My very first Heyer mystery! This is cause for celebration! Also my first cozy-mystery in ages, and it's now got me hooked on the g A solid 4.5 stars!
My very first Heyer mystery! This is cause for celebration! Also my first cozy-mystery in ages, and it's now got me hooked on the genre! More celebration!
I really, really enjoyed myself with Footsteps in the Dark. It was spooky, exciting, suspenseful, and just plain good fun! The mystery was rather easy to solve (it didn't take me long to figure out the villain's identity, and who was actually on the good side), but it still kept me on edge and turning the pages in excited anticipation to see how it would all unravel. I'm pretty sure that the eerie-creepy-mansion-full-of-ghosts-and-secret-passages plot has been done many a time, but since I'm a newbie to the genre, it was all new and intriguing to me. Plus, it's a Georgette Heyer novel, so you're guaranteed a few laughs and witty repartee along the way, just to make things ever more engaging!
I would have given it a solid 5 if it hadn't been for a few slow parts that I wish read through faster, the romance that felt a little too out of the blue, and the fact that the characters were no way near as well developed as I know Georgette Heyer can develop. They were a fun set and I loved Charles and the aunt Bosanquet in particular, but overall her cast was miles away from the wonderful characters of her Regency novels. But still, it was a really great book, and contrary to popular opinion, I would recommend it to cozy-mystery newbies, because chances are if you haven't really anything else to compare it to, you'll find it wonderful. It's well-written and well done, and although not held as Heyer's best mystery, I'd say start with this one and save the bests for last!
(Wow this is a short review, I have no idea how to review a mystery without spoiling anything!!)
Okay, I agree that it is slightly ridiculous to be giving such a fluffy, Christmasy book a five star rating, but it really was a good one. I found it Okay, I agree that it is slightly ridiculous to be giving such a fluffy, Christmasy book a five star rating, but it really was a good one. I found it so sweet, fun, delightful and pleasant that I couldn't bring myself to rate it any lower.
Elisabeth Fairchild has a very unique writing style, one that feels almost poetic at times. I quite enjoyed it; it gave a nice feel to the story and felt refreshing after the other more contemporary-written Regency I'd been reading. Fairchild's prose went so well with all the talk of Christmas preparations and parties, and silver surprises and plum pudding. It was such a feel-good book!
Miss Jane Nichol was pluck to the backbone, courageous, generous and selfless. Having escaped her step-family to prevent getting married to the old, repugnant Baron Blomefield, she flees to Bath where she disguises and powders herself into middle-aged French seamstress Madame Nicolette, and makes a living as a dressmaker. Ignore the part on the back cover where it says that she lives as Jane Nichol by night...because she doesn't. At least not right away, except for that one time where she decides on a whim to wear one of Fanny Fowler's unworn ball gowns, and shows up to the Assembly Rooms where she proceeds to turn every man's head, including recently single Edward Brydges.
Edward Brydges, the Duke of Chandrose, is tall, dark, handsome, elegant and refined, and your definition of a starchy, prim-and-proper, no-nonsense, imperious duke. (*insert dreamy sigh here*) With an income that would make Mrs. Bennet fall into a coma (100,000 A YEAR!), and newly reacquired state of bachelor, he is probably the most eligible catch in all of England. Dutiful, polite and respectful, Edward is also a great philanthropist and devotes much of his time helping at the local hospital and giving money to all sorts of charities. (*more sighs*)
Having jilted his fiancée (Fanny Fowler) within two weeks of the wedding, (which I still don't totally get -- aren't men NOT supposed to jilt their fiancées??! His doing so didn't even raise that much talk...and it wasn't like he had a plausible reason either, in the eyes of the ton. It was a strictly personal issue. It wasn't as though Fanny was psycho or something! I guess he got away with it because he's a duke with freaking 100,000 a year? Still, it made me wish Edward Ferrars had taken a chance sooner and dumped that Lucy Steele!) Eddie is at his most brooding when Jane meets him for the first time, clad in her dazzling ball gown. She demands he pays for his ex's trousseau, because it had taken a heck of a time and material for Mme Nicolette to make it, and hang it all, she needed the money to get more supplies and continue into her business.
The duke has no sooner set foot in Madame's shop than he suspects something is fishy. He figures out Jane's charade almost immediately, and because he wishes to forget about Fanny and finds himself attracted to Jane, he decides to investigate and find out why she is leading a double life. This leads to secret meetings between himself and Miss Nichol at dawn at the baths (finally a book set in Bath where there are actually scenes with characters bathing!), and the beginning of a most promising and tension-filled relationship between a duke and a dressmaker.
Edward and Jane had tons of gorgeous and romantic scenes, and the overall book was a delight. The ending was a bit bizarre though, and didn't seem to match the rest of the book, but it was sweet anyways. I LOVED the Christmas feels throughout! All the silver surprises, jingling bells, beautiful wreaths and Jane's bling-bling plum-pudding dress were awesome. Her dress sounded like quite something though! It made the artist in me want to dig out an old dress and try adding silver charms all around the hem just like hers! :)
If you're in the mood for something different, try Against the Tide by Elizabeth Camden, and you won't be disBoston, Massachusetts and Vermont, 1890's
If you're in the mood for something different, try Against the Tide by Elizabeth Camden, and you won't be disappointed! This was my first novel by this author, and we're off to an excellent start because this was simply incredible!
After a difficult and uncertain childhood, Lydia Pallas manages to land a job at the Boston Navy Yard as a translator, given her exceptional skill with languages. She is finally able to settle into a routine, and comes to love it so much (having a routine) that she becomes quite OCD. Books and dictionaries must be arranged just so on her desk, ink bottles have their specific order, and she always orders the same food at the same place at the same time.
Only one person ever dares to disrupt her order: the enigmatic, impossibly good-looking Lieutenant Alexander Banebridge, who takes wicked delight in fooling around with Lydia's things. For the longest time, that becomes a routine as well; Lydia works at her desk and Bane strolls in on his way to the Admiral's office, disturbs a few things without her noticing, but never talks to her. But one day, events start throwing them together, and quite suddenly, he's disturbing a lot more in Lydia's life than only her desk. Together they get caught up in a deep web of intrigue, danger and espionage in the terrible fight against opium, and will need to resort to great lengths and really give all they have to overcome the difficult struggles. Amidst all the suspense, a romance naturally develops between them, and I assure you no two persons have ever been more suited to each other than they are.
Just when you think the story can't get any better, or any more suspenseful, it does, and surprises await at every turn. I was completely enthralled with this book! Lydia emerged from it all incredibly brave, selfless, and determined. She is undoubtedly the strongest heroine I've encountered this year, and was simply amazing. Bane also was a wonderful hero, and their story was simply extraordinary. The bond they shared was truly unequalled and resulted in a fierce, passionate love as is rarely seen in pure romance novels. It was just breathtaking.
A truly riveting and intense read, Against the Tide is definitely a novel not to be missed! Rich in historical background and details, and entertaining from start to finish, this is not a tale I will soon forget. Recommended for more mature readers however, as it is a "darker" book and deals with mature subjects such as drug addiction and kidnapping.
Buddy-read with Maria and Tweety! Thank you ladies :) ...more
This is undoubtedly one of my favourite books of the year. Just wow. It was totally amazing!
The prologue draws you in, the characters come alive and tThis is undoubtedly one of my favourite books of the year. Just wow. It was totally amazing!
The prologue draws you in, the characters come alive and the writing speaks to you. The story is intense, deep, moving and heartbreaking. Lynn Austin has incredible talent, and I am sorry that I had never read a book by her before. Clearly I have been missing out!
