Boris Groys
Born
in Berlin, Germany
March 19, 1947
Genre
In the Flow
12 editions
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published
2016
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Going Public
by
9 editions
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published
2010
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The Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and Beyond
by
22 editions
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published
1988
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The Communist Postscript
18 editions
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published
2005
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Art Power
14 editions
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published
2008
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On the New
2 editions
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published
1995
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Philosophy of Care
10 editions
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published
2022
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Russian Cosmism
8 editions
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published
2015
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Becoming an Artwork
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Ilya Kabakov: The Man Who Flew into Space from his Apartment (Afterall Books / One Work)
5 editions
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published
2006
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“Although it may happen that people who always repeat the same thing actually believe what they say, inevitably their speech will be perceived as insincere - presumably even by themselves, if they ever care to listen to themselves speak. In our culture, sincerity does not stand in opposition to lying, but in opposition to automatism and routine.”
― Under Suspicion
― Under Suspicion
“An author who integrates alien signs into the medial surface of his own texts—signs behind which we presume the existence of other powerful, submedial subjects “as authors”—does not increase the comprehensibility of that text. Yet nonetheless, he increases the magical effectiveness this text exudes. Such quotations lead us to presume that the text houses a dangerous, manipulative subject, a magician with enough power to manipulate the signs of other powerful magicians and able to use them strategically for his own purposes. Thus an author who quotes alien signs conveys a stronger impression of powerful authorship than one who ad- vocates precisely his so-called own ideas—which do not interest anybody precisely because they are only his own. It is also well known that one may not quote the same author too often, in which case quoting gradu- ally looses its magical power and begins to irritate the reader. The reason for this gradual decrease of a quote’s magical effectiveness is that it looses its strangeness over time and gets integrated into the medial surface of a text, thereby becoming a proper part of it. In order to maintain their magical effect, quotes have to be exchanged constantly so as to continue to maintain the same appearance of foreignness and freshness. The quote functions as a magical fetish that lends the entire text a hidden, submedial power beyond its superficial meaning.”
― Under Suspicion
― Under Suspicion
“A quote has an even more powerful effect if we presume not just a particular author behind it, but God, nature, the unconscious, labor, or difference. These are strong fetishes, each conjuring the powerful submedial in a particular way. Yet all of them must nonetheless be exchanged in a certain rhythm according to the laws of the medial economy. In order to create such fetishes, one does not have to use brilliant quotes by famous authors but can use anonymous quotes that stem from the author- less realm of the everyday, lowly, foreign, vulgar, aggressive, or stupid. Precisely such quotes produce the effect of medial sincerity, that is, the revelation of a deeply submerged, hidden, medial plane on the familiar medial surface. It then appears as if this surface had been blasted open from the inside and that the respective quotes had sprung forth from the submedial interior—like aliens. All of this, of course, refers to the economy of the quote as a gift that can be offered, accepted, and reciprocated.”
― Under Suspicion
― Under Suspicion
Topics Mentioning This Author
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The History Book ...: * SCULPTURE | 96 | 312 | Jan 24, 2019 08:12AM |
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