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Babylon (2022 film)

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Babylon
A blonde woman in a red dress crowdsurfs at a party.
Theatrical release poster
Directed byDamien Chazelle
Written byDamien Chazelle
Produced by
Starring
CinematographyLinus Sandgren
Edited byTom Cross
Music byJustin Hurwitz
Production
companies
  • Paramount Pictures
  • C2 Motion Picture Group
  • Marc Platt Productions
  • Wild Chickens Productions
  • Organism Pictures
Distributed byParamount Pictures
Release dates
  • November 14, 2022 (2022-11-14) (Los Angeles)
  • December 23, 2022 (2022-12-23) (United States)
Running time
189 minutes[1]
CountryUnited States
LanguagesEnglish
Spanish
Budget$78–80 million[2][3][4]
Box office$63.4 million[5][6]

Babylon is a 2022 American epic historical black comedy drama film written and directed by Damien Chazelle. It features an ensemble cast that includes Brad Pitt, Margot Robbie, Diego Calva, Jean Smart, Jovan Adepo, Li Jun Li, P. J. Byrne, Lukas Haas, Olivia Hamilton, Max Minghella, Rory Scovel, Katherine Waterston, and Tobey Maguire. It chronicles the rise and fall of multiple characters during Hollywood's transition from silent to sound films in the late 1920s.

Chazelle began developing Babylon in July 2019, with Lionsgate Films as the frontrunner to acquire the project. It was announced that Paramount Pictures had acquired worldwide rights in November 2019. Much of the main cast joined the project between January 2020 and August 2021, and filming took place in Los Angeles from July to October 2021.

Babylon premiered at the Samuel Goldwyn Theater in Los Angeles on November 14, 2022, and was released in the United States on December 23, 2022. It was met with a polarized response from critics and was a box-office bomb, grossing $63 million against a production budget of $78–80 million and losing Paramount $87 million. It received five nominations at the 80th Golden Globe Awards (including Best Motion Picture – Musical or Comedy, winning Best Original Score), three nominations at the 76th British Academy Film Awards, and three nominations at the 95th Academy Awards.

Plot

In 1926 Bel Air, Los Angeles, Mexican immigrant Manuel "Manny" Torres helps transport an elephant to a debauched bacchanal, rife with sex, jazz and cocaine, at Kinoscope Studios executive Don Wallach's mansion. He quickly becomes smitten with Nellie LaRoy, a brash, ambitious self-declared "star" from New Jersey. Manny shares his dream with her—to be part of something "bigger". While the elephant walks through, distracting partygoers, Manny helps carry away young actress Jane Thornton, who overdosed on drugs with urolagniac actor Orville Pickwick.

Also attending are Chinese-American lesbian cabaret-singer Lady Fay Zhu and African-American jazz trumpeter Sidney Palmer. The flamboyantly-dancing Nellie is spotted and swiftly recruited to replace Jane in a Kinoscope film. During filming, she crudely upstages Constance Moore. Manny meets and befriends Jack Conrad, a benevolent but troubled, oft-married film star, and drives the drunken Jack home. Jack helps Manny secure assistant jobs at Kinoscope. When a director needs a new camera to film Jack in an outdoors love scene before nightfall, Manny saves the day by finding one and getting it to the set at the last moment. Manny climbs the studio system's ranks.

Nellie quickly becomes an "it girl" covered by gossip columnist Elinor St. John, who also follows Jack's career. As sound film displaces silents in the late-1920s, Manny skillfully adapts to technical changes. At Sidney's suggestion, he successfully pitches a series of films starring Sidney and a brand new orchestra to Irving Thalberg. As a result, Manny gains even greater power and influence in the industry, eventually becoming a producer and studio executive. Nellie struggles to navigate sound film's demands (one cameraman dies filming her), and increases her drug use and reckless gambling, tarnishing her reputation despite Manny's assistance.

Nellie, shown to have an institutionalized mother, eggs on her drunken father (and inept business-manager) Robert to publicly fight a rattlesnake during a party; he passes out. Nellie fights the snake, which bites her neck; Fay kills it and sucks out the venom. Nellie passionately kisses her.

By 1932, Jack begins to sense that his popularity has waned, but still works in low-budget Metro-Goldwyn-Mayer films. As Hollywood becomes less libertine, executives tell Manny to fire Fay, a Kinoscope title writer, because of her perceived lesbianism. While practicing lines with new wife Estelle, Jack is devastated to learn his longtime friend/producer, George Munn, has committed suicide.