Candle in the Darkness is going to be really hard to review without spoiling anything, so I'm just not going to mention anything at all that happened in this book. Because that was the best part of it; reading and not knowing a single thing that was going to happen. I have the unfortunate habit of peeking ahead whenever I read a paperback, and nearly always spoil twists and turns for my self, and I usually have the ending read before I've begun chapter 3. It's a terrible habit, I know, but I can't help it! But with this book here, it didn't happen because I was reading it on my Kindle (and trying to peek on a Kindle is the most annoying thing ever) and didn't know how it would end until I got to the end. I hadn't even read the synopsis. So, because I want everyone else to enjoy it as much as I did, I'm going to shut up now and not reveal anything, other than the fact that Caroline Fletcher, the heroine, was courageous and wonderful in the extreme, and I wish I were more like her.
The story takes place in the 1860's in Virginia, during the Civil War. Not being American, I had only heard vaguely about it, and had never added two and two to realize that the war was connected to the issue of slavery. After reading this beautiful novel, I feel a lot less dumb, and I sincerely thank the author for having included all those details about the war, and all those important historic names of people and places. If you are like me and don't know much about the American Civil War, don't let that deter you; everything is well explained and you won't be lost.
Now, for those of you who have already read it and maybe wish to know more of what I thought, here are my spoilerish comments. :)
*Awww the love story between Charles & Caroline!!! Soooo cute <3 <3 Their story was truly amazing. I was SO scared that there wouldn't be a happy ending, but thank goodness he forgives her at the very end!
*Eli's faith. Oh my gosh. How does he do it?! He is a real model!! I wish my faith was strong like that too!
*How COULD Mr. Fletcher SELL his OWN SON?!?!? I was so shocked when Josiah spit out the truth at the end. At the same time I knew it all along because of Caroline's suspicion of it in the beginning, but still. What. Was. He. Thinking!!!
*And speaking of which, how come Caroline never learns the truth??! And her dad never knows that she was a spy either! That left me quite perplexed. I feel like these two have a LOT of explaining to do. I wonder why it was never resolved???!
And so thirty-one Regency romances, fifteen Kindle freebies, innumerable cups of tea and many more books later, I have finally finished this Di[image]
And so thirty-one Regency romances, fifteen Kindle freebies, innumerable cups of tea and many more books later, I have finally finished this Dickens masterpiece. It took me exactly thirteen months, and I had time to read an alarming total of eighty-three books in between the start and finish of Bleak House.
Why the five stars then, you ask? If it took me that long to get through it, surely it's not worth the effort?
Well, it is. It's awesome.
Very put-downable in my opinion though, and I will be completely honest, extremely boring in some instances. I wasn't even half-way through the first chapter that I was already feeling like Lady Dedlock.
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I don't know what possessed me to start reading that book during summer, when it's the perfect time for fluffy romances, popsicles and beaches, but there I was, struggling to get into dreary, smoky London streets and rainy, gloomy Chesney Wold. No wonder my sense of boredom only intensified!
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Do I really not have anything else to do but read this? Do I really want to commit to this tiny-printed 880 pages manuscript?
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Nawww, not really. Get the brain candy out, I already need it after ten pages. Why are there so many descriptions? So many details? Do I really have to sit through the effects the rain has on everybody and everything? Who are these people anyways?
So, back on the shelf this door-stop went, and remained untouched for many a month, gathering up dust and cobwebs (not really, but almost!), while I escaped most of the time to Regency England, only to come out, ignoring the nagging voice that urged me to pick this back up, before plunging again and forgetting all about it.
Then one morning, I finally decided that my behaviour was ridiculous, jumped out of bed, and rescued poor dusty Bleak House from its place under the bed on the shelf, and read it through in one sitting.
Ha! Just kidding, but I wish, as it would have saved me so much time!! What really happened is that after taking it in small doses and getting to a point where I seriously thought of abandoning it for good, a lovely and clever friend of mine suggested I should perhaps...watch the BBC mini-series??!
Heck, why not! It can't get any worse than it is now, I thought.
So I watched it. And fell completely head over heels in love with it. No joke. It's THAT good.
I don't blame anyone who wishes to stay away from Dickens novels, but that movie, you need to see it. Seriously, start by watching the trailer: https://www.youtube.com/watch?v=I_9SB...
Sounds amazing, no?
That's when I realized that beneath all the lavish descriptions, the long speeches, the fancy turn of phrases and the annoying characters, lay an incredible, suspenseful and thrilling story.
At the heart of Bleak House is the on-going, never-ending court case of Jarndyce & Jarndyce. John Jarndyce of Bleak House is long dead, but he wrote more than one will, so nobody knows who should inherit the money. The present Mr. John Jarndyce, now residing at Bleak House, had decided to take Miss Ada Clare and Mr. Richard Carstone, two cousin orphans, under his protection. He is also their distant cousin, and a very kind, devoted and benevolent man.
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Along with them also comes Miss Esther Summerson; a very quiet, sensible and intelligent young woman, who shall serve as companion to Miss Clare. Miss Summerson is also an orphan, but there is a great mystery surrounding her birth. Nobody knows who her parents are, and the lady who brought her up always said that she was a disgrace.
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Off they all go to Bleak House, where they are to reside in peace, tranquilly awaiting the result of Jarndyce & Jarndyce. Miss Clare and Mr. Carstone have a claim in the case, and may inherit a lot of money from it. However, the case has ruined many men who'd pined all their hopes on it, and Richard is encouraged to seek a profession and make his own way in life, without waiting for the case to be solved.
Meanwhile, Mr. Tulkinghorn, the lawyer, is paying a call on his most important client, the proud and respected Sir Leicester Dedlock. He and his Lady are sitting in the drawing-room and Mr. Tulkinghorn is about to read to them on the advancements in the case of J&J. Perceiving the hand-writing on one of the documents, my Lady is greatly disturbed, and so too is Mr. Tulkinghorn in seeing the effect it has on her.
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As soon as he is back in his office, he starts off an investigation that will prove as intriguing and mysterious as it is cruel and manipulative. Mr. Tulkinghorn, that cold, calm, menacing and calculating lawyer, has caught the start of an intrigue in which its chain of events will forever change the lives of more people than originally bargained for. Everything is intertwined and suspiciously connected, and it will be layer upon layer of twists and turns before it is all resolved.
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In my opinion, there are two major heroines in this novel. The first, the young and courageous Esther Summerson, who is all happiness and consideration towards Mr. Jarndyce, who has done her the very great honour of making her his housekeeper. Torn between her devotion to Mr. Jarndyce, her love for the young doctor Mr. Woodcourt and her desperate desire to find the identity of her mother, Esther remains true to herself and loyal to her friends. She is kind, generous and very dependable.
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The second heroine is the great Lady Dedlock. She is one of the most fascinating women I have ever read about, and a great favourite of mine. Tall, graceful, once an acknowledged beauty in the long-gone days of her youth, Lady Dedlock is a model of perfect composure, deportment and manners. She appears ice-cold and impenetrable, carries herself as if she were a Queen and rarely betrays any emotion of feeling. But this great Lady has a secret, deeply buried inside her, and she suffers under its weight every day.
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Married for many years to the proud Sir Leicester Dedlock, she has done her best to be as good a wife to him as she can possibly be, and he in return loves her unconditionally. Though many years her senior, and a bit rough around the edges, Sir Leicester's devotion and admiration for his Lady are extremely touching.
"His noble earnestness, his fidelity, his gallant shielding of her, his general conquest of his own wrong and his own pride for her sake, are simply honourable, manly and true."
However, the importance he attaches to his good name and the reputation of his family are very great indeed. Lady Dedlock knows that. And the more Mr. Tulkinghorn inquires about, the more in dread she becomes of ruining the Dedlock family.
When watching the mini-series, the excitement and suspense are there from the very beginning, and don't drop once until the ending. When reading the book, there are many slow parts and endless paragraphs, but with a little bit of skimming here and there, it becomes as exciting as the movie - or almost. ;) The whole thing is so intense and so genius though, that once you've past the first 250 pages or so, it becomes easier to read as the suspense grows.
