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Johannes Trithemius'Polygraphiae (1518)
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A book is a medium for recording information in the form of writing or images. Modern books are typically in codex format, composed of many pages that are bound together and protected by a cover; they were preceded by several earlier formats, including the scroll and the tablet. The book publishing process is the series of steps involved in their creation and dissemination.

As a conceptual object, a book refers to a written work of substantial length, which may be distributed either physically or digitally as an ebook. These works can be broadly classified into fiction (containing invented content, often narratives) and non-fiction (containing content intended as factual truth). A physical book may not contain such a work: for example, it may contain only drawings, engravings, photographs, puzzles, or removable content like paper dolls. It may also be left empty for personal use, as in the case of account books, appointment books, autograph books, notebooks, diaries and sketchbooks.

Books are sold at both regular stores and specialized bookstores, as well as online for delivery, and can be borrowed from libraries. The reception of books has led to a number of social consequences, including censorship.

The modern book industry has seen several major changes due to new technologies, including ebooks and audiobooks (recordings of books being read aloud). Awareness of the needs of print-disabled people has led to a rise in formats designed for greater accessibility, such as braille printing and large-print editions. Google Books estimated in 2010 that approximately 130 million total unique books had been published. (Full article...)

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  • Image 1 Wordless novels flourished in Germany in the 1920s and typically were made using woodcut or similar techniques in an Expressionist style. (Frans Masereel, 25 Images of a Man's Passion, 1918) The wordless novel is a narrative genre that uses sequences of captionless pictures to tell a story. As artists have often made such books using woodcut and other relief printing techniques, the terms woodcut novel or novel in woodcuts are also used. The genre flourished primarily in the 1920s and 1930s and was most popular in Germany. The wordless novel has its origin in the German Expressionist movement of the early 20th century. The typically socialist work drew inspiration from medieval woodcuts and used the awkward look of that medium to express angst and frustration at social injustice. The first such book was the Belgian Frans Masereel's 25 Images of a Man's Passion, published in 1918. The German Otto Nückel and other artists followed Masereel's example. Lynd Ward brought the genre to the United States in 1929 when he produced Gods' Man, which inspired other American wordless novels and a parody in 1930 by cartoonist Milt Gross with He Done Her Wrong. Following an early-1930s peak in production and popularity, the genre waned in the face of competition from sound films and anti-socialist censorship in Nazi Germany and the US. (Full article...)
    Four high-contrast black-and-white images in sequence. In the first, a man, facing left with his right arm aloft, marches with a crowd towards a group of gun-wielding figures. In the second, uniformed figures are taking the man away amongst a crowd. In the third, the man is seen from behind at the bottom, with a group seated behind a bench in the distance near the top in an apparent courtroom. A crucifix hangs prominently above the bench, bathed in light in the darkened room. In the fourth, the man has his back to a wall, hands bound behind him, with another figure lying apparently dead at his feet. He faces right, apparently awaiting his execution by gunfire.
    Wordless novels flourished in Germany in the 1920s and typically were made using woodcut or similar techniques in an Expressionist style. (Frans Masereel, 25 Images of a Man's Passion, 1918)


    The wordless novel is a narrative genre that uses sequences of captionless pictures to tell a story. As artists have often made such books using woodcut and other relief printing techniques, the terms woodcut novel or novel in woodcuts are also used. The genre flourished primarily in the 1920s and 1930s and was most popular in Germany.