Elinor and Manny attempt to revamp Nellie's image and ingratiate her into Hollywood's high society, but at a party with William Randolph Hearst and Marion Davies, Nellie lashes out against upper-class snobbery, vomiting on Hearst. Jack finds Elinor's cover story about his declining popularity and confronts her; she explains that although his star has faded, he will be immortalized on film. Sidney is offended when studio executives convince Manny to request he don blackface for Southern audiences; he leaves Kinoscope to perform live in black establishments. Jack encounters Fay at a hotel party; she reveals her departure for Europe and Pathé. Afterwards, in his hotel room, a despondent Jack fatally shoots himself.

Eccentric gangster James McKay threatens Nellie's life over her massive gambling debts. Manny initially rejects her distraught pleas for help, but later secures funds from the movie-set drug-pusher/aspiring actor "The Count", and visits James with him to pay off Nellie's debt. Manny panics upon learning the money is counterfeit, made by his own prop-maker. James invites the men to a subterranean gathering-space for depraved zoosadist parties, raving about potential film ideas. When James realizes the cash is counterfeit, he attempts to kill them, but they narrowly escape, killing James's henchman Wilson.

Manny asks Nellie to flee with him to Mexico, marry, and start a new life. She initially resists, but eventually agrees. James's associate tracks Manny down, killing The Count and his roommate. Upon seeing Manny urinate himself, the henchmen take pity and agree to spare Manny's life if he leaves Los Angeles. While Manny gathers their belongings, Nellie reneges on her decision and dances away into the night. A montage of newspaper clippings reveals Elinor's death at age 76, and Nellie's death from a drug overdose at 34.

In 1952, Manny returns to California with his wife Silvia and young daughter, having fled to New York City and established a radio shop. He shows them the Kinoscope Studios entrance, then visits a nearby cinema alone to see Singin' in the Rain, whose depiction of the industry's transition from silents to talkies moves him to tears. A century-spanning series of vignettes from various films follows. As the focus returns to Singin', Manny tearfully smiles.

Cast

Production

Development

Writer and director Damien Chazelle (left), lead actor Brad Pitt, lead actress Margot Robbie, lead actor Diego Calva, and actor/executive producer Tobey Maguire.

It was announced in July 2019 that Damien Chazelle had set his next project following First Man (2018) as a period drama set in the Golden Age of Hollywood. Lionsgate Films was the frontrunner to acquire the project after distributing Chazelle's La La Land (2016), with Emma Stone (also having worked on La La Land) and Brad Pitt in the mix to star.[7] In November, Paramount Pictures acquired worldwide rights to the project, with Stone and Pitt still circling roles.[8] Pitt confirmed his involvement in January 2020, describing the film as being set when the silent film era transitioned into sound.[9] He was set to play a character modeled on actor-director John Gilbert.[10]

By December 2020, Margot Robbie was in early negotiations to replace Stone, who exited the film due to scheduling conflicts, and Li Jun Li was also cast.[11][12] Robbie was confirmed in March 2021, with Jovan Adepo and Diego Calva also joining.[10][13]

In June, Katherine Waterston, Max Minghella, Flea, Samara Weaving, Rory Scovel, Lukas Haas, Eric Roberts, P.J. Byrne, Damon Gupton, Olivia Wilde, Spike Jonze, Phoebe Tonkin, and Tobey Maguire (who is also an executive producer on the film) joined the cast.[14][15][16] In July, Jean Smart joined the cast,[17] with Chloe Fineman, Jeff Garlin, Telvin Griffin, and Troy Metcalf joining the cast the following month.[18][19]

Filming

Filming was originally set to take place in California in mid-2020 but was postponed due to the COVID-19 pandemic. It began on July 1, 2021 and wrapped on October 21, 2021.[16][20][21][22][23] Shea's Castle was used for the exterior shots of the mansion in the opening party scene, and interiors were shot inside the Ace Hotel Los Angeles. The movie ranch, Blue Sky Ranch, served as Kinescope Studios.[24]

Music

Main article: Babylon (soundtrack)
"Voodoo Mama," which plays during the film's opening sequence and finale montage.

