When a female member of a murderous Eastern cult sends Ringo Starr their Sacrificial ring and it gets stuck on his hand, he becomes a target of both the cult and an obsessed scientist. Can h... Read allWhen a female member of a murderous Eastern cult sends Ringo Starr their Sacrificial ring and it gets stuck on his hand, he becomes a target of both the cult and an obsessed scientist. Can his fellow Beatles protect him?When a female member of a murderous Eastern cult sends Ringo Starr their Sacrificial ring and it gets stuck on his hand, he becomes a target of both the cult and an obsessed scientist. Can his fellow Beatles protect him?
- Nominated for 2 BAFTA Awards
- 5 nominations total
John Lennon
- John
- (uncredited)
Paul McCartney
- Paul
- (uncredited)
George Harrison
- George
- (uncredited)
Ringo Starr
- Ringo
- (uncredited)
Ronnie Brody
- Priest
- (uncredited)
- …
Storyline
Did you know
- TriviaThe swimmer who pops up twice asking for the White Cliffs of Dover, once in the Alps, and once in the Bahamas, is Mal Evans, road manager for The Beatles.
- GoofsDuring the scene in the Beatles' home where John defends himself from cult members using a telephone, one of his blows accidentally connects; he can be heard saying, "Oh sorry, I hit him!"
- Crazy creditsThis film is respectfully dedicated to the memory of Mr. Elias Howe, who, in 1846, invented the sewing machine.
- Alternate versionsWhen released on video for the first time in 1989, the film remained in mono but the songs were remixed into stereo, dubbed over with the recordings from the stereo album.
- ConnectionsEdited into Braverman's Condensed Cream of the Beatles (1974)
- SoundtracksHelp!
(uncredited)
Written by John Lennon with Paul McCartney
Performed by The Beatles
Published by Capitol Records
Featured review
Of all the various Beatles transformations out there, I have to admit that I liked them best from late 1964 to mid-1966. During this era, they morphed from the "innocent" fab four into the pre-mystical Beatles that came about in late 1965 with the advent of their wonderful "Rubber Soul" lp.
Yes, I loved these guys from this era of time. If you're old enough to have experienced the British Invasion, then you can show an appreciation of how the music once was: short and sweet. To put it simply, most pop music that came out of this era was short (around 2 minutes and 30 seconds) and sweet enough to reveal a new type of rock n' roll that never existed before the advent of the Beatles, the Rolling Stones, the Yardbirds, Chad and Jeremy, the Dave Clark 5, etc, etc, etc.
It's too bad that this era didn't last long enough for us to enjoy. Before you knew it, it was gone like a morning mist. Even the American versions of garage rock, like Gary Lewis & the Playboys and the Turtles disappeared as discontent with the establishment and Vietnam sapped all of the collective innocence out of us.
It was an era of music that was, in essence, non-political; Beatles music, as well as other bands, were geared toward boy-girl love relationships and that was all. Barry McGuire then blew us out of the water with his "Eve of Destruction" around September, 1965. This, of course, caught the Beatles by surprise and they quickly changed their music from the typical "love songs" and became more creative in their talents by releasing "Day Tripper" with "We Can Work It Out" as a flip side.
"Help!" is a remnant of the final days of "innocence", when Vietnam was just entering the nightly news night after night after night and when the domestic disturbances on college campuses and ghettos was coming to a head.
This is what "Help!" represents to those who study this era. It was still a time when we could still help to avoid the problems that were beginning to plague American culture, society and politics. It still showed the Beatles as innocent and fun-loving mop tops that many people still prefer over their re-emergence as mystical, drug-experimenting replacements two years hence. I know that I still prefer them as innocent mop tops, but reality has shown that they were far from innocent even during their early days in Hamburg.
All that aside, this is still my favorite era of Beatledom.
Yes, I loved these guys from this era of time. If you're old enough to have experienced the British Invasion, then you can show an appreciation of how the music once was: short and sweet. To put it simply, most pop music that came out of this era was short (around 2 minutes and 30 seconds) and sweet enough to reveal a new type of rock n' roll that never existed before the advent of the Beatles, the Rolling Stones, the Yardbirds, Chad and Jeremy, the Dave Clark 5, etc, etc, etc.
It's too bad that this era didn't last long enough for us to enjoy. Before you knew it, it was gone like a morning mist. Even the American versions of garage rock, like Gary Lewis & the Playboys and the Turtles disappeared as discontent with the establishment and Vietnam sapped all of the collective innocence out of us.
It was an era of music that was, in essence, non-political; Beatles music, as well as other bands, were geared toward boy-girl love relationships and that was all. Barry McGuire then blew us out of the water with his "Eve of Destruction" around September, 1965. This, of course, caught the Beatles by surprise and they quickly changed their music from the typical "love songs" and became more creative in their talents by releasing "Day Tripper" with "We Can Work It Out" as a flip side.
"Help!" is a remnant of the final days of "innocence", when Vietnam was just entering the nightly news night after night after night and when the domestic disturbances on college campuses and ghettos was coming to a head.
This is what "Help!" represents to those who study this era. It was still a time when we could still help to avoid the problems that were beginning to plague American culture, society and politics. It still showed the Beatles as innocent and fun-loving mop tops that many people still prefer over their re-emergence as mystical, drug-experimenting replacements two years hence. I know that I still prefer them as innocent mop tops, but reality has shown that they were far from innocent even during their early days in Hamburg.
All that aside, this is still my favorite era of Beatledom.
- grasshopper54
- Feb 23, 2008
- Permalink
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Details
Box office
- Budget
- $1,500,000 (estimated)
- Runtime1 hour 32 minutes
- Sound mix
- Aspect ratio
- 1.66 : 1
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