Many characters are hella annoying, fair warning, both in movie and book, and it is only with the fear of making a whole in my wall with the heavy brick that I didn't throw it in frustration, nor did I do anything to do the DVD since I had borrowed it from the library. But gaahhh, some of them drove me nuts!!
I don't want to spoil anything (because y'all gonna go read this now, right?? Or at least watch the movie, RIGHT?? Riiiiight???), and so I will say nothing about the ending, simply that whether or not it has a HEA is entirely arguable and depends on each individual's point of view.
Five stars Bleak House gets, for its sheer excellence and brilliancy, even though I was as excited as a five-year-old on Christmas morning when I turned the last page and realized it was finally over. :P :P
Many thanks to Hana, who decided to buddy-read it with me (even though she finished waaaayyyy before me) and made me watch the movie to keep me going, Tweety who encouraged me to finish it before its year-old anniversary (I didn't make it but it was a good challenge!), Becca who forbade me have anything to do with RA pictures (cruel, but served its end!) and Jaima, who suggested we should binge-read Regency romances after finishing our big books. Thank you also to all who encouraged me to push through and keep going, I am so glad I was able to finish it!! :D
Group read with the Enchanted Serenity of Classics group, buddy read with Hana and group read with the Bleak House View and Read group....more
A really good, engaging play by the inimitable Shakespeare, but I must admit to kinda sorta preferring The White Queen's portrayal of Richard I[image]
A really good, engaging play by the inimitable Shakespeare, but I must admit to kinda sorta preferring The White Queen's portrayal of Richard III, and therefore being a bit sceptical at the monster presented here.
"'I had an Edward, till a Richard kill'd him; I had a Harry, till a Richard kill'd him: Thou hast an Edward, till a Richard kill'd him.' 'I had a Richard too, and thou didst kill him; I had a Rutland too, thou holp'st to kill him.' 'Thou hadst a Clarence too, and Richard kill'd him.'"
I mean, it's entertaining, to be sure, but...
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...wouldn't you rather Richard III had been something like that???
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Yeah. Me too. ;)
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OH HELL YAAAAASSSSS!!!!
Buddy-read with Becca -- you totally won me over to your side, and I can't thank you enough!! Thank you so much for introducing me to The White Queen, making me fall in love with Richard, and reading this book with me! <3...more
This book was wonderful. I loved reading about Mr. Knightley's feelings, and seeing how he gradually fell inMr. Knightley, forever favourite <3
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This book was wonderful. I loved reading about Mr. Knightley's feelings, and seeing how he gradually fell in love with Emma. In Jane Austen's original, it is said that he has "loved her ever since she was thirteen", but in Mr. Knightley's Diary, he takes a heck of a time to figure out that the reason why he enjoys his evenings at Hartfield above any other evenings, and that he likes to look at Emma more than at any other woman is because he loves her, but I rather enjoyed this new perspective on his feelings. His downright dislike for Frank Churchill was so funny. I mean, the man would do nothing more than, say, enter a room and fix his appearance, and Knightley would think "Just who does he think he is, tying his neckcloth like he owns the place!". We don't really get to see how Emma dislike Jane Fairfax the same way Knightley dislikes Churchill, but the general idea of that was there too and I find it humorous. Just get together my dears!, would think within their first evening together at Hartfield!
Mr. Woodhouse was the same as ever, (in fact, all the characters were pretty much the same as ever! That is what is so great about Amanda Grange's diaries - you don't feel as though you are reading a different story with the same character names, but you actually feel like you are reading Emma again, from the hero's point of view) worried sick that everyone would get sick, and pitying all the unfortunate ladies who got tied up in wedlock. I love the additional characters (Knightley's friend) and the idea of having a match made for Miss Bates too! She was always such a kind and caring woman, I was very happy that she would get HEA too :)
I would have given this book an unhesitant 5 star rating if it hadn't been for the extremely frustrating, incredibly maddeniCalifornia & England, 1942
I would have given this book an unhesitant 5 star rating if it hadn't been for the extremely frustrating, incredibly maddening last quarter of the story, which left me annoyed and rolling my eyes and very disappointed to have such a beautiful book slightly marred by miscommunication problems and childishness.
But aside from that I loved this book to pieces, it was charming and romantic, I loved all the '40s references and Allie's clothing (I am definitely making that dress with the appliquéd lily going up the side and blooming near the shoulder! Sounds sooooo pretty!!). The battle parts were also very exciting, since the hero was a B-17 pilot, and I was kept on the edge of my seat during all the air battles, and it was incredibly suspenseful and just plain cool! Everything was described so well it was like watching a movie!
Okay, alright, I know I'm being harsh. The quality is there. The gorgeous writing is there. The delightfuIs this even a Heyer novel?!?! What is this??
Okay, alright, I know I'm being harsh. The quality is there. The gorgeous writing is there. The delightful slang, elegant turn of phrases and general Heyer-feels are there. BUT. Who on earth are those flat, boring, two-dimensional characters??! What the heck is that plot? Where is all the fun? The humour, the sparkle, the wit???? After having read such masterpieces as These Old Shades, Devil's Cub, Frederica, Cotillion, Friday's Child, and basically every single other Heyer novel (except The Corinthian, of which I also wasn't a huge fan), Charity Girl feels like a fraud. We all know the greatness of which Heyer is capable, yet she wrote this?? If it had been my first ever Heyer novel I think I might have liked it. It's well-written in classical Heyer style and there is enough going on for a newbie to like, but to a seasoned Miss like myself it falls completely flat because we all know this is just not the author at her best. Mind you, if this is her worst it's better than most people's best, but still. Having being spoilt many times before, I just couldn't bring myself to like this on very much.
Sure, I like the characters. Miss Silverdale is nice, Viscount Desford is nice, Miss Steane is nice, Mr. Carrington is nice, Lord Wroxton is not so nice, Mr. Steane isn't either, and Lady Bugle and her countless daughters are most definitely not nice. Yay. No one really had any personality, or if they did, we had met them before. They didn't stand out, didn't come alive like in the other Heyer books. They didn't become my friends like they usually do, I didn't cheer for anyone, and didn't care who Viscount Desford was going to end up with, because it seemed so unimportant.
The plot was very reminiscent of The Foundling and Sprig Muslin, but at least The Foundling was a wonderful journey of self-realization and Sprig Muslin was hilariously funny. Charity Girl just doesn't cut it. The story was slow, dragged on, and was even sometimes irritating. The romance was unconvincing in the extreme, and although I liked the conclusion, the whole thing had been so bleh that I didn't care much. Already, I have pretty much forgotten everything that happened in this book. And small wonder, because the "Charity girl" mentioned on the cover isn't that present in the story, the hero disappears for a good chunk near the end, and the heroine only puts in a few appearances too.
So I'm not even entirely too sure what this whole thing was about!
I can't say it was a "bad" book, because it isn't and I still had fun reading it aloud practicing my British accent, but if you're looking to get lost in Regency-land and swoon over a dashing hero and become best friends with the heroine, this one really isn't the book for that. A fluffy and slightly diverting read, but really there are more important Heyers out there that need your attention ;)
Well, I always knew Mr. Knightley was the best Austen hero!
This novel was absolutely fabulous, and completely un-put-downable. Once I'd started, I couWell, I always knew Mr. Knightley was the best Austen hero!
This novel was absolutely fabulous, and completely un-put-downable. Once I'd started, I couldn't function normally until I finished, and once I finished I couldn't function normally because it became all I thought about. The story was incredibly endearing, well-written, and just plain good.
More of a Daddy-Long-Legs spinoff than Jane Austen fan-fiction, it is written in one-sided epistolary form and tells the poignant journey of Samantha Moore. Orphaned, Sam receives a grant from a mysterious benefactor enabling her to attend Medill's School of Journalism, and the only thing she has to do for her benefactor in return is to write him letters telling him how she is doing at the school. "Mr. Knightley" never (or rarely) writes back, and Sam uses the correspondence as a means of escape, as the only way she can really say and think what she truly feels. If you've read Daddy-Long-Legs, the ending is predictable, but Dear Mr. Knightley is still so full or surprises that you most definitely won't be bored.
