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{{short description|American graphic designer}}
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'''Emily Oberman''' is a New York-based multidisciplinary designer and a partner at design studio [[Pentagram (design studio)|Pentagram]]. Formerly, Oberman was a co-founder of design studio [[Number Seventeen (design)|Number Seventeen]] and a designer at [[Tibor Kalman]]'s studio [[M & Co. (design firm)|M & Co.]].
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{{Infobox Biography
| name = Emily Oberman
| birth_date = 1962
| birth_place = [[Yonkers]], [[New York (state)|New York]]
| education = [[Cooper Union]]
| occupation = multidisciplinary designer
| spouse = [[Paul Sahre]]
}}


⚫
'''Emily Oberman''' (born 1962) is a New York-based multidisciplinary designer and a partner at design studio [[Pentagram (design studio)|Pentagram]]. Formerly, Oberman was a co-founder of design studio [[Number Seventeen (design)|Number Seventeen]] and a designer at [[Tibor Kalman]]'s studio [[M & Co. (design firm)|M & Co.]]
⚫
== Biography ==
⚫
Oberman was born and raised in [[Yonkers, New York]] by graphic design and painter parents.<ref>{{cite web|title=Emily Oberman|url=http://www.designindaba.com/profiles/emily-oberman|website=Design Indaba|accessdate=10 March 2018}}</ref> She studied at [[Cooper Union]] and began her career working with [[Tibor Kalman]] at his studio [[M & Co. (design firm)|M & Co.]], where from 1987 to 1993 she collaborated with Kalman to create work for [[Knoll (company)|Knoll]], [[Wieden & Kennedy]], [[New wave music|new wave]] group [[Talking Heads]] and the [[Benetton Group|Benetton]]-sponsored ''[[Colors (magazine)|Colors]]'' magazine.


== Early life and education ==
In 1993, she founded design studio [[Number Seventeen (design)|Number Seventeen]] with [[Bonnie Siegler]]. [[Number Seventeen (design)|Number Seventeen]] specialized in graphics for print, film, and television media, with clients including [[Saturday Night Live]], [[NBC Universal]], [[Herman Miller (manufacturer)|Herman Miller]], and [[Jane Magazine]]. Oberman's book design work has included projects for the Type Directors Club, HBO’s ''[[Sex and the City]]'', [[Glamour magazine]], and the deluxe illustrated edition of Stephen Dubner’s ''[[Superfreakonomics]]''.
⚫
Oberman was born and raised in [[Yonkers, New York]] in 1962 by graphic designer Marvin and painter Arline Simon Oberman.<ref>{{cite web|title=Emily Oberman|url=http://www.designindaba.com/profiles/emily-oberman|website=Design Indaba|accessdate=10 March 2018}}</ref><ref name=":0" /> As a child, she collaborated with her parents and was paid for the commercial work she did for them. She studied study motion design and filmmaking at [[Cooper Union]].<ref name=":0" />


In 2006, Oberman was one of the co-founders and creative directors of the website and daily bulletin Very Short List.<ref>{{cite web|title=Emily Oberman at Pentagram|url=http://www.pentagram.com/#/partners/109674|website=Pentagram|accessdate=19 May 2016}}</ref>
Oberman has taught at [[The Cooper Union]], the [[School of Visual Arts]] and [[Yale University]]. Currently, she teaches at the [[School of Visual Arts]].<ref>{{cite web|url=https://creativepool.com/emilyoberman/about|title=Emily Oberman, Partner at Pentagram Design |website=creativepool.com |url-status=live |archive-url=https://web.archive.org/web/20220820003618/https://creativepool.com/emilyoberman/about |archive-date=August 20, 2022 |access-date=August 20, 2022 }}</ref>


== Career ==
In 2012, Number Seventeen closed it doors and Oberman joined [[Pentagram (design studio)|Pentagram]]’s New York office as partner in April 2012.<ref>{{cite web|last1=Labarre|first1=Suzanne|title=Emily Oberman, The Branding Force Behind Jimmy Fallon, SNL, And Orbitz, Is Pentagram's Newest Partner|url=http://www.fastcodesign.com/1668938/emily-oberman-the-branding-force-behind-jimmy-fallon-snl-and-orbitz-is-pentagrams-newest-par|website=Fast Co. Design|accessdate=19 May 2016}}</ref> Later that year, she worked alongside Naz Sahin to redesign the website for radio show [[This American Life]].<ref>{{cite web|last1=Alderson|first1=Rob|title=Pentagram’s Emily Oberman redesigns the This American Life website|url=http://www.itsnicethat.com/articles/pentagram-this-american-life|website=It's Nice That|accessdate=19 May 2016}}</ref>
=== M&Co ===
After graduation, Oberman worked for Marcus Ratliff Inc. and shopped her portfolio around finally landing a position at [[M&Co.|M&Co]].<ref name=":0" />


