Madeleine Roux’s next season in Regency England follows a rebellious writer and the man who risks everything to publish her.
In a world where women are expected to be demure and dainty, Margaret Arden would much rather be passionate and daring like the characters in her novel. The idyllic life at Mosely Cottage with her two younger sisters and mother is fine, but Margaret knows there’s so much more to achieve. After a particularly brutal rejection letter from a renowned publisher, Margaret fears the worst; She’ll amount to nothing more than what society expects of her. That’s until her cousin's glamorous wedding masquerade brings her out of her stupor and onto a collision course with scandal, notoriety, and even love.
Captain Bridger Dryden is starting over after years of bloody action fighting for his country. Now home and struggling with all he’s seen and experienced; Bridger is turning to his love of books as a new partner at Dockarty & Dryden publishing. So when he journeys to Pressmore Estate for the wedding of his dearest friend, and stumbles upon loose pages of an astonishing book, Bridger knows he must publish it. But upon meeting the author, Bridger is stunned to discover that he is in fact she , and his publisher has already rejected her.
While Bridger is keen to gain her trust and rescind the initial rejection, Margaret can’t help but be skeptical of his intentions. He may be smart, witty, and handsome, but what does he have to gain from taking such a risk? Sparks fly between the two, just as the wedding of the season starts to descend into chaos when a masked dance leads to a case of mistaken identities. But undeniable chemistry has a way of defying such obstacles. . .
New York Times Bestselling Author of the ASYLUM series, Allison Hewitt Is Trapped, Sadie Walker Is Stranded and the upcoming House of Furies series.
MADELEINE ROUX received her BA in Creative Writing and Acting from Beloit College in 2008. In the spring of 2009, Madeleine completed an Honors Term at Beloit College, proposing, writing and presenting a full-length historical fiction novel. Shortly after, she began the experimental fiction blog Allison Hewitt Is Trapped. Allison Hewitt Is Trapped quickly spread throughout the blogosphere, bringing a unique serial fiction experience to readers.
Born in Minnesota, she now lives and works in Seattle, Washington.
As we Regency-era romance fans excitedly await the release of the last four episodes of Bridgerton's Season 3 in three weeks, the best way to pass the time and calm our excited nerves is by devouring another smart, stimulating, captivating Regency-era romance with Shakespearean references. This novel, with its "Much Ado About Nothing" vibes, is infused with feminist themes and blends into a delicious enemies-to-lovers trope.
Yes, Madeleine Roux’s smart and tempting formula offers an innovative experience for genre lovers. Two strong, resilient characters with troubled family backgrounds, a mysterious masquerade, and a heated argument that resolves into passionate chemistry make for a fantastic read! I poured myself an Old Fashioned cocktail, paused "Maxton Hall" on Prime Video (which I also recommend), and jumped into this journey with high expectations. Thankfully, this captivating, one-sitting read did not disappoint me for a second!
Here’s the plot: Margaret Arden is born to be a writer but, unfortunately, born in the wrong century. Getting published under a female name can create conflicts, and only one man stands between her aspirations and her writing dreams: Captain Bridger Darrow. Bridger has recently inherited a book publishing business after returning from war and is eager to discover talented writers.
Margaret arranges a party invitation to meet him face-to-face and deliver her printed manuscript, but their meeting does not go as expected. Instead of a cute encounter, it's a disaster. Bridger insults her work after reading only a few pages, dismissing it without giving the story a chance. Their argument turns into a scandal, fueling the gossip mills of high society and affecting Margaret’s potential suitors. Her aunt Eliza pushes her hard to find a wealthy man to support her two younger sisters and widowed mother after their father’s death left them in financial trouble.
Margaret swears to prove Bridger wrong and show him how capable an author she is. Fortunately, her cousin Lane’s marriage to the innovative and eccentric Indian lady Ann crosses her path with Bridger, Lane’s best friend who fought alongside him in the war.
An unfortunate incident causes Margaret’s book pages to fly around the mansion where the wedding takes place, due to an innocent mistake by her aunt. One of the pages lands on Bridger, and he realizes his mistake in dismissing her work so quickly. Now determined to correct his error, Bridger faces additional challenges as his ex-lady friend tries to poison Margaret against him. The mysterious masquerade incident turns into a scandalous mystery that can only be solved by teaming up with Margaret to ensure the wedding celebrations proceed flawlessly, despite the disruptive presence of Bridger’s drunk and problematic brother, Paul.
Can Margaret and Bridger learn to work together, leaving their differences behind, as their palpable attraction threatens to cause further complications? Will they have a chance at their own happily ever after?
Overall, this is a soft, swoon-worthy, sweet, and smart Regency novel with Shakespearean vibes that you shouldn’t miss!
Many thanks to NetGalley and Random House Publishing Group / Ballantine / Dell for sharing this addictive romance’s digital review copy with me in exchange for my honest thoughts.