    The wordless novel has its origin in the German Expressionist movement of the early 20th century. The typically socialist work drew inspiration from medieval woodcuts and used the awkward look of that medium to express angst and frustration at social injustice. The first such book was the Belgian Frans Masereel's 25 Images of a Man's Passion, published in 1918. The German Otto Nückel and other artists followed Masereel's example. Lynd Ward brought the genre to the United States in 1929 when he produced Gods' Man, which inspired other American wordless novels and a parody in 1930 by cartoonist Milt Gross with He Done Her Wrong. Following an early-1930s peak in production and popularity, the genre waned in the face of competition from sound films and anti-socialist censorship in Nazi Germany and the US. (Full article...)
  • Image 2 Title page of volume 1 A History of the Birds of Europe, Including all the Species Inhabiting the Western Palearctic Region is a nine-volume ornithological book published in parts between 1871 and 1896. It was mainly written by Henry Eeles Dresser, although Richard Bowdler Sharpe co-authored the earlier volumes. It describes all the bird species reliably recorded in the wild in Europe and adjacent geographical areas with similar fauna, giving their worldwide distribution, variations in appearance and migratory movements. The pioneering ornithological work of John Ray and Francis Willughby in the seventeenth century had introduced an effective classification system based on anatomical features, and a dichotomous key to help readers identify birds. This was followed by other English-language ornithologies, notably John Gould's five-volume Birds of Europe published between 1832 and 1837. Sharpe, then librarian of the Zoological Society of London, had worked closely with Gould and wanted to expand on his work by including all species reliably recorded in Europe, North Africa, parts of the Middle East and the Atlantic archipelagos of Madeira, the Canary Islands and the Azores. He lacked the resources to undertake this task on his own, so he proposed to Dresser that they work together on this encyclopaedia, using Dresser's extensive collection of birds and their eggs and network of contacts. (Full article...)

    Title page of volume 1

    A History of the Birds of Europe, Including all the Species Inhabiting the Western Palearctic Region is a nine-volume ornithological book published in parts between 1871 and 1896. It was mainly written by Henry Eeles Dresser, although Richard Bowdler Sharpe co-authored the earlier volumes. It describes all the bird species reliably recorded in the wild in Europe and adjacent geographical areas with similar fauna, giving their worldwide distribution, variations in appearance and migratory movements.

    The pioneering ornithological work of John Ray and Francis Willughby in the seventeenth century had introduced an effective classification system based on anatomical features, and a dichotomous key to help readers identify birds. This was followed by other English-language ornithologies, notably John Gould's five-volume Birds of Europe published between 1832 and 1837. Sharpe, then librarian of the Zoological Society of London, had worked closely with Gould and wanted to expand on his work by including all species reliably recorded in Europe, North Africa, parts of the Middle East and the Atlantic archipelagos of Madeira, the Canary Islands and the Azores. He lacked the resources to undertake this task on his own, so he proposed to Dresser that they work together on this encyclopaedia, using Dresser's extensive collection of birds and their eggs and network of contacts. (Full article...)
  • Image 3 The Playboy is a graphic novel by the Canadian cartoonist Chester Brown, serialized in 1990 in Brown's comic book Yummy Fur and collected in different revised book editions in 1992 and 2013. It deals with Brown's guilt and anxiety over his obsessive masturbation to Playboy Playmate models. The story begins with Brown's first purchase of an issue of Playboy as a teenager. His obsessive masturbation gives him great guilt and anxiety, and out of fear of being caught he repeatedly rids himself of copies of the magazine, only to retrieve them later. His conflicting emotions follow him into adulthood until he purges them by revealing himself through his comics. The free, organic arrangement of odd-shaped panels of simple, expressive artwork contrasts with Brown's more detailed grid-like pages in his 1980s work, such as Ed the Happy Clown. (Full article...)
    The Playboy is a graphic novel by the Canadian cartoonist Chester Brown, serialized in 1990 in Brown's comic book Yummy Fur and collected in different revised book editions in 1992 and 2013. It deals with Brown's guilt and anxiety over his obsessive masturbation to Playboy Playmate models.

