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Achillini ended his career in Bologna, returning to a chair at the university, where he was one of [[Carlo Cesare Malvasia]]'s teachers. Achillini was a particular friend of [[Giambattista Marino]], whose style in poetry he imitated, occasionally lapsing into the excesses of extravagant [[metaphor]]s.<ref name=Cambridge>{{cite book |title=The Cambridge History of Italian Literature|editor1=Charles Peter Brand|editor2=Lino Pertile|publisher=[[Cambridge University Press]]|page=308|isbn=9780521666220|date=1999}}</ref> He championed Marino's primacy particularly in two letters, included respectively in the [[preface]] to the latter's ''Sampogna'' (1620) and in the [[postface]] to his first biography (1625).{{sfn|Slawinski|2002}} In the controversies that broke out after the publication of Marino's ''Adone'' (Paris, 1623), Achillini apparently encouraged [[Girolamo Aleandro, the younger|Girolamo Aleandro]] to write his ''Difesa'' (1629) in response to [[Tommaso Stigliani|Stigliani]]'s attack on the poem in the ''Occhiale'' (1627). Though a strong partisan of Marino, even Achillini tempered some of the more extravagant elements in his own writing in the later years.<ref>{{harvnb|Raimondi|1988|p=124}}.</ref> Twentieth-century critics have in part overturned the terms of the relationship between Achillini and Marino, making evident instead Marino's debt to the former.<ref>{{cite encyclopedia |title=Marinisti|encyclopedia=Encyclopedia of Italian Literary Studies|volume=1|year=2007|editor=Gaetana Marrone|publisher=[[Taylor & Francis]]|location= |isbn=9781579583903|id= |url=https://books.google.com/books?id=69ey6Z-05fMC&pg=PA1158|access-date= }}</ref>
Achillini ended his career in Bologna, returning to a chair at the university, where he was one of [[Carlo Cesare Malvasia]]'s teachers. Achillini was a particular friend of [[Giambattista Marino]], whose style in poetry he imitated, occasionally lapsing into the excesses of extravagant [[metaphor]]s.<ref name=Cambridge>{{cite book |title=The Cambridge History of Italian Literature|editor1=Charles Peter Brand|editor2=Lino Pertile|publisher=[[Cambridge University Press]]|page=308|isbn=9780521666220|date=1999}}</ref> He championed Marino's primacy particularly in two letters, included respectively in the [[preface]] to the latter's ''Sampogna'' (1620) and in the [[postface]] to his first biography (1625).{{sfn|Slawinski|2002}} In the controversies that broke out after the publication of Marino's ''Adone'' (Paris, 1623), Achillini apparently encouraged [[Girolamo Aleandro, the younger|Girolamo Aleandro]] to write his ''Difesa'' (1629) in response to [[Tommaso Stigliani|Stigliani]]'s attack on the poem in the ''Occhiale'' (1627). Though a strong partisan of Marino, even Achillini tempered some of the more extravagant elements in his own writing in the later years.<ref>{{harvnb|Raimondi|1988|p=124}}.</ref> Twentieth-century critics have in part overturned the terms of the relationship between Achillini and Marino, making evident instead Marino's debt to the former.<ref>{{cite encyclopedia |title=Marinisti|encyclopedia=Encyclopedia of Italian Literary Studies|volume=1|year=2007|editor=Gaetana Marrone|publisher=[[Taylor & Francis]]|location= |isbn=9781579583903|id= |url=https://books.google.com/books?id=69ey6Z-05fMC&pg=PA1158|access-date= }}</ref>


His first collection of poems and prose was published in 1632, although he had published many poems in the preceding decades. A [[canzone]], which he addressed to [[Louis XIII]] on the birth of the [[Dauphin of France|dauphin]], is said to have been rewarded by [[Cardinal Richelieu]] with a gold chain or collar worth 1000 [[Crown (British coin)|crown]]s;<ref name="genbio" /> this reward was not given, as some have asserted, for the famous [[sonnet]] beginning, ''Sudate o fuochi, a preparar metalli;'' (Sweat, fires, in order to forge metal)<ref>Sudate, o fochi, a preparar metalli,/e voi, ferri vitali, itene pronti,/ite di Paro a sviscerare i monti/per inalzar colossi al re de’ Galli./Vinse l’invitta ròcca e de’ vassalli/spezzò gli orgogli a le rubelle fronti,/e machinando inusitati ponti/diè fuga ai mari e gli converse in valli./Volò quindi su l’Alpi e il ferro strinse,/e con mano d’Astrea gli alti litigi,/temuto solo e non veduto, estinse./Ceda le palme pur Roma a Parigi:/ché se Cesare venne e vide e vinse,/venne, vinse e non vide il gran Luigi.</ref> and which was severely criticized by [[Alessandro Manzoni|Manzoni]].<ref name=Cambridge/> Over the centuries, it has been quoted by all the critics of Marinist poetry, for both aesthetic (pompous style, abuse of metaphors) and moral reasons (servilism towards a foreign monarch).{{sfn|Samarini|2019|pages=151-152}}
His first collection of poems and prose was published in 1632, although he had published many poems in the preceding decades. A [[canzone]], which he addressed to [[Louis XIII]] on the birth of the [[Dauphin of France|dauphin]], is said to have been rewarded by [[Cardinal Richelieu]] with a gold chain or collar worth 1000 [[Crown (British coin)|crown]]s;<ref name="genbio" /> this reward was not given, as some have asserted, for the famous [[sonnet]] ''Sudate o fuochi, a preparar metalli'' (Sweat, fires, in order to forge metal),<ref>Sudate, o fochi, a preparar metalli,/e voi, ferri vitali, itene pronti,/ite di Paro a sviscerare i monti/per inalzar colossi al re de’ Galli./Vinse l’invitta ròcca e de’ vassalli/spezzò gli orgogli a le rubelle fronti,/e machinando inusitati ponti/diè fuga ai mari e gli converse in valli./Volò quindi su l’Alpi e il ferro strinse,/e con mano d’Astrea gli alti litigi,/temuto solo e non veduto, estinse./Ceda le palme pur Roma a Parigi:/ché se Cesare venne e vide e vinse,/venne, vinse e non vide il gran Luigi.</ref> which was severely criticized by [[Alessandro Manzoni|Manzoni]].<ref name=Cambridge/> Over the centuries, it has been quoted by all the critics of Marinist poetry, for both aesthetic (pompous style, abuse of metaphors) and moral reasons (servilism towards a foreign monarch).{{sfn|Samarini|2019|pages=151-152}}