"enemies to lovers" and it's a man who thinks women are subhuman and a woman who has the audacity to exist. we, as a society, have evolved past the need for minority x guy who hates minority enemies to lovers relationships. i know hating a man for being misogynist in 1817 is like hating a dog for barking, but come on. seriously, he's so horrible, it makes the fmc look equally misogynist for liking him. i just genuinely despise the reforming rabid misogynists through love romance trope.
and that's not to mention how the two female "antagonists" are portrayed. ruby is a full indian who is portrayed as ugly and jealous of her half white cousins and white ass margaret. like do not write poc if this is how you're going to write us. "she didn't share ann and emilia's forthright beauty. [...]when she spoke, her lips protuded forward, giving the appearance of a bunny nibbling clover." okay?? but if EYE called margaret a lipless rabid orangutan...
meanwhile, regina's only fault that she was previously hurt by the mmc and she tries to warn margaret that he's a shitty person. unfortunately for everyone, margaret is one of those women who are like "i don't care if he abused you, he's nice to me!! 💘💘" margaret, in fact, spends the last fifty pages hating regina for... trying to protect her??? a weird bitch all around.
and finally, the writing itself was headache inducing. the plot was nothing like the blurb—half the book is about ruby's jealousy arc and the other half is about margaret is arguing with herself about whether darrow is an asshole or very secretly a gentleman and whether she should kiss him. very little has to do with margaret's writing career or darrow being a publisher.
This was an okay historical romance that had nice bookish vibes and a whole lot of family issues and an enemies-to-lovers. The fmc is a writer while the mmc is the publisher that is meant to publish her book. This book is also a much ado about nothing-inspired romance which brought about a nice aspect to the book. I like Regency books especially ones about rebellious female writers trying to make a name in the literary world. I loved that the romance went from enemies to lovers to friends to lovers and developed organically. I thought the family issues also added an interesting perspective to the story. Overall this is a good historical romance that readers of retellings and regency romance will probably like. Thank you Dell for this arc for an honest review.
Read if you like: - Historical romance - Regency time period - Shakespeare retelling - Enemies to friends - Writer fmc/publisher mmc
This is a tough review to write because I felt like I read two different books. The first 60% is a two-star read (more on that in a moment) while the last 40% was much better, a 3 star read.
At the very beginning of the book, main character Maggie is dismissed when she attempts to present a second copy of her manuscript to publisher Bridger Dryden. You instantly feel for Maggie, who hopes to support her mother and sisters. They've been relying on the kindness of relatives since her father died. Maggie and her two sisters seem have been going to social events with an aunt as a chaperone. Her mother is completely absent from this book, even when they travel to a family wedding.
At the wedding, Maggie realizes that her cousin, the groom, is best friends with Bridger Dryden. Both men served in the war together (Side note: It's 1817, so they clearly served in the Napoleonic Wars. They mention being in France a few times, which is curious, as very little action was in France.) A scandal at the wedding prompts Maggie and Bridger to team up to investigate. Bridger thinks his wastrel brother is involved while Maggie wants to help Ann, her cousin's new wife.
At the 60% mark, Maggie and Bridger have had one conversation about her book and all other conversations have been about the scandal. There has been no relationship development. For some reason, he grabs her and kisses her. Maggie is scared (it was her first kiss!) and pushes him away, but is soon smiling at him again. It doesn't make sense. There was an opportunity for a declaration or just an acknowledgement on Bridger's part that he was rude to Maggie. That would have served the romantic storyline much more than grabbing our sweet heroine!
Shortly after, weather makes them stop at an inn during their investigation and we get a predictable scene where they pretend to be married to get the last room. They soon confront the villain in the scandal and ruin plans for further bad deeds. Our main characters spend a night together and Bridger must leave early to take the villain away. He promises to come back in a few days, but he doesn't.
Maggie's terrible aunt finds out that she's ruined and puts her on lockdown. No writing, no library, and her letters are screened. Bridger assumes that his returned letters mean Maggie is no longer interested in him. He makes a gesture, though it's done in partnership with a woman he used to court, so it falls a bit short of grand.
The woman Bridger courted before the war is present throughout the book. She cautions Maggie about getting involved with him. There are points when it felt like she was being cast as a villain when she was simply looking out for another woman. Bridger was a jerk to her, too.
The female characters, with the exception of two aunts, are appealing. If this is to be a series, I hope most care is given to crafting good men who are worthy of these fabulous women!
This entire review has been hidden because of spoilers.
Margaret Arden is a writer in Regency England who wants to get her work published. She is turned down spectacularly by publisher Captain Bridger Darrow. When they later meet at a wedding, he finds loose pages from a story and realizes he must publish it, only to learn that the author is the woman whose writing he rudely rejected. Can he reverse course and win her over, saving both of them from difficult life circumstances? A delightful romantic escape set in my favorite era!
I was excited to read this after watching the new season of Bridgerton. I wanted to be transported back to Regency England.
In the beginning, Bridger was definitely a jerk who clearly made mistakes in the past. And he didn't approve of female writers?! I wasn't sure if I could get behind him as a MMC (I expected better). In his POV, he made it sound like his ex was crazy/jilted for warning Margaret about him, but if you think about it, she was in the right after what he did and said to her. By the end, I did see some character development on his part.
I thought this book would be a romance focused on Margaret as a female writer and how she breaks into the world of writing against societal's expectations of her. But most of the book focuses on this scandal/mystery revolving around two other people. Margaret and Bridger are two people who initially misjudge each other, working together to solve this scandal, which brings them closer together. Margaret's writing becomes a side plot.
Coming into this, I had higher expectations of this book and saw the potential of what it could be. I was a little disappointed with the direction it took instead.
Thank you to Random House Publishing/Dell and NetGalley for the ARC in exchange for an honest review.