    The story begins with Brown's first purchase of an issue of Playboy as a teenager. His obsessive masturbation gives him great guilt and anxiety, and out of fear of being caught he repeatedly rids himself of copies of the magazine, only to retrieve them later. His conflicting emotions follow him into adulthood until he purges them by revealing himself through his comics. The free, organic arrangement of odd-shaped panels of simple, expressive artwork contrasts with Brown's more detailed grid-like pages in his 1980s work, such as Ed the Happy Clown. (Full article...)
  • Image 4 Pilgrim at Tinker Creek is a 1974 nonfiction narrative book by American author Annie Dillard. Told from a first-person point of view, the book details Dillard's explorations near her home, and various contemplations on nature and life. The title refers to Tinker Creek, which is outside Roanoke in Virginia's Blue Ridge Mountains. Dillard began Pilgrim in the spring of 1973, using her personal journals as inspiration. Separated into four sections that signify each of the seasons, the narrative takes place over the period of one year. The book records the narrator's thoughts on solitude, writing, and religion, as well as scientific observations on the flora and fauna she encounters. It touches on themes of faith, nature, and awareness, and is also noted for its study of theodicy and the cruelty of the natural world. The author has described it as a "book of theology", and she rejects the label of nature writer. Dillard considers the story a "single sustained nonfiction narrative", although several chapters have been anthologized separately in magazines and other publications. The book is analogous in design and genre to Henry David Thoreau's Walden (1854), the subject of Dillard's master's thesis at Hollins College. Critics often compare Dillard to authors from the Transcendentalist movement; Edward Abbey in particular deemed her Thoreau's "true heir". (Full article...)
    Pilgrim at Tinker Creek is a 1974 nonfiction narrative book by American author Annie Dillard. Told from a first-person point of view, the book details Dillard's explorations near her home, and various contemplations on nature and life. The title refers to Tinker Creek, which is outside Roanoke in Virginia's Blue Ridge Mountains. Dillard began Pilgrim in the spring of 1973, using her personal journals as inspiration. Separated into four sections that signify each of the seasons, the narrative takes place over the period of one year.

    The book records the narrator's thoughts on solitude, writing, and religion, as well as scientific observations on the flora and fauna she encounters. It touches on themes of faith, nature, and awareness, and is also noted for its study of theodicy and the cruelty of the natural world. The author has described it as a "book of theology", and she rejects the label of nature writer. Dillard considers the story a "single sustained nonfiction narrative", although several chapters have been anthologized separately in magazines and other publications. The book is analogous in design and genre to Henry David Thoreau's Walden (1854), the subject of Dillard's master's thesis at Hollins College. Critics often compare Dillard to authors from the Transcendentalist movement; Edward Abbey in particular deemed her Thoreau's "true heir". (Full article...)
  • Image 5 Cover of the anonymous play, The True Tragedy of Richard III (1594), which was "to be sold by William Barley, at his shop in Newgate Market" William Barley (1565?–1614) was an English bookseller and publisher. He completed an apprenticeship as a draper in 1587, but was soon working in the London book trade. As a freeman of the Drapers' Company, he was embroiled in a dispute between it and the Stationers' Company over the rights of drapers to function as publishers and booksellers. He found himself in legal tangles throughout his life. Barley's role in Elizabethan music publishing has proved to be a contentious issue among scholars. The assessments of him range from "a man of energy, determination, and ambition", to "somewhat remarkable", to "surely to some extent a rather nefarious figure". His contemporaries harshly criticised the quality of two of the first works of music that he published, but he was also influential in his field. (Full article...)
    Cover of the anonymous play, The True Tragedy of Richard III (1594), which was "to be sold by William Barley, at his shop in Newgate Market"


    William Barley (1565?–1614) was an English bookseller and publisher. He completed an apprenticeship as a draper in 1587, but was soon working in the London book trade. As a freeman of the Drapers' Company, he was embroiled in a dispute between it and the Stationers' Company over the rights of drapers to function as publishers and booksellers. He found himself in legal tangles throughout his life.