At first, I found Sam's character to be extremely difficult to like. She was so complex that it was hard to get her, but the more I read, the more I came to understand her, and the easier she became to like. By the end I totally loved her, and her evolution was so remarkable that she felt like a whole new person compared to who she was in the beginning. She starts off quoting classic literature left and right, at the most random and inopportune moments, hiding behind well-known characters because she is so scared to be her own self. So she builds layers and layers of barriers around herself, hiding behind books and borrowing identities from characters because she thinks she will fail if she is herself. And frankly, I think she even forgot how to be herself. She's been so hurt and has led such a hard life that she doesn't know anymore. Once I was able to understand all that, I really warmed up to her and cheered her on for the rest of her journey.
The novel is more of a journey to self-discovery than a romance, and it was refreshing to read mostly just about Sam's daily life, and how school was going, etc. rather than a romance which probably would have prevented us from fully seeing the growth of Sam's character. I don't read much contemporary, but this one is definitely a keeper, and I loved every minute of it!
I don't want to give anything away, but I just have to mention that the hero is incredibly dreamy, and completely worthy of his title. Their romance/relationship was THE BEST (if you don't count a certain situation - you know what I mean if you've read it) and I want one just like that someday. :)
Strongly, strongly recommend this one; it's a powerful, life-changing kind of book, full of twists and valuable lessons, the most important of which, I believe, is to always remember not to be your favourite literary heroine, tempting though it is. Be your own heroine.
Buddy read with Maria!
**Labeled as Christian romance, but it wasn't really "Christian". No preaching, only a few mentions of God/faith here and there, that didn't feel forced at all. Don't be afraid to try it because it's "Inspirational", it wasn't really. Trust me, I've read tons of CF ;)...more
Well, I don't even know what to say. This was so awesome. Where has Karen Witemeyer been all my life again?
I read Short Straw Bride, the first book inWell, I don't even know what to say. This was so awesome. Where has Karen Witemeyer been all my life again?
I read Short Straw Bride, the first book in this series, not too long ago and I really liked it, but in my opinion this one was even better. They are written in the same wonderful, engaging way, and both feature delightful characters, but my preference for Stealing the Preacher stems from the fact that I preferred the hero and the heroine, and the amount of spiritual depth that flowed nicely throughout. The plot was also better, I thought.
Crockett Archer is the embodiment of my ideal. That is why I loved him so much, because he had all those qualities I look for in a man. He is strong, brave, confident, caring, and God-fearing. He was decidedly not a typical preacher, and I loved the balance between his physical force and his spiritual force. His faith in God was beautiful, and quite frankly, contagious, as it made me feel a lot better and made me want to learn to trust even more in God. And, as Silas remarked, he voiced his thoughts in an understandable way and never spoke in a condescendingly, nor used overly fancy words. Then, having been a rancher all his life, he was not afraid of hard work and his tall, broad-shouldered, six-pack muscled, good-looking, sexy body (calm down Anne) spoke his physical force and manly capabilities (okay, it was not specifically written that he had a six-pack, but I'm sure the only reason it wasn't mentioned was because this is a Christian novel, and the heroine never saw the hero shirtless... ). Moreover, Crockett was blessed with an easy temper and charming teasing ways. It was so cute every time he winked at the heroine.
The heroine!! Joanna Robbins was a wonderful heroine. She was smart, kind, gentle and incredibly pious. Her love and thirst for spirituality was beautiful. I loved the way Crockett was taken with her right away, even though she did not considered herself a beauty with her freckles and crazy red curls, and was a rather shy young lady who preferred to stay cooped up at home with her books and her paintings, rather than go out dancing and partying with friends (just like me!). Her love for her father and the way she ached to make him believe in God was very moving. She was such a strong woman, full of passion and faith beneath her timid exterior.
The Holly Brewster/Joanna Robbins contrast was very well done. Miss Brewster is the beautiful dumb blonde woman who wastes no time setting her cap at Crockett and taking every opportunity to flirt outrageously with him. While he acknowledges her beauty and the fact that she flatters his vanity, his admiration of her never goes beyond her pretty exterior, whereas Joanna inspires feelings of respect and deep admiration with her unshakable beliefs and calm manners. It goes to show that the outward appearance isn't what matters, and that true beauty lays within. Crockett might have not been the most experienced man when it came to women, but he was quick to realize that, and soon dismissed Holly, who became increasingly irritating with each endeavour to get his attention.
This book has been described by many and very "preachy", but I would more qualify it as deep and rich in spirituality. I personally loved that aspect of the book a lot, but I can understand how some people might not have appreciated it as much. But it is a Christian novel, and I like having the characters really act up to their faith. The way Crockett and Joanna teamed up to try and change Silas' heart (Joanna's father - a wonderful, complex character) was just beautiful. They wanted so much to make him believe and trust in God, and never gave up praying for him.
Nevertheless, with all that sermonizing, this book was pretty action packed and had a lot of heart-wrenching, suspenseful moments! I NEVER cry at books or movies, and get teary only on rare occasion, and there was a part in this novel which was one of those rare occasion for me (view spoiler)[ When Silas tells Crockett how Andy was beaten to death...Oh! It was too sad! (hide spoiler)]. It was also very romantic, and that scene at the beginning when Crockett is being abducted from the train was very good! Definitely not the kind of beginning I'm used to!
A beautiful novel, strongly recommended for Christian historical fiction fans. It was a delightful read! :D...more
I loved this book. It was lovely, cute and charming. I read it in almost a day, just like the previous book in the series A Garden Folly, but I preferI loved this book. It was lovely, cute and charming. I read it in almost a day, just like the previous book in the series A Garden Folly, but I preferred this one. It had a bit more substance than the other one, and the two leads did not spend their time fighting and arguing (or French-kissing). I already liked the Earl of Strickland in the previous story, better in fact, than the Duke of Carlisle, the hero of AGF, so it was wonderful to get to read his story. It can be read as a standalone, but anyone who has read A Garden Folly previously will remember that Miles is looking for a wife, as a mother for his two daughters. He does not want, nor hopes, to make a second love match, and for that reason he'd rather have an older, more mature woman who could understand him better than a green girl, wont to secretly hope for love and passion.
His sister Winifred, who cannot wait another minute to see him married, arrive on his doorstep with two of her husband's relative: the beautiful, flirtatious widowed Charlotte, Lady Abingdon, who is everything ladylike and proper, and her younger half-sister, Hannah Fairbanks, who tumbles out of the coach after handing first her papers and books about architecture, in the arms of the bewildered Earl.
Miles lives at Epping Hall, which is said to be one of the most beautiful estates around. It probably looks like this:
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Yet Hannah is all excitement about this:
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St. Biddulph's Church, situated near enough Epping Hall so she can sneak out and go explore while Charlotte tries to bring Miles up to scratch. Hannah loves old architecture more than anything else. In fact, knowing that there was St. Biddulph's at a walking distance was the only thing that reconciled her to going to Epping. Charlotte hopes to introduce her to Society for her first Season soon, but Hannah has different ideas. She has absolutely no intention of sitting tranquilly in a drawing room, adding to her embroidery, but much prefers running along the country side with her notebooks, making discoveries in old buildings. Charlotte spends all her interactions with her scolding her about her childish and unladylike behaviour, telling her she will never catch a husband if she doesn't mend her ways.
