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Mona Rockman Napaljarri (born c. 1924) is a Warlpiri-speaking Indigenous artist from Australia's Western Desert region. Her paintings and pottery are held in the collection of the National Gallery of Victoria.

Life

Mona Rockman was born around 1924 at Mongrel Downs, now Tanami Downs pastoral station, in the Northern Territory, about 700 kilometres north-west of Alice Springs.^[1]

Napaljarri (in Warlpiri) or Napaltjarri (in Western Desert dialects) is a skin name, one of sixteen used to denote the subsections or subgroups in the kinship system of central Australian Indigenous people. These names define kinship relationships that influence preferred marriage partners and may be associated with particular totems. Although they may be used as terms of address, they are not surnames in the sense used by Europeans.^[2]^[3] Thus 'Mona Rockman' is the element of the artist's name that is specifically hers.

Mona was one of six children of Milkila Jungarayi. Her siblings include artists Biddy Rockman Napaljarri and Peggy Rockman Napaljarri.^[4] Mona Rockman is one of the traditional owners recognised in the Tanami Downs land claim, under the Aboriginal Land Rights Act 1976.^[4]

Art

Background

Contemporary Indigenous art of the western desert began when Indigenous men at Papunya began painting in 1971, assisted by teacher Geoffrey Bardon.^[5] Their work, which used acrylic paints to create designs representing body painting and ground sculptures, rapidly spread across Indigenous communities of central Australia, particularly following the commencement of a government-sanctioned art program in central Australia in 1983.^[6] By the 1980s and 1990s, such work was being exhibited internationally.^[7] The first artists, including all of the founders of the Papunya Tula artists' company, had been men, and there was resistance amongst the Pintupi men of central Australia to women painting.^[8] However, there was also a desire amongst many of the women to participate, and in the 1990s large numbers of them began to create paintings. In the western desert communities such as Kintore, Yuendumu, Balgo, and on the outstations, people were beginning to create art works expressly for exhibition and sale.^[7]

Career

Mona Rockman was probably one of a number of artists who first learned painting through a course run in 1986 at Lajamanu by an adult education officer, John Quinn, associated with the local Technical and Further Education unit.^[9] The course, initially attended only by men, eventually enrolled over a hundred community members.^[10] Others who began their careers through that course include Louisa Napaljarri, as well as Mona's sister Peggy Rockman.^[9]^[11]

Western Desert artists such as Mona will frequently paint particular 'dreamings', or stories, for which they have personal responsibility or rights.^[12] Mona's dreamings are Ngatijiiri (budgerigar) and Warna (snake).^[1] In addition to painting, Mona has also worked in pottery, with her work in both media being exhibited by the National Gallery of Victoria.^[1]

References

^ ^a ^b ^c Johnson, Vivien (1994). Aboriginal Artists of the Western Desert: A Biographical Dictionary. Roseville East, NSW: Craftsman House. p. 174.
^ "Kinship and skin names". People and culture. Central Land Council. Archived from the original on 10 November 2010. Retrieved 23 October 2009.
^ De Brabander, Dallas (1994). "Sections". In David Horton (ed.). Encyclopaedia of Aboriginal Australia. Vol. 2. Canberra: Aboriginal Studies Press for the Australian Institute of Aboriginal and Torres Strait Islander Studies. p. 977. ISBN 978-0-85575-234-7.
^ ^a ^b Olney, Justice (30 March 1992). Tanami Downs Land Claim: Findings, Recommendation (PDF). Reports of the Aboriginal Land Commissioner. Vol. Report No. 42. Melbourne: Aboriginal Land Commissioner. Archived from the original (PDF) on 29 March 2011.
^ Bardon, Geoffrey; James Bardon (2006). Papunya – A place made after the story: The beginnings of the Western Desert painting movement. University of Melbourne: Miegunyah Press.
^ Dussart, Francoise (2006). "Canvassing identities: reflecting on the acrylic art movement in an Australian Aboriginal settlement". Aboriginal History. 30: 156–168.
^ ^a ^b Morphy, Howard (1999). Aboriginal Art. London: Phaidon. pp. 261–316.
^ Strocchi, Marina (2006). "Minyma Tjukurrpa: Kintore/Haasts Bluff Canvas Project: Dancing women to famous painters". Artlink. 26 (4).
^ ^a ^b Birnberg, Margo; Janusz Kreczmanski (2004). Aboriginal Artist Dictionary of Biographies: Australian Western, Central Desert and Kimberley Region. Marleston, South Australia: J.B. Publishing. p. 209. ISBN 1-876622-47-4.
^ Johnson, Vivien (1994). "Domino effects: the spread of Western Desert art in the '80s". Aboriginal Artists of the Western Desert: A Biographical Dictionary. Roseville East, NSW: Craftsman House. pp. 13–49.
^ Birnberg, Margo; Janusz Kreczmanski (2004). Aboriginal Artist Dictionary of Biographies: Australian Western, Central Desert and Kimberley Region. Marleston, South Australia: J.B. Publishing. p. 205. ISBN 1-876622-47-4.
^ Johnson, Vivien (1994). "Introduction". Aboriginal Artists of the Western Desert: A Biographical Dictionary. Roseville East, NSW: Craftsman House. pp. 7–12.

