Gerald Cumberland: Difference between revisions
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| nom = Gerald Cumberland |
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| nom de naissance = Charles Frederick Kenyon |
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| activités = [[Roman (littérature)|Romancier]], [[compositeur]], [[journaliste]], [[essayiste]] |
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| date de naissance = [[1879]] |
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| lieu de naissance = {{Royaume-Uni}} |
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| date de décès = [[1926]] |
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| langue = [[Anglais britannique]] |
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| genre = [[Roman policier]] |
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'''Gerald Cumberland''' is the pseudonym of the author, journalist, and composer Charles Frederick Kenyon (1879-1926). Cumberland was a writer of essays and some pieces1st par of police literature. |
'''Gerald Cumberland''' is the pseudonym of the author, journalist, and composer Charles Frederick Kenyon (1879-1926). Cumberland was a writer of essays and some pieces1st par of police literature. |
Revision as of 09:34, 17 December 2016
Gerald Cumberland is the pseudonym of the author, journalist, and composer Charles Frederick Kenyon (1879-1926). Cumberland was a writer of essays and some pieces1st par of police literature.
TRained as a musician, for several years Kenyon was the dramatic and musical critic of Daily Critic. Under his name, in 1901 he produced a study of the work of the writer and playwright Hall Caine and in 1904, a work for beginner musicians.
Aa a composer, his musical scores included The Maiden and the Flower Garden (1914), an operetta for children.
In 1919 he used the pseudonym Gerald Cumberland to publish his "Books of Reminiscences", two important critical essays on musical life in England, as well some works of police literature.
Œuvre
Roman
- The Poisoner (1921)
- The Cypress Chest (1927) Template:Commentaire biblio
Recueils de nouvelles
- Tales of a Cruel County (1919)
Nouvelle
- Any Man Who Drinks (1925)
Autres publications
Signées Gerald Cumberland
- Set Down in Malice: a Book of Reminiscences (1919)
- Written in Friendship: a Book of Reminiscences (1924)
Signées Charles Frederick Kenyon (ou C. Fred Kenyon)
- Hall Caine, the Man and the Novelist (1901)
- How to Memorize Music (1904)
Compositions musicales
- Day and Night (1906), song pour ténor et piano
- If I Could Speak (1906), song pour ténor et piano
- When I Lie ill (1906), song pour ténor et piano
- Soliloquy Upon a Dead Child (1906), song pour soprano ou ténor et piano
- The Vision of Cleopatra (1907), cantate pour solistes, chœur et orchestre (perdu ?)
- Fairies’ Song (1906), chant a cappella pour deux sopranos et deux altos.
- The Maiden and the Flower Garden (1914), opérette pour voix d’enfants et piano
- The Moon (1914), song pour soprano, alto et piano
- The River (1914), song pour soprano, alto et piano
- Summer Has Come, Little Children (1914), song pour soprano, alto et piano
Sources
- Jacques Baudou; Jean-Jacques Schleret (1984). Le Vrai Visage du Masque (in French). Vol. 1. Paris: Futuropolis. p. 143. OCLC 311506692.
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