Margaret Arden had been encouraged by her father all her life to write. Now he’s dead, Margaret, her mother, and her sisters are living off the charity of her mother’s sister, Aunt Eliza. There seems to be a strained atmosphere between her aunts and her mother. Margaret plans to save the family through her writing endeavours. She needs to have her novel published Only when she takes it to a friend of a friend's publisher, Bridger Darrow he scorns her, belittles her, and tosses her out. Mind you Darrow had been having a bad day. He’s just discovered his brother Pimm has been taking money from the business. Of course Margaret and Bridger meet again at her friend Lane Richmond’s wedding house party to Ann Graddock. Not happy! The dour aunts are there too. Margaret is being pressured to marry for wealth like they did. Her mother had married for love. Now look at her! They are threatening to cut off the funds they give to her mother and send them all to a very small cottage in a very far away place! That novel being published has just tripled in importance! That’s why Margaret’s brought her writings with her. Somehow that precious manuscript is swept out of the window by a malignant wind, assisted somewhat by Aunt Eliza we all suspect. Pages are snatched up by guests including Bridger who now decides he likes what he reads. He wants it! It might just save his business! Good luck! The wedding celebration becomes a hot pot of family jealousies, spurned ex-loves, misunderstandings, affronts to the aunts and their petty retributions. Indeed the whole scene seethes underneath. True love is trampled upon, fought for, denied and pretty much killed. A mass of emotions and situations that bloodies all the heroes, both primary and secondary. A tale of deceit and love, of happiness almost lost.
A Penguin Random House ARC via NetGalley. Many thanks to the author and publisher.
Read this regency-era romance if you like: ✨dual pov ✨enemies to friends to lovers ✨publisher x rebellious writer ✨high English society ✨scandal and mystery ✨Shakespearean themes/references
Thank you Net Galley and Random House Publishing-Ballantine for an advanced reading copy of this book in exchange for an honest review!
My thoughts 💭 •A modern regency-era romance that's perfect for classics lovers! Think Little Women meets Pride and Prejudice meets Bridgerton in a take that's fresh, yet familiar.
👍🏼 •Our FMC was perfectly Jo March/Lizzie Bennett coded
👎🏼 Much like Kate Winslet's accent in Titanic, this book felt like it didn't know whether it wanted to be modern or a classic and kept switching back and forth, both with the language and the actions of the characters.
Favorite character: 🖤 Violet Arden..."Violet had no patience for primness and modesty." SHE'S A RIDE OR DIE, FOR REAL
HYPE UP QUOTES:
"I love you for so many reasons, you wicked girl l, I shall never have time to list them out."
"Of course I will marry you. For who else would publish my books?"
This was such a fun regency romance! It started off a bit slow but this book gets progressively better. By the end, I fell in love with Margaret and Bridger and the side characters. I’d love to read a companion novel from this world. Maybe one of the sisters, Regina, or Primm. I think he could have an interesting character arc!
What a fun Regency period romance ala Jane Austen this book is, with all the misunderstandings, mistaken identities, and missed opportunities we've come to expect from such books.
The year is 1817. Margaret Arden, ("Maggie") has made her debut to the Ton and has found no suitable partners. Frankly, she'd rather be left alone to pursue her dream of being a writer of novels. But so much of the Arden women's survival depends upon Maggie making a good match with a wealthy suitor. She and the other Arden women are invited to a country estate for the nuptial celebration of their cousin and his bride. Turns out, their cousin is best buds with the publisher, Bridger Darrow, who turned down Maggie's manuscript without a care. So you can just imagine the sparks flying between these two on such an auspicious occasion.
Ms. Roux has done a lovely job of capturing the Austenesque vibe of the period. Her writing is solid and her character development quite good. She paints her scenes with lovely expression and one can just imagine the lush gardens so beautifully appointed for such a special occasion. The romantic scenes were chaste. The poignant Shakespeare quotes at the head of each chapter were suggestive of that which is to follow. All in all, this was a pleasant diversion and thoroughly enjoyed.
I am grateful to author Madeleine Roux and her publisher, Dell, for having provided a complimentary uncorrected proof of this book through NetGalley. Their generosity, however, has not influenced this review - the words of which are mine alone.
Publisher: Dell Publication Date: October 22, 2024 Number of pages: 272 ISBN: 978-0593499399
Thank you to the publisher and NetGalley for providing this eARC.
Much Ado About Margaret is a regency romance which follows writer Margaret Arden, whose fateful encounter with publishing partner Bridger Dryden changes the course of both their lives.
A thing that I think is remarkably difficult to execute well in a Regency romance is crafting a male lead who feels truthful to the conventions of the era but doesn't come off like the founding member of the He Man Woman Haters Club. Unfortunately, Bridger Dryden did not successfully hold this line for me. By the end, I didn't hate his guts, but it's hard to root for an enemies-to-lovers plot where the reason they're enemies is blatant misogyny.
Beyond that, the pacing of this novel just felt a bit unbalanced for me. The side characters didn't have quite the room to grow as much as I would have liked, and some of the plot points felt a bit hurried. That said, I do think the book overall was relatively easy to sink into, striking a solid balance of Regency era vibes without feeling overbearing or lethargic. I definitely did enjoy my time reading it! I would have just liked a bit more polish to the final story and our leading man.
