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== '''History and Work''' == |
== '''History and Work''' == |
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Slavs and Tatars was founded in 2005 and their first pieces were exclusively in print media: namely, the [[Slavs Poster]] (2005) and the [[Nations]] (2007) series both of which are in the Print Collection of the Museum of Modern Art, New York. "Language is at the heart of [their] practice"<ref>Negar Azimi, ‘I Often Dream of Slavs’, Bidoun (2009: 16)</ref> as is a suspicion of positivist thought and modernization as a guise for westernization. < |
Slavs and Tatars was founded in 2005 and their first pieces were exclusively in print media: namely, the [[Slavs Poster]] (2005) and the [[Nations]] (2007) series both of which are in the Print Collection of the Museum of Modern Art, New York. "Language is at the heart of [their] practice"<ref>Negar Azimi, ‘I Often Dream of Slavs’, Bidoun (2009: 16)</ref> as is a suspicion of positivist thought and modernization as a guise for westernization. <references>Negar Azimi, ‘I Often Dream of Slavs’, Bidoun (2009: 16)</references> |
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Revision as of 18:50, 13 January 2010
Slavs and Tatars is an arts collective focused on Eurasia and a shared sphere of influence between Slavs, Caucasians and Central Asians. The collective is made of four members who are based in Brussels, Belgium, Cambridge, UK and Moscow, Russia.
History and Work
Slavs and Tatars was founded in 2005 and their first pieces were exclusively in print media: namely, the Slavs Poster (2005) and the Nations (2007) series both of which are in the Print Collection of the Museum of Modern Art, New York. "Language is at the heart of [their] practice"[1] as is a suspicion of positivist thought and modernization as a guise for westernization.
- ^ Negar Azimi, ‘I Often Dream of Slavs’, Bidoun (2009: 16)