⚫
In collaboration with Kalman, she created work for [[Knoll (company)]], Wieden & Kennedy advertising, and (the now closed) [[Florent (restaurant)]]. Some of Obermans first works for [[M&Co]] include covers for the 1987 November and December issues of [[Artforum]], an international monthly magazine focused on contemporary art.<ref name="CH">{{cite web |url=https://collection.cooperhewitt.org/objects/18644777/ |title=Magazine, Artforum International Magazine, December 1987, 1987 |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=10 March 2018 |publisher=Smithsonian Institution}}</ref>
⚫
Oberman's work has been recognized by the [[AIGA]], the [[Type Directors Club]], and the [[Art Directors Club]]. In 2004, she was awarded the [[Augustus Saint-Gaudens Award]] for distinguished alumni from her alma mater [[Cooper Union]]. She has served on the national board of AIGA and as president of its New York chapter. While on the AIGA board she was responsible for two national conferences on design for television, DFTV.001 and DFTV.002.


⚫
Beginning in 1988, Oberman worked with the American rock band [[Talking Heads]] to create a number of materials, including a video casing for Storytelling Giant,<ref>{{cite web|title=Storytelling Giant|url=https://collection.cooperhewitt.org/objects/18644715/|website=Cooper Hewitt|accessdate=10 March 2018}}</ref> as well as the music video for the song "[[(Nothing But) Flowers]]."<ref>{{cite web|title="(Nothing But) Flowers" Music Video| website=[[YouTube]] |url=https://www.youtube.com/watch?v=c3t5nmgRVMs|accessdate=10 March 2018}}</ref> In 1991, Oberman was the first designer for the launch of Benetton’s critically acclaimed magazine, [[Colors (magazine)|Colors]].<ref>{{cite web|title=Kalman & Oberman for Colors|url=http://www.colorsmagazine.com/about/|website=Colors Magazine|accessdate=10 March 2018}}</ref> Other M&Co works include multiple printed ads for [[Isaac Mizrahi]], and Florent restaurant. As well as album covers for musical artists [[Jerry Harrison]],<ref>{{cite web |url=https://collection.cooperhewitt.org/objects/18644709/ |title=Album Cover, Jerry Harrison, Rev It Up, 1988 |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=10 March 2018 |publisher=Smithsonian Institution}}</ref><ref>{{cite web |url=https://collection.cooperhewitt.org/objects/18644707/ |title=Album Cover, Jerry Harrison: Casual Gods, 1988 |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=10 March 2018 |publisher=Smithsonian Institution}}</ref> [[Laurie Anderson]]<ref>{{cite web |url=https://collection.cooperhewitt.org/objects/18644695/ |title=Album Cover, Laurie Anderson, Strange Angels, 1989 |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=10 March 2018 |publisher=Smithsonian Institution}}</ref> and [[David Byrne]].<ref>{{cite web |url=https://collection.cooperhewitt.org/objects/18644697/ |title=Album Cover, David Byrne, Beleza Tropical, 1989 |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=10 March 2018 |publisher=Smithsonian Institution}}</ref>
Oberman has taught at the [[Cooper Union]], the [[Yale University School of Art]], and [[Parsons The New School for Design]]. Currently, she teaches at the [[School of Visual Arts]].


== M&Co ==
=== Number 17 ===
⚫
In 1998, Oberman co-founded the design firm under the name "[[Number Seventeen (design)|Number Seventeen]]" with friend and peer [[Bonnie Siegler]].<ref name=":1" /> The firm advertised its abilities in thinking, [[writing]] and designing and became known for their knack of understanding pop culture through wit and quirky sensibilities.<ref name=":1">{{cite web|title= Number Seventeen|url=http://www.number17.com/|accessdate=10 March 2018}}</ref><ref name=":2" /> In the firms seventeen year life span, the [[firm]] served over 80 clients.<ref>{{cite web|title=Number Seventeen Client List|url=http://www.number17.com/#/clients/|accessdate=10 March 2018|archive-date=4 March 2018|archive-url=https://web.archive.org/web/20180304161346/http://www.number17.com/#/clients/|url-status=dead}}</ref> Including [[Newsweek]], [[Lucky (magazine)|Lucky]], [[Saturday Night Live]], [[HBO]], [[Orbitz]], [[American Broadcasting Company|ABC]] and more.


