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{{Short description|British poet and academic}} |
{{Short description|British poet and academic}} |
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'''Robert Gavin Hampson''' FEA FRSA (born 1948) is a British poet and academic. Hampson was born and raised in Liverpool, studied in London and Toronto and settled in London. He is currently |
'''Robert Gavin Hampson''' FEA FRSA (born 1948) is a British poet and academic. Hampson was born and raised in Liverpool, studied in London and Toronto and settled in London. He is currently Professor Emeritus at Royal Holloway. He was Visiting Professor at the University of Northumbria (2018-21) and Research Fellow at the Institute for English Studies, University of London (2019-23). He is a member of the Poetics Research Centre and the Centre for GeoHumanities at Royal Holloway. He is well known for his contributions to contemporary innovative poetry and the international study of Joseph Conrad. |
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==Early life and education== |
==Early life and education== |
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| ⚫ | Robert Gavin Hampson was born in Liverpool in 1948. He studied English literature at [[King's College London]] between 1967 and 1970 and was awarded a Commonwealth Scholarship to complete a master's degree at [[University of Toronto]].<ref name="rhul.ac.uk">[http://www.rhul.ac.uk/portal/en/persons/robert-hampson Robert Hampson] rhul.ac.uk {{webarchive |url=https://web.archive.org/web/20190210044521/http://www.rhul.ac.uk/portal/en/persons/robert-hampson |date=10 Feb 2019}} {{dead link|date=July 2014}}</ref> He then returned to King's College, London, in 1971 where he completed a PhD on Joseph Conrad. |
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| ⚫ | Robert Gavin Hampson was born in Liverpool in 1948. He studied English literature at [[King's College London]] between 1967 and 1970 and was awarded a Commonwealth Scholarship to complete a master's degree at [[University of Toronto]].<ref>{{ |
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== Poetry == |
== Poetry == |
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During the 1970s he co-edited the poetry magazine ''[['Alembic' (UK poetry magazine)|Alembic]]'' with [[Peter Barry (poet)]] and [[Ken Edwards]] and was a key figure in the second generation of the [[British Poetry Revival]].<ref>{{cite book|last1=Miller/ Price|first1=David/ Richard|title=British Poetry Magazines 1914–2000|date=2006|publisher=The British Library|isbn=978-0-7123-4941-3|pages=127}}</ref> His poetry was published in [[Cid Corman]]'s ''Origin'', Alan Davies's ''100 Posters'', and in a range of other magazines during the 1970s. It was also included in the Arts Council's anthology, ''New Poetry 3'' (1977). His work as one of the editors of ''Alembic'' has received attention in two books by Wolfgang Gortschacher - ''Little Magazine Profiles: The Little Magazines in Great Britain, 1939-1993'' (University of Salzburg, 1993) and ''Contemporary Views on the Little Magazine Scene'' (Poetry Salzburg, 2000)- and, more recently, in an interview (with [[Ken Edwards]]) by Sophie Seita in the magazine ''mimeo mimeo'' (2014). This has now been republished as 'transatlantic axis of ''alembic''' in ''Jacket2''.<ref>jacket2.org/interviews/transatlantic-axis-alembic</ref> |
During the 1970s he co-edited the poetry magazine ''[['Alembic' (UK poetry magazine)|Alembic]]'' with two other graduates from King's College, [[Peter Barry (poet)]] and [[Ken Edwards]], and was a key figure in the second generation of the [[British Poetry Revival]].<ref>{{cite book|last1=Miller/ Price|first1=David/ Richard|title=British Poetry Magazines 1914–2000|date=2006|publisher=The British Library|isbn=978-0-7123-4941-3|pages=127}}</ref> His poetry was published in [[Cid Corman]]'s ''Origin'', Alan Davies's ''100 Posters'', and in a range of other magazines during the 1970s. It was also included in the Arts Council's anthology, ''New Poetry 3'' (1977). His work as one of the editors of ''Alembic'' has received attention in two books by Wolfgang Gortschacher - ''Little Magazine Profiles: The Little Magazines in Great Britain, 1939-1993'' (University of Salzburg, 1993) and ''Contemporary Views on the Little Magazine Scene'' (Poetry Salzburg, 2000)- and, more recently, in an interview (with [[Ken Edwards]]) by Sophie Seita in the magazine ''mimeo mimeo'' (2014). This has now been republished as 'transatlantic axis of ''alembic''' in ''Jacket2''.<ref>jacket2.org/interviews/transatlantic-axis-alembic</ref> |
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His best-known work is probably his early long-poem, ''Seaport'' (Pushtika, 1995; Shearsman, 2008), which has been written about by Peter Barry, [[Andrew Duncan (poet)|Andrew Duncan]], Amy Cutler, Neal Alexander and others. Barry's extended analysis of ''Seaport'' begins by noting its 'extensive use of "incorporated data" of various kinds', ranging from various literary sources (including works by Defoe, Melville, Hawthorne and Conrad) to 'historical accounts of the growth and development of the port, of the history of race relations in the city, newspaper accounts of local events and local guidebooks' (''Contemporary British Poetry and the City'', p.159). He concludes by describing this long poem as 'a large-scale vehicle of surprising flexibility which can accommodate the overtly political, the archival-historical and radically pared-down versions of poetry's more familiar affective modes' (''Contemporary British Poetry and the City'', p.162). Andrew Duncan similarly suggested that 'Seaport' was 'a major work, where the recovery of pure facts without explanatory annotation allows the build up of a new understanding on the large scale' (''The Council of Heresy'', p. 29). Cutler argues that, in this work, Hampson 'shows the conflict between the different social typologies of space in the seaport'.<ref>Amy Cutler, 'Language Disembodied: The Coast and Forest in Modern British Poetry', Ph.D. Royal Holloway, University of London, 2017, p.166.</ref> More recently, Phillip Jones has included discussion of ''Seaport'' in his 2018 Nottingham University PhD, 'Rewriting the Atlantic archipelago: Modern British poetry at the coast'. |
His best-known work is probably his early long-poem, ''Seaport'' (Pushtika, 1995; Shearsman, 2008), composed during the 1970s, which has been written about by Peter Barry, [[Andrew Duncan (poet)|Andrew Duncan]], Amy Cutler, Neal Alexander and others. Barry's extended analysis of ''Seaport'' begins by noting its 'extensive use of "incorporated data" of various kinds', ranging from various literary sources (including works by Defoe, Melville, Hawthorne and Conrad) to 'historical accounts of the growth and development of the port, of the history of race relations in the city, newspaper accounts of local events and local guidebooks' (''Contemporary British Poetry and the City'', p.159). He concludes by describing this long poem as 'a large-scale vehicle of surprising flexibility which can accommodate the overtly political, the archival-historical and radically pared-down versions of poetry's more familiar affective modes' (''Contemporary British Poetry and the City'', p.162). Andrew Duncan similarly suggested that ''Seaport'' was 'a major work, where the recovery of pure facts without explanatory annotation allows the build up of a new understanding on the large scale' (''The Council of Heresy'', p. 29). Cutler argues that, in this work, Hampson 'shows the conflict between the different social typologies of space in the seaport'.<ref>Amy Cutler, 'Language Disembodied: The Coast and Forest in Modern British Poetry', Ph.D. Royal Holloway, University of London, 2017, p.166.</ref> Neal Alexander draws attention to the poem's demonstration of how 'multiple channels of traffic have shaped the port of Liverpool over time' - the cotton trade, the slave trade, Irish emigration.<ref>Neal Alexander, 'The Poetry of Ports' in Neal Alexander and David Cooper (eds), ''Poetry and Geography: Space and Place in Postwar Poetry'', Liverpool University Press, 2013, p.126.</ref> In the post 1939 section of the CUP ''English Literature in Context'', John Brannigan describes ''Seaport'' as 'an important book for its extraordinary poetic account of the history and development of Liverpool'.<ref>John Brannigan, 'Twentieth and Twenty-first Century Literature, 1939-2015', in Paul Poplawski (ed.) ''English Literature in Context'', Cambridge University Press, 2017, p.582.</ref>More recently, Phillip Jones has included discussion of ''Seaport'' in his 2018 Nottingham University PhD, 'Rewriting the Atlantic archipelago: Modern British poetry at the coast'. |
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Hampson's poetry has gone through various stages. The early work explored open-field poetics and what Peter Barry has called 'content-specific' poetics (in 'Seaport'), but also treated text in 'How Nell Scored' (1976) and 'on the trail' (1976). He subsequently explored self-conscious narrative and montage in his Godard-inspired film poems 'one plus one' (1980) and 'handy narratives' (1985); and a phrasal poetics (derived from Lyotard's 'The Differend' and his own critical engagement with the work of [[Adrian Clarke (poet)|Adrian Clarke]]) in 'a human measure' (1989) and 'unicorns: 7 studies in velocity' (1989) - and subsequent volumes. This part of his career is represented in ''Assembled Fugitives'' (2001); some of the critical engagement with Clarke is evidenced in his essay 'Producing the Unknown' in 'New British poetries' (1994); and Clarke, in turn, has discussed 'a human measure' and 'unicorns' in 'Robert Hampson and a Neo-Formalist Moment', his contribution to 'For Robert' (2017). More recent work by Hampson has been engaged in exploring the resources of the sonnet. His poetry has been translated into German, Italian and Rumanian. See, for example, Wolfgang Gortschacher & Ludwig Laher, ''So Also Ist Das: Eine Zweisprachige Anthologie Britischer Gegenswartslyrik'' (Haymon-Verlag, 2002), and the translation of the sequence 'Lou Mistrau' in the Italian journal ''Soglie'' (August 2014). |