A sweet romance that addresses some fairly deep issues, but still staying mostly light and frothy. (This is a compliment, btw). The main character is one of three daughters born to a happy but impoverished couple. They are now dependent on their two aunts, who married well, but unhappily. They are determined that these three girls will not make the same mistake their sister made, marrying for love.
The MC Margaret is a writer, which the aunts find abhorrent. They intend to find her a "good" husband, and the wedding of Margaret's cousin Lane. Of course, Lane is making a "love match" to a wealthy but rather unacceptable woman who is half Indian. There is an enemies-to-lovers romance in store for Margaret.
I didn't particularly like the two younger sisters, Winny and Violet. There were glimmers that they will be formidable young women, but they did too much galloping about and shrieking in each other's arms - they became one kind of unruly character in my mind.
Much Ado about Margaret is a slow build romance set in Regency England about a girl Margaret as she navigates finding a husband at her Aunts demanding demeanor she must marry well because, Margaret a d her sisters are living under her Auit's roof. Margaret is a different woman and lives reading and writing books, which is looked down on by the community she is from. Margaret meets a Mr. Darrow finds that at first, he is a dreadful man who basically tells her the same as her aunt. This book had the possibility and the basis of a romance, family drama, and drama surrounding the main character. For me, it fell a little flat. It started off slow and stayed that way until I found it rushed in the end. Three star read for me because I would have loved to have read more about the couple in the end instead of abruptly ending.
I have mixed feelings about this first book for me by Madeleine Roux. On the surface its a fantastical enemies to lovers Regency romance but it was very HIGH drama, had a large cast of secondary characters and felt like an over the top fairy tale type romance filled with evil aunts, dastardly relatives, vindictive exes, kidnappings, gunfights and so much more. I did love that the FMC, Maggie, loves books and writing and her biggest desire is to get her first story published. Just okay on audio (the narrative wasn't my fav), this was a slog to get through at times but I'm happy I stuck it out to the end. Many thanks to @prhaudio for a complimentary ALC in exchange for my honest thoughts.
I was so intrigued by the premise of Much Ado About Margaret that I'm sad I didn't enjoy it more. The author has a beautiful way of painting a picture of a scene but part of the book felt like it was striving to be like a classic, while other parts felt like it was leaning to modern. There were so many character names to keep track of. I felt a little whiplash when out of nowhere Margaret and Bridger share a kiss. I think this book could be enjoyed by many, but it just wasn't for me.
Thank you to NetGalley and Randon House Ballentine / Dell for this advanced copy in exchange for my honest review. Much Ado About Margaret is available on October 22, 2024.
This was disappointing for me. I wanted to love a book with a fun premise like this and a titular Margaret, but the story lacked cohesion and plot propulsion. Characters made decisions that didn't make sense to me and led to more overall plot-action than needed.
Much Ado About Margaret is probably better for a reader who reads less historical romance than me, as it lacked the structure of a histrom novel and in its quest to be different crossed over whimsical and into a lack of chemistry and a book that didn't hold my attention.
I loved the Much Ado About Nothing of it all, and that it's set up as a parallel that then because actively acknowledged by the characters, so you're not left just re-creating the plot point for point. I enjoyed our female heroine and her sisters, and her friendships. The mechanism by which they're set up as enemies doesn't work for me if I get it any thought at all, because it's not developed/resolved enough (he ... hates women? Or did? Or at least went along with it in a way that's only redeemed because he says it is?), but I just ignored that part and enjoyed the rest as a regency romp. The second half had some plot and pacing challenges, but I still had a good time.
Good at times. Okay at others. This had really nice dialogue, I like when the characters actually speak like they belong in the time period. Some really hate-able villains as well. 3.5 stars.
Margaret Arden would rather be known as a famous author than become a dutiful wife. However, her family needs money, and she needs to marry well to provide for her widowed mother and two younger sisters. Yet, Margaret cannot give up on her dream. She even dares to approach a publisher with her latest manuscript only to be insulted.
Captain Bridger Dryden is starting over as a publisher after his days in the war. With a wayward rogue for a younger brother, a father suffering from illness, and a crumbling estate, he has much on his mind. When he finds a stray paper with a fragment of a story, he is determined to publish it. Turns out, it was written by none other than the woman he insulted a prior.
With Margaret and Bridger attending the same wedding at Pressmore Estate, can they find a truce or will things get worse?
The story comes in the third-person POV of Margaret (Maggie) and Bridger.
My Thoughts:
Based on the premise and cover, I had some expectations about a young woman trying to establish herself as a writer and finding love along the way, with some drama, of course! However, the drama part took over and diluted the rest of it.
The beginning should get a solid 4 stars. It establishes the FMC’s situation and character. Though it doesn’t show the MMC in a good light, I was hoping for a good enemies-to-lovers romance and some banter.
However, too many elements enter the plot – the rascal brother (the MMC’s), an annoyed ex, a dear one sabotaging the new bride’s life, and more drama! While the end lessons are important, they come at the expense of the main characters.
I could never really feel the hero and heroine’s relationship. It seemed to progress, but I felt nothing. Bridger wasn’t the kind of grump I like, though he ticked all the boxes. I just couldn’t connect with the developments.
Despite this, I loved the scenes with Violet and Whinny. The book would have been even more boring with them and Ann.
As an Indian, I appreciate Ann’s backstory. However, I’d have liked it if she and Lane got their own book to explore the details. This wasn’t the book to make a subplot take over the main theme.