⚫
At the firms beginning in 1998, it served one of Oberman's former clients from her time at [[M&Co]], [[Colors (magazine)|Colors]]. For [[NBC Universal]], the studio created logos for TV series ''[[30 Rock]]'', ''[[Late Night with Jimmy Fallon]]'', and ''[[Saturday Night Live]]''. The studio also designed the opening title sequence for TV series ''[[Will and Grace]]''.<ref>''Eye'', Number 39, Volume 10, Spring 2001.</ref> Other media work included the identity, promotion and launch advertising for radio network [[Air America (radio network)|Air America]] and the creation of [[Lucky (magazine)|''Lucky'']] magazine for [[Condé Nast]].
<ref name=CH>{{cite web |url=https://collection.cooperhewitt.org/objects/18644777/ |title=Magazine, Artforum International Magazine, December 1987, 1987 |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=10 March 2018 |publisher=Smithsonian Institution}}</ref>


⚫
Beyond [[Media (communication)|media]] work, the firm also accomplished [[Brand identity|identity]] developments for multiple retail and accommodation entities. These include [[The Mercer Hotel]], [[The Maritime Hotel]], Madstone Theaters, The Zinc Building, Spice Market and Housing Works Bookstore & Cafe.
⚫
Upon her graduation from the [[Cooper Union]] in New York City, Oberman began working at the [[Tibor Kalman]] studio, [[M&Co]]. In collaboration with Kalman, she created work for [[Knoll (company)]], Wieden & Kennedy advertising, and (the now closed) [[Florent (restaurant)]]. Some of Obermans first works for [[M&Co]] include covers for the 1987 November and December issues of [[Artforum]], an international monthly magazine focused on contemporary art.


⚫
In mid-2000s, [[Number Seventeen]] was commissioned to develop the [[brand]] and identity of the [[National September 11 Memorial & Museum]] of which the [[building]] and grounds were designed by contest winners, [[Michael Arad]] and [[Peter Walker (landscape architect)|Peter Walker]].
⚫
Beginning in 1988 Oberman worked with the american rock band The [[Talking Heads]] to create a number of materials, including a video casing for Storytelling Giant,<ref>{{cite web|title=Storytelling Giant|url=https://collection.cooperhewitt.org/objects/18644715/|website=Cooper Hewitt|accessdate=10 March 2018}}</ref> as well as the music video for the song "(Nothing But) Flowers."<ref>{{cite web|title="(Nothing But) Flowers" Music Video|url=https://www.youtube.com/watch?v=c3t5nmgRVMs|accessdate=10 March 2018}}</ref> In 1991, Oberman was the first designer for the launch of Benetton’s critically acclaimed magazine, [[Colors (magazine)|Colors]].<ref>{{cite web|title=Kalman & Oberman for Colors|url=http://www.colorsmagazine.com/about/|website=Colors Magazine|accessdate=10 March 2018}}</ref> Other M&Co works include multiple printed ads for [[Isaac Mizrahi]], and Florent restaurant. As well as album covers for musical artists [[Jerry Harrison]]<ref>{{cite web |url=https://collection.cooperhewitt.org/objects/18644709/ |title=Album Cover, Jerry Harrison, Rev It Up, 1988 |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=10 March 2018 |publisher=Smithsonian Institution}}</ref>
<ref>{{cite web |url=https://collection.cooperhewitt.org/objects/18644707/ |title=Album Cover, Jerry Harrison: Casual Gods, 1988 |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=10 March 2018 |publisher=Smithsonian Institution}}</ref>
, [[Laurie Anderson]]<ref>{{cite web |url=https://collection.cooperhewitt.org/objects/18644695/ |title=Album Cover, Laurie Anderson, Strange Angels, 1989 |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=10 March 2018 |publisher=Smithsonian Institution}}</ref> and [[David Byrne]]<ref>{{cite web |url=https://collection.cooperhewitt.org/objects/18644697/ |title=Album Cover, David Byrne, Beleza Tropical, 1989 |author=Cooper Hewitt, Smithsonian Design Museum |accessdate=10 March 2018 |publisher=Smithsonian Institution}}</ref>.


In 2006, Oberman was one of the co-founders and creative directors of the website and daily bulletin Very Short List.<ref>{{cite web |title=Emily Oberman at Pentagram |url=http://www.pentagram.com/#/partners/109674 |accessdate=19 May 2016 |website=Pentagram}}</ref>
== Number 17 ==