Hampson's poetry has gone through various stages. The early work explored open-field poetics and what Peter Barry has called 'content-specific' poetics (in ''Seaport''), but also treated text in ''How Nell Scored'' (1976) and 'on the trail' (1976). He subsequently explored self-conscious narrative and montage in his Godard-inspired film poems 'one plus one' (1980) and 'handy narratives' (1985); and a phrasal poetics (derived from Lyotard's 'The Differend' and his own critical engagement with the work of [[Adrian Clarke (poet)|Adrian Clarke]]) in ''a human measure'' (1989) and ''unicorns: 7 studies in velocity'' (1989) - and subsequent volumes. This part of his career is represented in ''Assembled Fugitives'' (2001); some of the critical engagement with Clarke is evidenced in his essay 'Producing the Unknown' in ''New British poetries'' (1994); and Clarke, in turn, has discussed 'a human measure' and 'unicorns' in 'Robert Hampson and a Neo-Formalist Moment', his contribution to ''For Robert'' (2017), edited by Redell Olsen. More recent work by Hampson has been engaged in exploring the resources of the sonnet. His poetry has been translated into German, Italian and Rumanian. See, for example, Wolfgang Gortschacher & Ludwig Laher, ''So Also Ist Das: Eine Zweisprachige Anthologie Britischer Gegenswartslyrik'' (Haymon-Verlag, 2002), and the translation of the sequence 'Lou Mistrau' in the Italian journal ''Soglie'' (August 2014). |
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In 2012, his collection ''Reworked Disasters'' (knivesforksandspoons press) was long-listed for the [[Forward Prize]]. In his comprehensive study of the sonnet in English, ''The Sonnet'' (Oxford University Press, 2019), Stephen Regan discusses ''Reworked Disasters'' in relation to sonnets by [[Ken Edwards]] and [[Tony Lopez (poet)|Tony Lopez]] as examples of the contemporary avant-garde sonnet. He describes Hampson's 'serious political focus on global warfare, imperialism, and torture' in this 'linguistically discontinuous' fourteen-sonnet sequence. (''The Sonnet'', p. 382).Hampson's more recent work includes 'love's damage', which was published in the Surrey Poetry Festival Magazine (21.05.11), edited by Amy De'Ath and Jonty Tiplady;<ref>static1.1.sqspcdn.com/static/f/436447/12796874</ref> 'sonnets 4 sophie' first published in ''Veer Vier'' (September 2013),<ref>epc.buffalo.edu/library/Veer-56-1014.pdf</ref> while ''an explanation of colours'' was reviewed by [[Edmund Hardy]] and [[Melissa Flores-Borquez]] in ''[[Intercapillary Space]]''<ref>http://intercapillaryspace{{Dead link|date=May 2019 |bot=InternetArchiveBot |fix-attempted=yes }}. blogspot.co.uk</ref> and ''out of sight'' (crater, 2012) and ''Liverpool (hugs &) kisses'', his 2014 collaboration with [[Robert Sheppard]], are reviewed on the 'other room' website.<ref>http://otherroom.org/tag/roberthampson{{Dead link|date=May 2019 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> In their review of ''out of sight'', the Institute of Electronic Crinolines referred to 'The artificial highs of Robert Hampson's noir on overload' and described the text as evoking 'a knowingly flimsy fantasy of what resistance to all forms of identification might be like'.<ref>instituteofelectroniccrinolines.org</ref> More recently, he has contributed to Robert Sheppard's European Union of Imaginary Author's project through a collaboration with Sheppard. This collaboration is included in Robert Sheppard (ed.) ''Twitters for a Lark: Poetry of the European Union of Imaginary Authors'' (Shearsman, 2017). |
In 2012, his collection ''Reworked Disasters'' (knivesforksandspoons press) was long-listed for the [[Forward Prize]]. In his comprehensive study of the sonnet in English, ''The Sonnet'' (Oxford University Press, 2019), Stephen Regan discusses ''Reworked Disasters'' in relation to sonnets by [[Ken Edwards]] and [[Tony Lopez (poet)|Tony Lopez]] as examples of the contemporary avant-garde sonnet. He describes Hampson's 'serious political focus on global warfare, imperialism, and torture' in this 'linguistically discontinuous' fourteen-sonnet sequence. (''The Sonnet'', p. 382).Hampson's more recent work includes 'love's damage', which was published in the Surrey Poetry Festival Magazine (21.05.11), edited by Amy De'Ath and Jonty Tiplady;<ref>[static1.1.sqspcdn.com/static/f/436447/12796874 The Sonnet]</ref> 'sonnets 4 sophie' first published in ''Veer Vier'' (September 2013),<ref>[epc.buffalo.edu/library/Veer-56-1014.pdf Veer] EPC resources {{dead link|date=November 2023}}</ref> while ''an explanation of colours'' was reviewed by [[Edmund Hardy]] and [[Melissa Flores-Borquez]] in ''[[Intercapillary Space]]''<ref>[http://intercapillaryspace Intercapillary Space] {{Dead link|date=May 2019 |bot=InternetArchiveBot |fix-attempted=yes }}. blogspot.co.uk</ref> and ''out of sight'' (crater, 2012) and ''Liverpool (hugs &) kisses'', his 2014 collaboration with [[Robert Sheppard (poet)|Robert Sheppard]], are reviewed on the 'other room' website.<ref name="auto">http://otherroom.org/tag/roberthampson{{Dead link|date=May 2019 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> In their review of ''out of sight'', the Institute of Electronic Crinolines referred to 'The artificial highs of Robert Hampson's noir on overload' and described the text as evoking 'a knowingly flimsy fantasy of what resistance to all forms of identification might be like'.<ref>[instituteofelectroniccrinolines.org Institute of Electronic Crinolines] {{dead link|date=November 2023}}</ref> More recently, he has contributed to Robert Sheppard's European Union of Imaginary Author's project through a collaboration with Sheppard. This collaboration is included in Robert Sheppard (ed.) ''Twitters for a Lark: Poetry of the European Union of Imaginary Authors'' (Shearsman, 2017). |
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His sequence 'Volupte: 22 Constructions for Ewald Matare' is included in the Spring 2021 issue of ''Long Poem Magazine'',<ref> |
His sequence 'Volupte: 22 Constructions for Ewald Matare' is included in the Spring 2021 issue of ''Long Poem Magazine'',<ref>{{Cite web|url=https://longpoemmagazine.org.uk/|title=Long Poem Magazine|accessdate=23 November 2023}}</ref> and the volume ''Covodes 1-19'' was published in December 2021 by Artery editions.<ref>[mercurius.one/home/robert-hampson Poetry of Life by Robert Hampson] mercurius.one</ref> Some of the Covodes have been published in ''Molly Bloom''<ref>[mollybloom23.weebly.com/robert-hampson.html Robert Hampson] mollybloom23.weebly.com</ref> and ''junction box'',<ref>glasfrynproject.org.uk</ref> and a recording of a performance of some of the Covodes (with accompaniment by cellist Jo Levi) at the 2021 Surrey Poetry Festival is available at vimeo.com/556947245. A full recording of ''Covodes 1-19'' and Levy's 'Suite for Solo Cello' is available at www.arteryeditions.bandcamp.com.In a review of recent poetry, [[Billy Mills (poet)]] has commented on ''Covodes'': 'Hampson folds his multiple concerns into a single nexus with the multiple challenges that confront this ambition for equity that should underpin our society ... Against which we see the prevailing influence of money and power'.<ref>{{Cite web|url=https://ellipticalmovements.wordpress.com/2022/02/22/recent-reading-february-2022/|title = Recent Reading February 2022|date = 22 February 2022}}</ref> A selection from ''Covodes 1-19'' (translated into Italian by Marzia Dati) was published in ''Soglie'', XXII, 1-2 (April–August 2020), and an interview with Robert Hampson about ''Covodes 1-19'' by Belinda Giannessi was published in the ''Tears in the Fence'' blog (http://tearsinthefence.com/blog). |
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In the 2024 'unfinishing' podcast, 'Publishing an unfinished poem (twice)', Hampson discusses (with Emily Anderson) finishing, unfinished, the unfinished and the finished unfinished in relation to his critical and creative practices: https://open.spotify.com/show/1ez2Ji4YEwBSm7uzpZ5nzC <ref>{{cite web | url=https://open.spotify.com/show/1ez2Ji4YEwBSm7uzpZ5nzC | title=Unfinishing | website=[[Spotify]] }}</ref> |
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=== Poetry criticism and creative writing === |
=== Poetry criticism and creative writing === |
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Hampson taught at Royal Holloway, University of London, from 1973, and was Professor of Modern Literature there from 2000. From 2016 to 2019, he was Distinguished Teaching and Research Fellow in the Department of English at Royal Holloway. He |
Hampson taught at Royal Holloway, University of London, from 1973, and was Professor of Modern Literature there from 2000. From 2016 to 2019, he was Distinguished Teaching and Research Fellow in the Department of English at Royal Holloway. He was Visiting Professor at the University of Northumbria (2018-21) and Research Fellow at the Institute for English Studies, University of London (2019-23). He is currently Professor Emeritus at Royal Holloway, University of London. |
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He has contributed to the critical discourse about recent and contemporary poetry - most visibly through a series of co-edited books: ''The New British poetries: The scope of the possible'' (Manchester University Press, 1993), co-edited with Peter Barry, which was described as a pioneering work in the field;<ref> |
