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The Myths Portal

1929 Belgian banknote, depicting Ceres, Neptune and caduceus

Myth is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is very different from the vernacular usage of the term "myth" that refers to a belief that is not true. Instead, the veracity of a myth is not a defining criterion.

Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality. Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Origin myths explain how a society's customs, institutions, and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between recital of myths and the enactment of rituals. (Full article...)

Dual-bodied (Sōshin) Kangiten

Kangiten or Kankiten (Japanese: 歓喜天, "god of bliss"; Sanskrit (IAST): Nandikeśvara), also known as Binayaka (毘那夜迦; Skt. Vināyaka), Ganabachi (誐那鉢底, alternatively Ganahachi or Ganahattei; Skt. Gaṇapati), or more commonly, Shōten or Shōden (聖天, lit. "sacred god" or "noble god"), is a deva (ten) venerated mainly in the Shingon and Tendai schools of Japanese Buddhism who is the Buddhist equivalent of the Hindu god Ganesha.

Although Kangiten (Shōten) and Ganesha share a common origin and a number of traits, there are also some marked differences between the two. For instance, the Buddhist Vinayaka was (at least at first) negatively portrayed as the creator of obstacles and the leader of a class of malignant demons who obstructed Buddhist practice called vinayakas, though later tradition made an attempt to distinguish between the vinayakas and their lord, who became seen as a manifestation of the bodhisattva Avalokiteshvara (Kannon in Japanese) and/or the buddha Vairochana. (Full article...)

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siren in classical Greek funerary statue
Attic funerary statue of a siren, playing on a tortoiseshell lyre, c. 370 BC

In Greek mythology, sirens (Ancient Greek: singular: Σειρήν, Seirḗn; plural: Σειρῆνες, Seirênes) are female humanlike beings with alluring voices; they appear in a scene in the Odyssey in which Odysseus saves his crew's lives. Roman poets place them on some small islands called Sirenum scopuli. In some later, rationalized traditions, the literal geography of the "flowery" island of Anthemoessa, or Anthemusa, is fixed: sometimes on Cape Pelorum and at others in the islands known as the Sirenuse, near Paestum, or in Capreae. All such locations were surrounded by cliffs and rocks.

Sirens continued to be used as a symbol for the dangerous temptation embodied by women regularly throughout Christian art of the medieval era. "Siren" can also be used as a slang term for a woman considered both very attractive and dangerous. (Full article...)

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