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I loved Hannah! She was unique and fun, and her passion for old architecture was wonderful
Miles, the prim and proper, starchy Earl of Strickland does not know what to think. It would unthinkable to marry Hannah, he reasons, because she is just a child, and he has solemnly vowed not to marry a young woman. Charlotte is beautiful and he feels attracted to her, but the fact that everyone seems to consider them already as good as engaged has him confused. And plus, Charlotte doesn't seem too enraptured with Amy and Caro, his little daughters, whereas Hannah is creating a lasting bond with them, playing, listening, and drawing things for them. His girls are quicker to recognize who is best for him, it seems. ;)
Nevertheless, he cannot deny that he is extremely pleased his girls get along so well with Hannah. Amy used to be so introverted, and she feels very at ease with Hannah, calling her her friend. Miles finds himself saying many time "bless you, Hannah Fairbanks!" whenever he thinks of how happy his daughters are.
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The romance was really cute. Miles can call Hannah a chit and a child as much as he wants, it doesn't change the fact that he's obviously falling for her and is saying that only as an excuse to try and hold himself in check.
There were some really good moments in this book, which I won't spoil, but it was very heart-warming and fun. The H/h had good chemistry, and watching their relationship develop was amusing. The secondary characters were meh, nothing exciting, and the writing style was good but very simple (there wasn't enough Regency slang for my taste :P). I strongly recommend it though, it is a great story for escapism, and very cute and romantic!! I suggest to skip A Garden Folly and read only this one, unless you're on a fluffy-read streak.
Okay, so I admit that I never really saw myself as entering the world of Jane Austen fan fiction, let alone starting reading novel variations and 'whaOkay, so I admit that I never really saw myself as entering the world of Jane Austen fan fiction, let alone starting reading novel variations and 'what ifs'. But lately I discovered Amanda Grange's series of Jane Austen hero diaries and started to develop a liking for re-tellings through another character's perspective. I still wasn't too keen on trying a variation of one of Jane Austen's novels though, as in my opinion her books are already wonderful as they are and I didn't especially want to hear about a different plot with the same characters. I thought that it would feel too much like a totally different story with well-known character names.
Then, my wonderful friend Soph, who loooves JA fan-fiction, suggested that I try one and buddy read it with her. We agreed on this one, Bluebells in the Mourning, as it had a lot of positive reviews and the plot didn't seem to be too farfetched. Although I was left wanting more of Darcy and Elizabeth after I read Pride and Prejudice over a year and a half ago, I had never felt the urge to remedy to that by indulging in fan-ficition. I thought it wouldn't do. Well, all I can say after reading this book is that I am so glad I was wrong!
Bluebells in the Mourning is a perfect variation to the original, that will make you heave a long sigh of contentment and satisfaction after you put it down. It was sweet, romantic, had its sad and its heart-warming moments that blended together beautifully. We get to see a very passionate side of Darcy, and a more forgiving one of Elizabeth. When the former arrives in Kent with the hopes of asking Elizabeth to be his wife, his plans get interrupted by the news of Lydia's death, which prevents his from proposing, a fortunate circumstance since Lizzie was in no way ready to accept him at that point. Thus ensues a series of kindnesses and sweet attentions from Darcy, offering to convey her back to Longbourn immediately and (literally) giving her a shoulder to cry on. Much to her confusion and disbelief, Elizabeth's prejudices against Darcy slowly melt away as she finds herself enjoying discovering his hidden depths. Darcy's every action and thought revolve around Lizzie, and there isn't anything he wouldn't do for her. I loved watching how much in love with her he was, and how hard it was for him to watch her grieve.
Just like in the original story, Darcy goes further than his role of kind acquaintance concerned for the welfare of the woman he loves. He goes to great lengths to find Wickham when it is suggested that he may have had something to do with Lydia's death, and though that task proves very demanding, he doesn't back away and keeps giving more of his time and energy, when he could have easily decided that it was not his job to find out if Wickham was guilty or not.
As Elizabeth becomes increasingly aware of her own attraction for him, she also realizes that he may be well on the way of returning her feelings (little does she know he is already ready to die for her!), and she finally understands that his "dark stares" don't mean he disapproves of her ;)
The romance between Darcy and Lizzie was so well portrayed! They had so many cute scenes together. One of my favourites is the one at the beginning when Elizabeth mistakes Darcy's study for the library, and he comes in coatless and cravat-less, not knowing she is in there. She sees him first and is embarrassed to find him so attractive in his casual attire, and then he has a sweet breathtaking moment as he sees her sitting in his chair with a book. That scene was extremely well-done and clever, and I love the fact that the author used it again in the epilogue!
I also really enjoyed all the recurring patterns used throughout the story, such as the bluebells and the handkerchiefs. The former symbolized joy and happiness, and the latter was more used as a symbolism for hope, assurance and comfort. Darcy kept giving his handkerchief to Lizzie when she cried, thereby letting her know that he cared for her, and that by using it to dry her tears, it would help to ease her chagrin. The author furthermore joined the two symbols at an important point in the novel, which created a lovely effect!
Some of the characters from Pride and Prejudice that I really loved, especially Georgiana and Colonel Fitzwilliam, had wonderful appearances and added a lot of fun to the book. Their relationship with Darcy was very well illustrated. The Bennet family is there of course, but the author gave a totally new direction to Mr. and Mrs. Bennet's relationship. It seemed that Lydia's death has brought them a lot closer, inciting them to talk to each other, and eventually to fall in love again. Mrs. Bennet is not the loud annoying, matchmaking harpy we all know, but a broken and insecure woman who needs the support and comfort of her husband. Mr. Bennet demonstrates his caring and loving nature by putting down his book, stepping outside his library, and showing his wife that she isn't a failure. That aspect of the book was very beautiful, and I loved watching it's development. They were not the only ones smelling of April and May, as Bingley also re-makes an appearance at Netherfield and doesn't waste time showing Jane that he still loves her. :) There were a lot of sad moments in this novel, but in the end, so much love!
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Honestly, I do not hesitate to recommend Bluebells in the Mourning to any Jane Austen fan. Whether you love JAFF, are just starting to read it or is a bit sceptical about trying 'what if' variation, this one is a great one to start with, and enjoyable from beginning to end. It is beautifully written, with just the right amount of heartache, love, romance, humour and perfect quotations from the original along the way. Give Bluebells a try, you won't regret it! I look forward to reading more from this author, as I saw she has other Austen-related novels.
For once I wish I'd paid more heed to the reviewers who clearly pointed out that this book is great if you're looking for a historical account of courFor once I wish I'd paid more heed to the reviewers who clearly pointed out that this book is great if you're looking for a historical account of court life in the Elizabethan era, but pretty much sucks if you're looking for a good romance full of court intrigue and mysteries. Because here's the thing; I am one of those crazy historical freaks who enjoys reading textbooks for fun, and who isn't bothered by lavish period details and endless descriptions of the ways and manners of the time. But, when I'm expecting a romance, I'm hoping for all that historicalness to be woven through the story and complement the plot, not the other way around. Hence why I wish I'd taken some of the reviews I read prior to starting more seriously, and not expect much of a plot, let alone a good romance.
But the marriage of convenience plot is one of my favourite tropes in historical romance, so I was excited to see how it would all turn out nonetheless, and I must give credit where it's due and say honestly that the first half of this book was simply excellent. It was engrossing, detailed, fascinating, and kept me turning the pages until late into the night. The romance was actually very good at first, and I was really enjoying following its progress. And it could have gone on being amazing had the author not chosen to solve the romance half-way through only to leave the rest to repetitive descriptions of court life and court duties.
I got sick and tired of hearing about the Queen, the Queen, the Queen. The characters' every thought was centered on the Queen. The husband must please the Queen in any way he can in order to gain favour, and the wife must also please the Queen in order to help her husband being noticed. In short, all their actions and thoughts should have the Queen as their unique center. Now, I recognize that A Constant Heart is a good portrait of court life, and although I haven't read that much about that era, it is evident that is was well-researched and probably entirely accurate. My problem was not exactly about how the characters acted and chose to live their lives (although mind you, it is certainly not the kind of lifestyle I'd wish to live myself), as I actually found it fascinating to read all about that aspect of Queen Elizabeth I's court, but it was the insane amount of court life repetitions and redundant routine, which constituted all the plot, that became tiring.