Unfortunately, we don’t get more than a surface-level detail of the hardships faced by women writers to publish their pieces. I don’t need a thesis, but I would have liked it more if the MCs had a short discussion about the process. Even when they actually discuss poetry, we are told they spoke about it.
There are a couple of love scenes (moderately graphic). Since I didn’t connect with their romance, these scenes didn’t really feel emotional.
One thing I did like was how the aunts were depicted. Yet, the person who was responsible for all this doesn’t even get a single word! Where is Margaret’s mother? What does she have to say to her daughters? Does she agree with her ‘savior’ sisters? Does she want her daughters to be happy? Is she conflicted and guilty? We know nothing. We only hear the aunts bashing the poor woman because she married for love and was left penniless after her husband’s death. Her active presence would have enhanced the story a lot. That was more important than the scandal and drama.
A good thing is that the book is fairly easy to read. I finished the majority of it in one sitting. Also, there are tiny quotes from Shakespeare’s works at the beginning of each chapter and many mentions of his plays. Enjoyed those!
To summarize, Much Ado About Margaret has a great premise but ends up underwhelming with a bigger subplot than the main plot. It’s a small book, so that’s something.
NGL, I’m surprised that a book by a bestselling author reads like a rough first draft (I know this is uncorrected proof but both are different). Maybe coz this seems to be her first lighthearted romance (GR shows dark historical fiction on her list of works) and the shift in genres wasn’t smooth?
Thank you, NetGalley and Random House Publishing Group (Ballantine| Dell), for eARC. This review is voluntary and contains my honest opinion about the book.
In the glittering world of Regency England, where propriety reigns supreme and a woman's worth is measured by her marriage prospects, there emerges a tale that dares to challenge these deeply entrenched societal norms. Much Ado About Margaret weaves together the passionate pursuits of literary ambition with the timeless allure of forbidden romance, creating a narrative that both honors and subverts the conventions of its genre.
The Story at a Glance
Margaret Arden, our spirited protagonist, dreams beyond the confines of her prescribed role in society. Armed with a manuscript and determination that would make Elizabeth Bennet proud, she navigates the treacherous waters of both publishing and romance. When her path crosses with Bridger Darrow, a former military captain turned publisher, the stage is set for a tale of wit, passion, and the age-old battle between duty and desire.
A Fresh Take on Familiar Territory
Madeleine Roux, known for her successful young adult series Asylum and House of Furies, makes a bold entrance into the historical romance genre. While the Regency era has been well-trodden ground since Jane Austen first put pen to paper, Roux brings a contemporary sensibility to her narrative while maintaining period authenticity. The result is a story that feels both classic and refreshingly modern.
Strengths and Notable Elements
- Strong Character Development: Margaret shines as a protagonist who feels remarkably real, complete with flaws and inner conflicts that make her journey compelling - Historical Detail: Roux's attention to the publishing world of Regency England adds depth and authenticity to the narrative - Supporting Cast: The secondary characters, particularly Violet and Ann, bring vitality and humor to the story - Romance Arc: The chemistry between Margaret and Bridger develops naturally, with their shared love of literature serving as a believable foundation
Areas for Improvement
- Pacing Issues: The middle section of the novel occasionally drags, particularly during Margaret's time in London - Plot Convenience: Some story resolutions feel too neat, especially regarding the publishing of Margaret's book - Secondary Conflict Resolution: The subplot involving Ruby and Paul Darrow could have been more fully developed - Period Authenticity: While generally well-researched, there are occasional moments where modern sensibilities seem to intrude
Writing Style and Voice
Roux demonstrates considerable skill in capturing the essence of Regency-era prose without becoming overly florid or inaccessible to modern readers. Her dialogue sparkles with wit reminiscent of Austen, while maintaining its own distinct flavor. However, there are moments when the contemporary influence becomes perhaps too apparent, potentially pulling some readers out of the period setting.
Thematic Depth
The novel explores several compelling themes:
- The tension between artistic ambition and societal expectations - The role of women in Regency society and the publishing world - The power of authentic love versus social convenience - Family duty and personal fulfillment
Conclusion
While not without its imperfections, Much Ado About Margaret successfully combines the beloved elements of Regency romance with contemporary sensibilities about women's autonomy and artistic ambition. Roux has crafted a novel that, like its heroine, dares to be both romantic and intellectual, traditional and progressive. Though some aspects of the plot resolution may feel too convenient, the journey itself is worth taking for readers who appreciate both love stories and literary ambition.
Since the death of her father, Miss Margaret Arden and her sisters live with their mother in a cottage owned by their Aunt Eliza and are dependent on her good will. But Margaret has a plan to save her family, that doesn’t involve marrying a rich man. You see, Margaret is an author (an unpublished author, but an author nonetheless) who has just finished her third novel and is trying to find a publisher to publish it and set her on the path of financial freedom. As luck would have it, the publisher she sent her manuscript to (and who never even bothered to acknowledge it) is going to be at her aunt’s salon and she plans to use the opportunity to pitch her book. She is shocked to learn that Mr. Bridger Darrow of publisher Dockarty & Co is an uncommonly handsome man, but once he starts talking any attraction, she felt dies a quick death when he berates her writing and wishes her good luck with her life. But fate has a wicked sense of humor and the two are reunited a couple of months later at her cousin’s wedding. She isn’t thrilled to see him again, but maybe he isn’t as bad as she thought, especially when a tragic mishap turns fortuitous, and he wants to publish her book. Then when her cousin’s new wife is implicated in a horrific scandal, he is the first to help her clear Ann’s name. Will this lead Margaret to her very own HEA or will fate pull the rug out from under her and she will lose everything?
