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2020 – today
- 2024
[i5]Tornike Karchkhadze, Mohammad Rasool Izadi, Ke Chen, Gérard Assayag, Shlomo Dubnov:
Multi-Track MusicLDM: Towards Versatile Music Generation with Latent Diffusion Model. CoRR abs/2409.02845 (2024)- 2022
- [j15]Gérard Assayag, Laurent Bonnasse-Gahot, Joakim Borg:
Cocreative Interaction: Somax2 and the REACH Project. Comput. Music. J. 46(4): 7-25 (2022) - [c35]Shlomo Dubnov
, Gérard Assayag, Vignesh Gokul:
Creative Improvised Interaction with Generative Musical Systems. MIPR 2022: 121-126 - 2020
- [j14]Ken Déguernel, Emmanuel Vincent, Jérôme Nika, Gérard Assayag, Kamel Smaïli:
Learning of Hierarchical Temporal Structures for Guided Improvisation. Comput. Music. J. 43(2-3): 109-124 (2020) - [i4]Axel Chemla-Romeu-Santos, Stavros Ntalampiras, Philippe Esling, Goffredo Haus, Gérard Assayag:
Cross-modal variational inference for bijective signal-symbol translation. CoRR abs/2002.03862 (2020)
2010 – 2019
- 2018
- [j13]Ken Déguernel, Emmanuel Vincent, Gérard Assayag:
Probabilistic Factor Oracles for Multidimensional Machine Improvisation. Comput. Music. J. 42(02) (2018) - 2017
- [c34]Jérôme Nika, Ken Déguernel, Axel Chemla-Romeu-Santos, Emmanuel Vincent, Gérard Assayag:
DYC12 agents: merging the "free", "reactive", and "scenario-based" music generation paradigms. ICMC 2017 - 2016
- [j12]Jérôme Nika, Marc Chemillier, Gérard Assayag:
ImproteK: Introducing Scenarios into Human-Computer Music Improvisation. Comput. Entertain. 14(2): 4:1-4:27 (2016) - 2015
- [i3]Kevin Sanlaville, Gérard Assayag, Frédéric Bevilacqua, Catherine Pelachaud:
Emergence of synchrony in an Adaptive Interaction Model. CoRR abs/1506.05573 (2015) - [i2]Mauricio Toro, Camilo Rueda, Carlos Agón, Gérard Assayag:
Gelisp: A Library to Represent Musical CSPs and Search Strategies. CoRR abs/1510.02828 (2015) - [i1]Mauricio Toro, Camilo Rueda, Carlos Agón, Gérard Assayag:
NTCCRT: A concurrent constraint framework for real-time interaction (extended version). CoRR abs/1510.02834 (2015) - 2014
- [j11]Gérard Assayag:
Introduction. Tech. Sci. Informatiques 33(7-8): 563-566 (2014) - [c33]Gérard Assayag:
Creative Symbolic Interaction. ICMC 2014 - 2013
- [j10]Myriam Desainte-Catherine, Antoine Allombert, Gérard Assayag:
Towards a Hybrid Temporal Paradigm for Musical Composition and Performance: The Case of Musical Interpretation. Comput. Music. J. 37(2): 61-72 (2013) - 2012
- [c32]Shlomo Dubnov, Gérard Assayag:
Music Design with Audio Oracle Using Information Rate. MUME@AIIDE 2012 - [c31]Benjamin R. Levy, Georges Bloch, Gérard Assayag:
OMaxist Dialectics: Capturing, Visualizing and Expanding Improvisations. NIME 2012 - 2011
- [j9]Arshia Cont, Shlomo Dubnov, Gérard Assayag:
On the Information Geometry of Audio Streams With Applications to Similarity Computing. IEEE Trans. Speech Audio Process. 19(4): 837-846 (2011) - [j8]Hugues Vinet, Gérard Assayag, Juan José Burred, Grégoire Carpentier, Nicolas Misdariis, Geoffroy Peeters, Axel Roebel, Norbert Schnell, Diemo Schwarz, Damien Tardieu:
Sample Orchestrator : gestion par le contenu d'échantillons sonores. Traitement du Signal 28(3-4): 417-468 (2011) - [c30]Jean Bresson, Carlos Agón, Gérard Assayag:
OpenMusic: visual programming environment for music composition, analysis and research. ACM Multimedia 2011: 743-746 - [c29]Shlomo Dubnov, Gérard Assayag, Arshia Cont:
Audio Oracle Analysis of Musical Information Rate. ICSC 2011: 567-571 - [e1]Carlos Agón, Moreno Andreatta, Gérard Assayag, Emmanuel Amiot, Jean Bresson, John Mandereau:
Mathematics and Computation in Music - Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings. Lecture Notes in Computer Science 6726, Springer 2011, ISBN 978-3-642-21589-6 [contents] - 2010
- [j7]Grégoire Carpentier, Gérard Assayag, Emmanuel Saint-James:
Solving the musical orchestration problem using multiobjective constrained optimization with a genetic local search approach. J. Heuristics 16(5): 681-714 (2010) - [p1]Gérard Assayag, Georges Bloch, Arshia Cont, Shlomo Dubnov:
Interaction with Machine Improvisation. The Structure of Style 2010: 219-245
2000 – 2009
- 2009
- [j6]Jean Bresson, Carlos Agón, Gérard Assayag:
Visual Lisp/CLOS programming in OpenMusic. High. Order Symb. Comput. 22(1): 81-111 (2009) - [c28]Jesús Aranda, Gérard Assayag, Carlos Olarte, Jorge A. Pérez, Camilo Rueda, Mauricio Toro, Frank D. Valencia:
An Overview of FORCES: An INRIA Project on Declarative Formalisms for Emergent Systems. ICLP 2009: 509-513 - [c27]Mauricio Toro-Bermúdez, Camilo Rueda, Carlos Agón, Gérard Assayag:
Ntccrt: A Concurrent Constraint Framework for Real-Time Interaction. ICMC 2009 - 2008
- [c26]Antoine Allombert, Myriam Desainte-Catherine, Gérard Assayag:
Iscore: a system for writing interaction. DIMEA 2008: 360-367 - [c25]Carlos Agón, Jean Bresson, Gérard Assayag:
OpenMusic: Design and Implementation Aspects of a Visual Programming Language. ELS 2008: 107-124 - 2007
- [c24]Grégoire Carpentier, Damien Tardieu, Gérard Assayag, Xavier Rodet, Emmanuel Saint-James:
An Evolutionary Approach to Computer-Aided Orchestration. EvoWorkshops 2007: 488-497 - [c23]Gérard Assayag, Georges Bloch:
Navigating the Oracle: a Heuristic Approach. ICMC 2007 - [c22]Arshia Cont, Shlomo Dubnov, Gérard Assayag:
Guidage: a Fast audio Query Guided assemblage. ICMC 2007 - [c21]Shlomo Dubnov, Gérard Assayag, Arshia Cont:
Audio Oracle: a New Algorithm for Fast Learning of audio Structures. ICMC 2007 - 2006
- [c20]Arshia Cont, Shlomo Dubnov, Gérard Assayag:
Anticipatory Model of Musical Style Imitation Using Collaborative and Competitive Reinforcement Learning. SAB ABiALS 2006: 285-306 - 2004
- [j5]Gérard Assayag, Vittorio Cafagna, Marc Chemillier:
Preface. Soft Comput. 8(9): 587-587 (2004) - [j4]Gérard Assayag, Shlomo Dubnov:
Using Factor Oracles for Machine Improvisation. Soft Comput. 8(9): 604-610 (2004) - 2003
- [j3]Shlomo Dubnov, Gérard Assayag, Olivier Lartillot, Gill Bejerano:
Using Machine-Learning Methods for Musical Style Modeling. Computer 36(10): 73-80 (2003) - 2002