Achillini's poems were first published at Bologna and were reprinted several times (1633, 1650, 1651,1656, 1662, 1673, 1677 and 1680). He also printed a volume of Latin letters and an exchange of letters with his friend [[Agostino Mascardi]] on the [[1629–1631 Italian plague|plague of 1630]], published in Bologna in 1630 and in Rome in 1631.<ref>{{cite book |title=Due lettere l'una del Mascardi all'Achillini, l'altra dell'Achillini al Mascardi sopra le presenti calamità|url=https://books.google.com/books?id=GJsSNhPxVckC|author=Agostino Mascardi|author2=Claudio Achillini|location=Rome|agency=Lodovico Grignani|year=1631}}</ref>
Achillini's poems were first published at Bologna and were reprinted several times (1633, 1650, 1651,1656, 1662, 1673, 1677 and 1680). He also printed a volume of Latin letters and an exchange of letters with his friend [[Agostino Mascardi]] on the [[1629–1631 Italian plague|plague of 1630]], published in Bologna in 1630 and in Rome in 1631.<ref>{{cite book |title=Due lettere l'una del Mascardi all'Achillini, l'altra dell'Achillini al Mascardi sopra le presenti calamità|url=https://books.google.com/books?id=GJsSNhPxVckC|author=Agostino Mascardi|author2=Claudio Achillini|location=Rome|agency=Lodovico Grignani|year=1631}}</ref>

Revision as of 19:30, 16 June 2023

Doctor utriusque juris

Claudio Achillini
Engraving by L. Pecini Vene, in Le glorie degli Incogniti
Born18 September 1574 Edit this on Wikidata
Bologna, Papal States
Died1 October 1640 Edit this on Wikidata (aged 66)
Bologna, Papal States
Resting placeSan Martino Edit this on Wikidata
OccupationJurist, writer, poet, diplomat, university teacher Edit this on Wikidata
Employer
MovementBaroque

Claudio Achillini (Latin Claudius Achillinus; 18 September 1574 – 1 October 1640[1]) was an Italian philosopher, theologian, mathematician, poet, and jurist.

Biography

Born in Bologna, he was grandson to Giovanni Filoteo Achillini and grand-nephew to Alessandro Achillini. He was professor of jurisprudence for several years at his native Bologna, Parma, and Ferrara, with the highest reputation. So much admiration did his learning excite, that inscriptions to his honor were placed in the schools in his lifetime.[2] He was a member of a number of learned and literary societies, including the Accademia dei Lincei.[3]

On February 9, 1621, Achillini went to Rome, where he obtained great promises of preferment from popes and cardinals, but they proved only promises. Odoardo Farnese, duke of Parma, engaged him however on very liberal terms, to occupy the chair of law in his university. He wrote the text for a play with music by Monteverdi presented during wedding celebrations at the Farnese court in Parma in 1628. As Jaynie Anderson has suggested,[4] Achillini may have devised the program for Agostino Carracci's frescoes in the Palazzo del Giardino.

