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| yearsactive = 2004–present
| yearsactive = 2004–present
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'''Jason Kwan Chi Yiu''' ({{zh|t=關智耀}}; born 1964) is a Hong Kong filmmaker. Debuting as a cinematographer in the [[Hong Kong cinema]] with the romance film ''[[All About Love (2005 film)|All About Love]]'' (2005), Kwan was known for his collaborations with director [[Pang Ho-cheung]], including in the romantic comedy film ''[[Love in a Puff (film)|Love in a Puff]]'' (2010) and its sequel ''[[Love in the Buff]]'', the comedy film ''[[Vulgaria]]'' (both 2012), and the drama film ''[[Aberdeen (2014 film)|Aberdeen]]'' (2014). He received seven nominations for [[Hong Kong Film Award for Best Cinematography|Best Cinematography]] at the [[Hong Kong Film Awards]], winning with the crime drama film ''[[Chasing the Dragon (film)|Chasing the Dragon]]'' (2017) and the action film ''[[Project Gutenberg (film)|Project Gutenberg]]'' (2018).
'''Jason Kwan Chi Yiu''' ({{zh|t=關智耀}}; born 1964) is a Hong Kong filmmaker. Debuting as a cinematographer in the [[Hong Kong cinema]] with ''[[All About Love (2005 film)|All About Love]]'' (2005), Kwan was known for his collaborations with director [[Pang Ho-cheung]], which include the comedy films ''[[Love in a Puff (film)|Love in a Puff]]'' (2010), its sequel ''[[Love in the Buff]]'', and ''[[Vulgaria]]'' (both 2012), and the drama film ''[[Aberdeen (2014 film)|Aberdeen]]'' (2014). He received seven nominations for [[Hong Kong Film Award for Best Cinematography|Best Cinematography]] at the [[Hong Kong Film Awards]], winning with ''[[Chasing the Dragon (film)|Chasing the Dragon]]'' (2017) and ''[[Project Gutenberg (film)|Project Gutenberg]]'' (2018).


