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In 2000, Jim Shaw staged a show at the [[Institute of Contemporary Arts|ICA]], London, of ''Thrift Store Paintings''&mdash;paintings he had collected by (mostly anonymous) amateur artists in America. Some reactions to this show included Adrian Searle of the ''The Guardian'' stating "The paintings are awful, indefensible, crapulous…", "these people can't draw, can't paint; these people should never be left alone with a paintbrush", and "The Thrift Store Paintings are fascinating, alarming, troubled and funny. Scary too, just like America."<ref name=thrift>[http://www.artrumour.com/Newsletter/newsletter2.htm "What the Critics Say &ndash; Jim Shaw at the ICA", newsletter 2, artrumour.com, October 23, 2000] Retrieved March 28, 2006.</ref> For [[Sarah Kent]] of ''Time Out'': "Critics professing to be gobsmacked by these efforts can never have seen an amateur art show or walked along the railings of the Bayswater road. They should get out more."<ref name="thrift"/>
In 2000, Jim Shaw staged a show at the [[Institute of Contemporary Arts|ICA]], London, of ''Thrift Store Paintings''&mdash;paintings he had collected by (mostly anonymous) amateur artists in America. Some reactions to this show included Adrian Searle of the ''The Guardian'' stating "The paintings are awful, indefensible, crapulous…", "these people can't draw, can't paint; these people should never be left alone with a paintbrush", and "The Thrift Store Paintings are fascinating, alarming, troubled and funny. Scary too, just like America."<ref name=thrift>[http://www.artrumour.com/Newsletter/newsletter2.htm "What the Critics Say &ndash; Jim Shaw at the ICA", newsletter 2, artrumour.com, October 23, 2000] Retrieved March 28, 2006.</ref> For [[Sarah Kent]] of ''Time Out'': "Critics professing to be gobsmacked by these efforts can never have seen an amateur art show or walked along the railings of the Bayswater road. They should get out more."<ref name="thrift"/>

In 2012-13, Jim Shaw exhibited his first UK retrospective at the BALTIC Centre for Contemporary Art in Gateshead, England. <ref>Searle, Adrian. (8 November 2012) [http://www.guardian.co.uk/artanddesign/2012/nov/08/artist-jim-shaw-rinse-cycle?intcmp=239 "Artist Jim Shaw stuffs American pop culture through the Rinse Cycle"]. <em>Guardian</em>. Retrieved 24 November 2012.</ref>


==Music==
==Music==

Revision as of 12:59, 24 November 2012

File:'Horror a Vacui -45', ink on canvas by Jim Shaw, 1991, HMA.JPG
Horror a Vacui #45, ink on canvas by Jim Shaw, 1991, Honolulu Museum of Art

Jim Shaw (born 1952) is a contemporary American artist, born in Midland, MI.[1] He received his B.F.A. from University of Michigan in 1974 and his M.F.A. from the California Institute of the Arts in 1978. Shaw lives and works in Los Angeles, CA and is married to another Los Angeles-based artist, Marnie Weber. His 1991 ink on canvas work Horror a Vacui #45 is in the collection of the Honolulu Museum of Art. Jim Shaw is represented by the Simon Lee Gallery in London.

Art exhibitions

In 2000, Jim Shaw staged a show at the ICA, London, of Thrift Store Paintings—paintings he had collected by (mostly anonymous) amateur artists in America. Some reactions to this show included Adrian Searle of the The Guardian stating "The paintings are awful, indefensible, crapulous…", "these people can't draw, can't paint; these people should never be left alone with a paintbrush", and "The Thrift Store Paintings are fascinating, alarming, troubled and funny. Scary too, just like America."[2] For Sarah Kent of Time Out: "Critics professing to be gobsmacked by these efforts can never have seen an amateur art show or walked along the railings of the Bayswater road. They should get out more."[2]

In 2012-13, Jim Shaw exhibited his first UK retrospective at the BALTIC Centre for Contemporary Art in Gateshead, England. [3]

Music

As an art student in Ann Arbor, he helped form the protopunk group Destroy All Monsters along with Mike Kelley, Niagara and filmmaker Cary Loren in 1973. He left the band in 1976 and played with the original line up in reunion shows in 1995.

References

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