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The Raga Bhinnashadaja is one of the most melodious Ragas of Hindustani Classical Music. It belongs to Bilawal Thata (Melakarta No. 29 Dheerashankarabharanam). It contains 5 Shuddha Swaras Shadaja, Gandhar, Madhyama, Dhaivata and Nishad; Rishabh and Pancham are omitted. In the form of notation it contains S,G,M,D and N. |
The Raga Bhinnashadaja is one of the most melodious Ragas of Hindustani Classical Music. It belongs to Bilawal Thata (Melakarta No. 29 Dheerashankarabharanam). It contains 5 Shuddha Swaras Shadaja, Gandhar, Madhyama, Dhaivata and Nishad; Rishabh and Pancham are omitted. In the form of notation it contains S,G,M,D and N. |
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In Carnatic Music the swaras are termed as Shadja -Sa, AntaraGandhar -ga, Suddha Madhyama- ma, Chatusruti Dhaivata -dhi and KakaliNishad –nu. |
In Carnatic Music the swaras are termed as Shadja -Sa, AntaraGandhar -ga, Suddha Madhyama- ma, Chatusruti Dhaivata -dhi and KakaliNishad –nu. |
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In Westen Classical Notation the notes are termed as tonic, perfect third, perfect fourth, perfect sixth and perfect seventh; i.e. C, E, F, A and B; second D and fifth G notes are omitted. |
In Westen Classical Notation the notes are termed as tonic, perfect third, perfect fourth, perfect sixth and perfect seventh; i.e. C, E, F, A and B; second D and fifth G notes are omitted. |
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Raga Bhinnashadaj is known by many alternate names such as, AudawaBilawal,Bhookosh, DinkaMalkosh,Hindoli,Koushikdhwani,Kousidhani |
Raga Bhinnashadaj is known by many alternate names such as, AudawaBilawal,Bhookosh, DinkaMalkosh,Hindoli,Koushikdhwani,Kousidhani |
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Revision as of 06:02, 2 May 2013
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The Raga Bhinnashadaja is one of the most melodious Ragas of Hindustani Classical Music. It belongs to Bilawal Thata (Melakarta No. 29 Dheerashankarabharanam). It contains 5 Shuddha Swaras Shadaja, Gandhar, Madhyama, Dhaivata and Nishad; Rishabh and Pancham are omitted. In the form of notation it contains S,G,M,D and N.
In Carnatic Music the swaras are termed as Shadja -Sa, AntaraGandhar -ga, Suddha Madhyama- ma, Chatusruti Dhaivata -dhi and KakaliNishad –nu.
In Westen Classical Notation the notes are termed as tonic, perfect third, perfect fourth, perfect sixth and perfect seventh; i.e. C, E, F, A and B; second D and fifth G notes are omitted.
Raga Bhinnashadaj is known by many alternate names such as, AudawaBilawal,Bhookosh, DinkaMalkosh,Hindoli,Koushikdhwani,Kousidhani
Contents:
• 1 Description (Parichaya)
o 1.1 Jati (Based on number of notes used in the Raga)
o 1.2 Aroha & Avaroha- Ascent and Descent
o 1.3 Vadi and Samvadi (Principal Notes)
o 1.4 Nyasa Swaras (Resting Notes)
o 1.5 Pakad (Distinctive Tonal Phrase)
o 1.6 Chalan (Sample Melodic Combinations)
o 1.7 Gaan Samaya (Preferred Time)
2 Additional Information
o 2.1 Similar Ragas from Hindustani Music
o 2.2 Similar Raga from Carnatic Music
3 Important Recordings/ Popular Compositions Based on this Raga
4 External Links
Category Ragas
Description (Raga Parichaya)
Jati (Based on number of notes used in the Raga)
Audava-Audava/Five notes-Five notes
Aroha & Avaroha- Ascent and Descent SG, MD, NS’’; S’’, ND, MG, S
Vadi and Samvadi (Principal Notes)
Vadi (Sonant) M; Samvadi- S.
Nyasa Swaras (Resting Notes) - G, D
Pakad (Distinctive Tonal Phrase) - S’’, NDMG, MG->S
Chalan (Sample Melodic Combinations)-
S, 'NS, 'N'D, 'M'D'N S, 'D'N SM-G, SGMDGM-G, MG->S;
'D'N SG, SGSM-G, SGMD, GMND, MG, MDNS’’, DNS’’G’’'S’’, S’’G’’M’’G’’S’’,
MDNS’’ ND, GMDNDMG, SGMDGMG->S.
Gaan Samaya (Preferred Time)- 10 p.m.-1 a.m.
Additional Information- Raga Bhinnashadaja of Carnatic Music has a different melodic structure. However, Carnatic Ragas Chandrakauns, Daka and Dakka of Dheerasankarabharanam Melkarta are scale- congruent with Bhinnashadaja of Hindustani Classical Music (Ref- Raga Pravaham) Similar Ragas from Hindustani Music- Rageshri, Chakradhar, Hemant Similar Raga from Carnatic Music - Chandrakauns, Daka and Dakka
Important Recordings/ Popular Compositions Based on this Raga- Yaad Piyaki Aaye- Thumri- Ustad Bade Ghulam Ali Khan;