Justin Hurwitz, a frequent collaborator of Chazelle, composed the film's score. Two tracks from the score, "Call Me Manny" and "Voodoo Mama," were released digitally on November 10, 2022, the latter track being used to underscore the film's first trailer. The soundtrack album was released by Interscope Records on December 9, 2022.[25]

Themes

In an essay for /Film, Robert Daniels asserts that Babylon is essentially a story of identity and assimilation in early Hollywood. While noting the similarities it shares with films such as The Last Black Man in San Francisco (2019), Bamboozled (2000), and Medicine for Melancholy (2008), Daniels focuses on character Manuel "Manny" Torres and his rise into the Hollywood studio system: "In the process, Manuel cuts off ties with his Mexican roots—though they live in Los Angeles, he never visits his family—he Americanizes his name to Manny, and at a party thrown by William Randolph Hearst, he presents himself as a Spaniard. Manuel becomes intoxicated by his proximity to the white capitalistic greed that governs Hollywood (and partly the American dream of upward mobility), causing him to traverse a tenuous betweenness of identity." Daniels writes that Manny's erasure of his identity is sparked by his fantasy romance with Nellie LaRoy—who represents what he loves about Hollywood: "An indefinable magical quality, upward mobility, picturesque happiness, and the ability to permanently define yourself." Daniels also adds that, while climbing the social ladder, Manny contributed to the mythology of Hollywood, recalling one scene where he expeditiously retrieved a camera for a large, destructive set and a picturesque scene is shot without future film audiences' knowledge of its production, and another scene where Manny pressures Black trumpeter Sidney Palmer to don blackface during the filming of a jazz short, so that the lighting on the set doesn’t lighten his complexion in the final product.[26]

Lisa Laman of Collider observed that Babylon functions as a rumination on how human beings try to outrun and ignore their innate mortality, pointing to the various nonchalant depictions of death (such as a newscaster's casual account of the suicide of a female Jack Conrad fan) as an especially discernible example of this thematic element. Laman also pointed to a key scene in the middle of Babylon concerning Conrad briefly being overwhelmed by the death of his friend George Munn before returning to his default unflappable persona to be another key instance of the feature functioning as a tragic meditation on people trying to evade the inevitable presence of death.[27]

Release

Theatrical

Babylon was first screened for critics and industry people on November 14, 2022, at the Samuel Goldwyn Theater in Los Angeles and in New York City the following day.[28] It was released on December 23, 2022.[29] The film was initially scheduled for a December 25, 2021, limited release and a January 7, 2022, wide release,[8] but was later delayed by an entire year, with a December 25, 2022, limited release, and a January 6, 2023, wide release, due to the COVID-19 pandemic.[30] In October, the film was moved two days earlier to the current date and set for a solely wide release instead.[31]

Home media

The film was released on VOD platforms on January 31, 2023, and on Paramount+ on February 21, 2023. It was released on Blu-ray, DVD and 4K UHD a month later on March 21, 2023.[32][33]

Marketing

The first red-banded trailer for Babylon premiered on September 12, 2022, at the 2022 Toronto International Film Festival during a Q&A event with Chazelle and TIFF CEO Cameron Bailey. It was released to the public the following day, alongside character posters of the main cast.[34][35] Noting its uncensored nudity, profanity and drug use, several publications compared the trailer's atmosphere to that of films such as The Wolf of Wall Street (2013)[36][37] and The Great Gatsby (2013), which star Robbie and Maguire, respectively.[38][39] A featurette about the making of the film was released on November 21, 2022.[40] The second and final trailer for the film and its theatrical release poster were released on November 28, 2022.[41]

As Maggie Dela Paz notes at ComingSoon.net, "a brand new behind-the scenes featurette ...highlight[ing] Chazelle’s ensemble cast of A-list stars and familiar supporting actors[, and] also featur[ing] commentary from the Oscar-nominated director as he talks about the challenge of handling this massive cast" was released on December 29, 2022.[42]

Reception

Box office

Babylon grossed $15.4 million in the United States and Canada, and $48 million in other territories, for a worldwide total of $63.4 million.[6][5] Deadline Hollywood noted that with a combined production and promotion budget of around $160 million, Babylon would need to gross $250 million worldwide in order to break-even.[43] The site ultimately calculated the film lost the studio $87.4 million, when factoring together all expenses and revenues.[44]