Kwan also made his directorial debut with the fantasy romance film ''A Nail Clipper Romance'' (2017), an adaptation of Pang Ho-cheung's novella of the same name. He co-directed the crime films ''Chasing the Dragon'' (2017) and its sequel ''[[Chasing the Dragon II: Wild Wild Bunch]]'' (2019) with [[Wong Jing]].
Kwan also made his directorial debut with the fantasy romance film ''A Nail Clipper Romance'' (2017), an adaptation of Pang Ho-cheung's novella of the same name. He co-directed the crime films ''Chasing the Dragon'' (2017) and its sequel ''[[Chasing the Dragon II: Wild Wild Bunch]]'' (2019) with [[Wong Jing]].
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Kwan was recommended by Daniel Yu to join the production of the 2004 Malaysian drama film ''[[Puteri Gunung Ledang (film)|Puteri Gunung Ledang]]'', directed by [[Saw Teong Hin]], which marked his feature film cinematographic debut.<ref name="HongKongFilmArchiveProfile" /><ref name="PuteriGunungLedang" /> He made his Hong Kong feature film debut with the 2005 romance film ''[[All About Love (2005 film)|All About Love]]'', which was also directed by Daniel Yu and starring Andy Lau.<ref name="HongKongFilmArchiveProfile" /><ref name="AllAboutLove" /> [[Paul Fonoroff]], writing for the ''[[South China Morning Post]]'', described Kwan's cinematography in ''All About Love'' as "truly breathtaking".<ref>{{Cite web |url=https://www.scmp.com/article/522202/all-about-love |title=All About Love |date=27 October 2005 |website=[[South China Morning Post]] |last=Fonoroff |first=Paul |author-link=Paul Fonoroff |access-date=19 May 2024 |archive-date=19 May 2024 |archive-url=https://web.archive.org/web/20240519154640/https://www.scmp.com/article/522202/all-about-love |url-status=live }}</ref> He went on to cinematograph the drama film ''[[My Mother Is a Belly Dancer]]'', produced by Andy Lau, in the following year.<ref name="MyMotherIsABellyDancer" /> In 2010, Kwan served as the cinematographer for [[Pang Ho-cheung]]'s romantic comedy film ''[[Love in a Puff (film)|Love in a Puff]]'', starring [[Shawn Yue]] and [[Miriam Yeung]].<ref name="LoveInAPuff" /> Russell Edwards of ''[[Variety (website)|Variety]]'' praised the film's intimacy, which was achieved through the combination between Pang's helming and Kwan's lensing.<ref>{{Cite web |url=https://variety.com/2010/film/reviews/love-in-a-puff-1117943074/ |title=Love in a Puff |date=28 June 2010 |website=[[Variety (website)|Variety]] |last=Edwards |first=Russell |access-date=19 May 2024 |archive-date=17 December 2019 |archive-url=https://web.archive.org/web/20191217103013/https://variety.com/2010/film/reviews/love-in-a-puff-1117943074/ |url-status=live }}</ref> The film also marked the beginning of Kwan and Pang's close collaboration, with Pang describing that he thinks Kwan has a "keen-eyed observation of acting performances".<ref>{{Cite web |url=https://www.hk01.com/%E9%9B%BB%E5%BD%B1/77746/%E5%BD%B1%E8%A6%96%E5%8D%9A%E8%A6%BD-%E5%BD%AD%E6%B5%A9%E7%BF%94%E8%BD%89%E6%88%B0%E9%9B%BB%E8%A6%96%E5%8A%87-%E6%9C%83%E6%92%92%E5%AC%8C%E7%9A%84%E5%A5%B3%E4%BA%BA-%E6%9C%9B%E5%B9%B4%E5%85%A7%E9%96%8B%E6%8B%8D |title=【影視博覽】彭浩翔轉戰電視劇 《會撒嬌的女人》望年內開拍 |date=14 March 2017 |website=[[HK01]] |author=戴嘉達 |access-date=19 May 2024 |language=zh |archive-date=19 May 2024 |archive-url=https://web.archive.org/web/20240519154651/https://www.hk01.com/%E9%9B%BB%E5%BD%B1/77746/%E5%BD%B1%E8%A6%96%E5%8D%9A%E8%A6%BD-%E5%BD%AD%E6%B5%A9%E7%BF%94%E8%BD%89%E6%88%B0%E9%9B%BB%E8%A6%96%E5%8A%87-%E6%9C%83%E6%92%92%E5%AC%8C%E7%9A%84%E5%A5%B3%E4%BA%BA-%E6%9C%9B%E5%B9%B4%E5%85%A7%E9%96%8B%E6%8B%8D |url-status=live }}</ref><ref>{{Cite web |url=https://hypebeast.com/hk/2017/4/a-nail-clipper-romance |title=彭浩翔監製新作!周冬雨 x 張孝全《指甲刀人魔》快將上映 |date=11 April 2017 |website=[[Hypebeast (company)|Hypebeast]] |last=Tsang |first=Yuki |access-date=19 May 2024 |language=zh |archive-date=19 May 2024 |archive-url=https://web.archive.org/web/20240519154640/https://hypebeast.com/hk/2017/4/a-nail-clipper-romance |url-status=live }}</ref> The same year, Kwan filmed the drama film ''{{ill|Merry-Go-Round (2010 Hong Kong film)|lt=Merry-Go-Round|zh|東風破_(電影)}}'' co-directed by [[Yan Yan Mak]] and [[Clement Cheng]] and [[Raymond Yip]]'s martial arts drama film ''[[Bruce Lee, My Brother]]'',<ref name="MerryGoRound" /><ref name="BruceLee" /> earning a nomination for [[Hong Kong Film Award for Best Cinematography|Best Cinematography]] in the [[30th Hong Kong Film Awards]] for his work on the former.<ref name="30HKFilm" /> In 2012, Kwan returned to cinematograph the romantic comedy film ''[[Love in the Buff]]'', the sequel to ''Love in a Puff'', and another Pang's comedy film ''[[Vulgaria]]''.<ref name="LoveInTheBuff" /><ref name="Vulgaria" /> He also served as the cinematographer for {{ill|Longman Leung|zh|梁樂民}} and {{ill|Sunny Luk|zh|陸劍青}}'s action thriller film ''[[Cold War (2012 film)|Cold War]]'' and [[Wong Jing]]'s period drama film ''[[The Last Tycoon (2012 film)|The Last Tycoon]]'',<ref name="ColdWar" /><ref name="TheLastTycoon" /> receiving another nomination for Best Cinematography in the [[32nd Hong Kong Film Awards]] with the latter.<ref name="32HKFilm" />
Kwan was recommended by Daniel Yu to join the production of the 2004 Malaysian drama film ''[[Puteri Gunung Ledang (film)|Puteri Gunung Ledang]]'', directed by [[Saw Teong Hin]], which marked his feature film cinematographic debut.<ref name="HongKongFilmArchiveProfile" /><ref name="PuteriGunungLedang" /> He made his Hong Kong feature film debut with the 2005 romance film ''[[All About Love (2005 film)|All About Love]]'', which was also directed by Daniel Yu and starring Andy Lau.<ref name="HongKongFilmArchiveProfile" /><ref name="AllAboutLove" /> [[Paul Fonoroff]], writing for the ''[[South China Morning Post]]'', described Kwan's cinematography in ''All About Love'' as "truly breathtaking".<ref>{{Cite web |url=https://www.scmp.com/article/522202/all-about-love |title=All About Love |date=27 October 2005 |website=[[South China Morning Post]] |last=Fonoroff |first=Paul |author-link=Paul Fonoroff |access-date=19 May 2024 |archive-date=19 May 2024 |archive-url=https://web.archive.org/web/20240519154640/https://www.scmp.com/article/522202/all-about-love |url-status=live }}</ref> He went on to cinematograph the drama film ''[[My Mother Is a Belly Dancer]]'', produced by Andy Lau, in the following year.<ref name="MyMotherIsABellyDancer" /> In 2010, Kwan served as the cinematographer for [[Pang Ho-cheung]]'s romantic comedy film ''[[Love in a Puff (film)|Love in a Puff]]'', starring [[Shawn Yue]] and [[Miriam Yeung]].<ref name="LoveInAPuff" /> Russell Edwards of ''[[Variety (website)|Variety]]'' praised the film's intimacy, which was achieved through the combination between Pang's helming and Kwan's lensing.<ref>{{Cite web |url=https://variety.com/2010/film/reviews/love-in-a-puff-1117943074/ |title=Love in a Puff |date=28 June 2010 |website=[[Variety (website)|Variety]] |last=Edwards |first=Russell |access-date=19 May 2024 |archive-date=17 December 2019 |archive-url=https://web.archive.org/web/20191217103013/https://variety.com/2010/film/reviews/love-in-a-puff-1117943074/ |url-status=live }}</ref> The film also marked the beginning of Kwan and Pang's close collaboration, with Pang describing that he thinks Kwan has a "keen-eyed observation of acting performances".<ref>{{Cite web |url=https://www.hk01.com/%E9%9B%BB%E5%BD%B1/77746/%E5%BD%B1%E8%A6%96%E5%8D%9A%E8%A6%BD-%E5%BD%AD%E6%B5%A9%E7%BF%94%E8%BD%89%E6%88%B0%E9%9B%BB%E8%A6%96%E5%8A%87-%E6%9C%83%E6%92%92%E5%AC%8C%E7%9A%84%E5%A5%B3%E4%BA%BA-%E6%9C%9B%E5%B9%B4%E5%85%A7%E9%96%8B%E6%8B%8D |title=【影視博覽】彭浩翔轉戰電視劇 《會撒嬌的女人》望年內開拍 |date=14 March 2017 |website=[[HK01]] |author=戴嘉達 |access-date=19 May 2024 |language=zh |archive-date=19 May 2024 |archive-url=https://web.archive.org/web/20240519154651/https://www.hk01.com/%E9%9B%BB%E5%BD%B1/77746/%E5%BD%B1%E8%A6%96%E5%8D%9A%E8%A6%BD-%E5%BD%AD%E6%B5%A9%E7%BF%94%E8%BD%89%E6%88%B0%E9%9B%BB%E8%A6%96%E5%8A%87-%E6%9C%83%E6%92%92%E5%AC%8C%E7%9A%84%E5%A5%B3%E4%BA%BA-%E6%9C%9B%E5%B9%B4%E5%85%A7%E9%96%8B%E6%8B%8D |url-status=live }}</ref><ref>{{Cite web |url=https://hypebeast.com/hk/2017/4/a-nail-clipper-romance |title=彭浩翔監製新作!周冬雨 x 張孝全《指甲刀人魔》快將上映 |date=11 April 2017 |website=[[Hypebeast (company)|Hypebeast]] |last=Tsang |first=Yuki |access-date=19 May 2024 |language=zh |archive-date=19 May 2024 |archive-url=https://web.archive.org/web/20240519154640/https://hypebeast.com/hk/2017/4/a-nail-clipper-romance |url-status=live }}</ref> The same year, Kwan filmed the drama film ''{{ill|Merry-Go-Round (2010 Hong Kong film)|lt=Merry-Go-Round|zh|東風破_(電影)}}'' co-directed by [[Yan Yan Mak]] and [[Clement Cheng]] and [[Raymond Yip]]'s martial arts drama film ''[[Bruce Lee, My Brother]]'',<ref name="MerryGoRound" /><ref name="BruceLee" /> earning a nomination for [[Hong Kong Film Award for Best Cinematography|Best Cinematography]] in the [[30th Hong Kong Film Awards]] for his work on the former.<ref name="30HKFilm" /> In 2012, Kwan returned to cinematograph the romantic comedy film ''[[Love in the Buff]]'', the sequel to ''Love in a Puff'', and another Pang's comedy film ''[[Vulgaria]]''.<ref name="LoveInTheBuff" /><ref name="Vulgaria" /> He also served as the cinematographer for {{ill|Longman Leung|zh|梁樂民}} and {{ill|Sunny Luk|zh|陸劍青}}'s action thriller film ''[[Cold War (2012 film)|Cold War]]'' and [[Wong Jing]]'s period drama film ''[[The Last Tycoon (2012 film)|The Last Tycoon]]'',<ref name="ColdWar" /><ref name="TheLastTycoon" /> receiving another nomination for Best Cinematography in the [[32nd Hong Kong Film Awards]] with the latter.<ref name="32HKFilm" />