    Barley's role in Elizabethan music publishing has proved to be a contentious issue among scholars. The assessments of him range from "a man of energy, determination, and ambition", to "somewhat remarkable", to "surely to some extent a rather nefarious figure". His contemporaries harshly criticised the quality of two of the first works of music that he published, but he was also influential in his field. (Full article...)
  • Image 6 Literary Hall, viewed from the south, facing West Main Street in Romney Literary Hall is a mid-19th-century brick library, building and museum located in Romney, a city in the U.S. state of West Virginia. It is located at the intersection of North High Street (West Virginia Route 28) and West Main Street (U.S. Route 50). Literary Hall was constructed between 1869 and 1870 by the Romney Literary Society. Founded in 1819, the Romney Literary Society was the first literary organization of its kind in the present-day state of West Virginia, and one of the first in the United States. In 1846, the society constructed a building which housed the Romney Classical Institute and its library. The Romney Literary Society and the Romney Classical Institute both flourished and continued to grow in importance and influence until the onset of the American Civil War in 1861. (Full article...)

    Literary Hall, viewed from the south, facing West Main Street in Romney

    Literary Hall is a mid-19th-century brick library, building and museum located in Romney, a city in the U.S. state of West Virginia. It is located at the intersection of North High Street (West Virginia Route 28) and West Main Street (U.S. Route 50). Literary Hall was constructed between 1869 and 1870 by the Romney Literary Society.

    Founded in 1819, the Romney Literary Society was the first literary organization of its kind in the present-day state of West Virginia, and one of the first in the United States. In 1846, the society constructed a building which housed the Romney Classical Institute and its library. The Romney Literary Society and the Romney Classical Institute both flourished and continued to grow in importance and influence until the onset of the American Civil War in 1861. (Full article...)
  • Image 7 The Halo Graphic Novel is a graphic novel anthology of the military science fiction video game series Halo, published by Marvel Comics in partnership with Bungie. The Halo Graphic Novel was the series' first entry into the sequential art medium, and features aspects of the Halo universe which until then had not been discussed or seen in any medium. The majority of the book is divided into four short stories by different writers and artists from the computer game and comic industries. Each story focuses on different aspects of the Halo universe, revealing stories that are tangential to the main plot of the game. Apart from the stories, the book also contains an extensive art gallery compiled of contributions from Bungie, Marvel and independent sources. (Full article...)
    The Halo Graphic Novel is a graphic novel anthology of the military science fiction video game series Halo, published by Marvel Comics in partnership with Bungie. The Halo Graphic Novel was the series' first entry into the sequential art medium, and features aspects of the Halo universe which until then had not been discussed or seen in any medium.

    The majority of the book is divided into four short stories by different writers and artists from the computer game and comic industries. Each story focuses on different aspects of the Halo universe, revealing stories that are tangential to the main plot of the game. Apart from the stories, the book also contains an extensive art gallery compiled of contributions from Bungie, Marvel and independent sources. (Full article...)
  • Image 8 Everything Tastes Better with Bacon: 70 Fabulous Recipes for Every Meal of the Day is a book about cooking with bacon written by author, food commentator and The Oregonian columnist Sara Perry. The book was published in the United States on May 1, 2002, by Chronicle Books, and in a French language edition in 2004 by Les Éditions de l'Homme in Montreal. In it, Perry describes her original concept of recipes combining sugar and bacon. Her book includes recipes for bacon-flavored dishes and desserts. The book received mainly positive reviews and its recipes were selected for inclusion in The Best American Recipes 2003–2004. The St. Petersburg Times classed it as among the "most interesting and unique cookbooks" published, the Pittsburgh Post-Gazette highlighted it in the article "Favorite Cookbooks for 2002" and The Denver Post included it in a list of best cookbooks of 2002. A review in the Toronto Star criticized Perry's lack of creativity in her choice of recipes. Recipes from the work have been featured in related cookbooks. (Full article...)
    Everything Tastes Better with Bacon: 70 Fabulous Recipes for Every Meal of the Day is a book about cooking with bacon written by author, food commentator and The Oregonian columnist Sara Perry. The book was published in the United States on May 1, 2002, by Chronicle Books, and in a French language edition in 2004 by Les Éditions de l'Homme in Montreal. In it, Perry describes her original concept of recipes combining sugar and bacon. Her book includes recipes for bacon-flavored dishes and desserts.