⚫
In 2008, [[Number Seventeen]] served Tina Brown in designing the launch and [[resurrection]] of [[journalism]] publication and [[blog]], "[[The Daily Beast]]".<ref>{{cite web|title=Tina Brown Resurrects Waugh's 'Daily Beast'|date=7 August 2008 |url=http://nymag.com/daily/intelligencer/2008/08/tina_brown_resurrects_waughs_d.html|accessdate=10 March 2018}}</ref>
⚫
In 1993, Oberman founded her own design firm under the name "[[Number Seventeen]]." This firm was cofounded by friend and peer [[Bonnie Siegler]]. The firm advertised its abilities in thinking, [[writing]] and designing. Both founders also professed at [[The Cooper Union]], the [[School of Visual Arts]] and [[Yale University]]<ref>{{cite web|title= Number Seventeen|url=http://www.number17.com/|accessdate=10 March 2018}}</ref>. In the firms seventeen year life span, the [[firm]] served over 80 clients<ref>{{cite web|title= Number Seventeen Client List|url=http://www.number17.com/#/clients/|accessdate=10 March 2018}}</ref>. Including [[Newsweek]], [[Lucky (magazine)|Lucky]], [[Saturday Night Live]], [[HBO]], [[Orbitz]], [[American Broadcasting Company|ABC]] and more.


⚫
In 2012 [[Number Seventeen]] ceased accepting clients,<ref name=":1"/> as Oberman and Sieglar parted ways to begin each of their owns next step. Intentionally or not, the firm lasted seventeen years. Sieglar, founding her own new studio titled "Eight and a Half".<ref>{{cite web|title=Eight and a Half|url=http://www.8point5.com/|accessdate=10 March 2018}}</ref> Oberman, accepting a partner position at the NY design [[collective]], [[Pentagram]].
⚫
At the firms beginning in 1993, it served one of Oberman's former clients from her time at [[M&Co]], [[Colors (magazine)|Colors]]. For [[NBC Universal]], the studio created logos for TV series ''[[30 Rock]]'', ''[[Late Night with Jimmy Fallon]]'', and ''[[Saturday Night Live]]''. The studio also designed the opening title sequence for TV series ''[[Will and Grace]]''.<ref>''Eye'', Number 39, Volume 10, Spring 2001.</ref> Other media work included the identity, promotion and launch advertising for radio network [[Air America (radio network)|Air America]] and the creation of Lucky magazine for [[Condé Nast]].


⚫
=== Pentagram ===
⚫
Beyond [[Media (communication)|media]] work, the firm also accomplished [[Brand identity|identity]] developments for multiple retail and accommodation entities. These include [[The Mercer Hotel]], [[The Maritime Hotel]], Madstone Theaters, The Zinc Building, Spice Market and Housing Works Bookstore & Cafe.
⚫
Oberman joined [[Pentagram]]'s New York offices in April 2012 as a partner in the firm.<ref name=":2">{{cite web |last1=Labarre |first1=Suzanne |title=Emily Oberman, The Branding Force Behind Jimmy Fallon, SNL, And Orbitz, Is Pentagram's Newest Partner |url=http://www.fastcodesign.com/1668938/emily-oberman-the-branding-force-behind-jimmy-fallon-snl-and-orbitz-is-pentagrams-newest-par |accessdate=19 May 2016 |website=Fast Co. Design}}</ref> Later that year, she worked alongside Naz Sahin to redesign the website for radio show [[This American Life]].<ref>{{cite web |last1=Alderson |first1=Rob |title=Pentagram's Emily Oberman redesigns the This American Life website |url=http://www.itsnicethat.com/articles/pentagram-this-american-life |accessdate=19 May 2016 |website=It's Nice That}}</ref> At [[Pentagram]] Oberman has served as a [[designer]] and [[Creative director|director]] in the development of materials for clients including film review website [[Rotten Tomatoes]],<ref>{{cite web|last1=Dawood|first1=Sarah|title=Emily Oberman gives Rotten Tomatoes its first rebrand in 17 years|date=6 March 2018 |url=https://www.designweek.co.uk/issues/5-11-march-2018/emily-oberman-gives-rotten-tomatoes-first-rebrand-17-years/|accessdate=10 March 2018}}</ref> 2018 film ''[[Ready Player One (film)|Ready Player One]]'',<ref>{{cite web|last1=Pritchard|first1=Owen|title=Pentagram's Emily Oberman explains the logo for Spielberg's Ready Player One|url=https://www.itsnicethat.com/news/pentagram-ready-player-one-logo-spielberg-graphic-design-280717|accessdate=10 March 2018}}</ref> brand identity and motion graphics for the [[Film Independent Spirit Awards]],<ref>[https://www.aiga.org/membership-community/aiga-awards/2022-aiga-medalist-emily-oberman AIGA Medalist: Emily Oberman]</ref> and PBS series ''Third Rail with OZY'', co-working space [[The Wing (workspace)|The Wing]], [[Hudson River]] & [[Bike NY]], among others.{{citation needed|date=August 2022}}


