Wilhelm Middelschulte: Difference between revisions
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{{Short description|German organist and composer}} |
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{{Infobox musical artist |
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| birth_date = {{Birth date|1863|04|03}} |
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| birth_place = Werve, [[Hamm, North Rhine-Westphalia|Kreis Hamm]], [[Kingdom of Prussia]] |
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| death_date = {{Death date and age|1943|05|04|1863|04|03}} |
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| death_place = [[Dortmund]], Germany |
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| genre = [[Classical music|Classical]] |
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| occupation = Organist, composer |
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| instrument = [[Pipe organ|Organ]] |
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==Life== |
==Life== |
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⚫ | Middelschulte initially studied organ with August Knabe. He later attended the Royal Academic Institute for Church Music, where he studied organ and theory with August Haupt. After briefly holding a position at the Royal Institute and acquiring a post at the |
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⚫ | Middelschulte initially studied organ with August Knabe. He later attended the {{ill|Royal Academic Institute for Church Music, Berlin|lt=Royal Academic Institute for Church Music|de|Königliches Musik-Institut Berlin}}, where he studied organ and theory with [[August Haupt]]. After briefly holding a position at the Royal Institute and acquiring a post at the {{ill|St. Luke Church, Berlin|lt=St. Luke Church|de|St.-Lukas-Kirche (Berlin)}} in Berlin, he moved to Chicago in 1891. In 1893, he gave three performances entirely from memory at the Columbian Exposition. From 1896 to 1918 he was organist for what would later become the [[Chicago Symphony Orchestra]]. During the 1920s, he regularly returned to his native Germany to give performances. He is regarded as one of the most significant organists of his time, and was critically acclaimed for his performances of [[Johann Sebastian Bach]]. In 1939, after nearly fifty years in America, Middelschulte returned to Germany, where he died only four years later. |
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Fox frequently used as an encore to his performances Middelschulte's "[[Perpetum Mobile]]", an elaborate piece played completely on the pedals. |
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Fox frequently used as an encore to his performances Middelschulte's "[[Perpetuum Mobile]]", an elaborate piece that builds from a subdued sound to, by the end, fortissimo and played almost entirely on the pedals; the penultimate measure contains an ascending scalar flourish and the last measure a single chord, both played on full organ. |
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[[Ferruccio Busoni]]'s ''[[Fantasia contrappuntistica]]'' was dedicated to "Wilhelm Middelschulte, Meister der Kontrapunkte". |
[[Ferruccio Busoni]]'s ''[[Fantasia contrappuntistica]]'' was dedicated to "Wilhelm Middelschulte, Meister der Kontrapunkte". |
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==References== |
==References== |
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*Die Musik in Geschichte und Gegenwart: Middelschulte, Wilhelm. Musik in Geschichte und Gegenwart, |
*Die Musik in Geschichte und Gegenwart: Middelschulte, Wilhelm. Musik in Geschichte und Gegenwart, p. 51023 (cf. MGG vol. 16, p. 1276) Bärenreiter-Verlag 1986 |
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*Brink Bush, "Middelschulte, Wilhelm". Grove Music Online, ed. L. Macy. (Accessed 28 December 2007.)[http://www.grovemusic.com] |
*Brink Bush, "Middelschulte, Wilhelm". Grove Music Online, ed. L. Macy. (Accessed 28 December 2007.)[http://www.grovemusic.com] |
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* {{IMSLP|id=Middelschulte, Wilhelm}} |
* {{IMSLP|id=Middelschulte, Wilhelm}} |
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| ALTERNATIVE NAMES = |
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| DATE OF BIRTH = April 3, 1863 |
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| DATE OF DEATH = May 4, 1943 |
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{{DEFAULTSORT:Middelschulte, Wilhelm}} |
{{DEFAULTSORT:Middelschulte, Wilhelm}} |
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[[Category:1863 births]] |
[[Category:1863 births]] |
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[[Category:1943 deaths]] |
[[Category:1943 deaths]] |
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[[Category:People from Kamen]] |
[[Category:People from Kamen]] |
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[[Category:German composers]] |
[[Category:German Romantic composers]] |
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[[Category: |
[[Category:20th-century German classical composers]] |
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[[Category:German classical organists]] |
[[Category:German classical organists]] |
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[[Category:People from the Province of Westphalia]] |
[[Category:People from the Province of Westphalia]] |
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[[Category:Composers for pipe organ]] |
[[Category:Composers for pipe organ]] |
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[[Category:German expatriates in the United States]] |
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[[Category:Pupils of Bernhard Ziehn]] |
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[[Category:20th-century German male musicians]] |
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[[Category:19th-century German male musicians]] |
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[[Category:German male classical organists]] |
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{{Germany-composer-stub}} |
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[[de:Wilhelm Middelschulte]] |
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{{organist-stub}} |
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[[ru:Миддельшульте, Вильгельм]] |
Latest revision as of 00:52, 6 November 2024
Wilhelm Middelschulte | |
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Born | Werve, Kreis Hamm, Kingdom of Prussia | April 3, 1863
Died | May 4, 1943 Dortmund, Germany | (aged 80)
Genres | Classical |
Occupation(s) | Organist, composer |
Instrument | Organ |
Wilhelm Middelschulte (April 3, 1863, Werve, Kreis Hamm, now part of Kamen – May 4, 1943, Dortmund) was a German organist and composer who resided in America for most of his career.
Life
[edit]Middelschulte initially studied organ with August Knabe. He later attended the Royal Academic Institute for Church Music , where he studied organ and theory with August Haupt. After briefly holding a position at the Royal Institute and acquiring a post at the St. Luke Church in Berlin, he moved to Chicago in 1891. In 1893, he gave three performances entirely from memory at the Columbian Exposition. From 1896 to 1918 he was organist for what would later become the Chicago Symphony Orchestra. During the 1920s, he regularly returned to his native Germany to give performances. He is regarded as one of the most significant organists of his time, and was critically acclaimed for his performances of Johann Sebastian Bach. In 1939, after nearly fifty years in America, Middelschulte returned to Germany, where he died only four years later.
His students included Virgil Fox and Cecilia Clare Bocard. See: List of music students by teacher: K to M#Wilhelm Middelschulte. Fox frequently used as an encore to his performances Middelschulte's "Perpetuum Mobile", an elaborate piece that builds from a subdued sound to, by the end, fortissimo and played almost entirely on the pedals; the penultimate measure contains an ascending scalar flourish and the last measure a single chord, both played on full organ.
Ferruccio Busoni's Fantasia contrappuntistica was dedicated to "Wilhelm Middelschulte, Meister der Kontrapunkte".
References
[edit]- Die Musik in Geschichte und Gegenwart: Middelschulte, Wilhelm. Musik in Geschichte und Gegenwart, p. 51023 (cf. MGG vol. 16, p. 1276) Bärenreiter-Verlag 1986
- Brink Bush, "Middelschulte, Wilhelm". Grove Music Online, ed. L. Macy. (Accessed 28 December 2007.)[1]
External links
[edit]
- 1863 births
- 1943 deaths
- People from Kamen
- German Romantic composers
- 20th-century German classical composers
- German classical organists
- People from the Province of Westphalia
- Composers for pipe organ
- German expatriates in the United States
- German male classical composers
- Pupils of Bernhard Ziehn
- 20th-century German male musicians
- 19th-century German male musicians
- German male classical organists
- German composer stubs
- Organist stubs