External links

image of Mona Rockman, from Mimi Arts.

[Johnson174-1] Johnson, Vivien (1994). Aboriginal Artists of the Western Desert: A Biographical Dictionary. Roseville East, NSW: Craftsman House. p. 174.

[CLC-2] "Kinship and skin names". People and culture. Central Land Council. Archived from the original on 10 November 2010. Retrieved 23 October 2009.

[de_Brabander-3] De Brabander, Dallas (1994). "Sections". In David Horton (ed.). Encyclopaedia of Aboriginal Australia. Vol. 2. Canberra: Aboriginal Studies Press for the Australian Institute of Aboriginal and Torres Strait Islander Studies. p. 977. ISBN 978-0-85575-234-7.

[Olney-4] Olney, Justice (30 March 1992). Tanami Downs Land Claim: Findings, Recommendation (PDF). Reports of the Aboriginal Land Commissioner. Vol. Report No. 42. Melbourne: Aboriginal Land Commissioner. Archived from the original (PDF) on 29 March 2011.

[Bardon-5] Bardon, Geoffrey; James Bardon (2006). Papunya – A place made after the story: The beginnings of the Western Desert painting movement. University of Melbourne: Miegunyah Press.

[Dussart06-6] Dussart, Francoise (2006). "Canvassing identities: reflecting on the acrylic art movement in an Australian Aboriginal settlement". Aboriginal History. 30: 156–168.

[Morphy99-7] Morphy, Howard (1999). Aboriginal Art. London: Phaidon. pp. 261–316.

[Strocchi06-8] Strocchi, Marina (2006). "Minyma Tjukurrpa: Kintore/Haasts Bluff Canvas Project: Dancing women to famous painters". Artlink. 26 (4).

[Birnberg209-9] Birnberg, Margo; Janusz Kreczmanski (2004). Aboriginal Artist Dictionary of Biographies: Australian Western, Central Desert and Kimberley Region. Marleston, South Australia: J.B. Publishing. p. 209. ISBN 1-876622-47-4.

[JohnsonD-10] Johnson, Vivien (1994). "Domino effects: the spread of Western Desert art in the '80s". Aboriginal Artists of the Western Desert: A Biographical Dictionary. Roseville East, NSW: Craftsman House. pp. 13–49.

[Birnberg205-11] Birnberg, Margo; Janusz Kreczmanski (2004). Aboriginal Artist Dictionary of Biographies: Australian Western, Central Desert and Kimberley Region. Marleston, South Australia: J.B. Publishing. p. 205. ISBN 1-876622-47-4.

[JohnsonIntro-12] Johnson, Vivien (1994). "Introduction". Aboriginal Artists of the Western Desert: A Biographical Dictionary. Roseville East, NSW: Craftsman House. pp. 7–12.