Kwan went on to film the 2013 horror film ''[[Tales from the Dark 1]]'' and the 2014 disaster film ''[[As the Light Goes Out]]''.<ref name="TalesFromTheDark" /><ref name="AsTheLightGoesOut" /> He was once again nominated for Best Cinematography in the 33rd Hong Kong Film Awards for the latter,<ref name="33HKFilm" /> with Maggie Lee of ''Variety'' praising the film's "monumental sense of space" achieved through Kwan's wide-angle shots of the sets.<ref>{{Cite web |url=https://variety.com/2014/film/global/film-review-as-the-light-goes-out-1201074655/ |title=Film Review: ‘As the Light Goes Out’ |date=30 January 2014 |website=[[Variety (website)|Variety]] |last=Lee |first=Maggie |access-date=19 May 2024 |archive-date=6 November 2022 |archive-url=https://web.archive.org/web/20221106103305/https://variety.com/2014/film/global/film-review-as-the-light-goes-out-1201074655/ |url-status=live }}</ref> Kwan also cinematographed Pang's drama film ''[[Aberdeen (2014 film)|Aberdeen]]'' in 2014.<ref name="Aberdeen" /> Richard Kuipers, writing for the ''[[Chicago Tribune]]'', acknowledged Kwan's cinematography with his "beautifully composed widescreen images" in the film.<ref>{{Cite web |url=https://www.chicagotribune.com/2014/03/24/hong-kong-film-review-aberdeen/ |title=Hong Kong Film Review: ‘Aberdeen’ |date=24 March 2024 |website=[[Chicago Tribune]] |last=Kuipers |first=Richard |access-date=19 May 2024 |archive-date=19 May 2024 |archive-url=https://web.archive.org/web/20240519154641/https://www.chicagotribune.com/2014/03/24/hong-kong-film-review-aberdeen/ |url-status=live }}</ref> In 2015, Kwan participated in the sports comedy film ''[[Full Strike]]''.<ref name="FullStrike" /> He also served as the cinematographer for another crime thriller film co-directed by Leung and Luk, ''[[Helios (film)|Helios]]'', in the same year.<ref name="Helios" /> James Marsh of ''[[Screen Daily]]'' praised Kwan's cinematography for capturing "the sheen and shadows of present-day Hong Kong" in ''Helios'',<ref>{{Cite web |url=https://www.screendaily.com/reviews/helios-review/5086851.article |title='Helios': Review |date=23 April 2015 |website=[[Screen Daily]] |last=Marsh |first=James |access-date=19 May 2024 |archive-date=17 May 2021 |archive-url=https://web.archive.org/web/20210517201358/https://www.screendaily.com/reviews/helios-review/5086851.article |url-status=live }}</ref> while Maggie Lee of ''Variety'' described Kwan's lensing as "solid", although occasionally featuring unnecessary and flashy helicopter shots.<ref>{{Cite web |url=https://variety.com/2015/film/asia/helios-review-1201478377/ |title=Film Review: ‘Helios’ |date=23 April 2015 |website=[[Variety (website)|Variety]] |last=Lee |first=Maggie |access-date=19 May 2024 |archive-date=3 February 2021 |archive-url=https://web.archive.org/web/20210203095038/https://variety.com/2015/film/asia/helios-review-1201478377/ |url-status=live }}</ref> The following year, Kwan collaborated with Leung and Luk once again in the action thriller film ''[[Cold War 2 (film)|Cold War 2]]'', the sequel to the 2012 film,<ref name="ColdWar2" /> which earned him another nomination for Best Cinematography in the [[36th Hong Kong Film Awards]].<ref name="36HKFilm" /> Lan Tsu-wei, writing for ''[[Liberty Times]]'', referred to Kwan as the key person behind the scenes, whose ability to capture the actors' emotions enhanced the tension.<ref>{{Cite web |url=https://talk.ltn.com.tw/article/breakingnews/1768594 |title=《藍色電影夢》寒戰2:政治權力人性 |date=20 July 2016 |website=[[Liberty Times]] |last=Lan |first=Tsu-wei |access-date=19 May 2024 |language=zh |archive-date=16 December 2018 |archive-url=https://web.archive.org/web/20181216033948/http://talk.ltn.com.tw/article/breakingnews/1768594 |url-status=live }}</ref>
Kwan went on to film the 2013 horror film ''[[Tales from the Dark 1]]'' and the 2014 disaster film ''[[As the Light Goes Out]]''.<ref name="TalesFromTheDark" /><ref name="AsTheLightGoesOut" /> He was once again nominated for Best Cinematography in the 33rd Hong Kong Film Awards for the latter,<ref name="33HKFilm" /> with Maggie Lee of ''Variety'' praising the film's "monumental sense of space" achieved through Kwan's wide-angle shots of the sets.<ref>{{Cite web |url=https://variety.com/2014/film/global/film-review-as-the-light-goes-out-1201074655/ |title=Film Review: ‘As the Light Goes Out’ |date=30 January 2014 |website=[[Variety (website)|Variety]] |last=Lee |first=Maggie |access-date=19 May 2024 |archive-date=6 November 2022 |archive-url=https://web.archive.org/web/20221106103305/https://variety.com/2014/film/global/film-review-as-the-light-goes-out-1201074655/ |url-status=live }}</ref> Kwan also cinematographed Pang's drama film ''[[Aberdeen (2014 film)|Aberdeen]]'' in 2014.<ref name="Aberdeen" /> Richard Kuipers, writing for the ''[[Chicago Tribune]]'', acknowledged Kwan's cinematography with his "beautifully composed widescreen images" in the film.<ref>{{Cite web |url=https://www.chicagotribune.com/2014/03/24/hong-kong-film-review-aberdeen/ |title=Hong Kong Film Review: ‘Aberdeen’ |date=24 March 2024 |website=[[Chicago Tribune]] |last=Kuipers |first=Richard |access-date=19 May 2024 |archive-date=19 May 2024 |archive-url=https://web.archive.org/web/20240519154641/https://www.chicagotribune.com/2014/03/24/hong-kong-film-review-aberdeen/ |url-status=live }}</ref> In 2015, Kwan participated in the sports comedy film ''[[Full Strike]]''.<ref name="FullStrike" /> He also served as the cinematographer for another crime thriller film co-directed by Leung and Luk, ''[[Helios (film)|Helios]]'', in the same year.<ref name="Helios" /> James Marsh of ''[[Screen Daily]]'' praised Kwan's cinematography for capturing "the sheen and shadows of present-day Hong Kong" in ''Helios'';<ref>{{Cite web |url=https://www.screendaily.com/reviews/helios-review/5086851.article |title='Helios': Review |date=23 April 2015 |website=[[Screen Daily]] |last=Marsh |first=James |access-date=19 May 2024 |archive-date=17 May 2021 |archive-url=https://web.archive.org/web/20210517201358/https://www.screendaily.com/reviews/helios-review/5086851.article |url-status=live }}</ref> while Maggie Lee of ''Variety'' described Kwan's lensing as "solid", although occasionally featuring unnecessary and flashy helicopter shots.<ref>{{Cite web |url=https://variety.com/2015/film/asia/helios-review-1201478377/ |title=Film Review: ‘Helios’ |date=23 April 2015 |website=[[Variety (website)|Variety]] |last=Lee |first=Maggie |access-date=19 May 2024 |archive-date=3 February 2021 |archive-url=https://web.archive.org/web/20210203095038/https://variety.com/2015/film/asia/helios-review-1201478377/ |url-status=live }}</ref> The following year, Kwan collaborated with Leung and Luk once again in the action thriller film ''[[Cold War 2 (film)|Cold War 2]]'', the sequel to the 2012 film,<ref name="ColdWar2" /> which earned him another nomination for Best Cinematography in the [[36th Hong Kong Film Awards]].<ref name="36HKFilm" /> Lan Tsu-wei, writing for ''[[Liberty Times]]'', referred to Kwan as the key figure behind the scenes, whose ability to capture the actors' emotions enhanced the film's tension.<ref>{{Cite web |url=https://talk.ltn.com.tw/article/breakingnews/1768594 |title=《藍色電影夢》寒戰2:政治權力人性 |date=20 July 2016 |website=[[Liberty Times]] |last=Lan |first=Tsu-wei |access-date=19 May 2024 |language=zh |archive-date=16 December 2018 |archive-url=https://web.archive.org/web/20181216033948/http://talk.ltn.com.tw/article/breakingnews/1768594 |url-status=live }}</ref>