⚫
In 2012, Oberman was hired by the band [[They Might be Giants]] to develop the music video for their song "Alphabet of Nations".<ref>{{cite web|title=They Might be Giants - The Alphabet of Nations| website=[[YouTube]] | date=2 October 2012 |url=https://www.youtube.com/watch?v=drgrvDypOjA|accessdate=10 March 2018}}</ref> In 2016, Oberman helmed the redesign of a new logo for American [[comics]] publisher [[DC Comics]].<ref>{{cite web|last1=Turner|first1=Natasha|title=Pentagram partner Emily Oberman gives DC Comics a new look|date=18 May 2016 |url=https://www.designweek.co.uk/pentagram-partner-emily-oberman-gives-dc-comics-a-new-look/|accessdate=19 May 2016}}</ref> Oberman also headed the [[brand]]ing and identity of ''[[The Queen Latifah Show]].'' Oberman has also created identities for [[Media (communication)|media]] entities including [[Tina Fey]]’s TV series ''[[Unbreakable Kimmy Schmidt]]'',<ref>{{cite web|title=Unbreakable Kimmy Schmidt: Identity and opening titles for the new comedy by Tina Fey and Robert Carlock.|url=https://www.pentagram.com/work/unbreakable-kimmy-schmidt|accessdate=10 March 2018}}</ref> the 2016 film ''[[Fantastic Beasts and Where to Find Them (film)|Fantastic Beasts and Where to Find Them]]'', and the 2017 film ''[[Justice League (film)|Justice League]]''. Oberman also designed a new iteration of the "shield" logo for [[Warner Bros.]] and its subsidiaries.
⚫
In mid-2000's, [[Number Seventeen]] was commissioned to develop the [[brand]] and identity of the [[National September 11 Memorial & Museum]] of which the [[building]] and grounds were designed by contest winners, [[Michael Arad]] and [[Peter Walker (landscape architect)|Peter Walker]].


Oberman continues to develop work for [[NBC]]′s ''[[Saturday Night Live]].'' In 2015, she designed a [[coffee table book]] entitled ''Saturday Night Live: The Book,'' which was edited by Alison Castle and published by [[Taschen]].<ref>{{cite web|title=Emily Oberman's book documents 40 years of "Saturday Night Live"|url=http://www.designindaba.com/articles/creative-work/emily-obermans-book-documents-40-years-saturday-night-live-%E2%80%93-its-nice|accessdate=10 March 2018}}</ref> In 2018, the show's title sequence was redesigned by Pentagram under Emily Oberman's leadership, with custom typography and aesthetics influenced by the titles of [[Jean-Luc Godard]] films and the New York post-punk scene of the '80s.<ref>{{cite web |title=Saturday Night Live Season 44 - Story - Pentagram |url=https://www.pentagram.com/work/saturday-night-live-season-44/story |website=Pentagram |accessdate=23 October 2018}}</ref><ref>{{Cite book|last=López López|first=Anna María|url=http://author.disenograficodigital.com/digital-graphic-design-book.html|title=Diseño gráfico digital|date=2019|publisher=Anaya Multimedia|isbn=978-84-415-4129-0|location=Madrid|pages=242–245|oclc=1151063469}}</ref>
⚫
In 2008, [[Number Seventeen]] served Tina Brown in designing the launch and [[resurrection]] of [[journalism]] publication and [[blog]], "[[The Daily Beast]]"<ref>{{cite web|title=Tina Brown Resurrects Waugh’s ‘Daily Beast’|url=http://nymag.com/daily/intelligencer/2008/08/tina_brown_resurrects_waughs_d.html|accessdate=10 March 2018}}</ref>.


== Awards and recognition ==
⚫
In 2012 [[Number Seventeen]] ceased accepting clients<ref>{{cite web|title= Number Seventeen|url=http://www.number17.com/|accessdate=10 March 2018}}</ref>, as Oberman and Sieglar parted ways to begin each of their owns next step. Intentionally or not, the firm lasted seventeen years. Sieglar, founding her own new studio cleverly titled ""Eight and a Half""<ref>{{cite web|title=Eight and a Half|url=http://www.8point5.com/|accessdate=10 March 2018}}</ref>. Oberman, accepting a parter position at the NY design [[collective]], [[Pentagram]].
⚫
Oberman's work has been recognized by the [[AIGA]], the [[Type Directors Club]], and the [[Art Directors Club]]. In 2004, she was awarded the [[Augustus Saint-Gaudens Award]] for distinguished alumni from her alma mater [[Cooper Union]]. She has served on the national board of AIGA and as president of its New York chapter. While on the AIGA board she was responsible for two national conferences on design for television, DFTV.001 and DFTV.002.{{citation needed|date=August 2022}}


In 2022, she won the [[List of AIGA medalists|AIGA Medal]] for her influence of pop culture.<ref name=":0">{{Cite web |title=2022 AIGA Medalist: Emily Oberman {{!}} AIGA |url=http://www.aiga.org/membership-community/aiga-awards/2022-aiga-medalist-emily-oberman |access-date=2022-08-18 |website=www.aiga.org |language=en}}</ref>
⚫
== Pentagram ==