He has contributed to the critical discourse about recent and contemporary poetry - most visibly through a series of co-edited books: ''The New British poetries: The scope of the possible'' (Manchester University Press, 1993), co-edited with Peter Barry, which was described as a pioneering work in the field;<ref>{{cite book | last1=Hampson | first1=Robert | last2=Barry | first2=Peter | title=New British poetries : the scope of the possible | publisher=Manchester University Press | publication-place=Manchester [England] | date=1993 | isbn=0-7190-3485-X | oclc=27726596}}</ref> ''Frank O'Hara Now: New Essays on the New York Poet'' (Liverpool University Press, 2010) co-edited with Will Montgomery;<ref>{{cite book | last1=Hampson | first1=Robert | last2=Montgomery | first2=Will | title=Frank O'Hara now : new essays on the New York poet | publication-place=Liverpool | date=2010 | isbn=978-1-84631-606-7 | oclc=875227758}}</ref> ''Clasp: Late modernist poetry in London in the 1970s'' (Shearsman, 2016), co-edited with Ken Edwards; and ''The Allen Fisher Companion'' (Shearsman, 2020), co-edited with [[Cris Cheek]].<ref>{{cite book | last1=Hampson | first1=Robert | last2=Cheek | first2=Cris | title=The Allen Fisher companion | publication-place=Swindon | date=2020 | isbn=978-1-84861-626-4 | oclc=1150950796}}</ref> In their essay for ''The Year's Work in English Studies'', K. O'Hanlon describes ''Clasp'' as 'essential reading for anyone interested in getting to grips with post-war poetry and the avant garde'.<ref>K. O'Hanlon, 'Modern Literature: British Poetry Post-1950', ''YWES'', 97.1 (2018), 995-1010.</ref> Lyndon Davies begins his lengthy review of ''The Allen Fisher Companion'' in the ''Journal of British and Irish Innovative Poetics'' (13 [1]) with the observation: 'Most of whatever it is you might look for in a companion to the work of a poet / artist as multifariously challenging as Allen Fisher, this book supplies in spades'.<ref>{{Cite journal|url=https://poetry.openlibhums.org/article/id/3030/|doi = 10.16995/bip.3030|title = Book Reviews Robert Kiely reviewed by David Toms, the Allen Fisher Companion reviewed by Lyndon Davies|year = 2021|last1 = Toms|first1 = David|journal = Journal of British and Irish Innovative Poetry|volume = 13|s2cid = 242867358|doi-access = free}}</ref> |
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During his time as head of the Department of English, Hampson founded the MA in [[poetic practice]] at [[Royal Holloway, University of London]], with [[Redell Olsen]] in 2002 and the MA in creative writing with [[Andrew Motion]] in 2003.<ref>{{cite web |
During his time as head of the Department of English, Hampson founded the MA in [[poetic practice]] at [[Royal Holloway, University of London]], with [[Redell Olsen]] in 2002 and the MA in creative writing with [[Andrew Motion]] in 2003.<ref>{{cite web|url=https://pure.royalholloway.ac.uk/en/persons/robert-hampson | title = Robert Hampson, FEA, FRSA | publisher = Royal Holloway, University of London}}</ref> With Helen Carr and others, he was instrumental in bringing about the regulation change which enabled the introduction of creative writing into the University of London PhD. He has regularly taught on the poetic practice pathway, and he was director of the MA in creative writing for 2016–17. Graduates of the creative writing programme whom he taught include the novelists [[Tahmima Anam]], Adam O'Riordan, Anna Whitwham and [[Sarah Perry]] and the poets Robert Selby and Declan Ryan.<ref>{{cite web | url=https://pure.royalholloway.ac.uk/portal/en/persons/robert-hampson(00ffc3a4-d4c7-4454-aec2-670ef0e5300e).html | title=Professor Robert Hampson - Research - Royal Holloway, University of London }}</ref> Graduates of the poetic practice programme whom he taught include [[Elizabeth-Jane Burnett]],<ref>{{Cite web |title=Elizabeth-Jane Burnett Royal Holloway Profile |url=https://pure.royalholloway.ac.uk/portal/en/persons/elizabethjane-burnett(27b1f8a6-6f70-4c59-a971-dd67200b5deb).html |website=Royal Holloway Research Portal}}</ref> Prudence Chamberlain,<ref>{{cite web | url=https://pure.royalholloway.ac.uk/portal/en/persons/prudence-busseychamberlain(9bc8f8f4-be13-496c-aea5-cde29bf05c54).html | title=Dr Prudence Bussey-Chamberlain - Research - Royal Holloway, University of London }}</ref> Becky Cremin,{{Citation needed|date=April 2022}} [[Frances Kruk]],{{Citation needed|date=April 2022}} Ryan Ormonde,{{Citation needed|date=April 2022}} Jooyeon Park,<ref>{{cite web | url=https://www.doosanartcenter.com/en/exhibit/artist/188 | title=Joo Yeon Park | DAC Artists Info | Exhibitions }}</ref> Nisha Ramayya,<ref>qmul.ac.uk/sed/staff/ramayya.html</ref>[[Sophie Robinson (poet)|Sophie Robinson]],{{Citation needed|date=April 2022}} Karenjit Sandhu <ref>{{cite web | url=https://pure.royalholloway.ac.uk/portal/en/persons/karen-sandhu(0e5da80d-9da1-437e-8a3a-fd6486b27c72).html | title=Miss Karen Sandhu - Research - Royal Holloway, University of London }}</ref> and Steven Willey.{{Citation needed|date=April 2022}} He also co-supervised the PhDs of [[Karen McCarthy Woolf]], [[Mary Jean Chan]] and Agnieszka Studzinska. He recently co-edited ''pertinent actions'' (Osmosis Press, 2023) with Briony Hughes, an anthology of work by alumni of the Poetic Practice programme (with a Foreword by [[Marjorie Perloff]]).<ref>osmosispress.com/publications/</ref> |
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He has also made a significant contribution to innovative poetry in London as the organiser of events and conferences and as the convenor and curator of two important seminar series. In the 1970s he organised a short reading series, Future Events, at The White Swan in Covent Garden with [[Ken Edwards]] and Mike Dobbie. At the end of the 1970s, he and Erik Vonna-Michel organised three one-day 'Saturday Courses' at Lower Green Farm: [[Bob Cobbing]], [[Allen Fisher]] and [[Eric Mottram]] were the subjects of the different days. (See Ken Edwards's account of Lower Green Farm in ''Clasp'' and in his memoir ''Wild Metrics''.) In the 1980s, he organised two conferences on Contemporary innovative Poetry at the Centre for English Studies in the University of London Senate House, and, in the 1990s, he facilitated the six SVP Colloquia that took place there (organised by [[Lawrence Upton]]). In 1999, he was asked to take over the TALKS series that [[Bob Perelman]] had established at King's College, London, during Pereleman's year as a visiting professor there. Hilda Bronstein has given an account of the early years of the London TALKS series in ''[[How2]]''<ref>{{Cite web|url=http://www.asu.edu/pipercwcenter/how2journal|title = HOW2}}</ref> The TALKS series continued for some years at King's under Hampson's direction and then moved to Birkbeck College, University of London, where Redell Olsen and [[Frances Presley]] were co-organisers with him. It was superseded by the Contemporary Innovative Poetry Research Seminar, which he runs with [[Amy Evans Bauer]] at the University of London Institute for English Studies. In 2004, he set up the Runnymede International Literary Festival in collaboration with Royal Holloway and Runnymede Borough Council. He has continued to be the Festival Director. |
He has also made a significant contribution to innovative poetry in London as the organiser of events and conferences and as the convenor and curator of two important seminar series. In the 1970s he organised a short reading series, Future Events, at The White Swan in Covent Garden with [[Ken Edwards]] and Mike Dobbie. At the end of the 1970s, he and Erik Vonna-Michel organised three one-day 'Saturday Courses' at Lower Green Farm: [[Bob Cobbing]], [[Allen Fisher]] and [[Eric Mottram]] were the subjects of the different days. (See Ken Edwards's account of Lower Green Farm in ''Clasp'' and in his memoir ''Wild Metrics''.) In the 1980s, he organised two conferences on Contemporary innovative Poetry at the Centre for English Studies in the University of London Senate House, and, in the 1990s, he facilitated the six SVP Colloquia that took place there (organised by [[Lawrence Upton]]). In 1999, he was asked to take over the TALKS series that [[Bob Perelman]] had established at King's College, London, during Pereleman's year as a visiting professor there. Hilda Bronstein has given an account of the early years of the London TALKS series in ''[[How2]]''<ref>{{Cite web|url=http://www.asu.edu/pipercwcenter/how2journal|title = HOW2}}</ref> The TALKS series continued for some years at King's under Hampson's direction and then moved to Birkbeck College, University of London, where Redell Olsen and [[Frances Presley]] were co-organisers with him. It was superseded by the Contemporary Innovative Poetry Research Seminar, which he runs with [[Amy Evans Bauer]] at the University of London Institute for English Studies. In 2004, he set up the Runnymede International Literary Festival in collaboration with Royal Holloway and Runnymede Borough Council. He has continued to be the Festival Director. For some years (2010-16), the Festival transferred some of it activities to Central London as 'Runnymede in London' through collaboration with the Centre for Creative Collaboration (c4cc),<ref>{{Cite web | url=https://audioboom.com/boos/143889-c4cc-launch/ | title=#C4CC Launch 21.6.10 - Professors Robert Hampson and Ahuvia Kahane, Royal Holloway}}</ref> which also provided the venue for Polyply, the event series run by [[Redell Olsen]], Will Montgomery and Kristen Kreider.<ref>{{Cite web | url=https://polyply.wordpress.com/ | title=POLYply}}</ref> |
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In 2010–11, he collaborated with the Palestinian visual artist, Leena Nammari, on a concertina book, ''The Long View'', as part of the Beyond Text project.<ref>http://www.poetrybeyond{{Dead link|date=May 2019 |bot=InternetArchiveBot |fix-attempted=yes }} text.org/hampson-namari</ref> During 2014, he curated an event series, Amid the Ruins, with Carrie Foulkes at the Daniel Blau Gallery, Hoxton Square, London.<ref |
In 2010–11, he collaborated with the Palestinian visual artist, Leena Nammari, on a concertina book, ''The Long View'', as part of the Beyond Text project.<ref>http://www.poetrybeyond{{Dead link|date=May 2019 |bot=InternetArchiveBot |fix-attempted=yes }} text.org/hampson-namari</ref> During 2014, he curated an event series, Amid the Ruins, with Carrie Foulkes at the Daniel Blau Gallery, Hoxton Square, London.<ref name="auto"/> In 2017, on the occasion of his retirement from full-time teaching, Redell Olsen edited ''For Robert: An Anthology'' (RHUL Poetics Research Centre / The Institute of the Electric Crinolines).<ref>https://institute {{Webarchive|url=https://web.archive.org/web/20171205014359/http://www.institute/ |date=5 December 2017 }} of electric crinolines.org</ref> |
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=== Joseph Conrad Scholarship === |
=== Joseph Conrad Scholarship === |
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He has also pursued a parallel career as a Conrad scholar and editor with |