In 2017, Kwan made his directorial debut with the fantasy romance film ''{{ill|A Nail Clipper Romance|zh|指甲刀人魔}}''.<ref name="NailClipperRomance" /><ref name="HK01Interview">{{Cite web |url=https://www.hk01.com/%E9%9B%BB%E5%BD%B1/84701/%E6%8C%87%E7%94%B2%E5%88%80%E4%BA%BA%E9%AD%94-%E5%BD%AD%E6%B5%A9%E7%BF%94%E9%97%9C%E6%99%BA%E8%80%80%E5%B0%88%E8%A8%AA-%E6%8B%86%E8%A7%A3%E4%BA%BA%E9%AD%94%E7%94%B1%E4%BE%86 |title=【指甲刀人魔】彭浩翔關智耀專訪 拆解人魔由來 |date=16 April 2017 |website=[[HK01]] |author=羅偉強 |access-date=19 May 2024 |language=zh |archive-date=19 May 2024 |archive-url=https://web.archive.org/web/20240519154653/https://www.hk01.com/%E9%9B%BB%E5%BD%B1/84701/%E6%8C%87%E7%94%B2%E5%88%80%E4%BA%BA%E9%AD%94-%E5%BD%AD%E6%B5%A9%E7%BF%94%E9%97%9C%E6%99%BA%E8%80%80%E5%B0%88%E8%A8%AA-%E6%8B%86%E8%A7%A3%E4%BA%BA%E9%AD%94%E7%94%B1%E4%BE%86 |url-status=live }}</ref> Starring [[Zhou Dongyu]] and [[Joseph Chang]] in lead roles, the film was adapted from Pang Ho-cheung's novella of the same name, with Pang also serving as the film's producer.<ref name="HK01Interview" /> Edmund Lee of ''[[South China Morning Post]]'' appreciated Kwan's development of a "vibrantly colored film" with tones of both humor and sadness,<ref>{{Cite web |url=https://www.scmp.com/culture/film-tv/article/2086968/film-review-nail-clipper-romance-joseph-chang-zhou-dongyu |title=Film review: A Nail Clipper Romance – Joseph Chang, Zhou Dongyu in bittersweet rom-com |date=12 April 2017 |website=[[South China Morning Post]] |last=Lee |first=Edmund |access-date=19 May 2024 |archive-date=13 February 2024 |archive-url=https://web.archive.org/web/20240213013606/https://www.scmp.com/culture/film-tv/article/2086968/film-review-nail-clipper-romance-joseph-chang-zhou-dongyu |url-status=live }}</ref> while Lau Ying-tsz of ''[[HK01]]'' noted that Kwan infused fresh romantic elements with absurdity in his debut film, resulting in an innovative and uniquely chaotic vibe.<ref>{{Cite web |url=https://www.hk01.com/article/86292/%E6%8C%87%E7%94%B2%E5%88%80%E4%BA%BA%E9%AD%94-%E5%BD%B1%E8%A9%95-%E6%8C%87%E7%94%B2%E5%88%80%E7%9A%84%E6%84%9B%E6%83%85%E5%91%B3%E9%81%93-%E6%9F%B3%E5%87%9D%E4%B9%8B-%E9%A6%99%E6%B8%AF01-%E5%8D%9A%E8%A9%95 |title=【指甲刀人魔.影評】指甲刀的愛情味道 |date=24 April 2017 |website=[[HK01]] |last=Lau |first=Ying-tsz |access-date=19 May 2024 |language=zh |archive-date=19 May 2024 |archive-url=https://web.archive.org/web/20240519155336/https://www.hk01.com/article/86292/%E6%8C%87%E7%94%B2%E5%88%80%E4%BA%BA%E9%AD%94-%E5%BD%B1%E8%A9%95-%E6%8C%87%E7%94%B2%E5%88%80%E7%9A%84%E6%84%9B%E6%83%85%E5%91%B3%E9%81%93-%E6%9F%B3%E5%87%9D%E4%B9%8B-%E9%A6%99%E6%B8%AF01-%E5%8D%9A%E8%A9%95 |url-status=live }}</ref> Kwan continued serving as the cinematographer for the drama film ''[[29+1]]'' and the Chinese fantasy action film ''[[Wu Kong (film)|Wu Kong]]''.<ref name="29Plus1" /><ref name="WuKong" /> He also directed his second feature film in the same year, co-directing alongside Wong Jing and also serving as the cinematographer for the crime film ''[[Chasing the Dragon (film)|Chasing the Dragon]]''.<ref name="ChasingTheDragon" /><ref name="CTDCinematography" /> Scott Clark of ''[[Starburst (magazine)|Starburst]]'' specifically praised Wong's choice of co-directing the film with Kwan as "a smart move", as it enhanced the film's visuals in terms of period details and action scenes through the camera work.<ref>{{Cite web |url=https://www.starburstmagazine.com/reviews/chasing-the-dragon/ |title=CHASING THE DRAGON |date=4 May 2019 |website=[[Starburst (magazine)|Starburst]] |last=Clark |first=Scott |access-date=19 May 2024 |archive-date=29 June 2022 |archive-url=https://web.archive.org/web/20220629132053/https://www.starburstmagazine.com/reviews/chasing-the-dragon |url-status=live }}</ref> Clarence Tsui of ''[[The Hollywood Reporter]]'' credited Kwan for the film's "lavish production design and strong camerawork".<ref>{{Cite web |url=https://www.hollywoodreporter.com/movies/movie-reviews/chasing-dragon-jui-lung-film-review-1042602/ |title=‘Chasing the Dragon’ (‘Jui Lung’): Film Review Filmart 2018 |date=28 September 2017 |website=[[The Hollywood Reporter]] |last=Tsui |first=Clarence |access-date=19 May 2024 |archive-date=29 November 2022 |archive-url=https://web.archive.org/web/20221129151949/https://www.hollywoodreporter.com/movies/movie-reviews/chasing-dragon-jui-lung-film-review-1042602/ |url-status=live }}</ref> Kwan won Best Cinematography in the [[37th Hong Kong Film Awards]] with the film.<ref name="37HKFilm" /> The following year, he took on the role of cinematographer in [[Felix Chong]]'s action film ''[[Project Gutenberg (film)|Project Gutenberg]]'',<ref name="ProjectGutenberg" /> for which he once again won Best Cinematography in the [[38th Hong Kong Film Awards]].<ref name="38HKFilm" /> Sarah Ward of ''Screen Daily'' described Kwan's cinematography in ''Project Gutenberg'' as "glossy, purposefully faded", providing the film "a suitably twisty but energetic sheen",<ref>{{Cite web |url=https://www.screendaily.com/reviews/project-gutenberg-tokyo-review/5134027.article |title='Project Gutenberg': Tokyo Review |date=28 October 2018 |website=[[Screen Daily]] |last=Ward |first=Sarah |access-date=19 May 2024 |archive-date=29 January 2023 |archive-url=https://web.archive.org/web/20230129151120/https://www.screendaily.com/reviews/project-gutenberg-tokyo-review/5134027.article |url-status=live }}</ref> while Elizabeth Kerr of ''The Hollywood Reporter'' acknowledged Kwan's "meticulously washed-out images".<ref>{{Cite web |url=https://www.hollywoodreporter.com/movies/movie-reviews/project-gutenberg-mouh-seung-film-review-1146801/ |title=‘Project Gutenberg’ (‘Mouh seung’): Film Review |date=25 September 2018 |website=[[The Hollywood Reporter]] |last=Kerr |first=Elizabeth |access-date=24 September 2024}}</ref>