    The book received mainly positive reviews and its recipes were selected for inclusion in The Best American Recipes 2003–2004. The St. Petersburg Times classed it as among the "most interesting and unique cookbooks" published, the Pittsburgh Post-Gazette highlighted it in the article "Favorite Cookbooks for 2002" and The Denver Post included it in a list of best cookbooks of 2002. A review in the Toronto Star criticized Perry's lack of creativity in her choice of recipes. Recipes from the work have been featured in related cookbooks. (Full article...)
  • Image 9 Boenga Roos dari Tjikembang ([buˈŋa ˈrus daˈri tʃiˈkəmbaŋ]; translated to English as The Rose of Cikembang) is a 1927 vernacular Malay-language novel written by Kwee Tek Hoay. The seventeen-chapter book follows a plantation manager, Aij Tjeng, who must leave his beloved njai (concubine) Marsiti so that he can be married. Eighteen years later, after Aij Tjeng's daughter Lily dies, her fiancé Bian Koen discovers that Marsiti had a daughter with Aij Tjeng, Roosminah, who greatly resembles Lily. In the end Bian Koen and Roosminah are married. Inspired by the lyrics to the song "If Those Lips Could Only Speak" and William Shakespeare's A Midsummer Night's Dream, Boenga Roos dari Tjikembang was initially written as an outline for the stage drama troupe Union Dalia. Kwee intermixed several languages other than Malay, particularly Dutch, Sundanese, and English; he included two quotes from English poems and another from an English song. The novel has been interpreted variously as a promotion of theosophy, a treatise on the Buddhist concept of reincarnation, a call for education, an ode to njais, and a condemnation of how such women are treated. (Full article...)
    Boenga Roos dari Tjikembang ([buˈŋa ˈrus daˈri tʃiˈkəmbaŋ]; translated to English as The Rose of Cikembang) is a 1927 vernacular Malay-language novel written by Kwee Tek Hoay. The seventeen-chapter book follows a plantation manager, Aij Tjeng, who must leave his beloved njai (concubine) Marsiti so that he can be married. Eighteen years later, after Aij Tjeng's daughter Lily dies, her fiancé Bian Koen discovers that Marsiti had a daughter with Aij Tjeng, Roosminah, who greatly resembles Lily. In the end Bian Koen and Roosminah are married.

    Inspired by the lyrics to the song "If Those Lips Could Only Speak" and William Shakespeare's A Midsummer Night's Dream, Boenga Roos dari Tjikembang was initially written as an outline for the stage drama troupe Union Dalia. Kwee intermixed several languages other than Malay, particularly Dutch, Sundanese, and English; he included two quotes from English poems and another from an English song. The novel has been interpreted variously as a promotion of theosophy, a treatise on the Buddhist concept of reincarnation, a call for education, an ode to njais, and a condemnation of how such women are treated. (Full article...)
  • Image 10 Stone commemorative marker at Literary Hall in Romney, West Virginia The Romney Literary Society (also known as the Literary Society of Romney) existed from January 30, 1819, to February 15, 1886, in Romney, West Virginia. Established as the Polemic Society of Romney, it became the first organization of its kind in the present-day state of West Virginia, and one of the first in the United States. The society was founded by nine prominent men of Romney with the objectives of advancing literature and science, purchasing and maintaining a library, and improving educational opportunities. The society debated an extensive range of scientific and social topics, often violating its own rules which banned religious and political subjects. Even though its membership was relatively small, its debates and activities were frequently discussed throughout the Potomac Highlands region, and the organization greatly influenced trends of thought in the Romney community and surrounding areas. (Full article...)

    Stone commemorative marker at Literary Hall in Romney, West Virginia

    The Romney Literary Society (also known as the Literary Society of Romney) existed from January 30, 1819, to February 15, 1886, in Romney, West Virginia. Established as the Polemic Society of Romney, it became the first organization of its kind in the present-day state of West Virginia, and one of the first in the United States. The society was founded by nine prominent men of Romney with the objectives of advancing literature and science, purchasing and maintaining a library, and improving educational opportunities.