He has also pursued a parallel career as a Conrad scholar and editor with four monographs on [[Joseph Conrad]]: ''Joseph Conrad: Betrayal and Identity'' (1992), ''Cross-Cultural Encounters in Joseph Conrad's Malay Fiction'' (2000), ''Conrad's Secrets'' (2013), and ''Joseph Conrad, Cosmopolitanism and Transnationalism''. ''Conrad's Secrets'' received the first-place prize for the Adam Gillon Award (2015) from the [[Joseph Conrad Society of America]] for the best recent work on Joseph Conrad. In 2017, he received the Ian P. Watt Award from the Joseph Conrad Society of America for excellence in Conrad studies. Previous recipients of this life-long achievement award include Norman Sherry and J. Hillis Miller.<ref>josephconrad.org/News/news.html</ref> He has subsequently been awarded the third-place prize for the Adam Gillon Award (2018) for the collection of essays, ''Conrad and Language'' (Edinburgh U. P. 2016), which he co-edited with Katherine Isobel Baxter. |
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In 2020, he published a critical biography, ''Joseph Conrad'', in the Critical Lives series from Reaktion Books. [[Maya Jasanoff]] describes it as 'insightful, judicious and elegant': '''Joseph Conrad'' marvellously distils a lifetime of learning by one of the world's leading Conrad scholars. This is the best short guide to Conrad's life available'. His most recent |
In 2020, he published a critical biography, ''Joseph Conrad'', in the Critical Lives series from Reaktion Books. [[Maya Jasanoff]] describes it as 'insightful, judicious and elegant': '''Joseph Conrad'' marvellously distils a lifetime of learning by one of the world's leading Conrad scholars. This is the best short guide to Conrad's life available'. His most recent publications include ''The Reception of Joseph Conrad in Europe'' (Bloomsbury, 2022), co-edited with Veronique Pauly; ''Joseph Conrad, Cosmopolitanism and Transnationalism'' (Palgrave Macmillan, 2024), which traces the progression from cosmopolitanism to transnational activism in Conrad's works; and ''Joseph Conrad's Cultural Legacy'' (Bloomsbury, 2024). |
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He was editor of ''The Conradian'' (1989–96) and co-edited ''Conrad and Theory'' with [[Andrew William Gibson]] (Rodopi, 1998). He also edited various Conrad texts – ''Lord Jim'' (1986), ''Victory'' (1989), ''Heart of Darkness'' (1995) – for Penguin books, as well as Rudyard Kipling's ''Something of Myself'' (1987) and ''Soldiers Three/ In Black & White'' (1993) and Rider Haggard's ''King Solomon's Mines'' (2000).<ref |
He was editor of ''The Conradian'' (1989–96) and co-edited ''Conrad and Theory'' with [[Andrew William Gibson]] (Rodopi, 1998). He also edited various Conrad texts – ''Lord Jim'' (1986), ''Victory'' (1989), ''Heart of Darkness'' (1995) – for Penguin books, as well as Rudyard Kipling's ''Something of Myself'' (1987) and ''Soldiers Three/ In Black & White'' (1993) and Rider Haggard's ''King Solomon's Mines'' (2000).<ref name="rhul.ac.uk"/> His edition of ''Heart of Darkness'' for Penguin included the first accurate transcription of Conrad's 'Congo Diary' and was the first to use the 'Carte des routes de portage' (1894), which was supplied to Belgian State Officials for the journey up-river from Matadi, to annotate Conrad's account of the same journey, which he undertook four years earlier. He also edited ''Nostromo'' and co-edited (with Andrew Purssell), [[Ford Madox Ford]]'s ''Parade's End'' and Conrad's ''Lingard Trilogy'' for Wordsworth. (A short lecture by him on ''Heart of Darkness'' is available on https://www.massolit.io/lecturers/119. A longer lecture is available on YouTube:https://www.youtube.com/watch?v=-Ni4qpFdyG4. The lecture he gave on 'Joseph Conrad Today' for the launch of the Joseph Conrad Fellowship in Warsaw in December 2021 is available on YouTube: youtube.com/watch?v=NeE6Ugg7fEU. And the lecture he gave to PUNO (The Polish University Abroad) on 'Conrad, Colonialism and Africa' in March 2022 is also available on YouTube:https://www.youtube.com/watch?v=CMqUe1YtoYw.) A lecture he gave in March 2022 for St Mary's University on 'Joseph Conrad in the Modern World: Conrad and Africa', discussing 'Heart of Darkness and 'An Outpost of Progress' is also available on YouTube: https://www.youtube.com/watch?v=FrUiOo2dPds. In June 2024, he gave the T. S. Eliot Memorial Lecture at the University of Kent: his subject was 'Joseph Conrad: From Cosmopolitanism to Transnational Activism'.<ref>kent.ac.uk/whats-on/event/67362/joseph-conrad-from-cosmopolitanism-to-transnational-activism</ref> He co-edited (with Helen Chambers) Guy de Maupassant's ''Mademoiselle Perle and other stories'' (riverrun, 2020), a selection from the translations made by Elsie Martindale and [[Ada Galsworthy]], which were first published in 1903 and 1904 respectively. Conrad was in touch with both Elsie Martindale and Ada Galsworthy about their translations. Hampson was elected Chair of the Joseph Conrad Society(UK) in 2015.<ref>{{Cite web | url=http://www.josephconradsociety.org/ |title = Joseph Conrad Society (UK)}}</ref> |
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He was an adviser for [[''Hanyut'' (film)]], a film by the prize-winning Malaysian director [[U-Wei Haji Saari]], based on Conrad's first novel, ''Almayer's Folly''.<ref>{{Cite web|url=https://www.youtube.com/watch?v=VbmostpzbA|title=- YouTube|website=[[YouTube]]}}</ref> He also appears in the 2018 TCM documentary, ''El sueno imposible de David Lean'', an exploration of David Lean's long-held plan to adapt Conrad's masterpiece ''Nostromo'' as a film <https://youtube.com/watch?v-O2eDIM5XnOU{{Dead link|date=May 2019 |bot=InternetArchiveBot |fix-attempted=yes }}> and in ''Sladami Conrada'' (In the footsteps of Conrad) on Polish television. In 2019, the Polish television series Chuligan Literacki (Literary Hooligan) devoted two successive programmes to his work on Joseph Conrad. This series, on TVP Kultura, presented fifteen programmes on 'the most outstanding English writers, philosophers and historians', and included programmes on [[Quentin Skinner]], [[Antony Beevor]] and others. The programmes are available on vod.tvp.pl/video/chuligan-literacki.roberthampson-cz-1,40566562. |
He was an adviser for [[''Hanyut'' (film)]], a film by the prize-winning Malaysian director [[U-Wei Haji Saari]], based on Conrad's first novel, ''Almayer's Folly''.<ref>{{Cite web|url=https://www.youtube.com/watch?v=VbmostpzbA|title=- YouTube|website=[[YouTube]]}}</ref> He also appears in the 2018 TCM documentary, ''El sueno imposible de David Lean'', an exploration of David Lean's long-held plan to adapt Conrad's masterpiece ''Nostromo'' as a film <https://youtube.com/watch?v-O2eDIM5XnOU{{Dead link|date=May 2019 |bot=InternetArchiveBot |fix-attempted=yes }}> and in ''Sladami Conrada'' (In the footsteps of Conrad) on Polish television. In 2019, the Polish television series Chuligan Literacki (Literary Hooligan) devoted two successive programmes to his work on Joseph Conrad. This series, on TVP Kultura, presented fifteen programmes on 'the most outstanding English writers, philosophers and historians', and included programmes on [[Quentin Skinner]], [[Antony Beevor]] and others. The programmes are available on vod.tvp.pl/video/chuligan-literacki.roberthampson-cz-1,40566562. |
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=== Academic service === |
=== Academic service === |
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In addition, he has undertaken various forms of service to the academic community. He was a panel member for the RAE 2008 and the REF 2014. He was also a panel member for the Rumanian and Hong Kong RAEs. He was a member of the QAA Benchmarking Group for Creative Writing and is currently a member of the Practice Research Advisory Group;<ref>http://pure.royalholloway.ac.uk/portal/en/persons/robert-hampson{{Dead link|date=May 2019 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> the European Science Foundation Panel of Experts; |
In addition, he has undertaken various forms of service to the academic community. He was a panel member for the RAE 2008 and the REF 2014. He was also a panel member for the Rumanian and Hong Kong RAEs. He was a member of the QAA Benchmarking Group for Creative Writing and is currently a member of the Practice Research Advisory Group;<ref>http://pure.royalholloway.ac.uk/portal/en/persons/robert-hampson{{Dead link|date=May 2019 |bot=InternetArchiveBot |fix-attempted=yes }}</ref> the Out of Practice Collective based at the IES; the European Science Foundation Panel of Experts; the Commonwealth Scholarship Commission Advisory Committee; and the Fonds Wetenschappelijk Onderzoek (Research Foundation, Flanders).. |
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== Personal life == |
== Personal life == |
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His first wife was the Bengali children's writer Sibani Raychaudhuri. In Kolkotta, her early work was published in the children's magazine ''Shondesh'' edited by [[Satyajit Ray]]. In London she was on the Committee of the South Asian Literary Society (founded by [[Ranjana Ash]]) and a member of the Asia Women Writers' Collective.<ref>''Write of Way'', The Women's Press, 1988, p.164.</ref> She published translations of Bengali poetry, produced jointly with Hampson, in the ''London Magazine'' and the ''TLS''; short stories in ''Spare Rib''; and poems and stories in the two anthologies produced by the Collective: ''Write of Way'' (The Women's Press, 1988) and ''Flaming Spirit'' (Virago, 1994).<ref>''Flaming Spirit, Virago, 1994, p.201.</ref> Hampson later married the George Eliot critic Gerlinde Roder-Bolton. |
His first wife was the Bengali children's writer Sibani Raychaudhuri. In Kolkotta, her early work was published in the children's magazine ''Shondesh'' edited by [[Satyajit Ray]]. In London she was on the Committee of the South Asian Literary Society (founded by [[Ranjana Ash]]) and a member of the Asia Women Writers' Collective.<ref>''Write of Way'', The Women's Press, 1988, p.164.</ref> She published translations of Bengali poetry, produced jointly with Hampson, in the ''London Magazine'' and the ''TLS''; short stories in ''Spare Rib''; and poems and stories in the two anthologies produced by the Collective: ''Write of Way'' (The Women's Press, 1988) and ''Flaming Spirit'' (Virago, 1994).<ref>''Flaming Spirit'', Virago, 1994, p.201.</ref> Hampson later married the George Eliot critic Gerlinde Roder-Bolton. |