In 2017, Kwan made his directorial debut with the fantasy romance film ''{{ill|A Nail Clipper Romance|zh|指甲刀人魔}}''.<ref name="NailClipperRomance" /><ref name="HK01Interview">{{Cite web |url=https://www.hk01.com/%E9%9B%BB%E5%BD%B1/84701/%E6%8C%87%E7%94%B2%E5%88%80%E4%BA%BA%E9%AD%94-%E5%BD%AD%E6%B5%A9%E7%BF%94%E9%97%9C%E6%99%BA%E8%80%80%E5%B0%88%E8%A8%AA-%E6%8B%86%E8%A7%A3%E4%BA%BA%E9%AD%94%E7%94%B1%E4%BE%86 |title=【指甲刀人魔】彭浩翔關智耀專訪 拆解人魔由來 |date=16 April 2017 |website=[[HK01]] |author=羅偉強 |access-date=19 May 2024 |language=zh |archive-date=19 May 2024 |archive-url=https://web.archive.org/web/20240519154653/https://www.hk01.com/%E9%9B%BB%E5%BD%B1/84701/%E6%8C%87%E7%94%B2%E5%88%80%E4%BA%BA%E9%AD%94-%E5%BD%AD%E6%B5%A9%E7%BF%94%E9%97%9C%E6%99%BA%E8%80%80%E5%B0%88%E8%A8%AA-%E6%8B%86%E8%A7%A3%E4%BA%BA%E9%AD%94%E7%94%B1%E4%BE%86 |url-status=live }}</ref> Starring [[Zhou Dongyu]] and [[Joseph Chang]] in lead roles, the film was adapted from Pang Ho-cheung's novella of the same name, with Pang also serving as the film's producer.<ref name="HK01Interview" /> Edmund Lee of ''[[South China Morning Post]]'' appreciated Kwan's development of a "vibrantly colored film" with tones of both humor and sadness;<ref>{{Cite web |url=https://www.scmp.com/culture/film-tv/article/2086968/film-review-nail-clipper-romance-joseph-chang-zhou-dongyu |title=Film review: A Nail Clipper Romance – Joseph Chang, Zhou Dongyu in bittersweet rom-com |date=12 April 2017 |website=[[South China Morning Post]] |last=Lee |first=Edmund |access-date=19 May 2024 |archive-date=13 February 2024 |archive-url=https://web.archive.org/web/20240213013606/https://www.scmp.com/culture/film-tv/article/2086968/film-review-nail-clipper-romance-joseph-chang-zhou-dongyu |url-status=live }}</ref> while Lau Ying-tsz of ''[[HK01]]'' noted that Kwan infused fresh romantic elements with absurdity in his debut film, resulting in an innovative and uniquely chaotic vibe.<ref>{{Cite web |url=https://www.hk01.com/article/86292/%E6%8C%87%E7%94%B2%E5%88%80%E4%BA%BA%E9%AD%94-%E5%BD%B1%E8%A9%95-%E6%8C%87%E7%94%B2%E5%88%80%E7%9A%84%E6%84%9B%E6%83%85%E5%91%B3%E9%81%93-%E6%9F%B3%E5%87%9D%E4%B9%8B-%E9%A6%99%E6%B8%AF01-%E5%8D%9A%E8%A9%95 |title=【指甲刀人魔.影評】指甲刀的愛情味道 |date=24 April 2017 |website=[[HK01]] |last=Lau |first=Ying-tsz |access-date=19 May 2024 |language=zh |archive-date=19 May 2024 |archive-url=https://web.archive.org/web/20240519155336/https://www.hk01.com/article/86292/%E6%8C%87%E7%94%B2%E5%88%80%E4%BA%BA%E9%AD%94-%E5%BD%B1%E8%A9%95-%E6%8C%87%E7%94%B2%E5%88%80%E7%9A%84%E6%84%9B%E6%83%85%E5%91%B3%E9%81%93-%E6%9F%B3%E5%87%9D%E4%B9%8B-%E9%A6%99%E6%B8%AF01-%E5%8D%9A%E8%A9%95 |url-status=live }}</ref> Kwan continued serving as the cinematographer for the drama film ''[[29+1]]'' and the Chinese fantasy action film ''[[Wu Kong (film)|Wu Kong]]''.<ref name="29Plus1" /><ref name="WuKong" /> He also directed his second feature film in the same year, co-directing alongside Wong Jing and also serving as the cinematographer for the crime film ''[[Chasing the Dragon (film)|Chasing the Dragon]]''.<ref name="ChasingTheDragon" /><ref name="CTDCinematography" /> Scott Clark of ''[[Starburst (magazine)|Starburst]]'' specifically praised Wong's choice of co-directing the film with Kwan as "a smart move", as it enhanced the film's visuals in terms of period details and action scenes through the camera work;<ref>{{Cite web |url=https://www.starburstmagazine.com/reviews/chasing-the-dragon/ |title=CHASING THE DRAGON |date=4 May 2019 |website=[[Starburst (magazine)|Starburst]] |last=Clark |first=Scott |access-date=19 May 2024 |archive-date=29 June 2022 |archive-url=https://web.archive.org/web/20220629132053/https://www.starburstmagazine.com/reviews/chasing-the-dragon |url-status=live }}</ref> and Clarence Tsui of ''[[The Hollywood Reporter]]'' credited Kwan for the film's "lavish production design and strong camerawork".<ref>{{Cite web |url=https://www.hollywoodreporter.com/movies/movie-reviews/chasing-dragon-jui-lung-film-review-1042602/ |title=‘Chasing the Dragon’ (‘Jui Lung’): Film Review Filmart 2018 |date=28 September 2017 |website=[[The Hollywood Reporter]] |last=Tsui |first=Clarence |access-date=19 May 2024 |archive-date=29 November 2022 |archive-url=https://web.archive.org/web/20221129151949/https://www.hollywoodreporter.com/movies/movie-reviews/chasing-dragon-jui-lung-film-review-1042602/ |url-status=live }}</ref> Kwan won Best Cinematography in the [[37th Hong Kong Film Awards]] with the film.<ref name="37HKFilm" /> The following year, he took on the role of cinematographer in [[Felix Chong]]'s action film ''[[Project Gutenberg (film)|Project Gutenberg]]'',<ref name="ProjectGutenberg" /> for which he once again won Best Cinematography in the [[38th Hong Kong Film Awards]].<ref name="38HKFilm" /> Sarah Ward of ''Screen Daily'' described Kwan's cinematography in ''Project Gutenberg'' as "glossy, purposefully faded", providing the film "a suitably twisty but energetic sheen";<ref>{{Cite web |url=https://www.screendaily.com/reviews/project-gutenberg-tokyo-review/5134027.article |title='Project Gutenberg': Tokyo Review |date=28 October 2018 |website=[[Screen Daily]] |last=Ward |first=Sarah |access-date=19 May 2024 |archive-date=29 January 2023 |archive-url=https://web.archive.org/web/20230129151120/https://www.screendaily.com/reviews/project-gutenberg-tokyo-review/5134027.article |url-status=live }}</ref> while Elizabeth Kerr of ''The Hollywood Reporter'' acknowledged Kwan's "meticulously washed-out images".<ref>{{Cite web |url=https://www.hollywoodreporter.com/movies/movie-reviews/project-gutenberg-mouh-seung-film-review-1146801/ |title=‘Project Gutenberg’ (‘Mouh seung’): Film Review |date=25 September 2018 |website=[[The Hollywood Reporter]] |last=Kerr |first=Elizabeth |access-date=24 September 2024}}</ref>