    The society debated an extensive range of scientific and social topics, often violating its own rules which banned religious and political subjects. Even though its membership was relatively small, its debates and activities were frequently discussed throughout the Potomac Highlands region, and the organization greatly influenced trends of thought in the Romney community and surrounding areas. (Full article...)
  • Image 11 The title page of the 1877 edition of Fertilisation of Orchids Fertilisation of Orchids is a book by English naturalist Charles Darwin published on 15 May 1862 under the full explanatory title On the Various Contrivances by Which British and Foreign Orchids Are Fertilised by Insects, and On the Good Effects of Intercrossing. Darwin's previous book, On the Origin of Species, had briefly mentioned evolutionary interactions between insects and the plants they fertilised, and this new idea was explored in detail. Field studies and practical scientific investigations that were initially a recreation for Darwin—a relief from the drudgery of writing—developed into enjoyable and challenging experiments. Aided in his work by his family, friends, and a wide circle of correspondents across Britain and worldwide, Darwin tapped into the contemporary vogue for growing exotic orchids. The book was his first detailed demonstration of the power of natural selection, and explained how complex ecological relationships resulted in the coevolution of orchids and insects. The view has been expressed that the book led directly or indirectly to all modern work on coevolution and the evolution of extreme specialisation. It influenced botanists, and revived interest in the neglected idea that insects played a part in pollinating flowers. It opened up the new study areas of pollination research and reproductive ecology, directly related to Darwin's ideas on evolution, and supported his view that natural selection led to a variety of forms through the important benefits achieved by cross-fertilisation. Although the general public showed less interest and sales of the book were low, it established Darwin as a leading botanist. Orchids was the first in a series of books on his innovative investigations into plants. (Full article...)

    The title page of the 1877 edition
    of Fertilisation of Orchids

    Fertilisation of Orchids is a book by English naturalist Charles Darwin published on 15 May 1862 under the full explanatory title On the Various Contrivances by Which British and Foreign Orchids Are Fertilised by Insects, and On the Good Effects of Intercrossing. Darwin's previous book, On the Origin of Species, had briefly mentioned evolutionary interactions between insects and the plants they fertilised, and this new idea was explored in detail. Field studies and practical scientific investigations that were initially a recreation for Darwin—a relief from the drudgery of writing—developed into enjoyable and challenging experiments. Aided in his work by his family, friends, and a wide circle of correspondents across Britain and worldwide, Darwin tapped into the contemporary vogue for growing exotic orchids.

    The book was his first detailed demonstration of the power of natural selection, and explained how complex ecological relationships resulted in the coevolution of orchids and insects. The view has been expressed that the book led directly or indirectly to all modern work on coevolution and the evolution of extreme specialisation. It influenced botanists, and revived interest in the neglected idea that insects played a part in pollinating flowers. It opened up the new study areas of pollination research and reproductive ecology, directly related to Darwin's ideas on evolution, and supported his view that natural selection led to a variety of forms through the important benefits achieved by cross-fertilisation. Although the general public showed less interest and sales of the book were low, it established Darwin as a leading botanist. Orchids was the first in a series of books on his innovative investigations into plants. (Full article...)
  • Image 12 First edition title page A Vindication of the Rights of Woman: with Strictures on Political and Moral Subjects (1792), written by British philosopher and women's rights advocate Mary Wollstonecraft (1759–1797), is one of the earliest works of feminist philosophy. In it, Wollstonecraft responds to those educational and political theorists of the eighteenth century who did not believe women should receive a rational education. She argues that women ought to have an education commensurate with their position in society, claiming that women are essential to the nation because they educate its children and because they could be "companions" to their husbands, rather than mere wives. Instead of viewing women as ornaments to society or property to be traded in marriage, Wollstonecraft maintains that they are human beings deserving of the same fundamental rights as men. Wollstonecraft was prompted to write the Rights of Woman after reading Charles Maurice de Talleyrand-Périgord's 1791 report to the French National Assembly, which stated that women should only receive domestic education. From her reaction to this specific event, she launched a broad attack against double standards, indicting men for encouraging women to indulge in excessive emotion. Wollstonecraft hurried to complete the work in direct response to ongoing events; she intended to write a more thoughtful second volume but died before completing it. (Full article...)