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@@ Line 1: / Line 1: @@
+{{Short description|Australian artist}}
-'''Mona Rockman Napaljarri''' (born c. 1924) is a [[Warlpiri language|Warlpiri]]-speaking [[Indigenous Australian|Indigenous]] [[artist]] from [[Australia|Australia's]] [[Western Desert cultural bloc|Western Desert]] region. Her paintings and pottery are held in the collection of the [[National Gallery of Victoria]].
+{{Use Australian English|date=November 2018}}
+{{Use dmy dates|date=February 2019}}
+'''Mona Rockman Napaljarri''' (born c. 1924) is a [[Warlpiri language|Warlpiri]]-speaking [[Indigenous Australian|Indigenous]] artist from Australia's [[Western Desert cultural bloc|Western Desert]] region. Her paintings and pottery are held in the collection of the [[National Gallery of Victoria]].
 ==Life==
 Mona Rockman was born around 1924 at Mongrel Downs, now [[Tanami Downs]] pastoral station, in the [[Northern Territory]], about 700 kilometres north-west of [[Alice Springs, Northern Territory|Alice Springs]].<ref name="Johnson174">{{cite book|last=Johnson|first=Vivien|title=Aboriginal Artists of the Western Desert: A Biographical Dictionary|publisher=Craftsman House|location=Roseville East, NSW|page=174|year=1994}}</ref>
-''[[Napaljarri (skin name)|Napaljarri]]'' (in Warlpiri) or ''Napaltjarri'' (in Western Desert dialects) is a [[Australian Aboriginal kinship|skin name]], one of sixteen used to denote the subsections or subgroups in the [[kinship system]] of central Australian Indigenous people. These names define kinship relationships that influence preferred marriage partners and may be associated with particular totems. Although they may be used as terms of address, they are not surnames in the sense used by Europeans.<ref name="CLC">{{cite web|url=http://www.clc.org.au/People_Culture/kinship/kinship.html|title=Kinship and skin names|work=People and culture|publisher=Central Land Council|accessdate=2009-10-23}}</ref><ref name="de Brabander">{{cite book|last=De Brabander|first=Dallas|title=[[Encyclopaedia of Aboriginal Australia]]|editor=David Horton|publisher=Aboriginal Studies Press for the Australian Institute of Aboriginal and Torres Strait Islander Studies|location=Canberra|year=1994|volume=2|page=977|chapter=Sections|isbn=978-0-85575-234-7}}</ref> Thus 'Mona Rockman' is the element of the artist's name that is specifically hers.
+''[[Napaljarri (skin name)|Napaljarri]]'' (in Warlpiri) or ''Napaltjarri'' (in Western Desert dialects) is a [[Australian Aboriginal kinship|skin name]], one of sixteen used to denote the subsections or subgroups in the [[kinship system]] of central Australian Indigenous people. These names define kinship relationships that influence preferred marriage partners and may be associated with particular [[Totem|totems]]. Although they may be used as terms of address, they are not surnames in the sense used by Europeans.<ref name="CLC">{{cite web|url=http://www.clc.org.au/People_Culture/kinship/kinship.html|title=Kinship and skin names|work=People and culture|publisher=Central Land Council|accessdate=23 October 2009|url-status=dead|archiveurl=https://web.archive.org/web/20101110232317/http://www.clc.org.au/People_Culture/kinship/kinship.html|archivedate=10 November 2010}}</ref><ref name="de Brabander">{{cite book|last=De Brabander|first=Dallas|title=[[Encyclopaedia of Aboriginal Australia]]|editor=David Horton|publisher=Aboriginal Studies Press for the Australian Institute of Aboriginal and Torres Strait Islander Studies|location=Canberra|year=1994|volume=2|page=977|chapter=Sections|isbn=978-0-85575-234-7}}</ref> Thus 'Mona Rockman' is the element of the artist's name that is specifically hers.
-Mona was one of six children of Milkila Jungarayi, and her siblings include artists [[Biddy Rockman Napaljarri]] and [[Peggy Rockman Napaljarri]].<ref name="Olney">{{cite book|last=Olney|first=Justice|title=Tanami Downs Land Claim:  Findings, Recommendation|publisher=Aboriginal Land Commissioner|location=Melbourne|date=1992-03-30|series=Reports of the Aboriginal Land Commissioner|volume=Report No. 42|url=http://www.fahcsia.gov.au/sa/indigenous/pubs/annualreports/aboriginal_land_comm_reports/tanami_downs/Documents/42.PDF}}</ref> Mona Rockman is one of the traditional owners recognised in the Tanami Downs land claim, under the [[Aboriginal Land Rights Act 1976]].<ref name="Olney"/>