It would have been better had this book actually been a textbook and not a novel. We would have learned the same things, but in a more concise much less repetitive manner, without having to look for a non-existent plot. And if it had been a textbook, we'd have had tons of gorgeous photos.
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Thank goodness ruffs are out of style. Could you imagine going about your daily life with that thing?! "What did I just hit? Was that a pole or a human? Can't see, my ruff is blocking the view!"
Ah, anyways! A very good book if you're looking to read about the life of courtiers in the 16th century, but mind, the beginning may be very good and exciting, but don't get your hopes up, A Constant Heart is definitely a "history" book, not a romance novel. And don't be alarmed by the Christian label, it barely classifies as Inspirational fiction at all, for all the two or three mentions of God there were.
Oh, this was so good! Witty, fun, and completely engaging!
Entering Georgette Heyer's magical world of Regency romances was one darn good decision I maOh, this was so good! Witty, fun, and completely engaging!
Entering Georgette Heyer's magical world of Regency romances was one darn good decision I made, but branching out and trying some of her mysteries is definitely one as well. The characters might not be quite so loveable, the dialogue perhaps not as hilarious, and there might not be as many clothing description and everyday details, but on the other hand there is suspense, secrets, and the wonderful 1930's English country-house atmosphere. Clever dialogue and eccentric characters who all had a motive for hating and murdering the victim are at the heart of this clever mystery. There isn't much action, and it's not spooky like Footsteps in the Dark, but I guarantee it will keep you highly entertained and guessing until the last minute. I had my suspicions, but I was totally unable to guess all the particulars, and I loved the feeling of being held on the edge of my seat until the last chapter.
When General Sir Arthur Billington-Smith is found stabbed to death in his study, it raises a lot of suspicion, and a lot of questions. Any number of people could have done the deed, but who actually did it? His meek, tired young wife who’s had enough of being brow-beaten at every turn? Stephen Guest who has been in love with her for years? Geoffrey the disinherited son who seemed to me to be unstable of mind the whole time? La Lola la Diva who drove everybody batty (ok, me)? The very correct butler? Camilla Halliday who only came over to flirt with the General? Her jealous husband Basil? Or could it be someone else from outside?
The Unfinished Clue had me wondering “WHO IS IT??!” the entire time, and as soon as I thought maybe I’d found the culprit, something happened to throw my suspicions off, a new track was embarked on by the detective, and I was left guessing once again. I strongly recommend it, it’s splendidly written, and so cleverly conceived!
What Regency Romance Has Taught Me(I'm afraid this is Part 1 of many!)
1. If you meet a man and immediately dislike him, thinking him the most arrWhat Regency Romance Has Taught Me(I'm afraid this is Part 1 of many!)
1. If you meet a man and immediately dislike him, thinking him the most arrogant toad alive, chances are he's in fact your soulmate.
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2. A gentleman's library: Please help yourself to any books you like. Said gentleman, a.k.a the hero, will in all likeliness pop in while you're perusing, and find you extremely hot.
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3. Heaven forbid you waltz without first having being presented at Almack's!!! Capital offence!
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4.Driving a high-perch phaeton at top speed in the middle of Hyde Park will not impress the hero, but make him secretly sick with fear.
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5. If one has resolution, one can accomplish anything.
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6. Chances are though, the hero will try to help. Even if he says he is by no means lifting as much as a finger to help, he will help. They can't help it. (hahaha! pun not even intended!)
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7. Elopements. For heaven's sake, give them up, they NEVER work.
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8. And if you are rescuing someone from an elopement, DO NOT write a silly letter mentioning that you are gone without telling why and DO NOT mention the man who is accompanying you without telling why's he with you. Everyone will think that they now a double elopement to deal with, and the hero will likely be seized of a fit of rage when he learns that you ran off with someone else.
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9. Big hats with an overdose of ostrich feathers are NOT "all the crack".
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10. Last but not least, most rakes are really, really, really hot.
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(We all know Wentworth's not a rake, but I needed a hot man to illustrate my point. Besides on this photo he looks a tad rakish.)
Oh, and yes, I did like this book a lot, and strongly recommend it to all Regency romance lovers; it was funny, witty, entertaining and very Heyerish. Clare Darcy was very talented and she's the first Regency author that I've come across whose style so resembles Georgette Heyer's. ...more
This story was so utterly charming! It was very similar to Heyer's Cotillion, featuring a darling hero and a sweet, innocent country heroine, who findThis story was so utterly charming! It was very similar to Heyer's Cotillion, featuring a darling hero and a sweet, innocent country heroine, who find themselves engaged against their will. The romance was touching and the secondary characters were fun. This was a typical traditional Regency romance set in London, with balls, fancy dinners and proper ton etiquette and mannerism. It read much like a Heyer novel, and even had a reference to the Marquis of Alverstoke and his sister from Frederica, and a sub-plot similar to the misunderstandings in The Convenient Marriage and April Lady. It was all great fun, and I had a lovely time reading it.
Gil and Chloe have always been best friends, but neither of them had ever considered the other as a potential life partner. When Chloe gets thrown off her horse and Gil comes to her rescue, they are forced to seek refuge from a storm in a nearby cottage, and must spend the night there. This scene was actually quite funny, Chloe having decided to wrap herself in a bedsheet since her clothes were wet (and Gil, persuaded by Chloe, agreed to do the same). It doesn't prove funny for them however, when the cottage's owner unexpectedly returns to find them in this rather compromising situation. Lady Gilliland (Gil's mother) and Mr. Littlefield (Chloe's father) both feign outrage, but Lady Gilliland really sees this event as a heaven-sent opportunity to have them engaged, since she believes they are made for each other.
Chloe arrives in London after Gil has asked her to visit his sister Tish, whom he suspects is having conjugal problems. Chloe being such a kind and devoted friend, doesn't hesitate in trying to figure out what is wrong, and is determined to do what she can to help Tish. Only, Tish isn't the only one who needs help. The newspapers are full of the announcement of her betrothal to Gil! Furious, she goes to find him, and together they arrive at the conclusion that they are both extremely embarrassed and displeased with this turn of events, but that there is nothing they can do about it for the present, without kicking the devil of a dust.
Hence ensues a delightful comedic romp of two genuinely good people who discover their heart's desires through various struggles and confusions with jealousy, friendship and fear of rejection. The results are as satisfying for everyone as any Regency reader could hope. :)
I loved this novel so much that I immediately plunged into its sequel, The Fortune Hunter, which features the villain of this book, the notorious and devil-may-care Lord Rival, who is quite the sexiest, most heart-melting rake ever, as the hero. I was already half in love with him in this book (my other half preferred kind, sunny-tempered and pleasant Gil), and now I am well on the way of tumbling headlong into a lasting love affair. ;)
Before I begin, let me just say that: I did like this book. I really did. But I feel a bit of a rant coming on because I had a f*Slightly spoilerish!*
Before I begin, let me just say that: I did like this book. I really did. But I feel a bit of a rant coming on because I had a few issues with it, and I don't want people to think I didn't like the book because I did. My expectations for Courting Morrow Little were really high. Maybe too high. I've heard this book praised to the skies many times, and most of my friends who read this LOOOOVEEEE it. I love the feeling of LOOOOVIIINNGGGG a book, and I was disappointed when I put this one down that I didn't feel quite like that. While I greatly enjoyed it for the most part and was really interested in the story, it didn't grab me the way a really good book usually grabs me. It didn't grab me the way The Colonel's Lady, the other book I have read by Laura Frantz, had grabbed me. So, I felt a little bummed, because it is no fun not liking a book as much as your friends did, when you were sure you'd really love it too. Adjectives like "awesome" and "amazing" still come to mind when I think about Courting Morrow Little, but they are more in terms of quality than enjoyment.
