Special)Punk 
10."2 Rak 005" (Bracket)Punk 
11."Imaginary Places" (Busdriver)Hip-Hop 
12."It's Alright" (CamaroSmith)Rock/Other 
13."Iron Galaxy" (Cannibal Ox)Hip-Hop 
14."Impetus" (Clutch)Rock/Other 
15."Crazy and Stupid" (Crash and Burn)Rock/Other 
16."A Better Tomorrow" (Dan the Automator featuring Kool Keith)Hip-Hop 
17."Positive Contact" (Deltron 3030)Hip-Hop 
18."Cosmic Assassins" (DJ Q-Bert)Hip-Hop 
19."Time to Go" (Dropkick Murphys)Punk 
20."Annie's Grave" (Electric Frankenstein)Rock/Other 
21."To Ride, Shoot, Speak..." (Entombed)Rock/Other 
22."Mississippi King" (Five Horse Johnson)Rock/Other 
23."I Want It All" (Flamethrower)Punk 
24."Blah Blah" (Frog One)Hip-Hop 
25."California Crossing" (Fu Manchu)Rock/Other 
26."Crush 'Em" (GBH)Punk 
27."Hung, Drawn, and Quartered" (High on Fire)Rock/Other 
28."Remedy" (Hot Water Music)Rock/Other 
29."Embody the Invisible" (In Flames)Rock/Other 
30."Braggin' Writes Revisited" (J-Live)Hip-Hop 
31."Suffer Some" (Jane's Addiction)Rock/Other 
32."The Circle (Pt. 1)" (Juggaknots)Hip-Hop 
33."A Day at the Races" (Jurassic 5)Hip-Hop 
34."God of Thunder" (Kiss)Rock/Other 
35."Lick It Up" (Kiss)Rock/Other 
36."Rock-N-Roll All Night" (Kiss)Rock/Other 
37."Hotwire" (Lamont)Rock/Other 
38."King Kong" (L.A. Symphony)Hip-Hop 
39."War Games" (Living Legends)Hip-Hop 
40."Crusher Destroyer" (Mastodon)Rock/Other 
41."The Days" (Mike V and the Rats)Punk 
42."Underground Up" (Mr. Complex)Hip-Hop 
43."Skin Therapy" (Mr. Dibbs)Hip-Hop 
44."Phantom" (Mr. Lif)Hip-Hop 
45."Transitions as a Ridah" (Murs)Hip-Hop 
46."The World Is Yours" (NAS)Hip-Hop 
47."Run Fat Boy Run" (Nine Pound Hammer)Rock/Other 
48."Separation of Church and Skate" (NOFX)Punk 
49."Your World Will Hate This" (Orange Goblin)Rock/Other 
50."Womb Envy" (Paint It Black)Punk 
51."The Next Step II" (P.U.T.S.)Hip-Hop 
52."Millionaire" (Q.O.T.S.A.)Rock/Other 
53."Low Class Conspiracy" (Quasimoto)Hip-Hop 
54."King of the Underground" (RA the Ruggedman)Hip-Hop 
55."New Noise" (Refused)Punk 
56."Like the Angels" (Rise Against)Punk 
57."(I Wanna) Pierce My Brain" (Rubber City Rebels)Punk 
58."Milk" (SoD)Rock/Other 
59."Indolence" (Solace)Rock/Other 
60."Circle of Fear" (Smoke Blow)Rock/Other 
61."Mommy's Little Monster" (Social Distortion)Punk 
62."Suspect Device" (Stiff Little Fingers)Punk 
63."Refusal" (Strike Anywhere)Punk 
64."Seed" (Sublime)Punk 
65."It Takes No Guts" (Superjoint Ritual)Rock/Other 
66."Internationally Known" (Supernatural)Hip-Hop 
67."Viva La Revolution" (The Adicts)Punk 
68."American Werewolf in Calgary" (The Browns)Punk 
69."White Riot" (The Clash)Punk 
70."No Revolution" (The Explosion)Rock/Other 
71."(Gotta Get Some Action) Now!" (The Hellacopters)Rock/Other 
72."It Ain't Nuttin'" (The Herbaliser featuring MF Doom)Hip-Hop 
73."The Legend of Black Thunder" (The Hookers)Rock/Other 
74."Loaded and Lonely" (The Midnight Evils)Rock/Other 
75."California Babylon" (Transplants)Punk 
76."Black Woman" (Unida)Rock/Other 
77."Secondary Protocol" (Wildchild)Hip-Hop 