+Mona was one of six children of Milkila Jungarayi.  Her siblings include artists [[Biddy Rockman Napaljarri]] and [[Peggy Rockman Napaljarri]].<ref name="Olney">{{cite book|last=Olney|first=Justice|title=Tanami Downs Land Claim: Findings, Recommendation|publisher=Aboriginal Land Commissioner|location=Melbourne|date=30 March 1992|series=Reports of the Aboriginal Land Commissioner|volume=Report No. 42|url=http://www.fahcsia.gov.au/sa/indigenous/pubs/annualreports/aboriginal_land_comm_reports/tanami_downs/Documents/42.PDF|url-status=dead|archiveurl=https://web.archive.org/web/20110329073724/http://www.fahcsia.gov.au/sa/indigenous/pubs/annualreports/aboriginal_land_comm_reports/tanami_downs/Documents/42.PDF|archivedate=29 March 2011}}</ref> Mona Rockman is one of the [[traditional owners]] recognised in the Tanami Downs land claim, under the [[Aboriginal Land Rights Act 1976]].<ref name="Olney"/>
 ==Art==
 ===Background===
-Contemporary Indigenous art of the western desert began when Indigenous men at [[Papunya]] began painting in 1971, assisted by teacher [[Geoffrey Bardon]].<ref name="Bardon">{{cite book|last=Bardon|first=Geoffrey|author2=James Bardon|title=Papunya – A place made after the story: The beginnings of the Western Desert painting movement|publisher=Miegunyah Press|location=University of Melbourne|year=2006}}</ref> Their work, which used acrylic paints to create designs representing body painting and ground sculptures, rapidly spread across Indigenous communities of central Australia, particularly following the commencement of a government-sanctioned art program in central Australia in 1983.<ref name="Dussart06">{{cite journal|last=Dussart|first=Francoise|year=2006|title=Canvassing identities: reflecting on the acrylic art movement in an Australian Aboriginal settlement|journal=Aboriginal History|volume=30|pages=156–168}}</ref> By the 1980s and 1990s, such work was being exhibited internationally.<ref name="Morphy99">{{cite book|last=Morphy|first=Howard|title=Aboriginal Art|publisher=Phaidon|location=London|year=1999|pages=261–316}}</ref> The first artists, including all of the founders of the [[Papunya Tula]] artists' company, had been men, and there was resistance amongst the Pintupi men of central Australia to women painting.<ref name="Strocchi06">{{cite journal|last=Strocchi|first=Marina|year=2006|title=Minyma Tjukurrpa: Kintore/Haasts Bluff Canvas Project: Dancing women to famous painters|journal=Artlink|volume=26|issue=4}}</ref> However, there was also a desire amongst many of the women to participate, and in the 1990s large numbers of them began to create paintings. In the western desert communities such as Kintore, [[Yuendumu, Northern Territory|Yuendumu]], [[Balgo, Western Australia|Balgo]], and on the [[outstation movement|outstations]], people were beginning to create art works expressly for exhibition and sale.<ref name="Morphy99"/>
+Contemporary Indigenous art of the western desert began when Indigenous men at [[Papunya]] began painting in 1971, assisted by teacher [[Geoffrey Bardon]].<ref name="Bardon">{{cite book|last=Bardon|first=Geoffrey|author2=James Bardon|title=Papunya – A place made after the story: The beginnings of the Western Desert painting movement|publisher=Miegunyah Press|location=University of Melbourne|year=2006}}</ref> Their work, which used acrylic paints to create designs representing body painting and ground sculptures, rapidly spread across Indigenous communities of central Australia, particularly following the commencement of a government-sanctioned art program in central Australia in 1983.<ref name="Dussart06">{{cite journal|last=Dussart|first=Francoise|year=2006|title=Canvassing identities: reflecting on the acrylic art movement in an Australian Aboriginal settlement|journal=Aboriginal History|volume=30|pages=156–168}}</ref> By the 1980s and 1990s, such work was being exhibited internationally.<ref name="Morphy99">{{cite book|author1-link=Howard Morphy|last=Morphy|first=Howard|title=Aboriginal Art|publisher=Phaidon|location=London|year=1999|pages=261–316}}</ref> The first artists, including all of the founders of the [[Papunya Tula]] artists' company, had been men, and there was resistance amongst the Pintupi men of central Australia to women painting.<ref name="Strocchi06">{{cite journal|last=Strocchi|first=Marina|year=2006|title=Minyma Tjukurrpa: Kintore/Haasts Bluff Canvas Project: Dancing women to famous painters|journal=Artlink|volume=26|issue=4}}</ref> However, there was also a desire amongst many of the women to participate, and in the 1990s large numbers of them began to create paintings. In the western desert communities such as [[Kintore, Northern Territory|Kintore]], [[Yuendumu, Northern Territory|Yuendumu]], [[Balgo, Western Australia|Balgo]], and on the [[outstation movement|outstations]], people were beginning to create art works expressly for exhibition and sale.<ref name="Morphy99"/>
 ===Career===