There is no doubt that this novel is incredibly well-written, and the amount of intense research is evident. The way Frantz molded her characters was brilliant, and her beautiful descriptions of scenery and life on the frontier flowed magnificently throughout. In terms of quality, this novel gets all due credit!
The setting:
It all takes place in the woods. In the wild, untamed and savage land of Kentucke in the late 1700's. Morrow and her father live along the Red River, outside the Fort, and are surrounded by the wondrous beauties of nature.
"Her eyes fastened on the surrounding woods, lush and green, and the rutted ribbon of road that divided dense thickets of oak and elm and maple. A hot wind skimmed over them, spreading the heady scent of honeysuckle."
Descriptions like that made me want to go read in the middle of a dense forest where I could smell the honeysuckle for myself. I just love the way Frantz describes scenery. It sounds like a fairy tale.
"Sunlight and water spilled off ledges smothered with ferns and meadow rue, drenching the river bottom in a rainbow of warm greens and golds."
Beautiful!
After a two-year stay in Philadelphia with her aunt, Morrow is headed home to her father, where she is torn between her love for the place and her fear of Indians. When she was only five years old, Indians had massacred their home and killed her mother and baby sister. Her older brother, Jess, had also disappeared that day. Since then, Morrow has always feared meeting with Indians.
Another important aspect of the setting is the house in which Morrow and her father live. Half of the he two-story building still bears the trace, after all these years, of the wreckage caused by the Indians.
"All was chaos within, just as the Shawnee had left it. The spinning wheel where Ma had slumped sat untouched, the wool she'd been working mere spiderwebbing."
But why?! Why would you purposely keep such a proof and reminder that your family had been brutally murdered?? Even if they did not use that side of the cabin, the knowledge that it remained in a constant state of disorder and chaos was enough to give anyone some serious goosebumps. I don't think I will ever understand why they didn't choose to clean it up.
The heroine:
Morrow Mary Little. As a five year old, in the brief lines of the prologue, she appeared to be a very care-free, giggling and cute sort of girl. I really liked her and was disappointed in the turn her character took. At eighteen when she comes back home, Morrow is deadly afraid of her shadow, and considerably weighed down by the grudge she still bears to the Indian population in general. I can understand that she wanted to come home to her father after two years, but what I simply fail to grasp is why she appears so ungrateful of her past life there, when she could leave her bedroom without any problems and make the stairs creak all she wanted without fearing that a Shawnee was about to scalp her. Why does she think of her Philadelphia life as such an unpleasant experience? There she worked as a seamstress with her aunt and had a way easier life than on the Red River. But anyways, here is Morrow, eighteen years old, and considerably sought after by settlement men. She is totally oblivious to her beauty, and attributes the men's interest in her as a result of "her fine Philadelphia manners" and "fragile, porcelain-like appearance".
"...she sat down at the table as gracefully as she'd seen the ladies do in Philadelphia, spreading her skirts over her slippers and tucking in a tendril of hair that had come free of her chignon."
I will be honest, I found it hard to like Morrow in the first half of the book. Her anxiety and fear were understandable, but they felt overdone. She was literally scared of everything. Even more so when she learned that her father was still receiving, from time to time, the Shawnee chief and his son they had sheltered years ago. Not only is it dangerous to interact with the Indians when one is supposed to be against them in the ongoing war, but to Morrow it is doubly dangerous because of her personal fears.
Her character does grow, thankfully, and she is a much stronger, much worthier woman by the end. Her patience, devotion and faith in the latter half of the story were quite remarkable. She went from fearing footsteps on her front porch to delivering a baby in an Indian camp. From hating the very word "Indian" to loving and marrying a half-blood. I think that is pretty amazing.
The hero:
Ah! *dreamy sigh* Red Shirt. He was so wonderful! I was head over heels in love with him. First of all, he's jaw-dropping gorgeous.
"She darted a quick glance at him, taking in all the little heart-stopping details that made him so handsome. (...) He had a presence, just as Pa had once said."
"She watched as Red Shirt shed his shirt without a hint of reserve, and caught Pa's eyes on her. Shamed, she looked into the fire, colour creeping into her face."
Red Shirt knows that Morrow is afraid of him, and he really did his best not to frighten her. His slow, gentle and patient treatment of her ended up melting her reserve and fear away. He would watch, observe, and approach her when he judged it best.
"There was something remarkable about him - an aura of barely restrained strength, like a panther about to pounce."
His self-control was truly remarkable, in many areas. He never used force with Morrow, never took advantage of her, never went against her wishes. Tenderly and carefully, he was able to make Morrow learn to trust, even love him. It was wonderful.
But then, just as Morrow's character is really improving, his own began to downgrade!! Because the story is all told through Morrow's perspective, we come to know and love Red Shirt only through her eyes (even though we recognize his potential earlier than her). His past, his actions, his decisions, everything is based on how much Morrow knows about him and how much he chooses to tell her. There are no scenes where the reader follows Red Shirt, and only him, through his various adventures, and nothing is told from his point of view. Hence, when he kills a man and comes back with the scalp, we have no clear idea why he did it, where and when. It's all left a little blurry, and all we and Morrow need to know is that he has come to peace with himself and God since then, and is a changed man. Morrow and him don't even talk it over properly. The issue is too briefly glanced upon. And I had many problems with that, mainly because he and his party came back with the scalp. The still bloody scalp. How DISTURBING is that!! Had I been Morrow, I would have demanded some sort of explanation, forgiveness from God or not.
And because we are never given any insight into Red Shirt's thoughts and feelings directly through his point of view, his action seems to be extremely out of character. He's been restrained, kind and gentle to Morrow all this time, yet he goes and brutally kills that man? I'm surprised that Morrow didn't revert to her old scared-to-death-of-Indians-self after that!
The romance:
The romantic aspect of Courting Morrow Little is really beautiful. How Morrow was able to forgive Red Shirt enough to give him her heart, and how he was so patient and loving with her -- it was very moving. The "courting" of Morrow was very poignant and it was one of the best love stories I had ever read.
"She was on dangerous ground, all her feelings tied in knots, her genteel ways fraying like silk thread. She felt the pressure of his other hand warm about her waist...his breath on her cheek...his fingers cradling her chin and drawing her in."
Just wow. And also, passages like this:
" 'For a long time, I put down my feelings for you...but I can't do so any longer,' he said. He drew her nearer, touching her with his eyes and his hands in a wordless sort of lovemaking that took her breath away."
I tell you, they were taking my breath away!
We got this wonderful idea that they were soulmates, the most united of lovers and that their love could conquer all. Together they are as one, stronger, better, powerful.
"There were no barriers between them now, just this exquisite confession of feelings, heart to heart and soul to soul."
Once again, whoa. I am blown away by the beauty of Frantz' writing, and the dreamy feelings it conveys.
Unfortunately, in the second half of the book, I began fearing dreadfully for Morrow's future and what kind of life she will have to live with Red Shirt. She may not want to be treated like expensive china teacups, but she certainly isn't used to a life always on the go like Red Shirt is used to living. He pushed Morrow to the ends of her limits by making her travel with him on a long journey, and only realized his mistake when she passed out and nearly died, and he had to bring her to the nearest fort, Fort Loramie.
Or didn't he learn his mistake? Because after that, he keeps getting these urges to just leave and lets Morrow stay behind without any kind of explanations. We know he is used to obeying himself only, and living alone and leaving when he pleases, but man, now that you have a wife, you need to c-o-m-m-u-n-i-c-a-t-e your intentions to her. One thing that was lacking in this novel were conversations, especially between the H/h. Don't be afraid to talk, for Heaven's sake! Morrow and Red Shirt barely spoke more than two words to each other at a time.