In 2019, Kwan reprised his roles in ''[[Chasing the Dragon II: Wild Wild Bunch]]'', the standalone sequel of the 2017 film, co-directing with Wong Jing and co-cinematographing with Jimmy Kwok.<ref name="ChasingTheDragonIIVarietyReview" /> Edmund Lee of the ''South China Morning Post'' offered a rather negative review, criticizing Kwan and Wong for missing the suspense and emotional tones of the film and steering the story towards "a familiar parade of shoot-outs and car chases".<ref>{{Cite web |url=https://www.scmp.com/lifestyle/entertainment/article/3013210/chasing-dragon-ii-wild-wild-bunch-film-review-tony-leung |title=Chasing the Dragon II: Wild Wild Bunch film review – Tony Leung plays notorious criminal in perfunctory thriller |date=6 June 2019 |website=[[South China Morning Post]] |last=Lee |first=Edmund |access-date=19 May 2024 |archive-date=24 December 2022 |archive-url=https://web.archive.org/web/20221224003401/https://www.scmp.com/lifestyle/entertainment/article/3013210/chasing-dragon-ii-wild-wild-bunch-film-review-tony-leung |url-status=live }}</ref> Richard Kuipers, writing for ''Variety'', also noted the film's lack of suspense but praised the slickly shot widescreen visuals.<ref name="ChasingTheDragonIIVarietyReview" /> Kwan also filmed the action thriller film ''[[Line Walker 2: Invisible Spy]]'' in the same year,<ref name="LineWalker2" /> and co-cinematographed the 2022 comedy film ''[[Chilli Laugh Story]]'' with Alan Koo.<ref name="ChilliLaughStory" /> Kwan made his second solo directing effort and cinematographed the action film ''[[I Did It My Way (film)|I Did It My Way]]'', featuring Andy Lau, [[Gordon Lam]], and [[Eddie Peng]],<ref name="IDidItMyWay" /><ref name="IDidItMyWayCinematography" /> which was produced in 2022 and released theatrically in 2024.<ref>{{Cite web |url=https://www.straitstimes.com/life/entertainment/andy-lau-and-gordon-lam-co-stars-again-after-10-years |title=Andy Lau and Gordon Lam co-stars again after 10 years |date=11 August 2022 |website=[[The Straits Times]] |last=Lim |first=Ruey Yan |access-date=24 September 2024}}</ref><ref>{{Cite web |url=https://www.chinadaily.com.cn/a/202401/05/WS659774d3a3105f21a507ac3e.html |title=Mixed bag of goodies awaits moviegoers in 2024 |date=5 January 2024 |website=[[China Daily]] |last=Mullins |first=Amy |access-date=24 September 2024}}</ref> Although Kwan received another nomination for Best Cinematography in the [[42nd Hong Kong Film Awards]],<ref name="42HKFilm" /> the film was poorly received.<ref>{{Cite web |url=https://www.etnet.com.hk/www/tc/diva/art/chatent/44777 |title=《潛行》是懨悶的 —— 香港動作片為甚麼不再刺激? |date=26 January 2024 |website=[[Hong Kong Economic Times]] |author=月巴氏 |access-date=24 September 2024 |language=zh}}</ref><ref>{{Cite web |url=https://www.orangenews.hk/film/1202927/%E6%96%B0%E7%89%87--%E6%BD%9B%E8%A1%8C--%E5%A5%BD%E6%88%B2%E4%B9%8B%E4%BA%BA%E9%BD%8A%E8%81%9A-%E5%BC%B5%E5%8A%9B%E5%8D%81%E8%B6%B3%E6%83%9C%E7%B4%B0%E7%AF%80%E4%B8%8D%E8%B6%B3.shtml |title=新片|《潛行》:好戲之人齊聚 張力十足惜細節不足 |date=15 January 2024 |website=[[Sino United Publishing|Orange News]] |author=羅茜 |access-date=24 September 2024 |language=zh}}</ref> Noel Wong stating in ''[[Free Malaysia Today]]'' that "as soon as bullets start flying, good camerawork goes out the window", criticizing the plot, character motivations, and "stumbling" cinematography;<ref>{{Cite web |url=https://www.freemalaysiatoday.com/category/leisure/2024/01/21/i-did-it-my-way-a-film-that-even-andy-lau-cannot-save/ |title=‘I Did It My Way’: a film that even Andy Lau cannot save |date=21 January 2024 |website=[[Free Malaysia Today]] |last=Wong |first=Noel |access-date=24 September 2024}}</ref> Edmund Lee of ''South China Morning Post'' bashed on the "foolish" visuals and the nonsensical script, which "turns the film into an unintended comedy";<ref name="IDidItMyWay" /> while Simon Abrams of ''[[RogerEbert.com]]'' noted that Kwan shifted his usual focus on actors to deliver a "formulaic cops-and-crooks plot".<ref>{{Cite web |url=https://www.rogerebert.com/reviews/i-did-it-my-way-movie-review-2024 |title=I Did It My Way |date=12 January 2024 |website=[[RogerEbert.com]] |last=Abrams |first=Simon |access-date=24 September 2024}}</ref> Kwan also shot [[Nick Cheung]]'s psychological horror film ''{{ill|Peg O' My Heart (film)|lt=Peg O' My Heart|zh|贖夢}}'', which premiered at the [[Far East Film Festival]] in the same year.<ref name="PegOMyHeart" />
In 2019, Kwan reprised his roles in ''[[Chasing the Dragon II: Wild Wild Bunch]]'', the standalone sequel of the 2017 film, co-directing with Wong Jing and co-cinematographing with Jimmy Kwok.<ref name="ChasingTheDragonIIVarietyReview" /> Edmund Lee of the ''South China Morning Post'' offered a rather negative review, criticizing Kwan and Wong for missing the suspense and emotional tones of the film and steering the story towards "a familiar parade of shoot-outs and car chases";<ref>{{Cite web |url=https://www.scmp.com/lifestyle/entertainment/article/3013210/chasing-dragon-ii-wild-wild-bunch-film-review-tony-leung |title=Chasing the Dragon II: Wild Wild Bunch film review – Tony Leung plays notorious criminal in perfunctory thriller |date=6 June 2019 |website=[[South China Morning Post]] |last=Lee |first=Edmund |access-date=19 May 2024 |archive-date=24 December 2022 |archive-url=https://web.archive.org/web/20221224003401/https://www.scmp.com/lifestyle/entertainment/article/3013210/chasing-dragon-ii-wild-wild-bunch-film-review-tony-leung |url-status=live }}</ref> Richard Kuipers, writing for ''Variety'', also noted the film's lack of suspense but praised the slickly shot widescreen visuals.<ref name="ChasingTheDragonIIVarietyReview" /> Kwan also filmed the action thriller film ''[[Line Walker 2: Invisible Spy]]'' in the same year,<ref name="LineWalker2" /> and co-cinematographed the 2022 comedy film ''[[Chilli Laugh Story]]'' with Alan Koo.<ref name="ChilliLaughStory" /> Kwan made his second solo directing effort and cinematographed the action film ''[[I Did It My Way (film)|I Did It My Way]]'', featuring Andy Lau, [[Gordon Lam]], and [[Eddie Peng]],<ref name="IDidItMyWay" /><ref name="IDidItMyWayCinematography" /> which was produced in 2022 and released theatrically in 2024.<ref>{{Cite web |url=https://www.straitstimes.com/life/entertainment/andy-lau-and-gordon-lam-co-stars-again-after-10-years |title=Andy Lau and Gordon Lam co-stars again after 10 years |date=11 August 2022 |website=[[The Straits Times]] |last=Lim |first=Ruey Yan |access-date=24 September 2024}}</ref><ref>{{Cite web |url=https://www.chinadaily.com.cn/a/202401/05/WS659774d3a3105f21a507ac3e.html |title=Mixed bag of goodies awaits moviegoers in 2024 |date=5 January 2024 |website=[[China Daily]] |last=Mullins |first=Amy |access-date=24 September 2024}}</ref> Although Kwan received another nomination for Best Cinematography in the [[42nd Hong Kong Film Awards]],<ref name="42HKFilm" /> the film was poorly received.<ref>{{Cite web |url=https://www.etnet.com.hk/www/tc/diva/art/chatent/44777 |title=《潛行》是懨悶的 —— 香港動作片為甚麼不再刺激? |date=26 January 2024 |website=[[Hong Kong Economic Times]] |author=月巴氏 |access-date=24 September 2024 |language=zh}}</ref><ref>{{Cite web |url=https://www.orangenews.hk/film/1202927/%E6%96%B0%E7%89%87--%E6%BD%9B%E8%A1%8C--%E5%A5%BD%E6%88%B2%E4%B9%8B%E4%BA%BA%E9%BD%8A%E8%81%9A-%E5%BC%B5%E5%8A%9B%E5%8D%81%E8%B6%B3%E6%83%9C%E7%B4%B0%E7%AF%80%E4%B8%8D%E8%B6%B3.shtml |title=新片|《潛行》:好戲之人齊聚 張力十足惜細節不足 |date=15 January 2024 |website=[[Sino United Publishing|Orange News]] |author=羅茜 |access-date=24 September 2024 |language=zh}}</ref> Noel Wong stating in ''[[Free Malaysia Today]]'' that "as soon as bullets start flying, good camerawork goes out the window", criticizing the plot, character motivations, and "stumbling" cinematography;<ref>{{Cite web |url=https://www.freemalaysiatoday.com/category/leisure/2024/01/21/i-did-it-my-way-a-film-that-even-andy-lau-cannot-save/ |title=‘I Did It My Way’: a film that even Andy Lau cannot save |date=21 January 2024 |website=[[Free Malaysia Today]] |last=Wong |first=Noel |access-date=24 September 2024}}</ref> Edmund Lee of ''South China Morning Post'' bashed on the "foolish" visuals and the nonsensical script, which "turns the film into an unintended comedy";<ref name="IDidItMyWay" /> while Simon Abrams of ''[[RogerEbert.com]]'' noted that Kwan shifted his usual focus on actors to deliver a "formulaic cops-and-crooks plot".<ref>{{Cite web |url=https://www.rogerebert.com/reviews/i-did-it-my-way-movie-review-2024 |title=I Did It My Way |date=12 January 2024 |website=[[RogerEbert.com]] |last=Abrams |first=Simon |access-date=24 September 2024}}</ref> Kwan also shot [[Nick Cheung]]'s psychological horror film ''{{ill|Peg O' My Heart (film)|lt=Peg O' My Heart|zh|贖夢}}'', which premiered at the [[Far East Film Festival]] in the same year.<ref name="PegOMyHeart" />