Reception

Critical response

Tony Hawk's Underground was released to critical acclaim: its scores ranged from 85.27% for the Xbox to 90.58% for the PlayStation 2 on GameRankings and from 85% to 90% on Metacritic.[23][24][27][28] GameZone's Michael Knutson stated that Underground is "one of the best skating games around" and players of every skill level would enjoy it.[35] Eurogamer's Tom Bramwell concurred: "as a 'pick-up-and-play' sort of game, THUG is endlessly rewarding once you get your head round the basics, and it's the best entry point for the series to date."[3]

The story was well received. A review by Official U.S. PlayStation Magazine celebrated the fact that "for the first time I can remember, an extreme-sports game actually has a real story [with] honest-to-goodness characters".[36] IGN's Douglas Perry called it "a kick, albeit relatively lightweight in nature" and specifically praised Neversoft's characterization of real-life skaters and the narrative's pervasive sense of humor.[1] 1UP.com's review praised the plot's focus on an amateur skater as opposed to professionals.[31] Knutson called the story "unique" and stated that "I really like that Neversoft had the guts to try something this radical and ditch the formula that they know works so well."[35] Ben Silverman of Game Revolution, however, described it as a "silly" cross between the 1980s films North Shore and Gleaming the Cube but praised it for making the level goals flow naturally and keeping enough distance between various skill unlocks.[33] Bramwell called it "hackneyed".[3]

The graphics and art received mixed opinions. Play's review stated that "the art is lacking".[37] However, Knutson was overwhelmingly positive toward the graphics, art, and animation, calling them "nearly flawless" and praising the realism they brought to the inherently fantastical skateboarding genre.[35] Bramwell called the graphics "unchanged and increasingly antiquated" and criticized the presence of "sharp, angular character models, eerily unrealistic lighting and odd little moments when the player is trying to turn round and ends up banging into a curb".[3] Williams said that "THUG's cityscapes are incredibly well designed" and singled out the GameCube version of Underground as exceptionally well-rendered.[34] The licensed soundtrack and sound effects, however, were better received. Knutson commended the soundtrack's large size and the sound effects' realism.[35] Perry appreciated the "hilariously hurtful" injury sounds and the extensive song list.[1] In contrast, IGN's Craig Harris praised the graphics of the Game Boy Advance version but was more mixed on the soundtrack.[9]

The alternate gameplay modes were also received very well. Knutson lauded the game's high degree of customization, summarizing that "everything is expounded a hundred fold: from create-a-skater to create-a-park mode, it is simply amazing" and singling out the level editor as one of the deepest he had ever seen.[35] GameSpy's Bryn Williams identified the level editor as "extremely well-designed" and contributing to the overall "brilliance" of the full product.[34] Reviewers for Famitsu magazine praised the scenario mode whose open world format they compared to the Grand Theft Auto series.[32] Knutson and Perry enjoyed the multiplayer, especially the online Firefight mode.[35] Williams thought similarly and stated that "the most notable disappointment" of the game was the lack of online play for non-PlayStation 2 owners.[34] Harris, however, found the board customization of the Game Boy Advance version to be poorly implemented, though in-depth.[9]