And then, one of the parts that made me grit my teeth the most. When Morrow learns the whole truth about the murder of her family. Does she and Red Shirt talk it over, maybe have a bit of an argument over it, and need time to fully process the new state of things? No. Again, the issue is only slightly touched upon, and it really bothered me, because it was such.a.big.deal!! And what does Red Shirt do? He leaves, shortly after. And why? Because he feels called to do it. Just that "I need to go, Bye." What?!? No!! Where is the gentle, patient and loving Red Shirt of the beginning, who would never have willingly caused Morrow more anxiety???
Morrow is a woman who needs to be reassured. A lot. Red Shirt knows this, and should have done better. I marveled anew at Morrow's new-found strength and faith, because despite all she underwent in that latter half of the story, (where, let me tell you, the excitement picks up and doesn't drop until the very last sentence. I am still a little something out of breath!) she faced everything with a brave face. :)
To conclude, I will simply say that, although it didn't *quite* meet my, admittedly, too high expectations, Courting Morrow Little is an excellent novel, very rich in nuances, that I wouldn't hesitate to recommend to all my fellow historical romance lovers. I seem to be one of the few who didn't quite love every single thing about it, so I feel sure that many of you would really enjoy this book. Thank you to all who recommended it to me, I really liked it, and it will always have a lovely place on my shelf beside The Colonel's Lady.
This was a lovely story set in Regency Brighton, and I had a great time following Cassandra through her activities and adventures around the city. SheThis was a lovely story set in Regency Brighton, and I had a great time following Cassandra through her activities and adventures around the city. She was a nice little gal who wanted to make sure that her brother had not died burying a terrible secret, as a letter she had found in his things had implied. In order to put her mind at ease, she visits Lord Deverill, a most charming man with a hint of mystery behind his appealing exterior, who happened to have been an acquaintance of her brother. As the title suggests, Lord Deverill has a secret, and cannot reveal the whole truth to Cassandra without the fear of endangering her. Events don't go as planned however, as Cassandra finds herself the victim of many "accidents", and each time Lord Deverill comes to her rescue, their mutual attraction only intensifies.
I found the couple charming and the romance very cute, although the simplistic writing style did not demonstrate enough of their emotions or personality.
A few events were also a bit implausible, and the final revelation of who the villain was and what he had done seemed absurd and out of place. The appearance of the hero on the scene to rescue the heroine was moreover never explained. Aside from those minor issues though, Lord Deverill's Secret was highly enjoyable, and I liked that it was set in Brighton. It made a nice change. Of course, this book is complete with an outing at the Brighton Pavilion, and brilliant descriptions of it.
My review is very boring, but don't let that interfere with your decision in reading the book! :) It's worth a try, and reads extremely easily and fast. I'm a terribly slow reader, and in two days I was done, and left with a satisfied smile on my face. The epilogue was just icing on the cake! :D
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Lord Deverill will help you and take care of you, Cassandra. Don't worry.
This book had been recommended to me ever since I joined Goodreads, and by so many people that I have lost count. When it finally arrived in the mail This book had been recommended to me ever since I joined Goodreads, and by so many people that I have lost count. When it finally arrived in the mail about a week ago, I pounced on it like a tiger and started jumping up and down in excitement. And if it hadn't been for all the furniture, I might even have twirled... ;) Hahaha just kidding, I don't *ahem* twirl.
So, with exceedingly high expectations after having heard Edenbrooke praised to the skies for so long, I plunged in it wholeheartedly, prepared to be utterly delighted and swept off my feet and...*drumroll*... I WAS!!!
To all the people who predicted I would love Edenbrooke: You were right. SO right!
When a book succeeds in making me feel happy, contended, sad, infuriated, sympathizing, breathless and leaves me turning the last page with a dreamy sigh and a silly lovesick expression, well yeah, I know that I've been reading an amazing book, and it's getting a five star rating.
Edenbrooke is first and foremost a love story. It's basically a Regency fairy-tale. It's cliché and there are many far-fetched and implausible situations, which I admit grated on my nerves a little, and probably would have ruined the book for me if the romance hadn't made up for it. Because in the end, I decided that this book was supposed to be enjoyed for the romance, and read for fun, just like any other fairy-tale that has a few aspects that seem impossible or don't make perfect sense. This novel was not a comedy of manners or a romp, it was a love story. A beautiful, heart-wrenching, heart-warming and amazing love story, and I am completely in love with it.
The setting, as Marianne would say, feels like paradise. Edenbrooke is a grand, magnificent home, resplendent with elegance and luxury. The extensive grounds are just as exquisite in their natural beauty and I'd give a fortune to go on vacation at a place like that. Coming straight from Bath, Marianne is absolutely delighted with the place and plans on making the most out of her visit by exploring the orchard, riding, painting the scenery and twirling around.
At seventeen, Marianne Daventry is a young, innocent girl who has trouble fitting in and behaving like an elegant lady. She was a delightful heroine and I could relate to her in many ways. I liked that she was outspoken and determined one moment, and shy and blushing the next. She was able to pretend she was a milkmaid and sing a silly song in front of a stranger at in inn without the least embarrassment, but have a man tell her she's looking beautiful and suddenly she loses all her wits and that man is an arrogant, odious flirt! Her inability to take any compliments, especially from Philip, was quite irritating, but it was understandable at the same time because she hasn't really had any experience and is not generally disposed to flirt. So every time Philip said something nice to her, or started teasing her (which he did a lot and it was adorable), she immediately felt mortified and was exasperated that he flirted so much.
Philip and Marianne become quick friends and have so many wonderful scenes in the first half of the book before Cecily enters the picture. They ride together, laugh together, confide in each other, explore the house, and they just have such an amazing time and you can really feel it and it is just soooo romantic!! Philip is so obviously madly in love with her, but she remains totally oblivious to it even though she's very much aware of him too.
Ok, so now I just need to pause this a little bit and talk about Philip for a second here (come on, you all knew this was coming! :P). Where can I meet him please?!?! (Please don't answer Edenbrooke or I will cry!)I need that man in my life. Seriously. If we were allowed to marry anyone from literature, he would be my husband. I know that I gush about *almost* every hero I encounter in my historical romances, but Philip Wyndham is simply perfection itself and I'm madly in love with him, and I know that I am clearly crazy, but goodness he was so swoony!! (If ever a hero deserved the word, it is him!) Why do authors create such amazingly impossible dreamy men?! What I am supposed to do now??! Start shopping for cats, I think. ;)
No but, seriously, even if for some deranged reason Philip doesn't make you swoon, surely their romance or his estate will! There is not an extravagant amount of description in Edenbrooke, but the house and grounds are detailed just enough to make you want to pack your bags and move there. And the romance, dear heavens, there is a scene where Marianne sleeps on Philip's jacket in the orchard (and he's lying down close to her), a breathtaking dance scene, another breathtaking one in the stables, one in library, THE LIST GOES ON! And then there is The. Kiss. which nearly made me lose my head, and I think I just sat staring at nothing for a few moments after re-reading it fifty times.
Oooh, and did I mention the love-letter writing lesson Philip gives Marianne? Hottest thing ever. Gentlemen, please take notes. :)
(view spoiler)[
"To my unsuspecting love. When I look into your eyes, I lose all sense of time and place. Reason robbed, clear thought erased, I am lost in the paradise I find within your gaze. I long to touch your blushing cheek, to whisper in your ear how I adore you, how I have lost my heart to you, how I cannot bear the thought of living without you. To be so near you without touching you is agony. Your blindness to my feelings is a daily torment, and I feel driven to the edge of madness by my love for you. Where is your compassion when I need it the most? Open your eyes, love, and see what is right before you; that I am not merely a friend, but a man deeply, desperately, in love with you. Longing for you."(hide spoiler)]
Swooniest thing since Captain Wentworth's letter in Austen's Persuasion.
If all this hasn't convinced you, I don't know what will, but I sincerely hope every romantic out there picks up this book and enjoys the rare treat it is, because you really don't know what you're missing. Doesn't matter if you're not normally into Regency or historical romance. Read it anyways. :D :D
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