In the United States and Canada, Babylon was released alongside Whitney Houston: I Wanna Dance with Somebody, and was initially projected to gross $12–15 million from 3,342 theaters over its four-day opening weekend.[45][46] The film made $1.5 million on its first day (including Thursday-night previews) and went on to debut to just $3.5 million in its opening weekend (and a total of $5.3 million over the four days), finishing fourth at the box office. Deadline cited the general public's declining interest in prestige films, the threat of a tripledemic surge in COVID-19 and flu cases, and the nationwide impact of Winter Storm Elliott as reasons for lower-than-expected theater attendance.[4] In its sophomore weekend the film made $2.6 million (a drop of 27.5%), finishing in fifth.[47]

In Europe, the film took $3.3 million on its opening weekend in France and $1.6 million (£1.3 million) in the United Kingdom, coming second and third respectively at the box office.[48]

Critical response

Despite the film's polarizing response, Justin Hurwitz's score was praised by critics as one of the film's strengths, and earned him numerous accolades, including the Golden Globe Award for Best Original Score and a nomination for the Academy Award for Best Original Score.

According to IndieWire and The Hollywood Reporter, as well as the opinion of Chazelle himself, response to the film was "polarized".[49][50] On the review aggregator website Rotten Tomatoes, Babylon holds an approval rating of 57% based on 361 reviews, with an average rating of 6.4/10. The site's critics consensus reads: "Babylon's overwhelming muchness is exhausting, but much like the industry it honors, its well-acted, well-crafted glitz and glamour can often be an effective distraction."[51] On Metacritic, the film has a weighted average score of 61 out of 100, based on 63 critics, indicating "generally favorable reviews".[52] Audiences polled by CinemaScore gave the film an average grade of "C+" on an A+ to F scale, while PostTrak reported 74% of audience members gave the film a positive score, with 47% saying they would definitely recommend it.[4]

In his review for the San Francisco Chronicle, Mick LaSalle praised Chazelle's ambition and direction, writing that "Babylon is what movie love really looks like."[53] THR's David Rooney described it as a "syncopated concentration of hedonistic revelry", praising the cast performances, score, cinematography, costume and production design, but criticizing the screenplay and direction—ultimately concluding "it’s hard to imagine the overstuffed yet insubstantial Babylon finding its way into many screen-classic montages".[54] Conversely, Pete Hammond of Deadline Hollywood wrote that "it is guaranteed to be a movie that will stay in your head", commending the direction, production design, and performances.[55]

In his review for The Guardian, Peter Bradshaw assigned the film three stars out of five, applauding the performances of Robbie and Pitt for elevating "a story in no hurry to engage with the true-life nastiness of its era".[56] Writing for Vanity Fair, Richard Lawson concurred with Bradshaw's sentiment, stating: "These are little islands in a sea of mannered chaos, but it begins to feel, as Babylon stretches out across three hours and eight minutes, that Chazelle has no clear idea where all of this is going."[57] In a scathing review for Time, Stephanie Zacharek highlighted Jun Li's performance, but criticized Chazelle's screenplay and direction, summarizing: "Babylon is a manic sprawl that only pretends to celebrate cinema. It's really about prurience, dumb sensation, self-congratulation and willful ignorance of history."[58]

In his review for The Ringer, Adam Nayman described Babylon as "a nauseous, high-calorie sugar rush of a movie that not only wants to have its cake and eat it too, but also to puke it up, smear it around, and cram it in the viewer's face". While praising Chazelle's direction and ambition, Nayman wrote that the film was a "deliberately designed career-killer" for the director.[59] Writing less enthusiastically about the film in Variety, Peter Debruge stated that "Babylon presents itself as the apotheosis of all that has come before, the ne plus ultra of the medium's own potential, and indeed, it's an experience that won't be easily topped, in this or any year. But that doesn't make it great or even particularly coherent".[60]

Richard Brody of The New Yorker praised Chazelle's storytelling and characters, but criticized other aspects of his screenplay, ultimately concluding: "Artistically, what Babylon adds to the classic Hollywood that it celebrates is sex and nudity, drugs and violence, a more diverse cast, and a batch of kitchen-sink chaos that replaces the whys and wherefores of coherent thought with the exhortation to buy a ticket, cast one's eyes up to the screen, and worship in the dark."[61] John Mulderig of The Catholic Review says, "Along the way, Robbie effervesces, Pitt charms and Calva smolders and endures. Yet Chazelle's depiction of Tinseltown's behind-the-scenes decadence takes needless explicitness to the point of obscenity. [He] repeatedly references ...Singin' in the Rain, which unfolds in the same place and time. But comparisons with that beloved classic only highlight the ugliness of his own portrayal of human debasement."[62]