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== Fictionalised appearances == |
== Fictionalised appearances == |
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* (with Leena Nammari) The Long View (2011). |
* (with Leena Nammari) The Long View (2011). |
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*''Reworked Disasters'' (kfs,2012). |
*''Reworked Disasters'' (kfs,2012). |
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* (with [[Robert Sheppard]]) ''Liverpool (Hugs &) Kisses'' (ship of fools / pushtika, 2015). |
* (with [[Robert Sheppard (poet)|Robert Sheppard]]) ''Liverpool (Hugs &) Kisses'' (ship of fools / pushtika, 2015). |
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* ''covodes 1-19'' (artery editions, 2021). |
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'''Poetry Anthologies''' |
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* ''pertinent actions:poetic practice anthology'', co-edited with Briony Hughes (osmosis press, 2023). |
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'''Critical Work''' |
'''Critical Work''' |
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'''Monographs:''' |
'''Monographs:''' |
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*''Joseph Conrad: Betrayal and Identity (Macmillan, 1992). |
*''Joseph Conrad: Betrayal and Identity'' (Macmillan, 1992). |
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* ''Cross-Cultural Encounters in Joseph Conrad's Malay Fiction'' (Palgrave, 2000). |
* ''Cross-Cultural Encounters in Joseph Conrad's Malay Fiction'' (Palgrave, 2000). |
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* ''Conrad's Secrets'' (Palgrave Macmillan, 2012). |
* ''Conrad's Secrets'' (Palgrave Macmillan, 2012). |
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* ''Joseph Conrad'' (Reaktion Books, 2020). |
* ''Joseph Conrad'' (Reaktion Books, 2020). |
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* ''Joseph Conrad, Cosmopolitanism and Transnationalism'' (Palgrave, 2023). |
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'''Co-edited Volumes:''' |
'''Co-edited Volumes:''' |
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*(Co-edited with Peter Barry, ''New British poetries: The scope of the possible'' (Manchester |
*(Co-edited with Peter Barry), ''New British poetries: The scope of the possible'' (Manchester University Press, 1993). |
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*(Co-edited with Andrew Gibson), ''Conrad and Theory'' (Rodopi, 1998) |
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*(Co-edited with Tony Davenport), ''Ford Madox Ford: A Re-Appraisal'' (Rodopi, 2002). |
*(Co-edited with Tony Davenport), ''Ford Madox Ford: A Re-Appraisal'' (Rodopi, 2002). |
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*(Co-edited with Max Saunders), ''Ford Madox Ford's Modernity'' (Rodopi, 2003). |
*(Co-edited with Max Saunders), ''Ford Madox Ford's Modernity'' (Rodopi, 2003). |
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* (Co-edited with Katherine Isobel Baxter), ''Conrad and Language'' (Edinburgh University Press, 2016). |
* (Co-edited with Katherine Isobel Baxter), ''Conrad and Language'' (Edinburgh University Press, 2016). |
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* (Co-edited with cris cheek), ''The Allen Fisher Companion'' (Shearsman, 2020). |
* (Co-edited with cris cheek), ''The Allen Fisher Companion'' (Shearsman, 2020). |
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* (Co-edited with Veronique Pauly), ''The European Reception of Joseph Conrad'' (Bloomsbury, 2022). |
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* (Co-edited with Linda Dryden), ''Conrad's Cultural Legacy'' (Bloomsbury, 2024) |
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'''Editions''' |
'''Editions''' |
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''Sounds Anglo-American: Robert Vas Dias interviewed by Robert Hampson'', http://www.argotistonline.co.uk/SOUNDS%20ANGLO-AMERICAN.pdf |
''Sounds Anglo-American: Robert Vas Dias interviewed by Robert Hampson'', http://www.argotistonline.co.uk/SOUNDS%20ANGLO-AMERICAN.pdf |
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'''Videos''' |
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* Reading at the Other Room (28/04/2017): otherroom.org/tag/robert-hampson/ |
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* 'Heart of Darkness' lecture for Massolit: massolit.io/courses/conrad-heart-of-darkness-03c23bab-13c8-4af2-b284-c60a9bd104bf |
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* ''Heart of Darkness'' (March 2018): www.royalholloway.ac.uk |
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* ''Nostromo: El sueno imposibile de David Lean'': imdb.com/title/tt7947298/ (Spanish with subtitles) |
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* ''prof. Robert Hampson - Joseph Conrad Today'' (2021) (Polish) |
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* ''Reading Conrad in the Modern World: Conrad and Africa'' (7 April 2022): www.youtube.com |
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* ''Launching CLASP'' (13 May 2016): www.youtube.com |
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* ''Eric Mottram Remembered'' (12 October 2018): www.youtube.com |
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* ''innerview #264'' (with Gerry Fialka) (2023): www.youtube.com |
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==References== |
==References== |
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{{Reflist}} |
{{Reflist}} |
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==External links== |
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| ⚫ | |||
*Eric Mottram, 'The British Poetry Revival, 1960–1975' in Robert Hampson and Peter Barry, ''New British Poetries: The scope of the possible'' (Manchester University Press, 1993). |
*Eric Mottram, 'The British Poetry Revival, 1960–1975' in Robert Hampson and Peter Barry, ''New British Poetries: The scope of the possible'' (Manchester University Press, 1993). |
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*'The hard lyric: re-registering Liverpool poetry' in Peter Barry, ''Contemporary British Poetry and the City'' (Manchester University Press, 2000), 137–64. |
*'The hard lyric: re-registering Liverpool poetry' in Peter Barry, ''Contemporary British Poetry and the City'' (Manchester University Press, 2000), 137–64. |
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*Richard Price and David Miller, ''British Little Magazines'' (British Library Publications, 2006). |
*Richard Price and David Miller, ''British Little Magazines'' (British Library Publications, 2006). |
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* Neal Alexander, David Cooper (eds), ''Poetry & Geography: Space & Place in post-War Poetry'' (Oxford University Press) |
* Neal Alexander, David Cooper (eds), ''Poetry & Geography: Space & Place in post-War Poetry'' (Oxford University Press) |
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* http://www.archiveofthenow.org ArchiveoftheNow |
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* http://writing.upenn.edu/pennsound/ |
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* http://jacketmagazine.com |
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*{{cite web|last1=Hampson|first1=Robert|title=Seaport|publisher=Shearsman|url=http://www.shearsman.com/ws-public/upload/223_robert_hampson_seaport.pdf}} |
*{{cite web|last1=Hampson|first1=Robert|title=Seaport|publisher=Shearsman|url=http://www.shearsman.com/ws-public/upload/223_robert_hampson_seaport.pdf}} |
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| ⚫ | |||
* 'love's damage', Surrey Poetry Festival Magazine (2011) <<http://static1.1.sqspcdn.com/static/f/436447/12796874{{Dead link|date=May 2019 |bot=InternetArchiveBot |fix-attempted=yes }}>> |
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* 'sonnets 4 sophie' in ''Veer Vier'' <<epc.buffalo.edu/library/Veer-56-1014.pdf>> |
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*[[Edmund Hardy]] and [[Melissa Flores-Borquez]], 'Intellectual Labour' <<http://intercapillaryspace.blogspot.co.uk>> also at <<http://1blog.oqueasmeninaspensam.com{{Dead link|date=May 2019 |bot=InternetArchiveBot |fix-attempted=yes }}>> |
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* Hampson Archive, http://otherroom.org/tag/roberthampson{{Dead link|date=May 2019 |bot=InternetArchiveBot |fix-attempted=yes }} |
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* https://polyply.wordpress.com |
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| ⚫ | |||
* Stephen Regan, ''The Sonnet'' (Oxford University Press, 2019). |
* Stephen Regan, ''The Sonnet'' (Oxford University Press, 2019). |
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* Andrew Duncan, ''The Council of Heresy: A primer of poetry in a balkanised terrain'' (Shearsman Books, 2009). |
* Andrew Duncan, ''The Council of Heresy: A primer of poetry in a balkanised terrain'' (Shearsman Books, 2009). |
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[[Category:1948 births]] |
[[Category:1948 births]] |
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[[Category:Living people]] |
[[Category:Living people]] |
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[[Category:Academics of Royal Holloway, University of London]] |
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[[Category:Alumni of King's College London]] |
[[Category:Alumni of King's College London]] |
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[[Category:British editors]] |
[[Category:British editors]] |
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Latest revision as of 16:53, 20 October 2024
Robert Gavin Hampson FEA FRSA (born 1948) is a British poet and academic. Hampson was born and raised in Liverpool, studied in London and Toronto and settled in London. He is currently Professor Emeritus at Royal Holloway. He was Visiting Professor at the University of Northumbria (2018-21) and Research Fellow at the Institute for English Studies, University of London (2019-23). He is a member of the Poetics Research Centre and the Centre for GeoHumanities at Royal Holloway. He is well known for his contributions to contemporary innovative poetry and the international study of Joseph Conrad.