-Mona Rockman was probably one of a number of artists who first learned painting through a course run in 1986 at Lajamanu by an adult education officer, John Quinn, associated with the local [[Technical and Further Education]] unit.<ref name="Birnberg209"/>  The course, initially attended only by men, eventually enrolled over a hundred community members.<ref name="JohnsonD">{{cite book|last=Johnson|first=Vivien|title=Aboriginal Artists of the Western Desert: A Biographical Dictionary|chapter=Domino effects: the spread of Western Desert art in the '80s|publisher=Craftsman House|location=Roseville East, NSW|pages=13–49|year=1994}}</ref> Others who began their careers through that course include [[Louisa Napaljarri]], as well as Mona's sister Peggy Rockman.<ref name="Birnberg209">{{cite book|last=Birnberg|first=Margo|author2=Janusz Kreczmanski|title=Aboriginal Artist Dictionary of Biographies: Australian Western, Central Desert and Kimberley Region|publisher=J.B. Publishing|location=Marleston, South Australia|year=2004|page=209|isbn=1-876622-47-4}}</ref><ref name="Birnberg205">{{cite book|last=Birnberg|first=Margo|author2=Janusz Kreczmanski|title=Aboriginal Artist Dictionary of Biographies: Australian Western, Central Desert and Kimberley Region|publisher=J.B. Publishing|location=Marleston, South Australia|year=2004|page=205|isbn=1-876622-47-4}}</ref>
+Mona Rockman was probably one of a number of artists who first learned painting through a course run in 1986 at [[Lajamanu, Northern Territory|Lajamanu]] by an adult education officer, John Quinn, associated with the local [[Technical and Further Education]] unit.<ref name="Birnberg209"/> The course, initially attended only by men, eventually enrolled over a hundred community members.<ref name="JohnsonD">{{cite book|last=Johnson|first=Vivien|title=Aboriginal Artists of the Western Desert: A Biographical Dictionary|chapter=Domino effects: the spread of Western Desert art in the '80s|publisher=Craftsman House|location=Roseville East, NSW|pages=13–49|year=1994}}</ref> Others who began their careers through that course include [[Louisa Napaljarri]], as well as Mona's sister Peggy Rockman.<ref name="Birnberg209">{{cite book|last=Birnberg|first=Margo|author2=Janusz Kreczmanski|title=Aboriginal Artist Dictionary of Biographies: Australian Western, Central Desert and Kimberley Region|publisher=J.B. Publishing|location=Marleston, South Australia|year=2004|page=209|isbn=1-876622-47-4}}</ref><ref name="Birnberg205">{{cite book|last=Birnberg|first=Margo|author2=Janusz Kreczmanski|title=Aboriginal Artist Dictionary of Biographies: Australian Western, Central Desert and Kimberley Region|publisher=J.B. Publishing|location=Marleston, South Australia|year=2004|page=205|isbn=1-876622-47-4}}</ref>
-Western Desert artists such as Mona will frequently paint particular '[[dreaming (spirituality)|dreamings]]', or stories, for which they have personal responsibility or rights.<ref name="JohnsonIntro">{{cite book|last=Johnson|first=Vivien|title=Aboriginal Artists of the Western Desert: A Biographical Dictionary|chapter=Introduction|publisher=Craftsman House|location=Roseville East, NSW|pages=7–12|year=1994}}</ref> Mona's dreamings are Ngatijiiri ([[budgerigar]]) and Warna (snake).<ref name="Johnson174"/> In addition to painting, Mona has also worked in pottery, with her work in both media being exhibited by the [[National Gallery of Victoria]].<ref name="Johnson174"/>
+Western Desert artists such as Mona will frequently paint particular '[[dreaming (spirituality)|dreamings]]', or stories, for which they have personal responsibility or rights.<ref name="JohnsonIntro">{{cite book|last=Johnson|first=Vivien|title=Aboriginal Artists of the Western Desert: A Biographical Dictionary|chapter=Introduction|publisher=Craftsman House|location=Roseville East, NSW|pages=7–12|year=1994}}</ref> Mona's dreamings are Ngatijiiri ([[budgerigar]]) and Warna ([[snake]]).<ref name="Johnson174"/> In addition to painting, Mona has also worked in pottery, with her work in both media being exhibited by the [[National Gallery of Victoria]].<ref name="Johnson174"/>
 ==References==
@@ Line 21: / Line 24: @@
 ==External links==
-* [http://www.mimiarts.com/artists/artist.php?id=35 image of Mona Rockman], from Mimi Arts.
+* [https://web.archive.org/web/20110714094809/http://www.mimiarts.com/artists/artist.php?id=35 image of Mona Rockman], from Mimi Arts.
 {{Central and Western Desert artists}}
+{{authority control}}
-{{Persondata <!-- Metadata: see [[Wikipedia:Persondata]]. -->
-| NAME              = Napaljarri, Mona Rockman
-| ALTERNATIVE NAMES = Rockman, Mona
-| SHORT DESCRIPTION = Indigenous Australian artist
-| DATE OF BIRTH     = c. 1924
-| PLACE OF BIRTH    = [[Tanami Downs]], [[Northern Territory, Australia]]
-| DATE OF DEATH     =
-| PLACE OF DEATH    =
-}}
 {{DEFAULTSORT:Napaljarri, Mona Rockman}}
 [[Category:Australian Aboriginal artists]]
 [[Category:1920s births]]
-[[Category:Living people]]
+[[Category:Possibly living people]]
 [[Category:Artists from the Northern Territory]]
+[[Category:20th-century Australian women artists]]
+[[Category:20th-century Australian painters]]
+[[Category:Warlpiri people]]

