16 (magazine)

16
	Cover of the first issue of 16; May 1957
Editor-in-Chief	Gloria Stavers
Categories	Teen magazine
Frequency	Quarterly, monthly
Publisher	16 Magazines, Inc.
Founded	1956
First issue	May 1957
Final issue	2001
Country	USA
Based in	New York City
Language	English

16 was a fan magazine published in New York City.

Origins

Founded in 1956, the first issue of 16 hit the newsstands in May 1957, with Elvis Presley on the cover.^[1]

Its longtime editor-in-chief, former fashion model and subscriptions clerk Gloria Stavers, transformed 16 from a standard general-interest movie magazine into a major fan magazine focused on the preteen female as its primary reader base. Stavers was editor from 1958 until 1975.^[2] She chose to cater to that particular demographic because of the many fan letters she had read from girls aged nine through 12 writing to popular celebrities in care of the magazine, and she remembered how she felt at that age^[3] and developed a formula to increase readership in that demographic.

Content

16's covers attracted readers by featuring sensational and hyperbole-laden headlines such as "The Day He Almost DIED!", head shots of various male entertainers, and very whimsical artwork. Although the articles were printed on newsprint, 16 featured colorful, glossy pin-up poster art.

Until the 1970s, most of the pin-ups of the celebrities were kept clean-cut, but 16 began to increasingly sexualize the posters they featured, in keeping with the more permissive times. 16 magazine also often offered contests that would award the winner an opportunity to meet with their favorite performer.

Most of the articles and features tended to lean on the lighter side. Rather than asking the artist serious questions about musical influences and social issues, it would offer the readers interviews asking a celebrity about his favorite color or meal, or would have him describe his "ideal girl" or dream date.^[4] If he was married, in a long-term relationship, or not heterosexual in orientation, that information was kept out of the magazine, as was any news about the celebrity that even hinted at scandal.

Stavers also attempted to expand the perception of teen idols by featuring such unlikely candidates as Star Trek actor Leonard Nimoy and shock rock pioneer Alice Cooper.

In 1997, in honor of its 40th year of publication, former 16 magazine editors Randi Reisfeld and music critic Danny Fields published the commemorative book "Who's Your Fave Rave?", a retrospective of 16 and a biography of its long-time editor styled to resemble an issue of the magazine. There was also an accompanying CD of the same name, featuring many of the pop acts promoted in the magazine throughout the years.

No-advertising policy

Despite the lack of serious journalistic content and fierce competition from Tiger Beat and other celebrity magazines, 16 remained the top-selling teen celebrity magazine for many years.

For at least 30 years of its publication, 16 magazine was entirely self-supporting. In 2001, 16 became part of Primedia's Teen Magazines groups and is considered a monthly "specials" issue focusing on a specific topic or act.

Despite this, no regular or special issue of 16 magazine was seen or published since, including online. By this time, newer teen magazines had taken over, such as J14, M Magazine, Popstar! Magazine, and the resurrected Tiger Beat.

Celebrities featured and promoted in 16 magazine

1950s

In the 1950s, some of the teen idols featured in the pages of 16 magazine included Elvis Presley, Paul Anka, Dion, and Mousketeer Annette Funicello.

1960s

During the 1960s, 16 magazine introduced its readers to a variety of rock and roll/pop music acts, referred to by the editor and readers as "Faves". Some of those acts include The Beatles, Herman's Hermits, Paul Revere and the Raiders, The Monkees, The Cowsills, Jim Morrison, and The Doors. The appearance of the "faves" was highly selective. Some acts such as The Rolling Stones and The Beach Boys received very little coverage in comparison to other bands, and many of the popular Motown acts were virtually ignored.

1970s

In the 1970s, 16 began focusing primarily on bubblegum and pop acts, such as the Osmond Brothers (with particular emphasis on Donny Osmond), David Cassidy, Bobby Sherman, The Bay City Rollers, Rick Springfield, Jack Wild, Kiss and others. Female celebrities rarely appeared on its covers, but from time to time, a female star such as Susan Dey, Peggy Lipton, Maureen McCormick, or Karen Carpenter might write the occasional beauty or dating advice column.

1980s and beyond

During the 1980s and well into the 1990s, 16 continued to serve up one "boy band" after another, from new wave artists like Duran Duran to N'Sync. However, Destiny's Child broke the racial and gender barrier when they appeared on the cover.

References

^ Moser, Margaret. "Gloria Stavers, '16 Magazine,' and the roots of rock journalism". Austin Chronicle (November 30, 2007).
^ "Gloria Stavers and 16 Magazine". Archived from the original on 2006-10-16. Retrieved 2012-09-02.
^ Moser, Margaret (June 14–21, 1999). "The Singer Not the Song". Weekly Wire. Vol. II, no. 51. Archived from the original on 30 September 2000.
^ Belscamper, Diana L. (2014). "Your Ticket to Dreamsville": The Functions of 16 Magazine in American Girl Culture of the 1960s (PhD dissertation). University of Wisconsin-Milwaukee. p. 152.

External links

"In Their Own Write". RockCritics.com. Archived from the original on October 22, 2006. About 16 magazine and how it was viewed in the industry
Gloria Stavers and 16 Magazine

[1] Moser, Margaret. "Gloria Stavers, '16 Magazine,' and the roots of rock journalism". Austin Chronicle (November 30, 2007).

[2] "Gloria Stavers and 16 Magazine". Archived from the original on 2006-10-16. Retrieved 2012-09-02.

[3] Moser, Margaret (June 14–21, 1999). "The Singer Not the Song". Weekly Wire. Vol. II, no. 51. Archived from the original on 30 September 2000.

[4] Belscamper, Diana L. (2014). "Your Ticket to Dreamsville": The Functions of 16 Magazine in American Girl Culture of the 1960s (PhD dissertation). University of Wisconsin-Milwaukee. p. 152.

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