    First edition title page

    A Vindication of the Rights of Woman: with Strictures on Political and Moral Subjects (1792), written by British philosopher and women's rights advocate Mary Wollstonecraft (1759–1797), is one of the earliest works of feminist philosophy. In it, Wollstonecraft responds to those educational and political theorists of the eighteenth century who did not believe women should receive a rational education. She argues that women ought to have an education commensurate with their position in society, claiming that women are essential to the nation because they educate its children and because they could be "companions" to their husbands, rather than mere wives. Instead of viewing women as ornaments to society or property to be traded in marriage, Wollstonecraft maintains that they are human beings deserving of the same fundamental rights as men.

    Wollstonecraft was prompted to write the Rights of Woman after reading Charles Maurice de Talleyrand-Périgord's 1791 report to the French National Assembly, which stated that women should only receive domestic education. From her reaction to this specific event, she launched a broad attack against double standards, indicting men for encouraging women to indulge in excessive emotion. Wollstonecraft hurried to complete the work in direct response to ongoing events; she intended to write a more thoughtful second volume but died before completing it. (Full article...)
  • Image 13 John Vanbrugh (1664–1726), author of The Relapse, by Godfrey Kneller The Relapse, or, Virtue in Danger is a Restoration comedy from 1696 written by John Vanbrugh. The play is a sequel to Colley Cibber's Love's Last Shift, or, The Fool in Fashion. In Cibber's Love's Last Shift, a free-living Restoration rake is brought to repentance and reform by the ruses of his wife, while in The Relapse, the rake succumbs again to temptation and has a new love affair. His virtuous wife is also subjected to a determined seduction attempt, and resists with difficulty. (Full article...)
    John Vanbrugh (1664–1726), author of The Relapse, by Godfrey Kneller


    The Relapse, or, Virtue in Danger is a Restoration comedy from 1696 written by John Vanbrugh. The play is a sequel to Colley Cibber's Love's Last Shift, or, The Fool in Fashion.

    In Cibber's Love's Last Shift, a free-living Restoration rake is brought to repentance and reform by the ruses of his wife, while in The Relapse, the rake succumbs again to temptation and has a new love affair. His virtuous wife is also subjected to a determined seduction attempt, and resists with difficulty. (Full article...)
  • Image 14 Title page of the 1859 edition On the Origin of Species (or, more completely, On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life) is a work of scientific literature by Charles Darwin that is considered to be the foundation of evolutionary biology. It was published on 24 November 1859. Darwin's book introduced the scientific theory that populations evolve over the course of generations through a process of natural selection although Lamarckism was also included as a mechanism of lesser importance. The book presented a body of evidence that the diversity of life arose by common descent through a branching pattern of evolution. Darwin included evidence that he had collected on the Beagle expedition in the 1830s and his subsequent findings from research, correspondence, and experimentation. Various evolutionary ideas had already been proposed to explain new findings in biology. There was growing support for such ideas among dissident anatomists and the general public, but during the first half of the 19th century the English scientific establishment was closely tied to the Church of England, while science was part of natural theology. Ideas about the transmutation of species were controversial as they conflicted with the beliefs that species were unchanging parts of a designed hierarchy and that humans were unique, unrelated to other animals. The political and theological implications were intensely debated, but transmutation was not accepted by the scientific mainstream. (Full article...)

    Title page of the 1859 edition

    On the Origin of Species (or, more completely, On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life) is a work of scientific literature by Charles Darwin that is considered to be the foundation of evolutionary biology. It was published on 24 November 1859. Darwin's book introduced the scientific theory that populations evolve over the course of generations through a process of natural selection although Lamarckism was also included as a mechanism of lesser importance. The book presented a body of evidence that the diversity of life arose by common descent through a branching pattern of evolution. Darwin included evidence that he had collected on the Beagle expedition in the 1830s and his subsequent findings from research, correspondence, and experimentation.