==Filmography==
==Filmography==

Revision as of 14:33, 24 September 2024

Jason Kwan
關智耀
Kwan in April 2019
Born
Kwan Chi Yiu

1964 (1964)
Hong Kong
Alma materTokyo College of Photography
Occupations
  • Cinematographer
  • Director
Years active2004–present

Jason Kwan Chi Yiu (Chinese: 關智耀; born 1964) is a Hong Kong filmmaker. Debuting as a cinematographer in the Hong Kong cinema with All About Love (2005), Kwan was known for his collaborations with director Pang Ho-cheung, which include the comedy films Love in a Puff (2010), its sequel Love in the Buff, and Vulgaria (both 2012), and the drama film Aberdeen (2014). He received seven nominations for Best Cinematography at the Hong Kong Film Awards, winning with Chasing the Dragon (2017) and Project Gutenberg (2018).

Kwan also made his directorial debut with the fantasy romance film A Nail Clipper Romance (2017), an adaptation of Pang Ho-cheung's novella of the same name. He co-directed the crime films Chasing the Dragon (2017) and its sequel Chasing the Dragon II: Wild Wild Bunch (2019) with Wong Jing.

Early life and education

Kwan was born in 1964 in Hong Kong.[1] He studied at Pui Ying Secondary School [zh] and joined the photography club in his first year, which sparked his interest in cinematography.[2] Kwan moved to Japan in 1990 and attended the Tokyo College of Photography to study film production in the following year.[1] He graduated in 1993 and returned to Hong Kong, beginning to work as a freelance cinematographer.[1][3] He focused on filming advertisements and music videos, including the music video for Andy Lau's "Practice", directed by Daniel Yu [zh].[1]

Career

Kwan was recommended by Daniel Yu to join the production of the 2004 Malaysian drama film Puteri Gunung Ledang, directed by Saw Teong Hin, which marked his feature film cinematographic debut.[1][4] He made his Hong Kong feature film debut with the 2005 romance film All About Love, which was also directed by Daniel Yu and starring Andy Lau.[1][5] Paul Fonoroff, writing for the South China Morning Post, described Kwan's cinematography in All About Love as "truly breathtaking".[6] He went on to cinematograph the drama film My Mother Is a Belly Dancer, produced by Andy Lau, in the following year.[7] In 2010, Kwan served as the cinematographer for Pang Ho-cheung's romantic comedy film Love in a Puff, starring Shawn Yue and Miriam Yeung.[8] Russell Edwards of Variety praised the film's intimacy, which was achieved through the combination between Pang's helming and Kwan's lensing.[9] The film also marked the beginning of Kwan and Pang's close collaboration, with Pang describing that he thinks Kwan has a "keen-eyed observation of acting performances".[10][11] The same year, Kwan filmed the drama film Merry-Go-Round [zh] co-directed by Yan Yan Mak and Clement Cheng and Raymond Yip's martial arts drama film Bruce Lee, My Brother,[12][13] earning a nomination for Best Cinematography in the 30th Hong Kong Film Awards for his work on the former.[14] In 2012, Kwan returned to cinematograph the romantic comedy film Love in the Buff, the sequel to Love in a Puff, and another Pang's comedy film Vulgaria.[15][16] He also served as the cinematographer for Longman Leung [zh] and Sunny Luk [zh]'s action thriller film Cold War and Wong Jing's period drama film The Last Tycoon,[17][18] receiving another nomination for Best Cinematography in the 32nd Hong Kong Film Awards with the latter.[19]