Achillini ended his career in Bologna, returning to a chair at the university, where he was one of Carlo Cesare Malvasia's teachers. Achillini was a particular friend of Giambattista Marino, whose style in poetry he imitated, occasionally lapsing into the excesses of extravagant metaphors.[5] He championed Marino's primacy particularly in two letters, included respectively in the preface to the latter's Sampogna (1620) and in the postface to his first biography (1625).[6] In the controversies that broke out after the publication of Marino's Adone (Paris, 1623), Achillini apparently encouraged Girolamo Aleandro to write his Difesa (1629) in response to Stigliani's attack on the poem in the Occhiale (1627). Though a strong partisan of Marino, even Achillini tempered some of the more extravagant elements in his own writing in the later years.[7] Twentieth-century critics have in part overturned the terms of the relationship between Achillini and Marino, making evident instead Marino's debt to the former.[8]

His first collection of poems and prose was published in 1632, although he had published many poems in the preceding decades. A canzone, which he addressed to Louis XIII on the birth of the dauphin, is said to have been rewarded by Cardinal Richelieu with a gold chain or collar worth 1000 crowns;[2] this reward was not given, as some have asserted, for the famous sonnet Sudate o fuochi, a preparar metalli (Sweat, fires, in order to forge metal),[9] which was severely criticized by Manzoni.[5] Over the centuries, it has been quoted by all the critics of Marinist poetry, for both aesthetic (pompous style, abuse of metaphors) and moral reasons (servilism towards a foreign monarch).[10]

Achillini's poems were first published at Bologna and were reprinted several times (1633, 1650, 1651,1656, 1662, 1673, 1677 and 1680). He also printed a volume of Latin letters and an exchange of letters with his friend Agostino Mascardi on the plague of 1630, published in Bologna in 1630 and in Rome in 1631.[11]

Works

  • Achillini, Claudio (1628). Teti e Flora. Parma. {{cite book}}: Unknown parameter |agency= ignored (help)
  • Achillini, Claudio (1628). Mercurio e Marte. Parma. {{cite book}}: Unknown parameter |agency= ignored (help)
  • Achillini, Claudio (1632). Poesie (1 ed.). Bologna. {{cite book}}: Unknown parameter |agency= ignored (help)
  • Achillini, Claudio (1633). Poesie (2 ed.). Venezia. {{cite book}}: Unknown parameter |agency= ignored (help)
  • Achillini, Claudio (1673). Rime e prose. Venezia. {{cite book}}: Unknown parameter |agency= ignored (help)

References

  1. ^ Rose, Hugh James (1857). "Achillini, Claudio". A New General Biographical Dictionary. Vol. 1 AA–ANS. London: B. Fellowes et al. pp. 75–76.
  2. ^ a b Public Domain This article incorporates text from a publication now in the public domain: Aikin, John (1815). General Biography. Ten volumes.
  3. ^ Asor Rosa, Alberto (1960). "ACHILLINI, Claudio". Dizionario Biografico degli Italiani, Volume 1: Aaron–Albertucci (in Italian). Rome: Istituto dell'Enciclopedia Italiana. ISBN 978-8-81200032-6.
  4. ^ Anderson, Jaynie (1970). "The Sala di Agostino Carracci in the Palazzo del Giardino". Art Bulletin. 52 (1): 46. doi:10.2307/3048678. JSTOR 3048678.
  5. ^ a b Charles Peter Brand; Lino Pertile, eds. (1999). The Cambridge History of Italian Literature. Cambridge University Press. p. 308. ISBN 9780521666220.
  6. ^ Slawinski 2002.
  7. ^ Raimondi 1988, p. 124.
  8. ^ Gaetana Marrone, ed. (2007). "Marinisti". Encyclopedia of Italian Literary Studies. Vol. 1. Taylor & Francis. ISBN 9781579583903.
  9. ^ Sudate, o fochi, a preparar metalli,/e voi, ferri vitali, itene pronti,/ite di Paro a sviscerare i monti/per inalzar colossi al re de’ Galli./Vinse l’invitta ròcca e de’ vassalli/spezzò gli orgogli a le rubelle fronti,/e machinando inusitati ponti/diè fuga ai mari e gli converse in valli./Volò quindi su l’Alpi e il ferro strinse,/e con mano d’Astrea gli alti litigi,/temuto solo e non veduto, estinse./Ceda le palme pur Roma a Parigi:/ché se Cesare venne e vide e vinse,/venne, vinse e non vide il gran Luigi.
  10. ^ Samarini 2019, pp. 151–152.
  11. ^ Agostino Mascardi; Claudio Achillini (1631). Due lettere l'una del Mascardi all'Achillini, l'altra dell'Achillini al Mascardi sopra le presenti calamità. Rome. {{cite book}}: Unknown parameter |agency= ignored (help)

Bibliography

  • Colombo, Angelo (1985). "Tra "Incogniti" e "Lincei": per la biografia di Claudio Achillini". Studi Secenteschi (in Italian). 26: 141–176.
  • Bellini, Eraldo (2013). "Due lettere sulla peste del 1630 Mascardi Achillini Manzoni". Aevum. 87 (3): 875–917. JSTOR 43824619.
  • Raimondi, Ezio (1988). "Literature in Bologna in the Age of Guido Reni". Guido Reni, 1575-1642. Exhibition Catalogue, Los Angeles County Museum of Art. Los Angeles and Bologna.
  • Slawinski, M. (2002). "Achillini, Claudio". The Oxford Companion to Italian Literature. Oxford University Press. Retrieved 7 June 2023.
  • Samarini, Francesco (2019). "Storia dell'endecasillabo infame. "Sudate, o fochi, a preparar metalli"". Parole Rubate (19): 147–165.
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