Early life and education
[edit]Robert Gavin Hampson was born in Liverpool in 1948. He studied English literature at King's College London between 1967 and 1970 and was awarded a Commonwealth Scholarship to complete a master's degree at University of Toronto.[1] He then returned to King's College, London, in 1971 where he completed a PhD on Joseph Conrad.
Poetry
[edit]During the 1970s he co-edited the poetry magazine Alembic with two other graduates from King's College, Peter Barry (poet) and Ken Edwards, and was a key figure in the second generation of the British Poetry Revival.[2] His poetry was published in Cid Corman's Origin, Alan Davies's 100 Posters, and in a range of other magazines during the 1970s. It was also included in the Arts Council's anthology, New Poetry 3 (1977). His work as one of the editors of Alembic has received attention in two books by Wolfgang Gortschacher - Little Magazine Profiles: The Little Magazines in Great Britain, 1939-1993 (University of Salzburg, 1993) and Contemporary Views on the Little Magazine Scene (Poetry Salzburg, 2000)- and, more recently, in an interview (with Ken Edwards) by Sophie Seita in the magazine mimeo mimeo (2014). This has now been republished as 'transatlantic axis of alembic' in Jacket2.[3]
His best-known work is probably his early long-poem, Seaport (Pushtika, 1995; Shearsman, 2008), composed during the 1970s, which has been written about by Peter Barry, Andrew Duncan, Amy Cutler, Neal Alexander and others. Barry's extended analysis of Seaport begins by noting its 'extensive use of "incorporated data" of various kinds', ranging from various literary sources (including works by Defoe, Melville, Hawthorne and Conrad) to 'historical accounts of the growth and development of the port, of the history of race relations in the city, newspaper accounts of local events and local guidebooks' (Contemporary British Poetry and the City, p.159). He concludes by describing this long poem as 'a large-scale vehicle of surprising flexibility which can accommodate the overtly political, the archival-historical and radically pared-down versions of poetry's more familiar affective modes' (Contemporary British Poetry and the City, p.162). Andrew Duncan similarly suggested that Seaport was 'a major work, where the recovery of pure facts without explanatory annotation allows the build up of a new understanding on the large scale' (The Council of Heresy, p. 29). Cutler argues that, in this work, Hampson 'shows the conflict between the different social typologies of space in the seaport'.[4] Neal Alexander draws attention to the poem's demonstration of how 'multiple channels of traffic have shaped the port of Liverpool over time' - the cotton trade, the slave trade, Irish emigration.[5] In the post 1939 section of the CUP English Literature in Context, John Brannigan describes Seaport as 'an important book for its extraordinary poetic account of the history and development of Liverpool'.[6]More recently, Phillip Jones has included discussion of Seaport in his 2018 Nottingham University PhD, 'Rewriting the Atlantic archipelago: Modern British poetry at the coast'.
Hampson's poetry has gone through various stages. The early work explored open-field poetics and what Peter Barry has called 'content-specific' poetics (in Seaport), but also treated text in How Nell Scored (1976) and 'on the trail' (1976). He subsequently explored self-conscious narrative and montage in his Godard-inspired film poems 'one plus one' (1980) and 'handy narratives' (1985); and a phrasal poetics (derived from Lyotard's 'The Differend' and his own critical engagement with the work of Adrian Clarke) in a human measure (1989) and unicorns: 7 studies in velocity (1989) - and subsequent volumes. This part of his career is represented in Assembled Fugitives (2001); some of the critical engagement with Clarke is evidenced in his essay 'Producing the Unknown' in New British poetries (1994); and Clarke, in turn, has discussed 'a human measure' and 'unicorns' in 'Robert Hampson and a Neo-Formalist Moment', his contribution to For Robert (2017), edited by Redell Olsen. More recent work by Hampson has been engaged in exploring the resources of the sonnet. His poetry has been translated into German, Italian and Rumanian. See, for example, Wolfgang Gortschacher & Ludwig Laher, So Also Ist Das: Eine Zweisprachige Anthologie Britischer Gegenswartslyrik (Haymon-Verlag, 2002), and the translation of the sequence 'Lou Mistrau' in the Italian journal Soglie (August 2014).
In 2012, his collection Reworked Disasters (knivesforksandspoons press) was long-listed for the Forward Prize. In his comprehensive study of the sonnet in English, The Sonnet (Oxford University Press, 2019), Stephen Regan discusses Reworked Disasters in relation to sonnets by Ken Edwards and Tony Lopez as examples of the contemporary avant-garde sonnet. He describes Hampson's 'serious political focus on global warfare, imperialism, and torture' in this 'linguistically discontinuous' fourteen-sonnet sequence. (The Sonnet, p. 382).Hampson's more recent work includes 'love's damage', which was published in the Surrey Poetry Festival Magazine (21.05.11), edited by Amy De'Ath and Jonty Tiplady;[7] 'sonnets 4 sophie' first published in Veer Vier (September 2013),[8] while an explanation of colours was reviewed by Edmund Hardy and Melissa Flores-Borquez in Intercapillary Space[9] and out of sight (crater, 2012) and Liverpool (hugs &) kisses, his 2014 collaboration with Robert Sheppard, are reviewed on the 'other room' website.[10] In their review of out of sight, the Institute of Electronic Crinolines referred to 'The artificial highs of Robert Hampson's noir on overload' and described the text as evoking 'a knowingly flimsy fantasy of what resistance to all forms of identification might be like'.[11] More recently, he has contributed to Robert Sheppard's European Union of Imaginary Author's project through a collaboration with Sheppard. This collaboration is included in Robert Sheppard (ed.) Twitters for a Lark: Poetry of the European Union of Imaginary Authors (Shearsman, 2017).
His sequence 'Volupte: 22 Constructions for Ewald Matare' is included in the Spring 2021 issue of Long Poem Magazine,[12] and the volume Covodes 1-19 was published in December 2021 by Artery editions.[13] Some of the Covodes have been published in Molly Bloom[14] and junction box,[15] and a recording of a performance of some of the Covodes (with accompaniment by cellist Jo Levi) at the 2021 Surrey Poetry Festival is available at vimeo.com/556947245. A full recording of Covodes 1-19 and Levy's 'Suite for Solo Cello' is available at www.arteryeditions.bandcamp.com.In a review of recent poetry, Billy Mills (poet) has commented on Covodes: 'Hampson folds his multiple concerns into a single nexus with the multiple challenges that confront this ambition for equity that should underpin our society ... Against which we see the prevailing influence of money and power'.[16] A selection from Covodes 1-19 (translated into Italian by Marzia Dati) was published in Soglie, XXII, 1-2 (April–August 2020), and an interview with Robert Hampson about Covodes 1-19 by Belinda Giannessi was published in the Tears in the Fence blog (http://tearsinthefence.com/blog).
In the 2024 'unfinishing' podcast, 'Publishing an unfinished poem (twice)', Hampson discusses (with Emily Anderson) finishing, unfinished, the unfinished and the finished unfinished in relation to his critical and creative practices: https://open.spotify.com/show/1ez2Ji4YEwBSm7uzpZ5nzC [17]
Scholarship
[edit]Poetry criticism and creative writing
[edit]Hampson taught at Royal Holloway, University of London, from 1973, and was Professor of Modern Literature there from 2000. From 2016 to 2019, he was Distinguished Teaching and Research Fellow in the Department of English at Royal Holloway. He was Visiting Professor at the University of Northumbria (2018-21) and Research Fellow at the Institute for English Studies, University of London (2019-23). He is currently Professor Emeritus at Royal Holloway, University of London.