Kwan went on to film the 2013 horror film Tales from the Dark 1 and the 2014 disaster film As the Light Goes Out.[20][21] He was once again nominated for Best Cinematography in the 33rd Hong Kong Film Awards for the latter,[22] with Maggie Lee of Variety praising the film's "monumental sense of space" achieved through Kwan's wide-angle shots of the sets.[23] Kwan also cinematographed Pang's drama film Aberdeen in 2014.[24] Richard Kuipers, writing for the Chicago Tribune, acknowledged Kwan's cinematography with his "beautifully composed widescreen images" in the film.[25] In 2015, Kwan participated in the sports comedy film Full Strike.[26] He also served as the cinematographer for another crime thriller film co-directed by Leung and Luk, Helios, in the same year.[27] James Marsh of Screen Daily praised Kwan's cinematography for capturing "the sheen and shadows of present-day Hong Kong" in Helios;[28] while Maggie Lee of Variety described Kwan's lensing as "solid", although occasionally featuring unnecessary and flashy helicopter shots.[29] The following year, Kwan collaborated with Leung and Luk once again in the action thriller film Cold War 2, the sequel to the 2012 film,[30] which earned him another nomination for Best Cinematography in the 36th Hong Kong Film Awards.[31] Lan Tsu-wei, writing for Liberty Times, referred to Kwan as the key figure behind the scenes, whose ability to capture the actors' emotions enhanced the film's tension.[32]

In 2017, Kwan made his directorial debut with the fantasy romance film A Nail Clipper Romance.[33][34] Starring Zhou Dongyu and Joseph Chang in lead roles, the film was adapted from Pang Ho-cheung's novella of the same name, with Pang also serving as the film's producer.[34] Edmund Lee of South China Morning Post appreciated Kwan's development of a "vibrantly colored film" with tones of both humor and sadness;[35] while Lau Ying-tsz of HK01 noted that Kwan infused fresh romantic elements with absurdity in his debut film, resulting in an innovative and uniquely chaotic vibe.[36] Kwan continued serving as the cinematographer for the drama film 29+1 and the Chinese fantasy action film Wu Kong.[37][38] He also directed his second feature film in the same year, co-directing alongside Wong Jing and also serving as the cinematographer for the crime film Chasing the Dragon.[39][40] Scott Clark of Starburst specifically praised Wong's choice of co-directing the film with Kwan as "a smart move", as it enhanced the film's visuals in terms of period details and action scenes through the camera work;[41] and Clarence Tsui of The Hollywood Reporter credited Kwan for the film's "lavish production design and strong camerawork".[42] Kwan won Best Cinematography in the 37th Hong Kong Film Awards with the film.[43] The following year, he took on the role of cinematographer in Felix Chong's action film Project Gutenberg,[44] for which he once again won Best Cinematography in the 38th Hong Kong Film Awards.[45] Sarah Ward of Screen Daily described Kwan's cinematography in Project Gutenberg as "glossy, purposefully faded", providing the film "a suitably twisty but energetic sheen";[46] while Elizabeth Kerr of The Hollywood Reporter acknowledged Kwan's "meticulously washed-out images".[47]

In 2019, Kwan reprised his roles in Chasing the Dragon II: Wild Wild Bunch, the standalone sequel of the 2017 film, co-directing with Wong Jing and co-cinematographing with Jimmy Kwok.[48] Edmund Lee of the South China Morning Post offered a rather negative review, criticizing Kwan and Wong for missing the suspense and emotional tones of the film and steering the story towards "a familiar parade of shoot-outs and car chases";[49] Richard Kuipers, writing for Variety, also noted the film's lack of suspense but praised the slickly shot widescreen visuals.[48] Kwan also filmed the action thriller film Line Walker 2: Invisible Spy in the same year,[50] and co-cinematographed the 2022 comedy film Chilli Laugh Story with Alan Koo.[51] Kwan made his second solo directing effort and cinematographed the action film I Did It My Way, featuring Andy Lau, Gordon Lam, and Eddie Peng,[52][53] which was produced in 2022 and released theatrically in 2024.[54][55] Although Kwan received another nomination for Best Cinematography in the 42nd Hong Kong Film Awards,[56] the film was poorly received.[57][58] Noel Wong stating in Free Malaysia Today that "as soon as bullets start flying, good camerawork goes out the window", criticizing the plot, character motivations, and "stumbling" cinematography;[59] Edmund Lee of South China Morning Post bashed on the "foolish" visuals and the nonsensical script, which "turns the film into an unintended comedy";[52] while Simon Abrams of RogerEbert.com noted that Kwan shifted his usual focus on actors to deliver a "formulaic cops-and-crooks plot".[60] Kwan also shot Nick Cheung's psychological horror film Peg O' My Heart [zh], which premiered at the Far East Film Festival in the same year.[61]

Filmography

Film

Year Title Cinematographer Director Notes
2004 Puteri Gunung Ledang Yes No [4]
2005 All About Love Yes No [5]
2006 My Mother Is a Belly Dancer Yes No [7]
2010 Love in a Puff Yes No [8]
Merry-Go-Round [zh] Yes No [12]
Bruce Lee, My Brother Yes No [13]
2012 Love in the Buff Yes No [15]
Vulgaria Yes No [16]
Cold War Yes No [17]
The Last Tycoon Yes No [18]
2013 Tales from the Dark 1 Yes No [20]
2014 As the Light Goes Out Yes No [21]
Aberdeen Yes No [24]
2015 Full Strike Yes No [26]
Helios Yes No [27]
2016 Cold War 2 Yes No [30]
2017 A Nail Clipper Romance No Yes [33]
29+1 Yes No [37]
Wu Kong Yes No [38]
Chasing the Dragon Yes Yes [39][40]
2018 Project Gutenberg Yes No [44]
2019 Chasing the Dragon II: Wild Wild Bunch Yes Yes [48]
Line Walker 2: Invisible Spy Yes No [50]
2022 Chilli Laugh Story Yes No [51]
2024 I Did It My Way Yes Yes [52][53]
Peg O' My Heart [zh] Yes No [61]

Awards and nominations

Year Award Category Work Result Ref.
2011 30th Hong Kong Film Awards Best Cinematography Merry-Go-Round [zh] Nominated [14]
2013 32nd Hong Kong Film Awards The Last Tycoon Nominated [19]
2014 33rd Hong Kong Film Awards As the Light Goes Out Nominated [22]
2016 36th Hong Kong Film Awards Cold War 2 Nominated [31]
2017 37th Hong Kong Film Awards Chasing the Dragon Won [43]
2018 38th Hong Kong Film Awards Project Gutenberg Won [45]
2024 42nd Hong Kong Film Awards I Did It My Way Nominated [56]

References

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