Anur Hadžiomerspahić: Difference between revisions
No edit summary Tags: Mobile edit Mobile web edit |
m link term (WP:BUILDTHEWEB) |
||
| (2 intermediate revisions by 2 users not shown) | |||
| Line 22: | Line 22: | ||
In the months immediately preceding the [[siege of Sarajevo]], Anur co-founded (together with Juriša Boras, Almir Kurt, [[Damir Nikšić]] and Nebojša Šerić Shoba) the rhythm and blues band Sing Sing. The band grew into a multidisciplinary art collective, bringing together elements of musical theatre, political activism and ironic humour.<ref>{{cite web|title=Sarajevo/Sing-Sing|website=[[Musée d'Art Moderne de Saint Etienne Métropole]]|url=http://www.mam-st-etienne.fr/index.php?rubrique=31&exposition_id=220|accessdate=13 September 2014}}</ref> |
In the months immediately preceding the [[siege of Sarajevo]], Anur co-founded (together with Juriša Boras, Almir Kurt, [[Damir Nikšić]] and Nebojša Šerić Shoba) the rhythm and blues band Sing Sing. The band grew into a multidisciplinary art collective, bringing together elements of musical theatre, political activism and ironic humour.<ref>{{cite web|title=Sarajevo/Sing-Sing|website=[[Musée d'Art Moderne de Saint Etienne Métropole]]|url=http://www.mam-st-etienne.fr/index.php?rubrique=31&exposition_id=220|accessdate=13 September 2014}}</ref> |
||
In 1993, Anur joined the [[Ars Aevi]] project as its |
In 1993, Anur joined the [[Ars Aevi]] project as its co-founder and subsequent art director. He participated in forming the collection for the Ars Aevi Museum of Contemporary Art in Sarajevo and organization of exhibitions by [[Michelangelo Pistoletto]], [[Jannis Kounellis]], [[Daniel Buren]], [[Joseph Kosuth]].<ref>{{cite book|last1=Hadžiomerspahić|first1=Enver|title=Ars Aevi Collection 1992-2006|date=2006|publisher=Ars Aevi|location=Sarajevo}}</ref> |
||
As a student at the Accademia di Belle Arti Brera and Istituto Europeo di Design in Milan, Anur began producing a series of posters entitled Human Condition: Public Shouting and Individual Revolutions. Human Condition is characteristic of his chosen mode of artistic expression that he calls Artvertising: he uses the medium of advertising to send socially relevant messages. The posters have been exhibited in public spaces, shopping centres and supermarkets across Bosnia and Herzegovina and Italy since 1996.<ref>{{cite book|last1=Mandić|first1=Asja|title=Artefacts: Bosna i Hercegovina na Venecijanskom bijenalu 1993-2003|date=2007|publisher=Ars Aevi|location=Sarajevo|page=156}}</ref> In 2001, [[Harald Szeemann]] included Anur's Human Condition project in the central exhibition of the [[49th Venice Biennale]].<ref>{{cite book|last1=Szeemann|first1=Harald|title=La Biennale di Venezia: 49. esposizione internazionale d'arte / Platea dell'umanita 1|date=2001|publisher=Electa|location=Milan|pages=302–303}}</ref> |
As a student at the Accademia di Belle Arti Brera and Istituto Europeo di Design in Milan, Anur began producing a series of posters entitled Human Condition: Public Shouting and Individual Revolutions. Human Condition is characteristic of his chosen mode of artistic expression that he calls Artvertising: he uses the medium of advertising to send socially relevant messages. The posters have been exhibited in public spaces, shopping centres and supermarkets across Bosnia and Herzegovina and Italy since 1996.<ref>{{cite book|last1=Mandić|first1=Asja|title=Artefacts: Bosna i Hercegovina na Venecijanskom bijenalu 1993-2003|date=2007|publisher=Ars Aevi|location=Sarajevo|page=156}}</ref> In 2001, [[Harald Szeemann]] included Anur's Human Condition project in the central exhibition of the [[49th Venice Biennale]].<ref>{{cite book|last1=Szeemann|first1=Harald|title=La Biennale di Venezia: 49. esposizione internazionale d'arte / Platea dell'umanita 1|date=2001|publisher=Electa|location=Milan|pages=302–303}}</ref> |