He has contributed to the critical discourse about recent and contemporary poetry - most visibly through a series of co-edited books: The New British poetries: The scope of the possible (Manchester University Press, 1993), co-edited with Peter Barry, which was described as a pioneering work in the field;[18] Frank O'Hara Now: New Essays on the New York Poet (Liverpool University Press, 2010) co-edited with Will Montgomery;[19] Clasp: Late modernist poetry in London in the 1970s (Shearsman, 2016), co-edited with Ken Edwards; and The Allen Fisher Companion (Shearsman, 2020), co-edited with Cris Cheek.[20] In their essay for The Year's Work in English Studies, K. O'Hanlon describes Clasp as 'essential reading for anyone interested in getting to grips with post-war poetry and the avant garde'.[21] Lyndon Davies begins his lengthy review of The Allen Fisher Companion in the Journal of British and Irish Innovative Poetics (13 [1]) with the observation: 'Most of whatever it is you might look for in a companion to the work of a poet / artist as multifariously challenging as Allen Fisher, this book supplies in spades'.[22]
During his time as head of the Department of English, Hampson founded the MA in poetic practice at Royal Holloway, University of London, with Redell Olsen in 2002 and the MA in creative writing with Andrew Motion in 2003.[23] With Helen Carr and others, he was instrumental in bringing about the regulation change which enabled the introduction of creative writing into the University of London PhD. He has regularly taught on the poetic practice pathway, and he was director of the MA in creative writing for 2016–17. Graduates of the creative writing programme whom he taught include the novelists Tahmima Anam, Adam O'Riordan, Anna Whitwham and Sarah Perry and the poets Robert Selby and Declan Ryan.[24] Graduates of the poetic practice programme whom he taught include Elizabeth-Jane Burnett,[25] Prudence Chamberlain,[26] Becky Cremin,[citation needed] Frances Kruk,[citation needed] Ryan Ormonde,[citation needed] Jooyeon Park,[27] Nisha Ramayya,[28]Sophie Robinson,[citation needed] Karenjit Sandhu [29] and Steven Willey.[citation needed] He also co-supervised the PhDs of Karen McCarthy Woolf, Mary Jean Chan and Agnieszka Studzinska. He recently co-edited pertinent actions (Osmosis Press, 2023) with Briony Hughes, an anthology of work by alumni of the Poetic Practice programme (with a Foreword by Marjorie Perloff).[30]
He has also made a significant contribution to innovative poetry in London as the organiser of events and conferences and as the convenor and curator of two important seminar series. In the 1970s he organised a short reading series, Future Events, at The White Swan in Covent Garden with Ken Edwards and Mike Dobbie. At the end of the 1970s, he and Erik Vonna-Michel organised three one-day 'Saturday Courses' at Lower Green Farm: Bob Cobbing, Allen Fisher and Eric Mottram were the subjects of the different days. (See Ken Edwards's account of Lower Green Farm in Clasp and in his memoir Wild Metrics.) In the 1980s, he organised two conferences on Contemporary innovative Poetry at the Centre for English Studies in the University of London Senate House, and, in the 1990s, he facilitated the six SVP Colloquia that took place there (organised by Lawrence Upton). In 1999, he was asked to take over the TALKS series that Bob Perelman had established at King's College, London, during Pereleman's year as a visiting professor there. Hilda Bronstein has given an account of the early years of the London TALKS series in How2[31] The TALKS series continued for some years at King's under Hampson's direction and then moved to Birkbeck College, University of London, where Redell Olsen and Frances Presley were co-organisers with him. It was superseded by the Contemporary Innovative Poetry Research Seminar, which he runs with Amy Evans Bauer at the University of London Institute for English Studies. In 2004, he set up the Runnymede International Literary Festival in collaboration with Royal Holloway and Runnymede Borough Council. He has continued to be the Festival Director. For some years (2010-16), the Festival transferred some of it activities to Central London as 'Runnymede in London' through collaboration with the Centre for Creative Collaboration (c4cc),[32] which also provided the venue for Polyply, the event series run by Redell Olsen, Will Montgomery and Kristen Kreider.[33]
In 2010–11, he collaborated with the Palestinian visual artist, Leena Nammari, on a concertina book, The Long View, as part of the Beyond Text project.[34] During 2014, he curated an event series, Amid the Ruins, with Carrie Foulkes at the Daniel Blau Gallery, Hoxton Square, London.[10] In 2017, on the occasion of his retirement from full-time teaching, Redell Olsen edited For Robert: An Anthology (RHUL Poetics Research Centre / The Institute of the Electric Crinolines).[35]
Joseph Conrad Scholarship
[edit]He has also pursued a parallel career as a Conrad scholar and editor with four monographs on Joseph Conrad: Joseph Conrad: Betrayal and Identity (1992), Cross-Cultural Encounters in Joseph Conrad's Malay Fiction (2000), Conrad's Secrets (2013), and Joseph Conrad, Cosmopolitanism and Transnationalism. Conrad's Secrets received the first-place prize for the Adam Gillon Award (2015) from the Joseph Conrad Society of America for the best recent work on Joseph Conrad. In 2017, he received the Ian P. Watt Award from the Joseph Conrad Society of America for excellence in Conrad studies. Previous recipients of this life-long achievement award include Norman Sherry and J. Hillis Miller.[36] He has subsequently been awarded the third-place prize for the Adam Gillon Award (2018) for the collection of essays, Conrad and Language (Edinburgh U. P. 2016), which he co-edited with Katherine Isobel Baxter. In 2020, he published a critical biography, Joseph Conrad, in the Critical Lives series from Reaktion Books. Maya Jasanoff describes it as 'insightful, judicious and elegant': 'Joseph Conrad marvellously distils a lifetime of learning by one of the world's leading Conrad scholars. This is the best short guide to Conrad's life available'. His most recent publications include The Reception of Joseph Conrad in Europe (Bloomsbury, 2022), co-edited with Veronique Pauly; Joseph Conrad, Cosmopolitanism and Transnationalism (Palgrave Macmillan, 2024), which traces the progression from cosmopolitanism to transnational activism in Conrad's works; and Joseph Conrad's Cultural Legacy (Bloomsbury, 2024).
He was editor of The Conradian (1989–96) and co-edited Conrad and Theory with Andrew William Gibson (Rodopi, 1998). He also edited various Conrad texts – Lord Jim (1986), Victory (1989), Heart of Darkness (1995) – for Penguin books, as well as Rudyard Kipling's Something of Myself (1987) and Soldiers Three/ In Black & White (1993) and Rider Haggard's King Solomon's Mines (2000).[1] His edition of Heart of Darkness for Penguin included the first accurate transcription of Conrad's 'Congo Diary' and was the first to use the 'Carte des routes de portage' (1894), which was supplied to Belgian State Officials for the journey up-river from Matadi, to annotate Conrad's account of the same journey, which he undertook four years earlier. He also edited Nostromo and co-edited (with Andrew Purssell), Ford Madox Ford's Parade's End and Conrad's Lingard Trilogy for Wordsworth. (A short lecture by him on Heart of Darkness is available on https://www.massolit.io/lecturers/119. A longer lecture is available on YouTube:https://www.youtube.com/watch?v=-Ni4qpFdyG4. The lecture he gave on 'Joseph Conrad Today' for the launch of the Joseph Conrad Fellowship in Warsaw in December 2021 is available on YouTube: youtube.com/watch?v=NeE6Ugg7fEU. And the lecture he gave to PUNO (The Polish University Abroad) on 'Conrad, Colonialism and Africa' in March 2022 is also available on YouTube:https://www.youtube.com/watch?v=CMqUe1YtoYw.) A lecture he gave in March 2022 for St Mary's University on 'Joseph Conrad in the Modern World: Conrad and Africa', discussing 'Heart of Darkness and 'An Outpost of Progress' is also available on YouTube: https://www.youtube.com/watch?v=FrUiOo2dPds. In June 2024, he gave the T. S. Eliot Memorial Lecture at the University of Kent: his subject was 'Joseph Conrad: From Cosmopolitanism to Transnational Activism'.[37] He co-edited (with Helen Chambers) Guy de Maupassant's Mademoiselle Perle and other stories (riverrun, 2020), a selection from the translations made by Elsie Martindale and Ada Galsworthy, which were first published in 1903 and 1904 respectively. Conrad was in touch with both Elsie Martindale and Ada Galsworthy about their translations. Hampson was elected Chair of the Joseph Conrad Society(UK) in 2015.[38]
He was an adviser for ''Hanyut'' (film), a film by the prize-winning Malaysian director U-Wei Haji Saari, based on Conrad's first novel, Almayer's Folly.[39] He also appears in the 2018 TCM documentary, El sueno imposible de David Lean, an exploration of David Lean's long-held plan to adapt Conrad's masterpiece Nostromo as a film <https://youtube.com/watch?v-O2eDIM5XnOU[permanent dead link]> and in Sladami Conrada (In the footsteps of Conrad) on Polish television. In 2019, the Polish television series Chuligan Literacki (Literary Hooligan) devoted two successive programmes to his work on Joseph Conrad. This series, on TVP Kultura, presented fifteen programmes on 'the most outstanding English writers, philosophers and historians', and included programmes on Quentin Skinner, Antony Beevor and others. The programmes are available on vod.tvp.pl/video/chuligan-literacki.roberthampson-cz-1,40566562.
Academic service
[edit]In addition, he has undertaken various forms of service to the academic community. He was a panel member for the RAE 2008 and the REF 2014. He was also a panel member for the Rumanian and Hong Kong RAEs. He was a member of the QAA Benchmarking Group for Creative Writing and is currently a member of the Practice Research Advisory Group;[40] the Out of Practice Collective based at the IES; the European Science Foundation Panel of Experts; the Commonwealth Scholarship Commission Advisory Committee; and the Fonds Wetenschappelijk Onderzoek (Research Foundation, Flanders)..
Personal life
[edit]His first wife was the Bengali children's writer Sibani Raychaudhuri. In Kolkotta, her early work was published in the children's magazine Shondesh edited by Satyajit Ray. In London she was on the Committee of the South Asian Literary Society (founded by Ranjana Ash) and a member of the Asia Women Writers' Collective.[41] She published translations of Bengali poetry, produced jointly with Hampson, in the London Magazine and the TLS; short stories in Spare Rib; and poems and stories in the two anthologies produced by the Collective: Write of Way (The Women's Press, 1988) and Flaming Spirit (Virago, 1994).[42] Hampson later married the George Eliot critic Gerlinde Roder-Bolton.
Fictionalised appearances
[edit]He appears as 'a Conrad specialist in London by the name of X' in Jenny Diski's Skating to Antarctica (1997), and he and his colleague Andrew Gibson (Andrew William Gibson) also make an appearance (lightly disguised) in Adam Roberts's 2003 science-fiction novel, Polystom.[43]
Publications
[edit]Poetry
- Degrees of Addiction (London: Share, 1975).
- How Nell Scored (London: Poet & Peasant, 1976).
- A Necessary Displacement (Orpington: Pushtika, 1978).
- A Feast of Friends (Durham: Pig Press, 1982).
- A City at War (London: Northern Lights, 1985).
- (with David Miller) Nevsky Prospekt (Dublin: hardPressed poetry, 1988).
- A human measure (Dublin: hardPressed poetry, 1989).
- Unicorns: 7 Studies in Velocity (London: Pushtika, 1989).
- (with Gerlinde Roder-Bolton) Dingo (London: Pushtika Press, 1994).
- Seaport: interim edition (Woking: Pushtika Press, 1995)..
- (with Gerlinde Roder-Bolton), higher densities: a new hampshire sampler (Woking: Pushtika Press, 1996).
- C for Security (Woking: Pushtika Press, 2001).
- Pentimento (Pushtika Press, 2005).
- out of sight (Crater Press, 2012.)
- Assembled fugitives: selected poems, 1973–1998 (Exeter: Stride Press, 2001).
- Seaport (Shearsman, 2008).
- an explanation of colours (Veer Books, 2010).
- (with Leena Nammari) The Long View (2011).
- Reworked Disasters (kfs,2012).
- (with Robert Sheppard) Liverpool (Hugs &) Kisses (ship of fools / pushtika, 2015).
- covodes 1-19 (artery editions, 2021).
Poetry Anthologies
- pertinent actions:poetic practice anthology, co-edited with Briony Hughes (osmosis press, 2023).
Critical Work
Monographs:
- Joseph Conrad: Betrayal and Identity (Macmillan, 1992).