However, the walking and driving controls were criticized. Bramwell claimed that these modes feel "like they've been attached with an old stick of glue that's about as adhesive as baby oil."[3] Knutson agreed, though he praised the diversions their gameplay modes brought. However, he stated that "the Tony Hawk series has always had exceptional controls" and Underground, overall, is no exception.[35] Perry, while joining in in criticizing the walking controls and mechanics, found this mode to increase levels' replay value.[1] Simiarly, Famitsu reviewers noted that although the overall speed of the game gave it a high degree of difficulty at times, it gave a true sense of accomplishment to the player who correctly performed jumps and tricks.[32] Williams found the GameCube version's controls mediocre, though not unmanageable.[34] Damon Brown from GameSpot stated that the mobile version's restrictive controls—many tricks require three button presses—were that version's only caveat.[10]

Accolades and sales

Underground won Best Sports Game at the 2003 Game Critics Awards hosted by Electronic Entertainment Expo (E3).[38] The 2004 MTV Video Music Awards introduced a new category, Best Video Game Soundtrack, which Underground also won.[39] As of December 2007, the PlayStation 2 version of the game had sold 2.11 million copies in the United States.[40]

Sequel

Main article: Tony Hawk's Underground 2

Neversoft and Activision returned for a sequel, Tony Hawk's Underground 2. Like the original Underground, it features a story mode, although the plot is not a continuation of Underground's. This sequel was released in 2004.[41]

Notes

  1. ^ Reaching a gap involves crossing from one setpiece to another, such as from an escalating ramp to a quarter-pipe that borders it, or tricking from one balcony of an atrium to the other.[4]

