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ORCIDMikael Laurson
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2010 – 2019
- 2010
[c37]Mika Kuuskankare, Mikael Laurson:
PWGL, Towards an Open and Intelligent Learning Environment for Higher Music Education. EC-TEL 2010: 518-523
2000 – 2009
- 2009
- [j7]Mikael Laurson, Mika Kuuskankare, Vesa Norilo:
An Overview of PWGL, a Visual Programming Environment for Music. Comput. Music. J. 33(1): 19-31 (2009) - [c36]Vesa Norilo, Mikael Laurson:
Instruction and Thread Level Parallelism in PWGLSynth 2. ICMC 2009 - [c35]Mika Kuuskankare, Mikael Laurson:
MIR in ENP - Rule-based Music Information Retrieval from Symbolic Music Notation. ISMIR 2009: 699-704 - 2008
- [j6]Jukka Rauhala, Mikael Laurson, Vesa Välimäki
, Heidi-Maria Lehtonen, Vesa Norilo:
A Parametric Piano Synthesizer. Comput. Music. J. 32(4): 17-30 (2008) - [c34]Kilian Sprotte, Mikael Laurson, Mika Kuuskankare:
KSQuant - Complex Score Manipulation in PWGL through Quantization. CMMR 2008: 253-261 - [c33]Mika Kuuskankare, Mikael Laurson:
Strategies and Methods for Creating Symbolic Electroacoustic Scores in ENP. CMMR 2008: 262-271 - [c32]Mikael Laurson, Mika Kuuskankare:
Visual Programming in PWGL. ELS 2008: 33-46 - [c31]Mika Kuuskankare, Mikael Laurson:
Survey of Music Analysis and Visualization Tools in PWGL. ICMC 2008 - [c30]Vesa Norilo, Mikael Laurson:
A Unified Model for Audioand control signals in Pwglsynth. ICMC 2008 - [c29]Mikael Laurson, Mika Kuuskankare:
Towards Idiomatic and Flexible Score-based Gestural Control with a Scripting Language. NIME 2008: 34-37 - 2007
- [c28]Mika Kuuskankare, Marcus Castrén, Mikael Laurson:
Macset: a Free Visual Cross-Platform pitch-class Set Theoretical Application. ICMC 2007 - [c27]Mikael Laurson, Mika Kuuskankare, Henri Penttinen, Henbing Li:
Score-Based control of Guqin synthesis. ICMC 2007 - [c26]Vesa Norilo, Mikael Laurson:
Development Tools for Pwglsynth. ICMC 2007 - [c25]Mika Kuuskankare, Mikael Laurson:
Vivo - Visualizing Harmonic Progressions and Voice-Leading in PWGL. ISMIR 2007: 289-290 - 2006
- [j5]Mika Kuuskankare, Mikael Laurson:
Expressive Notation Package. Comput. Music. J. 30(4): 67-79 (2006) - [c24]Mika Kuuskankare, Mikael Laurson:
A Brief Survey of the Current Applications of ENP. ICMC 2006 - [c23]Mikael Laurson, Mika Kuuskankare:
Recent Trends in PWGL. ICMC 2006 - [c22]Mikael Laurson, Vesa Norilo, Henri Penttinen:
From Score-Based Approach Towards Real-Time Control in PWGLSynth. ICMC 2006 - 2005
- [j4]Mikael Laurson, Vesa Norilo, Mika Kuuskankare:
PWGLSynth: A Visual Synthesis Language for Virtual Instrument Design and Control. Comput. Music. J. 29(3): 29-41 (2005) - [c21]Kimmo Kuitunen, Mika Kuuskankare, Mikael Laurson:
Large-Scale Duration Organization in 'Hodoi tô Ergô'. ICMC 2005 - [c20]Mikael Laurson, Mika Kuuskankare:
Micro Textures with Macro-Notes. ICMC 2005 - [c19]Mika Kuuskankare, Mikael Laurson:
Enp expression Designer: a Visual Tool for Creating ENP-Expressions. ICMC 2005 - [c18]Mika Kuuskankare, Mikael Laurson:
Annotating Musical Scores in ENP. ISMIR 2005: 72-76 - 2004
- [j3]Vesa Välimäki, Henri Penttinen, Jonte Knif, Mikael Laurson, Cumhur Erkut:
Sound Synthesis of the Harpsichord Using a Computationally Efficient Physical Model. EURASIP J. Adv. Signal Process. 2004(7): 934-948 (2004) - [c17]Mika Kuuskankare, Mikael Laurson:
Intelligent Scripting in ENP using PWConstraints. ICMC 2004 - [c16]Mikael Laurson, Vesa Norilo:
Copy-synth-patch: A Tool for Visual Instrument Design. ICMC 2004 - [c15]Mika Kuuskankare, Mikael Laurson:
Expressive Notation Package - an Overview. ISMIR 2004 - 2003
- [c14]Mika Kuuskankare, Mikael Laurson:
ENP-Expressions, Score-BPF as a Case Study. ICMC 2003 - [c13]Mikael Laurson, Mika Kuuskankare:
Some Box Design Issues in PWGL. ICMC 2003 - 2002
- [c12]Mikael Laurson, Mika Kuuskankare:
PWGL: A Novel Visual Language based on Common Lisp, CLOS and OpenGL. ICMC 2002 - 2001
- [j2]Mikael Laurson, Cumhur Erkut, Vesa Välimäki, Mika Kuuskankare:
Methods for Modeling Realistic Playing in Acoustic Guitar Synthesis. Comput. Music. J. 25(3): 38-49 (2001) - [c11]Cumhur Erkut, Mikael Laurson, Mika Kuuskankare, Vesa Välimäki:
Model-based Synthesis of the Ud and the Renaissance Lute. ICMC 2001 - [c10]Mika Kuuskankare, Mikael Laurson:
ENP: Musical Notation Library based on Common Lisp and CLOS. ICMC 2001 - [c9]Mikael Laurson, Mika Kuuskankare:
PWSynth: A Lisp-based Bridge between Computer Assisted Composition and Model Based Synthesis. ICMC 2001 - 2000
- [c8]Mikael Laurson:
Real-Time Implementation and Control of a Classical Guitar Synthesizer in SuperCollider. ICMC 2000 - [c7]Tapio Takala, Jarmo Hiipakka, Mikael Laurson, Vesa Välimäki:
An Expressive Synthesis Model for Bowed String Instruments. ICMC 2000 - [c6]Vesa Välimäki, Mikael Laurson, Cumhur Erkut, Tero Tolonen:
Model-Based Synthesis of the Clavichord. ICMC 2000
1990 – 1999
- 1999
- [j1]Gérard Assayag, Camilo Rueda, Mikael Laurson, Carlos Agón, Olivier Delerue:
Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic. Comput. Music. J. 23(3): 59-72 (1999) - [c5]Mikael Laurson:
PWCollider - A Visual Composition Tool for Software Synthesis. ICMC 1999 - [c4]Mikael Laurson, Jarmo Hiipakka, Cumhur Erkut, Matti Karjalainen, Vesa Välimäki, Mika Kuuskankare:
From Expressive Notation to Model-Based Sound Synthesis: a Case Study of the Acoustic Guitar. ICMC 1999 - 1991
- [c3]Jean-Baptiste Barrière, Francisco Iovino, Mikael Laurson:
A New Chant Synthesizer in C and Its Control Environment in PATCHWORK. ICMC 1991 - 1990
- [c2]Jacques Duthen, Mikael Laurson:
A Compositional Environment Based on PreFORM II, Patchwork, and Esquisse. ICMC 1990
1980 – 1989
- 1989
- [c1]Mikael Laurson, Jacques Duthen:
Patchwork: a Graphic Language in preFORM. ICMC 1989
Coauthor Index
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