- Cross-Cultural Encounters in Joseph Conrad's Malay Fiction (Palgrave, 2000).
- Conrad's Secrets (Palgrave Macmillan, 2012).
- Joseph Conrad (Reaktion Books, 2020).
- Joseph Conrad, Cosmopolitanism and Transnationalism (Palgrave, 2023).
Co-edited Volumes:
- (Co-edited with Peter Barry), New British poetries: The scope of the possible (Manchester University Press, 1993).
- (Co-edited with Andrew Gibson), Conrad and Theory (Rodopi, 1998)
- (Co-edited with Tony Davenport), Ford Madox Ford: A Re-Appraisal (Rodopi, 2002).
- (Co-edited with Max Saunders), Ford Madox Ford's Modernity (Rodopi, 2003).
- (Co-edited with Will Montgomery), Frank O'Hara Now (Liverpool University Press, 2010).
- (Co-edited with Ken Edwards), Clasp: late modernist poetry in London in the 1970s (Shearsman, 2016).
- (Co-edited with Katherine Isobel Baxter), Conrad and Language (Edinburgh University Press, 2016).
- (Co-edited with cris cheek), The Allen Fisher Companion (Shearsman, 2020).
- (Co-edited with Veronique Pauly), The European Reception of Joseph Conrad (Bloomsbury, 2022).
- (Co-edited with Linda Dryden), Conrad's Cultural Legacy (Bloomsbury, 2024)
Editions
- Joseph Conrad, Lord Jim (edited by Cedric Watts; textual editing by Hampson), Penguin Books, 1986.
- Rudyard Kipling, Something of Myself (with an Introduction by Richard Holmes), Penguin Books, 1987.
- Joseph Conrad, Victory, Penguin Books, 1989.
- Rudyard Kipling, Soldiers Three / In Black and White (with an Introduction by Salman Rushdie), Penguin Books, 1993.
- Joseph Conrad, Heart of Darkness with The Congo Diary, Penguin Books, 1995.
- Joseph Conrad, Nostromo (with an Introduction and Notes by Hampson), Wordsworth Classics, 2000.
- Rider Haggard, King Solomon's Mines (with a Preface by Giles Foden), Penguin Books, 2007.
- Joseph Conrad, Heart of Darkness (edited by Owen Knowles with The Congo Diary edited by Hampson), Penguin Books, 2007.
- Joseph Conrad & Ford Madox Ford, The Nature of a Crime, ReScript Books, 2012.
- Ford Madox Ford, Parade's End (with an Introduction by Robert Hampson and Andrew Purssell), Wordsworth Books, 2013.
- Joseph Conrad, Victory (with a Preface by John Gray and 1989 Introduction by Hampson), Penguin Books, 2015.
- Joseph Conrad, The Lingard Trilogy (Introduction by Andrew Purssell, Notes by Hampson), Wordsworth Classics, 2016.
- Joseph Conrad, Almayer's Folly (Ukrainian translation; Introduction by Hampson), Tempora, 2018.
- Joseph Conrad, The Secret Agent (Ukrainian translation; Introduction by Hampson), Tempora, 2018.
- Guy de Maupassant, Mademoiselle Perle and other stories (Preface by Helen Chambers and Hampson), riverrun, 2020.
e-books
Sounds Anglo-American: Robert Vas Dias interviewed by Robert Hampson, http://www.argotistonline.co.uk/SOUNDS%20ANGLO-AMERICAN.pdf
Videos
- Reading at the Other Room (28/04/2017): otherroom.org/tag/robert-hampson/
- 'Heart of Darkness' lecture for Massolit: massolit.io/courses/conrad-heart-of-darkness-03c23bab-13c8-4af2-b284-c60a9bd104bf
- Heart of Darkness (March 2018): www.royalholloway.ac.uk
- Nostromo: El sueno imposibile de David Lean: imdb.com/title/tt7947298/ (Spanish with subtitles)
- prof. Robert Hampson - Joseph Conrad Today (2021) (Polish)
- Reading Conrad in the Modern World: Conrad and Africa (7 April 2022): www.youtube.com
- Launching CLASP (13 May 2016): www.youtube.com
- Eric Mottram Remembered (12 October 2018): www.youtube.com
- innerview #264 (with Gerry Fialka) (2023): www.youtube.com
References
[edit]- ^ a b Robert Hampson rhul.ac.uk Archived 10 February 2019 at the Wayback Machine [dead link]
- ^ Miller/ Price, David/ Richard (2006). British Poetry Magazines 1914–2000. The British Library. p. 127. ISBN 978-0-7123-4941-3.
- ^ jacket2.org/interviews/transatlantic-axis-alembic
- ^ Amy Cutler, 'Language Disembodied: The Coast and Forest in Modern British Poetry', Ph.D. Royal Holloway, University of London, 2017, p.166.
- ^ Neal Alexander, 'The Poetry of Ports' in Neal Alexander and David Cooper (eds), Poetry and Geography: Space and Place in Postwar Poetry, Liverpool University Press, 2013, p.126.
- ^ John Brannigan, 'Twentieth and Twenty-first Century Literature, 1939-2015', in Paul Poplawski (ed.) English Literature in Context, Cambridge University Press, 2017, p.582.
- ^ [static1.1.sqspcdn.com/static/f/436447/12796874 The Sonnet]
- ^ [epc.buffalo.edu/library/Veer-56-1014.pdf Veer] EPC resources [dead link]
- ^ Intercapillary Space [permanent dead link]. blogspot.co.uk
- ^ a b http://otherroom.org/tag/roberthampson[permanent dead link]
- ^ [instituteofelectroniccrinolines.org Institute of Electronic Crinolines] [dead link]
- ^ "Long Poem Magazine". Retrieved 23 November 2023.
- ^ [mercurius.one/home/robert-hampson Poetry of Life by Robert Hampson] mercurius.one
- ^ [mollybloom23.weebly.com/robert-hampson.html Robert Hampson] mollybloom23.weebly.com
- ^ glasfrynproject.org.uk
- ^ "Recent Reading February 2022". 22 February 2022.
- ^ "Unfinishing". Spotify.
- ^ Hampson, Robert; Barry, Peter (1993). New British poetries : the scope of the possible. Manchester [England]: Manchester University Press. ISBN 0-7190-3485-X. OCLC 27726596.
- ^ Hampson, Robert; Montgomery, Will (2010). Frank O'Hara now : new essays on the New York poet. Liverpool. ISBN 978-1-84631-606-7. OCLC 875227758.
{{cite book}}: CS1 maint: location missing publisher (link) - ^ Hampson, Robert; Cheek, Cris (2020). The Allen Fisher companion. Swindon. ISBN 978-1-84861-626-4. OCLC 1150950796.
{{cite book}}: CS1 maint: location missing publisher (link) - ^ K. O'Hanlon, 'Modern Literature: British Poetry Post-1950', YWES, 97.1 (2018), 995-1010.
- ^ Toms, David (2021). "Book Reviews Robert Kiely reviewed by David Toms, the Allen Fisher Companion reviewed by Lyndon Davies". Journal of British and Irish Innovative Poetry. 13. doi:10.16995/bip.3030. S2CID 242867358.
- ^ "Robert Hampson, FEA, FRSA". Royal Holloway, University of London.
- ^ "Professor Robert Hampson - Research - Royal Holloway, University of London".
- ^ "Elizabeth-Jane Burnett Royal Holloway Profile". Royal Holloway Research Portal.
- ^ "Dr Prudence Bussey-Chamberlain - Research - Royal Holloway, University of London".
- ^ "Joo Yeon Park | DAC Artists Info | Exhibitions".
- ^ qmul.ac.uk/sed/staff/ramayya.html
- ^ "Miss Karen Sandhu - Research - Royal Holloway, University of London".
- ^ osmosispress.com/publications/
- ^ "HOW2".
- ^ "#C4CC Launch 21.6.10 - Professors Robert Hampson and Ahuvia Kahane, Royal Holloway".
- ^ "POLYply".
- ^ http://www.poetrybeyond[permanent dead link] text.org/hampson-namari
- ^ https://institute Archived 5 December 2017 at the Wayback Machine of electric crinolines.org
- ^ josephconrad.org/News/news.html
- ^ kent.ac.uk/whats-on/event/67362/joseph-conrad-from-cosmopolitanism-to-transnational-activism
- ^ "Joseph Conrad Society (UK)".
- ^ "- YouTube". YouTube.
- ^ http://pure.royalholloway.ac.uk/portal/en/persons/robert-hampson[permanent dead link]
- ^ Write of Way, The Women's Press, 1988, p.164.
- ^ Flaming Spirit, Virago, 1994, p.201.
- ^ "Polystom | www.AdamRoberts.com". Archived from the original on 17 November 2014. Retrieved 30 June 2015.
External links
[edit]- "Robert Hampson".
- Eric Mottram, 'The British Poetry Revival, 1960–1975' in Robert Hampson and Peter Barry, New British Poetries: The scope of the possible (Manchester University Press, 1993).
- 'The hard lyric: re-registering Liverpool poetry' in Peter Barry, Contemporary British Poetry and the City (Manchester University Press, 2000), 137–64.
- Viannu, Lidia. "Interview with Robert Hampson".
- Wolfgang Gortschacher, Little Magazine Profiles (University of Salzburg, 1993), pp. 163–65.
- Wolfgang Gortschacher, Contemporary Views on the Little Magazine Scene (Poetry Salzburg, 2000), pp. 388–424
- Richard Price and David Miller, British Little Magazines (British Library Publications, 2006).
- Neal Alexander, David Cooper (eds), Poetry & Geography: Space & Place in post-War Poetry (Oxford University Press)
- Hampson, Robert. "Seaport" (PDF). Shearsman.
- For Robert: an anthology
- Stephen Regan, The Sonnet (Oxford University Press, 2019).
- Andrew Duncan, The Council of Heresy: A primer of poetry in a balkanised terrain (Shearsman Books, 2009).
- Ken Edwards, Wild Metrics, Grand Iota, 2019.