Despite the polarizing response, later critical and public reevaluation has tended to focus more on the film's strengths while deeming it as a misunderstood masterpiece. Author Stephen King praised the film, calling it "utterly brilliant–extravagant, over the top, hilarious, thought-provoking" and "one of those movies that reviews badly and is acclaimed as a classic in 20 years."[63] In August 2023, IndieWire ranked the film's score at number 15 on its list of "The 40 Best Movie Scores of the 21st Century," writing "Filled with booming trumpets and epic saxophone solos, it’s a truly epic score, perfectly fitting the changing world of ’20s and ’30s Los Angeles perfectly. But it’s the way the score builds upon its motifs and elements from song to song, that makes its special."[64] In June 2024, Collider ranked it number 30 on its list of the "30 Best Movies of the 2020s So Far," with Jeremy Urquhart writing "It's another movie of his [Chazelle] about passion, a desire for greatness, and the ups and downs of pursuing one's dreams, only this time the scope is epic, with such an approach taken to investigating Hollywood in the 1920s and 1930s, instead of just one or two people, like his smaller/more personal movies. Babylon is dazzling from a technical perspective and has some of the best music composed for a movie in recent memory. It challenges, provokes, celebrates, and condemns all at once. It's overwhelming and messy, but history will likely be kind to it."[65]