v t e Central and Western Desert art
Institutions	Araluen Cultural Precinct Contemporary Indigenous Australian art Hermannsburg School List of Indigenous Australian art movements and cooperatives National Aboriginal & Torres Strait Islander Art Award Papunya Tula
Significant places	Alice Springs, Northern Territory Balgo, Western Australia Haasts Bluff, Northern Territory Kintore, Northern Territory Papunya, Northern Territory Pukatja (Ernabella), South Australia Utopia, Northern Territory Yuendumu, Northern Territory
Artists: women	Wawiriya Burton Josepha Petrick Kemarre Tjungkara Ken Lucy Napaljarri Kennedy Emily Kame Kngwarreye Barbara Mbitjana Moore Betty Muffler Doreen Reid Nakamarra Narputta Nangala Ada Andy Napaltjarri Biddy Rockman Napaljarri Daisy Jugadai Napaltjarri Eileen Napaltjarri Helen Nelson Napaljarri Kitty Pultara Napaljarri Linda Syddick Napaltjarri Louisa Napaljarri Molly Jugadai Napaltjarri Mona Rockman Napaljarri Ngoia Pollard Napaltjarri Nora Andy Napaltjarri Norah Nelson Napaljarri Parara Napaltjarri Peggy Rockman Napaljarri Sheila Brown Napaljarri Susie Bootja Bootja Napaltjarri Takariya Napaltjarri Tjunkiya Napaltjarri Topsy Gibson Napaltjarri Valerie Lynch Napaltjarri Wintjiya Napaltjarri Makinti Napanangka Dorothy Napangardi Pansy Napangardi Naata Nungurrayi Gloria Petyarre Kathleen Petyarre Nancy Petyarre Minnie Pwerle Maggie Napaljarri Ross Margaret Scobie Barbara Weir Ruby Tjangawa Williamson Yaritji Young
Artists: men	Hector Burton Albert Namatjira Tiger Palpatja Wenten Rubuntja Paddy Japaljarri Stewart Anatjari Tjakamarra Long Jack Phillipus Tjakamarra Kaapa Tjampitjinpa Yala Yala Gibbs Tjungurrayi Turkey Tolson Tjupurrula Billy Stockman Tjapaltjarri Clifford Possum Tjapaltjarri Mick Namarari Tjapaltjarri Timmy Payungka Tjapangati Yannima Tommy Watson
Major works	Earth's Creation Gulgardi Warlugulong