Bridger Darrow is the younger son of landed gentry, with no possibility of inheriting, Bridger joined the military. Now after years of war, he has had enough and it ready to settle back into civilian life. He has inherited a publishing company and is trying to make it profitable and what he needs is a really good book. In all fairness, he tried to read Miss Arden’s book, but was bored to tears after only a few pages and never finished it. Still trying to find his golden goose, he is in London when he is called to his father’s estate. His father is dying, and the estate is in shambles thanks to his older brother, Paul’s reckless spending and now he has disappeared. Leaving Bridger to clean up the mess. When he learns that Paul has left to go the wedding of Bridger’s best friend, Lane. He sets out to find his brother and drag him home, but instead finds Miss Arden as well as a scorned former love interest. And that’s when things get interesting, and he realizes that he seriously underestimated Margaret. But as with everything in his life, nothing is going to be easy. Can he save his brother, prevent a scandal, save his business and win the girl?
I so wanted to love this book and thought it would suck me in and hold me fast until the end. It didn’t. I liked Margaret and her sisters, but Bridger was not really a hero I could root for. Add to that the fact that Margaret and Bridger don’t really spend time together until the book is almost half done, which made it hard for me to become invested in their HEA. I didn’t hate the book, and I enjoyed parts of it, but I found it very “put-downable” and it is not a book I would read again.
3 stars
*I am voluntarily leaving a review for an eARC that I requested and was provided to me by the publisher/author. All opinions in this review are my own. *
Tropes: enemies to lovers; MMC with a traumatic past; MFC wants to be a writer; wedding party; mistaken identity; forced proximity Steam level: 2-3
3.5 stars ultimately bumped up. I have mixed thoughts. I enjoyed the writing style; it flows well and is polished. At times it ventures toward "purple prose", but overall descriptions and dialog are well written. I was attracted to the premise and the breezy execution of the first third of the book. I also liked how the touchy, more emotional topics were brought up. Ann's background in India and her and her family's struggles with acculturation were actually more interesting to me than the main conflict involving MFC Maggie wanting to become a published writer. I wished that this "fish out of water" subplot ran throughout more of the book. I also liked the way MMC Bridger and his struggles with PTSD were introduced. I'm a fan of the "wounded warrior" trope and was ready for this to be explored more in the second half.
However, as the book went on, it tended to rely more on unnecessary angst to create plot complications. For example, when fireworks go off at the wedding reception, Bridger blacks out. When he comes to, Maggie is questioning him. Her father was retired from the military and so she's familiar with shellshock. However, when he responds to one of her queries unsatisfactorily in his confusion, she takes it personally. Nearer the end of the book her cousin Lane, who has credited Bridger with saving his life, only had to decide that he is the head of the household and tell his harpy of a mother that his old friend will always be welcome at their table, but instead he inexplicably goes along with her snobbishness, which contributes another barrier to Bridger's HEA with Maggie. And all Bridger had to do earlier in the book was talk over things with his former bertrothed Regina and that nastiness would have been at least somewhat cleared up.
Then there are characters who are unpleasant mostly for the sake of being unpleasant: the aunts, Pimm (who, although the author does try to humanize him later, is really hard to like), and Bridger's monster of a dad who has been affected by dementia (the scene where Bridger yells at him not long before his death is more appalling than satisfying IMO). Even Ann's sister Ruby, who could have easily become a sympathetic character, is annoyingly self-centered.
Balancing out the angst, I did like Briger and Maggie's chemistry. I was a bit surprised they gave into passion when they did and the love scenes felt rather shoehorned in, but I get that it's hard to publish non-steamy HR's these days. There are literary/Shakepearean themes throughout, with a bit of a homage to "Much Ado About Nothing."
Bottom line: The author's writing style is strong, so if you are more "angsty" than I am when it comes to HR's this might be the book for you.
This is an advanced reader copy of this book and this is my voluntary, honest review. Thank you to the author, Random House Publishing/Dell and NetGalley for this opportunity.
Margaret "Maggie" Arden has always been a lover of the written word, a love that she shared with her father before his untimely death. She had poured her soul into her novel "The Killbride" and is just waiting for a publisher to take a chance on her dream. However as much as Margaret wants to establish herself as a writer, her hands are bound by regency era rules/expectations of a young woman. She, her sisters, and mother are living on the charity of her Aunt Eliza. Her aunt is staunchly against Maggie publishing her book, she believes Maggie should put her focus into securing a wealthy husband to save her family from poverty.
Bridger Darrow is a former captain, that now works in publishing. He is a second son to a cruel and abusive father who is on his deathbed. Bridger is forced to face the fact that his family is on the verge of ruin due to his elder brother's overspending and wild behavior. When he is sent a copy of "The Killbride" Bridger barely makes it past the first chapter before rejecting the novel.
The two wish to never cross paths again, despite their instant attraction for each other.
Margaret and Bridger have been invited to attend the wedding of the season. When the wedding festivities turn to chaos the pair band together to uncover the culprits. In this enemies to lovers, regency romance Maggie and Bridger take you on a journey of love, grief, hope, and believing in yourself.