⚫
Oberman took her position at [[Pentagram]] in 2012. At [[Pentagram]] Oberman has served as a [[designer]] and [[Creative director|director]] in the development of materials for clients including film review website [[Rotten Tomatoes]]<ref>{{cite web|last1=Dawood|first1=Sarah|title=Emily Oberman gives Rotten Tomatoes its first rebrand in 17 years|url=https://www.designweek.co.uk/issues/5-11-march-2018/emily-oberman-gives-rotten-tomatoes-first-rebrand-17-years/|accessdate=10 March 2018}}</ref>, 2018 film ''[[Ready Player One (film)| Ready Player One]]''<ref>{{cite web|last1=Pritchard|first1=Owen|title=Pentagram’s Emily Oberman explains the logo for Spielberg’s Ready Player One|url=https://www.itsnicethat.com/news/pentagram-ready-player-one-logo-spielberg-graphic-design-280717|accessdate=10 March 2018}}</ref>, PBS series ''Third Rail with OZY'', co-working space [[The Wing (workspace)|The Wing]], [[Hudson River]] & [[Bike NY]], and more.

⚫
In 2012, Oberman was hired by the band [[They Might be Giants]] to develop the music video for their song "Alphabet of Nations"<ref>{{cite web|title=They Might be Giants - The Alphabet of Nations|url=https://www.youtube.com/watch?v=drgrvDypOjA|accessdate=10 March 2018}}</ref>. In 2016, Oberman helmed the redesign of a new logo for American [[comics]] publisher [[DC Comics]].<ref>{{cite web|last1=Turner|first1=Natasha|title=Pentagram partner Emily Oberman gives DC Comics a new look|url=https://www.designweek.co.uk/pentagram-partner-emily-oberman-gives-dc-comics-a-new-look/|accessdate=19 May 2016}}</ref> Oberman also headed the [[Brand|branding]] and identity of ''[[The Queen Latifah Show]].'' Oberman has also created identities for [[Media (communication)|media]] entities including [[Tina Fey]]’s TV series ''[[Unbreakable Kimmy Schmidt]]''<ref>{{cite web|title=Unbreakable Kimmy Schmidt: Identity and opening titles for the new comedy by Tina Fey and Robert Carlock.|url=https://www.pentagram.com/work/unbreakable-kimmy-schmidt|accessdate=10 March 2018}}</ref>, the 2016 film ''[[Fantastic Beasts and Where to Find Them (film)|Fantastic Beasts and Where to Find Them]]'', and the 2017 film ''[[Justice League (film)|Justice League]]''.

Oberman continues to develop work for [[NBC]]′s ''[[Saturday Night Live]],'' most recently through a [[coffee table book]] entitled ''Saturday Night Live: The Book.''<ref>{{cite web|title=Emily Oberman's book documents 40 years of "Saturday Night Live"|url=http://www.designindaba.com/articles/creative-work/emily-obermans-book-documents-40-years-saturday-night-live-%E2%80%93-its-nice|accessdate=10 March 2018}}</ref>


== Personal life ==
== Personal life ==


Emily Oberman is married to designer [[Paul Sahre]].
Emily Oberman is married to designer [[Paul Sahre]], the couple have a set of twins.<ref name=":0" />


== References ==
== References ==
Line 56: Line 61:
== External links ==
== External links ==
* [http://www.pentagram.com/#/partners/109674 Emily Oberman on Pentagram]
* [http://www.pentagram.com/#/partners/109674 Emily Oberman on Pentagram]
* [https://logogeek.uk/podcast/emily-oberman Designing Identities for TV & Film, an Interview with Emily Oberman]

{{authority control}}


{{DEFAULTSORT:Oberman, Emily}}
{{DEFAULTSORT:Oberman, Emily}}
[[Category:American graphic designers]]
[[Category:American graphic designers]]
[[Category:Women graphic designers]]
[[Category:American women graphic designers]]
[[Category:Living people]]
[[Category:Living people]]
[[Category:People from Yonkers, New York]]
[[Category:People from Yonkers, New York]]
[[Category:Cooper Union alumni]]
[[Category:Cooper Union alumni]]
[[Category:Pentagram partners]]
[[Category:1962 births]]
[[Category:AIGA medalists]]

Latest revision as of 21:05, 14 August 2024

Emily Oberman
Born1962
Yonkers, New York
EducationCooper Union
Occupationmultidisciplinary designer
SpousePaul Sahre

Emily Oberman (born 1962) is a New York-based multidisciplinary designer and a partner at design studio Pentagram. Formerly, Oberman was a co-founder of design studio Number Seventeen and a designer at Tibor Kalman's studio M & Co.