Accolades

Award nominations for Babylon
Award Date of ceremony Category Recipient(s) Result
Chicago Film Critics Association[66] December 14, 2022 Best Cinematography Linus Sandgren Nominated
Best Best Editing Tom Cross Nominated
Best Original Score Justin Hurwitz Won
Best Costume Design Mary Zophres Nominated
Best Art Direction/Production Design Babylon Nominated
St. Louis Gateway Film Critics Association[67] December 18, 2022 Best Score Justin Hurwitz Nominated
Dallas–Fort Worth Film Critics Association[68] December 19, 2022 Best Picture Babylon 9th place
Florida Film Critics Circle[69] December 22, 2022 Best Score Justin Hurwitz Won
Best Art Direction / Production Design Babylon Won
Best Ensemble Runner-up
San Diego Film Critics Society[70] January 6, 2023 Best Cinematography Linus Sandgren Won
Best Costumes Mary Zophres Nominated
Best Production Design Florencia Martin Won
San Francisco Bay Area Film Critics Circle[71] January 9, 2023 Best Cinematography Linus Landgren Nominated
Best Film Editing Tom Cross Nominated
Best Original Score Justin Hurwitz Nominated
Best Production Design Florencia Martin and Anthony Carlino Nominated
Austin Film Critics Association[72] January 10, 2023 Best Cinematography Linus Sandgren Nominated
Best Score Justin Hurwitz Won
Golden Globe Awards[73] January 10, 2023 Best Motion Picture – Musical or Comedy Babylon Nominated
Best Actor in a Motion Picture – Musical or Comedy Diego Calva Nominated
Best Actress in a Motion Picture – Musical or Comedy Margot Robbie Nominated
Best Supporting Actor – Motion Picture Brad Pitt Nominated
Best Original Score Justin Hurwitz Won
Georgia Film Critics Association[74] January 13, 2023 Best Original Score Runner-up
Best Production Design Florencia Martin, Anthony Carlino Won
Critics' Choice Movie Awards[75] January 15, 2023 Best Picture Babylon Nominated
Best Director Damien Chazelle Nominated
Best Actress Margot Robbie Nominated
Best Cinematography Linus Sandgren Nominated
Best Editing Tom Cross Nominated
Best Costume Design Mary Zophres Nominated
Best Production Design Florencia Martin and Anthony Carlino Won
Best Score Justin Hurwitz Nominated
Best Hair and Makeup Babylon Nominated
Seattle Film Critics Society[76] January 17, 2023 Best Actress in a Leading Role Margot Robbie Nominated
Best Costume Design Mary Zophres Nominated
Best Original Score Justin Hurwitz Won
Best Production Design Florencia Martin, Anthony Carlino Won
Online Film Critics Society[77] January 23, 2023 Best Original Score Justin Hurwitz Nominated
Best Costume Design Babylon Nominated
Best Production Design Nominated
Make-Up Artists and Hair Stylists Guild Awards[78] February 11, 2023 Best Period and/or Character Make-Up in a Feature-Length Motion Picture Heba Thorisdottir, Shaunna Bren Chavez, Jean Black, Mandy Artusato Nominated
Best Period Hair Styling and/or Character Hair Styling in a Feature-Length Motion Picture Jaime Leigh McIntosh, Ahou Mofid, Aubrey Marie Nominated
Satellite Awards[79] March 3, 2023 Best Actor in a Motion Picture – Comedy or Musical Diego Calva Nominated
Best Actress in a Motion Picture – Comedy or Musical Margot Robbie Nominated
Best Actress in a Supporting Role Jean Smart Nominated
Best Art Direction and Production Design Florencia Martin & Anthony Carlino Won
Best Costume Design Mary Zophres Won
Best Original Score Justin Hurwitz Won
Best Sound (Editing and Mixing) Steve Morrow, Ai-Ling Lee, Mildred Iatrou Morgan & Andy Nelson Nominated
Best Visual Effects Jay Cooper, Elia Popov, Kevin Martel, Ebrahim Jahromi Nominated
Set Decorators Society of America Awards[80] February 14, 2023 Best Achievement in Decor/Design of a Period Feature Film Anthony Carlino and Florencia Martin Nominated
Hollywood Critics Association Creative Arts Awards[81] February 17, 2023 Best Costume Design Mary Zophres Nominated
Best Production Design Florencia Martin and Anthony Carlino Won
Best Score Justin Hurwitz Won
Houston Film Critics Society[82] February 18, 2023 Best Original Score Nominated
Best Cinematography Linus Sandgren Nominated
Art Directors Guild Awards[83] February 18, 2023 Excellence in Production Design for a Period Film Florencia Martin Won
British Academy Film Awards[84] February 19, 2023 Best Costume Design Mary Zophres Nominated
Best Original Score Justin Hurwitz Nominated
Best Production Design Florencia Martin, Anthony Carlino Won
Hollywood Critics Association Awards[85] February 24, 2023 Best Cast Ensemble Babylon Nominated
AACTA International Awards[86] February 24, 2023 Best Actress Margot Robbie Nominated
Best Supporting Actor Brad Pitt Nominated
Best Supporting Actress Jean Smart Nominated
Screen Actors Guild Award[87] February 26, 2023 Outstanding Performance by a Cast in a Motion Picture Jovan Adepo, P.J. Byrne, Diego Calva, Lukas Haas, Olivia Hamilton, Li Jun Li, Tobey Maguire, Max Minghella, Brad Pitt, Margot Robbie, Rory Scovel, Jean Smart, Katherine Waterston Nominated
Costume Designers Guild Awards[88] February 27, 2023 Excellence in Period Film Mary Zophres Nominated
Academy Awards[89] March 12, 2023 Best Costume Design Nominated
Best Original Score Justin Hurwitz Nominated
Best Production Design Production Design: Florencia Martin; Set Decoration: Anthony Carlino Nominated
Golden Trailer Awards[90] June 29, 2023 Best Music Babylon (Buddha Jones) Won
Belgian Film Critics Association[91] January 6, 2024 Grand Prix Babylon Nominated

See also

References

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  16. ^ a b Kit, Borys (June 24, 2021). "Olivia Wilde, Spike Jonze, Phoebe Tonkin, Tobey Maguire Join Damien Chazelle's 'Babylon' (Exclusive)". The Hollywood Reporter. Archived from the original on July 10, 2021. Retrieved June 24, 2021.
  17. ^ Kit, Borys (July 12, 2021). "Jean Smart Joins Brad Pitt, Margot Robbie in Damien Chazelle's 'Babylon' (Exclusive)". The Hollywood Reporter. Archived from the original on July 12, 2021. Retrieved July 12, 2021.
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  19. ^ D'Alessandro, Anthony (August 2, 2021). "Paramount Pictures' 'Babylon' Rounds Out Cast With Chloe Fineman, Jeff Garlin & Troy Metcalf". Deadline Hollywood. Archived from the original on August 2, 2021. Retrieved August 2, 2021.
  20. ^ Sandberg, Bryn (November 12, 2019). "Damien Chazelle's 'Babylon' Among 13 Films Set to Shoot in California in 2020". The Hollywood Reporter. Archived from the original on December 28, 2019. Retrieved December 28, 2019.
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