Thoughts: 💭 This book was so much fun to read, a lighthearted romance with mystery! I really enjoyed the masquerade mystery that the author incorporated, when the culprit was revealed my stomach dropped. I did guess it correctly but was still surprised!
Maggie and Bridger were delightful characters, and their story progressed at a decent pace. I was so happy that this book incorporated both of their POV's. Maggie was a force to be reckoned with and I loved that she wasn't afraid to go against societal norms. Maggie's sisters also had me cracking up! Those two were bold, supportive, and were my favorite minor characters. Women supporting women!
This novel was full of Shakespearean references and gave me Sense & Sensibility vibes but with a little spice 🌶️ (I did get the impression this was going to be a closed door romance, and was a little surprised when it was not!)
Thank you NetGalley, Random House Publishing Group- Ballantine, and Madeleine Roux for this advanced digital copy in exchange for an honest review.
Madeleine Roux’ “Much Ado About Margaret” follows Margaret, an aspiring author, loyal friend, lover of Shakespeare, and peak Eldest Daughter vibes. Feeling pressure from her aunts to make a good match this season, Margaret attempts to navigate the need to fulfill her duty to her family - marriage - and her duty to herself (and her late father): writing.
Naturally, she meets the brash and handsome publisher, Bridger Darrow - who promptly crushes her dreams but eventually recognizes her talent.
One might expect the story to focus more on Margaret’s journey to authorship or Bridger’s post-war trauma, but instead, it is - quite curiously, in my opinion - a side character scandal and party mystery that drives this narrative. This often meant the plot points and primary conflict seemed forced.
In this romance, you’ll get: - Enemies to lovers - Passion and duty - Family drama and trauma - Fierce female friendships - House party scandal - Love discovered on the road in pursuit of a mystery - Mistaken identity - Only one room
Ultimately, this book is a lower-spice historical fiction that I think many readers new to the genre will enjoy.
But for long-time historical and regency romance readers (like myself) this one fell a bit flat. While the writing was high-level and quite polished, it was a bit heavy-handed—particularly with the Shakespeare references (again, most readers drawn to this genre can be trusted to know their Shakespeare and recognize references without being told outright). I also thought the overall tone wasn’t styled in an authentically British way (take that with a grain of salt, as I’m an American reader - but it certainly lacked traditionally regency romance tone/wording and formality)- which took me out of the story often.
Perhaps more than that, the chemistry and depth between Margaret and Bridger was missing - especially when you consider the pacing of this novel, all of the primary action happens over the course of just a few days. I’ve still never found a reader who completely connects with insta-love, least of all me.
As ever, I am grateful to the publisher and NetGalley for an opportunity to read this galley and which you all the success with the release of this title and look forward to more regency romances from Dell.
Margaret Arden would love to live as the heroines in her novels. Her idyllic life is fine, but rejections might mean being forced into marriage to improve the family finances. Captain Bridger Darrow is back in England, but struggling to save his family from destitution. His publishing venture isn't successful, but he finds pages of a novel he would love to publish. Unfortunately, he already told off the author. Bridger now must regain Margaret's trust, and sparks begin to fly.
If the title reminds you of Shakespeare, it's deliberate; she shares a birthday with him and there are quotes in front of every chapter. The novel is also written with language more in keeping with the time period than our modern language. Even the opening makes me think of Jane Austen. We see how few options women had in that time period if they're of the genteel class, and how quickly people turn on each other in Society.
Margaret's father had encouraged stories and writing but hadn't been very wealthy. She and her sisters along with her mother had to move in with her Aunt Eliza, who insists she must make an advantageous marriage to support her mother and sisters the way her mother didn't; Eliza and Margaret's other aunt resent Margaret's mother for not doing her duty and leaving them to make the rich but loveless marriage. She's sure of her novel, and that publishing it will support herself and her family, but Eliza won't hear of her going into a trade, and Regency women were generally not allowed to be authors.
Enter Bridger, who is the second son and not that wealthy, especially with an older brother acting badly and squandering the family fortune. They had a bad upbringing and their father essentially has dementia. His older brother comes to a wedding to ask for money; the groom is Bridger's best friend and Margaret's cousin, putting the two back in each other's orbit after the disastrous first meeting, and keeping them there. They work well together and appreciate many of the same things about books, which makes the reader and some of the other characters know its meant to be. They have struggles along the way due to family expectations and the financial considerations, but we get a happily ever after for them in the end.
Thank you so much to NetGalley and Madeleine Roux for providing me with a complimentary digital ARC for Much Ado About Margaret coming out October 22, 2024. The honest opinions expressed in this review are my own.
Margaret Arden yearns to live like the passionate and daring women in her novel. The idyllic life at Mosely Cottage with her two younger sisters and mother is fine, but Margaret wants more than the demure and dainty existence she’s known. After a particularly brutal rejection from an annoyingly attractive publisher, Margaret fears being forced into marriage to protect her family if their financial situation doesn’t improve—until her cousin’s glamorous wedding masquerade brings her onto a collision course with scandal, notoriety, and even love.
Captain Bridger Darrow is starting over after fighting for his country. Now home, he is struggling to save his family from destitution and succeed in a new venture of passion: book publishing. It’s all going rather poorly, until he stumbles upon loose pages of an astonishing novel while in attendance at his dearest friend’s wedding. Bridger knows he must publish it. But upon meeting the author, Bridger is stunned to discover that he—she—is a woman, and he has already told her off in grand fashion.