||
| Line 28: | Line 28: | ||
In 1998, Anur initiated the Made in Bosnia project. The project aims to represent and promote Bosnian-Herzegovinian culture through the language of graphic design and advertising campaigns.<ref>{{cite book|last1=Glaser|first1=Milton|last2=Ilić|first2=Mirko|title=The Design of Dissent|date=2005|publisher=MAC Rockport|location=Gloucester|pages=34–35}}</ref> |
In 1998, Anur initiated the Made in Bosnia project. The project aims to represent and promote Bosnian-Herzegovinian culture through the language of graphic design and advertising campaigns.<ref>{{cite book|last1=Glaser|first1=Milton|last2=Ilić|first2=Mirko|title=The Design of Dissent|date=2005|publisher=MAC Rockport|location=Gloucester|pages=34–35}}</ref> |
||
In 2000, Anur founded the Cardea Creative Centre. For his work with Cardea, he was a finalist for the [[Epica Awards|Epica Award]] in 1998<ref>{{cite book|last1=Taschler|first1=Patrick|title=Epica Book 12|date=1998|publisher=AVA|location=Lausanne|pages=131–133}}</ref> and 2000,<ref>{{cite book|last1=Taschler|first1=Patrick|title=Epica Book 14|date=2000|publisher=AVA|location=Lausanne}}</ref> and winner of the Epica Award in 2001.<ref>{{cite book|last1=Taschler|first1=Patrick|title=Epica Book 15|date=2001|publisher=AVA|location=Lausanne|page=268}}</ref> In 2002, Cardea was renamed Ideologija. Ideologija has worked with large Bosnian-Herzegovinian business companies and has been present on the Bosnian-Herzegovinian cultural scene with campaigns for Ars Aevi, [[Jazz Fest Sarajevo]], [[Sarajevo War Theatre|SARTR]], Letu |
In 2000, Anur founded the Cardea Creative Centre. For his work with Cardea, he was a finalist for the [[Epica Awards|Epica Award]] in 1998<ref>{{cite book|last1=Taschler|first1=Patrick|title=Epica Book 12|date=1998|publisher=AVA|location=Lausanne|pages=131–133}}</ref> and 2000,<ref>{{cite book|last1=Taschler|first1=Patrick|title=Epica Book 14|date=2000|publisher=AVA|location=Lausanne}}</ref> and winner of the Epica Award in 2001.<ref>{{cite book|last1=Taschler|first1=Patrick|title=Epica Book 15|date=2001|publisher=AVA|location=Lausanne|page=268}}</ref> In 2002, Cardea was renamed Ideologija. Ideologija has worked with large Bosnian-Herzegovinian business companies and has been present on the Bosnian-Herzegovinian cultural scene with campaigns for Ars Aevi, [[Jazz Fest Sarajevo]], [[Sarajevo War Theatre|SARTR]], [[Letu štuke]], [[Zabranjeno Pušenje]], [[Dino Merlin]], [[Edo Maajka]], and Amira Medunjanin. |
||
==Prizes and awards== |
==Prizes and awards== |
||
| Line 56: | Line 56: | ||
[[Category:Contemporary artists]] |
[[Category:Contemporary artists]] |
||
[[Category:Bosnia and Herzegovina artists]] |
[[Category:Bosnia and Herzegovina artists]] |
||
[[Category:Burials at Bare Cemetery, Sarajevo]] |
|||
Latest revision as of 21:38, 4 June 2024
Anur Hadžiomerspahić | |
|---|---|
| Born | 2 June 1971 |
| Died | 29 November 2017 (aged 46) Sarajevo, Bosnia and Herzegovina |
| Education | Istituto Europeo di Design Milano Accademia di Belle Arti Brera Milano |
| Notable work | Human Condition Made in Bosnia |
| Website | anurhadziomerspahic |
Anur Hadžiomerspahić (2 June 1971 – 29 November 2017), also known as Anur, was an artist and graphic designer from Bosnia and Herzegovina. He was notable for being the first Bosnian artist to show their work in the central pavilion at the Venice Biennale.[1]
Early life and education
[edit]Anur was born in Sarajevo, SR Bosnia and Herzegovina, SFR Yugoslavia. He studied graphic design at the Academy of Fine Arts in Sarajevo and graduated from the Accademia di Belle Arti Brera and Istituto Europeo di Design in Milan.