- [c19]Carlos Agón, Gérard Assayag:
Programmation visuelle et editeurs musicaux pour la composition assistée par ordinateur. IHM 2002: 205-206 - [c18]Carlos Agón, Karim Haddad, Gérard Assayag:
Representation and Rendering of Rhythm Structures. WEDELMUSIC 2002: 109-116 - 2001
- [j2]Camilo Rueda, Gloria Alvarez, Luis Quesada, Gabriel Tamura, Frank D. Valencia, Juan Francisco Díaz, Gérard Assayag:
Integrating Constraints and Concurrent Objects in Musical Applications: A Calculus and its Visual Language. Constraints An Int. J. 6(1): 21-52 (2001) - [c17]Olivier Lartillot, Shlomo Dubnov, Gérard Assayag, Gill Bejerano:
Automatic Modeling of Musical Style. ICMC 2001 - [c16]Charlotte Truchet, Gérard Assayag, Philippe Codognet:
Visual and Adaptive Constraint Programming in Music. ICMC 2001 - [c15]Charlotte Truchet, Carlos Agón, Gérard Assayag:
Recherche adaptative et contraintes musicales. JFPLC 2001: 91-108 - 2000
- [c14]Carlos Agón, Marco Stroppa, Gérard Assayag:
High Level Musical Control of Sound Synthesis in OpenMusic. ICMC 2000
1990 – 1999
- 1999
- [j1]Gérard Assayag, Camilo Rueda, Mikael Laurson, Carlos Agón, Olivier Delerue:
Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic. Comput. Music. J. 23(3): 59-72 (1999) - [c13]Gérard Assayag, Shlomo Dubnov, Olivier Delerue:
Guessing the Composer's Mind: Applying Universal Prediction to Musical Style. ICMC 1999 - 1998
- [c12]Carlos Agón, Gérard Assayag, Olivier Delerue, Camilo Rueda:
Objects, Time and Constraints in OpenMusic. ICMC 1998 - [c11]Shlomo Dubnov, Gérard Assayag, Ran El-Yaniv:
Universal Classification Applied to Musical Sequences. ICMC 1998 - 1997
- [c10]Gérard Assayag, Carlos Agón, Joshua Fineberg, Peter Hanappe:
An Object Oriented Visual Environment For Musical Composition. ICMC 1997 - 1996
- [c9]Gérard Assayag, Carlos Agón:
OpenMusic Architecture. ICMC 1996 - 1995
- [c8]Gérard Assayag:
Visual Programming in Music. ICMC 1995 - 1994
- [c7]Carlos Agón, Gérard Assayag, Joshua Fineberg, Camilo Rueda:
Kant: a Critique of Pure Quantification. ICMC 1994 - 1993
- [c6]Gérard Assayag, Camilo Rueda:
The Music Representation Project at IRCAM. ICMC 1993 - 1992
- [c5]Georges Bloch, Gérard Assayag, Olivier Warusfel, Jean-Pascal Jullien:
Spatializer: From Room Acoustics to Virtual Acoustics. ICMC 1992
1980 – 1989
- 1987
- [c4]Gérard Assayag, Dan Timis:
Computer Printing, Storage, and Transfer of Musical Scores. ICMC 1987 - 1986
- [c3]Emmanuel Amiot, Gérard Assayag, Claudy Malherbe, André Riotte:
Duration Structure Generation and Recognition in Musical Writing. ICMC 1986 - [c2]Gérard Assayag, Dan Timis:
A ToolBox for Music Notation. ICMC 1986 - 1985
- [c1]Claudy Malherbe, Gérard Assayag, Michèle Castellengo:
Functional Integration of Complex Instrumental Sounds in Musical Writing. ICMC 1985
Coauthor Index
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last updated on 2024-10-08 20:34 CEST by the dblp team
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