Footprints (composition)

"Footprints" is a jazz standard composed by Wayne Shorter, first appearing on his 1966 album Adam's Apple.

Rhythm

Whilst often written in 3/4 or 6/4, it is not a jazz waltz, since the feel alternates between simple meter and compound meter. On Miles Smiles (Miles Davis), the band playfully explores the correlation between African-based 12/8 (or 6/8), and 4/4. Drummer Tony Williams freely moves from swing, to the three-over-two cross rhythm—and to its 4/4 correlative. The ground of four main beats is maintained throughout the piece. The bass switches to 4/4 at 2:20. Carter’s 4/4 figure is known as ‘’tresillo’’ in Afro-Cuban music and is the duple-pulse correlative of the 12/8 figure. This may have been the first overt expression of systemic, African-based cross-rhythm used by a straight ahead jazz group. During Davis’s first trumpet solo, Williams shifts to a 4/4 jazz ride pattern while Carter continues the 12/8 bass line. The following example shows the 12/8 and 4/4 forms of the bass line. The slashed noteheads indicate the main beats (not bass notes), where one ordinarily taps their foot to "keep time."

File:FOOTPRINTS BASS LINES.jpg

"Footprints" bass lines, with main beats indicated by slashed noteheads.

Harmony

Harmonically, it takes the form of a 12-bar C minor blues, but this is heavily masked not only by its triple time signature but by its avant garde turnaround (series of chords that return back to the main, or I chord). In the key of C minor, a normal turnaround would be Dm7(♭5), G7, Cm7. But Shorter doubles the harmonic rhythm of the turnaround, and the progression reads: F♯m7♭5, F7♯11, Eaug7(♯9), A7(♯9), Cm7.

The best-known recorded version is on the 1966 Miles Davis album Miles Smiles.