While Bridger is keen to gain her trust and rescind the initial rejection, Margaret can’t help but be skeptical of his intentions. Sparks fly between the two, just as the wedding of the season starts to descend into chaos when a masked dance leads to a case of mistaken identities.
I’ve read a few different books by this author. I love that she crosses genres and writes about different things. I’m obsessed with Much Ado About Nothing and I love the regency era, so this was a perfect mix for me. This was a really fun book. There were definitely hijinks ensuing! I loved that Margaret wanted to write for a living. It felt a little like Jane Austen. I loved it! I would definitely read more books by this author!
I would recommend this book to anyone who enjoys Shakespearean regency novels!
Margaret's aunts despair of her finding a suitable husband - she is headstrong, outspoken, and writes! But as the oldest in a genteelly impoverished family of three girls, it is up to her to marry well and provide for her sisters and widowed mother. Unfortunately, she wants to provide for her family by being a successful writer, which the publishers of Britain seem unwilling to help her become. After a humiliating rejection from the most recent publisher is delivered in person, Margaret and her sisters escape to the county wedding of their cousin, whose best friend Bridger just so happens to be the disparaging publisher, who is also looking to save his family from ruin by either marrying well or publishing a great novel. When one of Margaret's aunts "accidentally" opens a window and lets her manuscript blow away across the grounds, Bridger finds some pages that capture his interest and curiosity about the writer and what happens next in the extraordinary novel.
While the story was decent enough, much of it felt rushed and lacking in character development to support some of the actions of the characters. The secondary characters are a bit flat, though they have the potential for more interest than they deliver. The romance between Maggie and Bridger was oddly paced at times, going from slow burn and incremental trust building to rushed intimacy that didn't quite make sense for the characters up to that point. The mystery that brings them together was also rushed and the denouement both predictable and melodramatic. The references to Shakespeare and the writers who would have been known during that time period were nice touches, and the ending was more realistic for the time period than is typical of historical romances without sacrificing the HEA.
Thank you to Random House Publishing - Ballantine Dell and Netgalley for the opportunity to read Much Ado About Margaret early in exchange for a review.
Margaret Arden has a problem. She’s written a book [her third and, arguably, her best] . . . and she wants to have it published. But women don’t write books . . . and her aunts are worried; they want Margaret to abandon her “silly” writing and find herself a husband [especially since the family’s finances are minimal].
Maggie approaches Bridger Darrow [of the publishing company Dockarty and Company], at one of her aunt’s poetry salons, hoping to persuade him to consider publishing her book, but he cruelly dismisses her.
Will Margaret be able to find herself a publisher? Or should she heed her aunts’ advice to abandon her writing and find herself a husband?
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This Regency-era tale, a retelling of Shakespeare, brings wonderfully diverse characters to life; Maggie’s courage in the face of so many obstacles in both heartwarming and impressive. Ambition, family, love, courage, and the expectations of society all play a part in the telling of this charming tale.
Maggie’s rebelliousness and her courage in the face of overwhelming obstacles make her a particularly relatable heroine; some unexpected plot twists keep readers guessing as the unfolding story slowly reveals its secrets. There’s a special appreciation of a character who wants nothing more than to write books, especially since she lives in a time when women were neither encouraged or appreciated for such endeavors. [Maggie could have simply written under a male pseudonym, but she longed to see her name on the spine of a book.]
Readers who enjoy historical stories and Regency-era romances will find much to appreciate here.
Highly recommended.
I received a free copy of this book from Random House Publishing Group – Ballantine / Dell and NetGalley and am voluntarily leaving an honest review. #MuchAdoAboutMargaret #NetGalley
My thanks for the ARC goes to NetGalley and Random House Publishing Group - Ballantine, Dell. I'm voluntarily leaving a review.
Genre: Romance, Historical Romance, Spicy Romance, Regency Romance, Books about Writers Spice Level: Sex on page Language: A little bit of swearing Representation: Southeast Indian characters
MUCH ADO ABOUT MARGARET is a loose retelling of Much Ado About Nothing. The tie in with Shakespeare's famous play is a lot of fun.
Margaret is not ever demure, and I love her for that. Her passion is writing, and she wants to be a published author. She is brutally rejected by a handsome publisher, but then the world tips . . . he finds her book's pages scattered and can't stop reading.
But then there is the problem of who hates who, someone pretending to be another, mistaken identity, scoundrels, money-grabbers, and passion.
Whew! It was a fast ride.
I also love the touch on racial prejudice (and how wrong it is)—this brings more awareness to how colonialism affected countries and people, along with migration, and problems with prejudice.
My normal comment in Regency novels where the young woman willingly has sex with a potential suitor always rub me a little bit the wrong way because the only social currency these women had were their reputations. I'm not saying this didn't ever happen in real life, just that it isn't usually portrayed in a book with the potential serious consequences. I do feel like Roux touches on the loss of social currency in this book, which makes Margaret's decision have more weight. (Still not my favorite, but that's my more balanced view for you to know what's going to happen without being too spoilerish—I hope.)
I loved so much about this book! If you love spicy romance during the Regency era or have a love for Shakespeare's comedies, you'll love this book.