Early life and education

[edit]

Oberman was born and raised in Yonkers, New York in 1962 by graphic designer Marvin and painter Arline Simon Oberman.[1][2] As a child, she collaborated with her parents and was paid for the commercial work she did for them. She studied study motion design and filmmaking at Cooper Union.[2]

Oberman has taught at The Cooper Union, the School of Visual Arts and Yale University. Currently, she teaches at the School of Visual Arts.[3]

Career

[edit]

M&Co

[edit]

After graduation, Oberman worked for Marcus Ratliff Inc. and shopped her portfolio around finally landing a position at M&Co.[2]

In collaboration with Kalman, she created work for Knoll (company), Wieden & Kennedy advertising, and (the now closed) Florent (restaurant). Some of Obermans first works for M&Co include covers for the 1987 November and December issues of Artforum, an international monthly magazine focused on contemporary art.[4]

Beginning in 1988, Oberman worked with the American rock band Talking Heads to create a number of materials, including a video casing for Storytelling Giant,[5] as well as the music video for the song "(Nothing But) Flowers."[6] In 1991, Oberman was the first designer for the launch of Benetton’s critically acclaimed magazine, Colors.[7] Other M&Co works include multiple printed ads for Isaac Mizrahi, and Florent restaurant. As well as album covers for musical artists Jerry Harrison,[8][9] Laurie Anderson[10] and David Byrne.[11]

Number 17

[edit]

In 1998, Oberman co-founded the design firm under the name "Number Seventeen" with friend and peer Bonnie Siegler.[12] The firm advertised its abilities in thinking, writing and designing and became known for their knack of understanding pop culture through wit and quirky sensibilities.[12][13] In the firms seventeen year life span, the firm served over 80 clients.[14] Including Newsweek, Lucky, Saturday Night Live, HBO, Orbitz, ABC and more.

At the firms beginning in 1998, it served one of Oberman's former clients from her time at M&Co, Colors. For NBC Universal, the studio created logos for TV series 30 Rock, Late Night with Jimmy Fallon, and Saturday Night Live. The studio also designed the opening title sequence for TV series Will and Grace.[15] Other media work included the identity, promotion and launch advertising for radio network Air America and the creation of Lucky magazine for Condé Nast.

Beyond media work, the firm also accomplished identity developments for multiple retail and accommodation entities. These include The Mercer Hotel, The Maritime Hotel, Madstone Theaters, The Zinc Building, Spice Market and Housing Works Bookstore & Cafe.

In mid-2000s, Number Seventeen was commissioned to develop the brand and identity of the National September 11 Memorial & Museum of which the building and grounds were designed by contest winners, Michael Arad and Peter Walker.

In 2006, Oberman was one of the co-founders and creative directors of the website and daily bulletin Very Short List.[16]

In 2008, Number Seventeen served Tina Brown in designing the launch and resurrection of journalism publication and blog, "The Daily Beast".[17]

In 2012 Number Seventeen ceased accepting clients,[12] as Oberman and Sieglar parted ways to begin each of their owns next step. Intentionally or not, the firm lasted seventeen years. Sieglar, founding her own new studio titled "Eight and a Half".[18] Oberman, accepting a partner position at the NY design collective, Pentagram.

Pentagram

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Oberman joined Pentagram's New York offices in April 2012 as a partner in the firm.[13] Later that year, she worked alongside Naz Sahin to redesign the website for radio show This American Life.[19] At Pentagram Oberman has served as a designer and director in the development of materials for clients including film review website Rotten Tomatoes,[20] 2018 film Ready Player One,[21] brand identity and motion graphics for the Film Independent Spirit Awards,[22] and PBS series Third Rail with OZY, co-working space The Wing, Hudson River & Bike NY, among others.[citation needed]

In 2012, Oberman was hired by the band They Might be Giants to develop the music video for their song "Alphabet of Nations".[23] In 2016, Oberman helmed the redesign of a new logo for American comics publisher DC Comics.[24] Oberman also headed the branding and identity of The Queen Latifah Show. Oberman has also created identities for media entities including Tina Fey’s TV series Unbreakable Kimmy Schmidt,[25] the 2016 film Fantastic Beasts and Where to Find Them, and the 2017 film Justice League. Oberman also designed a new iteration of the "shield" logo for Warner Bros. and its subsidiaries.