Career
[edit]In the months immediately preceding the siege of Sarajevo, Anur co-founded (together with Juriša Boras, Almir Kurt, Damir Nikšić and Nebojša Šerić Shoba) the rhythm and blues band Sing Sing. The band grew into a multidisciplinary art collective, bringing together elements of musical theatre, political activism and ironic humour.[2]
In 1993, Anur joined the Ars Aevi project as its co-founder and subsequent art director. He participated in forming the collection for the Ars Aevi Museum of Contemporary Art in Sarajevo and organization of exhibitions by Michelangelo Pistoletto, Jannis Kounellis, Daniel Buren, Joseph Kosuth.[3]
As a student at the Accademia di Belle Arti Brera and Istituto Europeo di Design in Milan, Anur began producing a series of posters entitled Human Condition: Public Shouting and Individual Revolutions. Human Condition is characteristic of his chosen mode of artistic expression that he calls Artvertising: he uses the medium of advertising to send socially relevant messages. The posters have been exhibited in public spaces, shopping centres and supermarkets across Bosnia and Herzegovina and Italy since 1996.[4] In 2001, Harald Szeemann included Anur's Human Condition project in the central exhibition of the 49th Venice Biennale.[5]
In 1998, Anur initiated the Made in Bosnia project. The project aims to represent and promote Bosnian-Herzegovinian culture through the language of graphic design and advertising campaigns.[6]
In 2000, Anur founded the Cardea Creative Centre. For his work with Cardea, he was a finalist for the Epica Award in 1998[7] and 2000,[8] and winner of the Epica Award in 2001.[9] In 2002, Cardea was renamed Ideologija. Ideologija has worked with large Bosnian-Herzegovinian business companies and has been present on the Bosnian-Herzegovinian cultural scene with campaigns for Ars Aevi, Jazz Fest Sarajevo, SARTR, Letu štuke, Zabranjeno Pušenje, Dino Merlin, Edo Maajka, and Amira Medunjanin.
Prizes and awards
[edit]Anur has received numerous awards for design and advertising, including Advertainment in Milan (2000) and the Epica Award in Paris (2001).[10]
References
[edit]- ^ Mandić, Asja (2007). Artefacts: Bosna i Hercegovina na Venecijanskom bijenalu 1993-2003. Sarajevo: Ars Aevi. p. 125.
- ^ "Sarajevo/Sing-Sing". Musée d'Art Moderne de Saint Etienne Métropole. Retrieved 13 September 2014.
- ^ Hadžiomerspahić, Enver (2006). Ars Aevi Collection 1992-2006. Sarajevo: Ars Aevi.
- ^ Mandić, Asja (2007). Artefacts: Bosna i Hercegovina na Venecijanskom bijenalu 1993-2003. Sarajevo: Ars Aevi. p. 156.
- ^ Szeemann, Harald (2001). La Biennale di Venezia: 49. esposizione internazionale d'arte / Platea dell'umanita 1. Milan: Electa. pp. 302–303.
- ^ Glaser, Milton; Ilić, Mirko (2005). The Design of Dissent. Gloucester: MAC Rockport. pp. 34–35.
- ^ Taschler, Patrick (1998). Epica Book 12. Lausanne: AVA. pp. 131–133.
- ^ Taschler, Patrick (2000). Epica Book 14. Lausanne: AVA.
- ^ Taschler, Patrick (2001). Epica Book 15. Lausanne: AVA. p. 268.
- ^ Halilović, Jasminko. "Ideologija Creative Team". Ideologija. Archived from the original on 20 October 2014. Retrieved 18 September 2014.
Further reading
[edit]Comi, Enrico. “Human Condition.” 49. Esposizione Internazionale d’Arte. Italy: Electa, 2001.
Dupanović, Asja, ed. BH Oglašavanje 2005. Sarajevo: Media marketing, 2005.
Heller, Steven and Mirko Ilić. The Anatomy of Design. Beverly, MA: Rockport, 2011.
External links
[edit]- [Official Site]
- Ideologija advertising agency