    Various evolutionary ideas had already been proposed to explain new findings in biology. There was growing support for such ideas among dissident anatomists and the general public, but during the first half of the 19th century the English scientific establishment was closely tied to the Church of England, while science was part of natural theology. Ideas about the transmutation of species were controversial as they conflicted with the beliefs that species were unchanging parts of a designed hierarchy and that humans were unique, unrelated to other animals. The political and theological implications were intensely debated, but transmutation was not accepted by the scientific mainstream. (Full article...)
  • Image 15 Political Animals and Animal Politics is a 2014 edited collection published by Palgrave Macmillan and edited by the green political theorists Marcel Wissenburg and David Schlosberg. The work addresses the emergence of academic animal ethics informed by political philosophy as opposed to moral philosophy. It was the first edited collection to be published on the topic, and the first book-length attempt to explore the breadth and boundaries of the literature. As well as a substantial introduction by the editors, it features ten sole-authored chapters split over three parts, respectively concerning institutional change for animals, the relationship between animal ethics and ecologism, and real-world laws made for the benefit of animals. The book's contributors were Wissenburg, Schlosberg, Manuel Arias-Maldonado, Chad Flanders, Christie Smith, Clemens Driessen, Simon Otjes, Kurtis Boyer, Per-Anders Svärd, and Mihnea Tanasescu. The focus of their individual chapters varies, but recurring features include discussions of human exceptionalism, exploration of ways that animal issues are or could be present in political discourse, and reflections on the relationship between theory and practice in politics. In part, Political Animals and Animal Politics arose from a workshop that Wissenburg and Schlosberg organised at the 2012 European Consortium for Political Research Joint Sessions conference, though not all attendees contributed to the volume and not all contributors presented at the workshop. Footage of the workshop appeared in De Haas in de Marathon (The Pacer in the Marathon), a 2012 documentary about the Dutch Party for the Animals. Political Animals and Animal Politics was published as part of the Palgrave Macmillan Animal Ethics Series, edited by Andrew Linzey and Priscilla Cohn. (Full article...)
    Political Animals and Animal Politics is a 2014 edited collection published by Palgrave Macmillan and edited by the green political theorists Marcel Wissenburg and David Schlosberg. The work addresses the emergence of academic animal ethics informed by political philosophy as opposed to moral philosophy. It was the first edited collection to be published on the topic, and the first book-length attempt to explore the breadth and boundaries of the literature. As well as a substantial introduction by the editors, it features ten sole-authored chapters split over three parts, respectively concerning institutional change for animals, the relationship between animal ethics and ecologism, and real-world laws made for the benefit of animals. The book's contributors were Wissenburg, Schlosberg, Manuel Arias-Maldonado, Chad Flanders, Christie Smith, Clemens Driessen, Simon Otjes, Kurtis Boyer, Per-Anders Svärd, and Mihnea Tanasescu. The focus of their individual chapters varies, but recurring features include discussions of human exceptionalism, exploration of ways that animal issues are or could be present in political discourse, and reflections on the relationship between theory and practice in politics.

    In part, Political Animals and Animal Politics arose from a workshop that Wissenburg and Schlosberg organised at the 2012 European Consortium for Political Research Joint Sessions conference, though not all attendees contributed to the volume and not all contributors presented at the workshop. Footage of the workshop appeared in De Haas in de Marathon (The Pacer in the Marathon), a 2012 documentary about the Dutch Party for the Animals. Political Animals and Animal Politics was published as part of the Palgrave Macmillan Animal Ethics Series, edited by Andrew Linzey and Priscilla Cohn. (Full article...)
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A panorama showing an almost 180-degree view of the interior of the Reading Room.
A panorama showing an almost 180-degree view of the interior of the Reading Room.

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The British Museum Reading Room, situated in the centre of the Great Court of the British Museum, used to be the main reading room of the British Library. In 1997, this function moved to the new British Library building at St Pancras, London, but the Reading Room remains in its original form.
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