Oberman continues to develop work for NBC′s Saturday Night Live. In 2015, she designed a coffee table book entitled Saturday Night Live: The Book, which was edited by Alison Castle and published by Taschen.[26] In 2018, the show's title sequence was redesigned by Pentagram under Emily Oberman's leadership, with custom typography and aesthetics influenced by the titles of Jean-Luc Godard films and the New York post-punk scene of the '80s.[27][28]

Awards and recognition

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Oberman's work has been recognized by the AIGA, the Type Directors Club, and the Art Directors Club. In 2004, she was awarded the Augustus Saint-Gaudens Award for distinguished alumni from her alma mater Cooper Union. She has served on the national board of AIGA and as president of its New York chapter. While on the AIGA board she was responsible for two national conferences on design for television, DFTV.001 and DFTV.002.[citation needed]

In 2022, she won the AIGA Medal for her influence of pop culture.[2]

Personal life

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Emily Oberman is married to designer Paul Sahre, the couple have a set of twins.[2]

References

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  1. ^ "Emily Oberman". Design Indaba. Retrieved 10 March 2018.
  2. ^ a b c d e "2022 AIGA Medalist: Emily Oberman | AIGA". www.aiga.org. Retrieved 2022-08-18.
  3. ^ "Emily Oberman, Partner at Pentagram Design". creativepool.com. Archived from the original on August 20, 2022. Retrieved August 20, 2022.
  4. ^ Cooper Hewitt, Smithsonian Design Museum. "Magazine, Artforum International Magazine, December 1987, 1987". Smithsonian Institution. Retrieved 10 March 2018.
  5. ^ "Storytelling Giant". Cooper Hewitt. Retrieved 10 March 2018.
  6. ^ ""(Nothing But) Flowers" Music Video". YouTube. Retrieved 10 March 2018.
  7. ^ "Kalman & Oberman for Colors". Colors Magazine. Retrieved 10 March 2018.
  8. ^ Cooper Hewitt, Smithsonian Design Museum. "Album Cover, Jerry Harrison, Rev It Up, 1988". Smithsonian Institution. Retrieved 10 March 2018.
  9. ^ Cooper Hewitt, Smithsonian Design Museum. "Album Cover, Jerry Harrison: Casual Gods, 1988". Smithsonian Institution. Retrieved 10 March 2018.
  10. ^ Cooper Hewitt, Smithsonian Design Museum. "Album Cover, Laurie Anderson, Strange Angels, 1989". Smithsonian Institution. Retrieved 10 March 2018.
  11. ^ Cooper Hewitt, Smithsonian Design Museum. "Album Cover, David Byrne, Beleza Tropical, 1989". Smithsonian Institution. Retrieved 10 March 2018.
  12. ^ a b c "Number Seventeen". Retrieved 10 March 2018.
  13. ^ a b Labarre, Suzanne. "Emily Oberman, The Branding Force Behind Jimmy Fallon, SNL, And Orbitz, Is Pentagram's Newest Partner". Fast Co. Design. Retrieved 19 May 2016.
  14. ^ "Number Seventeen Client List". Archived from the original on 4 March 2018. Retrieved 10 March 2018.
  15. ^ Eye, Number 39, Volume 10, Spring 2001.
  16. ^ "Emily Oberman at Pentagram". Pentagram. Retrieved 19 May 2016.
  17. ^ "Tina Brown Resurrects Waugh's 'Daily Beast'". 7 August 2008. Retrieved 10 March 2018.
  18. ^ "Eight and a Half". Retrieved 10 March 2018.
  19. ^ Alderson, Rob. "Pentagram's Emily Oberman redesigns the This American Life website". It's Nice That. Retrieved 19 May 2016.
  20. ^ Dawood, Sarah (6 March 2018). "Emily Oberman gives Rotten Tomatoes its first rebrand in 17 years". Retrieved 10 March 2018.
  21. ^ Pritchard, Owen. "Pentagram's Emily Oberman explains the logo for Spielberg's Ready Player One". Retrieved 10 March 2018.
  22. ^ AIGA Medalist: Emily Oberman
  23. ^ "They Might be Giants - The Alphabet of Nations". YouTube. 2 October 2012. Retrieved 10 March 2018.
  24. ^ Turner, Natasha (18 May 2016). "Pentagram partner Emily Oberman gives DC Comics a new look". Retrieved 19 May 2016.
  25. ^ "Unbreakable Kimmy Schmidt: Identity and opening titles for the new comedy by Tina Fey and Robert Carlock". Retrieved 10 March 2018.
  26. ^ "Emily Oberman's book documents 40 years of "Saturday Night Live"". Retrieved 10 March 2018.
  27. ^ "Saturday Night Live Season 44 - Story - Pentagram". Pentagram. Retrieved 23 October 2018.
  28. ^ López López, Anna María (2019). Diseño gráfico digital. Madrid: Anaya Multimedia. pp. 242–245. ISBN 978-84-415-4129-0. OCLC 1151063469.
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