References

  1. ^ a b c d e f g h i j k l m n Perry, Douglass (October 28, 2003). "Tony Hawk's Underground: Neversoft takes its game to the people. The full review". IGN. Archived from the original on October 17, 2008. Retrieved June 1, 2014.
  2. ^ Tony Hawk's Underground (GameCube) instruction manual, pp. 4–7.
  3. ^ a b c d e f g h Bramwell, Tom (December 1, 2003). "Tony Hawk's Underground: Tony's back, and this time he's you!". Eurogamer. Retrieved June 1, 2014.
  4. ^ Neversoft (October 27, 2003). Tony Hawk's Underground. Activision. Hough, a pro on the player's team: Alright, here it is. They want pictures of you blasting some big grab airs. Above us is a nice open gap over the front of this atrium. It's perfect for these photos.
  5. ^ Tony Hawk's Underground (GameCube) instruction manual, p. 29.
  6. ^ a b c d e f g h Perry, Douglass C. (October 6, 2003). "Tony Hawk's Underground: Hands-On". IGN. Retrieved June 4, 2014.
  7. ^ a b Perry, Douglass C. (October 9, 2003). "Tony Hawk Face Scan". IGN. Retrieved June 4, 2014.
  8. ^ a b c "Still Tony from the Block: Skating gets back to its roots in Tony Hawk's Underground". Electronic Gaming Monthly (172): 100–101. November 2003.
  9. ^ a b c d e Harris, Craig (October 27, 2003). "Tony Hawk's Underground: It's a remarkable feat to make a great design even better...but they've done it". IGN. Archived from the original on April 6, 2004. Retrieved June 4, 2014. {{cite web}}: |archive-date= / |archive-url= timestamp mismatch; April 26, 2004 suggested (help)
  10. ^ a b c d e Brown, Damon (January 1, 2004). "Tony Hawk's Underground Review: With each new Tony Hawk title, this franchise is getting stronger. T.H.U.G. continues that very encouraging trend". GameSpot. Retrieved June 5, 2014.
  11. ^ a b Wiley, Mike (August 29, 2003). "Tony Hawk's Underground: An In-Depth Look". IGN. Retrieved June 4, 2014.
  12. ^ a b c "Notes from the Underground". 1UP.com. Archived from the original on February 2, 2004. Retrieved September 28, 2014.
  13. ^ a b "THUGged out! New Tony Hawk's revealed". Computer and Video Games. August 4, 2003. Archived from the original on July 5, 2007. Retrieved September 28, 2014.
  14. ^ Padilla, Raymond (October 6, 2003). "Tony Hawk's Underground: Sporting the legendary THPS trick system and a heavier story, Neversoft is set to deliver gaming's first skateboarding adventure". GameSpy. Retrieved September 28, 2014.
  15. ^ Davis, Ryan (July 2, 2003). "Tony Hawk's Underground GameRiot Demo". GameSpot. Retrieved September 28, 2014.
  16. ^ IGN Staff (October 14, 2003). "Activision Launches Tony Hawk Tour". IGN. Retrieved June 4, 2014.
  17. ^ "Activision To Sponsor 2003 Gravity Games". Game Informer. October 14, 2003. Archived from the original on April 4, 2008. Retrieved September 29, 2014. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  18. ^ "Search Result". Pan European Game Information. Retrieved September 27, 2014.
  19. ^ "スケボーゲームの常識を破る話題作!! 『トニー・ホークスアンダーグラウンド（Xbox ワールドコレクション）』" (in Japanese). Famitsu. March 28, 2003. Retrieved September 27, 2014. {{cite web}}: Italic or bold markup not allowed in: |publisher= (help)
  20. ^ Tony Hawk's Underground (PC) boxart.
  21. ^ Thorsen, Tor (October 24, 2003). "The Sounds of Tony Hawk's Underground". GameSpot. Retrieved June 5, 2014.
  22. ^ Tony Hawk's Underground (GameCube) instruction manual, pp. 25–29.
  23. ^ a b "Tony Hawk's Underground for PlayStation 2". GameRankings. Retrieved June 1, 2014.
  24. ^ a b "Tony Hawk's Underground for Xbox". GameRankings. Retrieved June 1, 2014.
  25. ^ "Tony Hawk's Underground for GameCube". GameRankings. Retrieved June 1, 2014.
  26. ^ "Tony Hawk's Underground for Game Boy Advance". GameRankings. Retrieved June 1, 2014.
  27. ^ a b "Tony Hawk's Underground (PlayStation 2)". Metacritic. Retrieved June 1, 2014.
  28. ^ a b "Tony Hawk's Underground (Xbox)". Metacritic. Retrieved June 1, 2014.
  29. ^ "Tony Hawk's Underground (GameCube)". Metacritic. Retrieved June 1, 2014.
  30. ^ "Tony Hawk's Underground (Game Boy Advance)". Metacritic. Retrieved June 1, 2014.
  31. ^ a b 1UP Staff. "Tony Hawk's Underground Review for GameCube". 1UP.com. Archived from the original on September 20, 2014. Retrieved September 20, 2014. {{cite web}}: Cite has empty unknown parameter: |1= (help)CS1 maint: numeric names: authors list (link)
  32. ^ a b c "30 Point Plus: トニー・ホーク プロスケーター2003". Famitsu (1284): 45. July 25, 2013.
  33. ^ a b Silverman, Ben (November 1, 2003). "Tony Hawk's Underground Review". Game Revolution. Retrieved June 1, 2014.
  34. ^ a b c d e Williams, Bryn (October 27, 2003). "Tony Hawk's Underground (GCN)". GameSpy. Archived from the original on August 13, 2006. Retrieved June 1, 2013.
  35. ^ a b c d e f g h Knutson, Michael (November 11, 2003). "Tony Hawk's Underground by Activision Inc". GameZone. Archived from the original on April 13, 2005. Retrieved June 2, 2014.
  36. ^ a b "Tony Hawk's Underground". Official U.S. PlayStation Magazine (76). January 2004.
  37. ^ a b "Tony Hawk's Underground". Play (108): p. 64. January 2004. {{cite journal}}: |page= has extra text (help)
  38. ^ "2003 Winners". Game Critics Awards. Retrieved June 4, 2014.
  39. ^ "MTV Video Music Awards / 2004". MTV. Retrieved June 4, 2014.
  40. ^ "US Platinum Videogame Chart". The Magic Box. December 27, 2007. Retrieved June 4, 2014.
  41. ^ Perry, Douglass C. (October 7, 2004). "Tony Hawk's Underground 2: Neversoft throws in everything and the kitchen sink, but will number six still satisfy that aging skating urge?". IGN. Retrieved June 5, 2014.
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