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ORCIDBryan Pardo
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- affiliation: Northwestern University, Evanston, IL, USA
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2020 – today
- 2024
[c95]Cameron Churchwell, Max Morrison, Bryan Pardo:
High-Fidelity Neural Phonetic Posteriorgrams. ICASSP Workshops 2024: 823-827- [c94]Patrick O'Reilly, Zeyu Jin, Jiaqi Su, Bryan Pardo:
Maskmark: Robust Neuralwatermarking for Real and Synthetic Speech. ICASSP 2024: 4650-4654 - [c93]Max Morrison, Pranav Pawar, Nathan Pruyne, Jennifer Cole, Bryan Pardo:
Crowdsourced and Automatic Speech Prominence Estimation. ICASSP 2024: 12281-12285 - [i26]Julia Barnett, Hugo Flores García, Bryan Pardo:
Exploring Musical Roots: Applying Audio Embeddings to Empower Influence Attribution for a Generative Music Model. CoRR abs/2401.14542 (2024) - [i25]Cameron Churchwell, Max Morrison, Bryan Pardo:
High-Fidelity Neural Phonetic Posteriorgrams. CoRR abs/2402.17735 (2024) - [i24]Max Morrison, Cameron Churchwell, Nathan Pruyne, Bryan Pardo:
Fine-Grained and Interpretable Neural Speech Editing. CoRR abs/2407.05471 (2024) - [i23]Annie Chu, Patrick O'Reilly, Julia Barnett, Bryan Pardo:
Text2FX: Harnessing CLAP Embeddings for Text-Guided Audio Effects. CoRR abs/2409.18847 (2024) - 2023
- [c92]Hugo Flores García, Prem Seetharaman, Rithesh Kumar, Bryan Pardo:
VampNet: Music Generation via Masked Acoustic Token Modeling. ISMIR 2023: 359-366 - [i22]Max Morrison, Caedon Hsieh, Nathan Pruyne, Bryan Pardo:
Cross-domain Neural Pitch and Periodicity Estimation. CoRR abs/2301.12258 (2023) - [i21]Hugo Flores García, Prem Seetharaman, Rithesh Kumar, Bryan Pardo:
VampNet: Music Generation via Masked Acoustic Token Modeling. CoRR abs/2307.04686 (2023) - [i20]Max Morrison, Pranav Pawar, Nathan Pruyne, Jennifer Cole, Bryan Pardo:
Crowdsourced and Automatic Speech Prominence Estimation. CoRR abs/2310.08464 (2023) - 2022
- [c91]Ethan Manilow, Patrick O'Reilly, Prem Seetharaman, Bryan Pardo:
Source Separation By Steering Pretrained Music Models. ICASSP 2022: 126-130 - [c90]Ethan Manilow, Curtis Hawthorne, Cheng-Zhi Anna Huang, Bryan Pardo, Jesse H. Engel:
Improving Source Separation by Explicitly Modeling Dependencies between Sources. ICASSP 2022: 291-295 - [c89]Patrick O'Reilly, Pranjal Awasthi, Aravindan Vijayaraghavan, Bryan Pardo:
Effective and Inconspicuous Over-the-Air Adversarial Examples with Adaptive Filtering. ICASSP 2022: 6607-6611 - [c88]Noah Schaffer, Boaz Cogan, Ethan Manilow, Max Morrison, Prem Seetharaman, Bryan Pardo:
Music Separation Enhancement with Generative Modeling. ISMIR 2022: 772-780 - [c87]Patrick O'Reilly, Andreas Bugler, Keshav Bhandari, Max Morrison, Bryan Pardo:
VoiceBlock: Privacy through Real-Time Adversarial Attacks with Audio-to-Audio Models. NeurIPS 2022 - [i19]Max Morrison, Brian Tang, Gefei Tan, Bryan Pardo:
Reproducible Subjective Evaluation. CoRR abs/2203.04444 (2022) - [i18]Ethan Manilow, Curtis Hawthorne, Cheng-Zhi Anna Huang, Bryan Pardo, Jesse H. Engel:
Improving Source Separation by Explicitly Modeling Dependencies Between Sources. CoRR abs/2203.15140 (2022) - [i17]Noah Schaffer, Boaz Cogan, Ethan Manilow, Max Morrison, Prem Seetharaman, Bryan Pardo:
Music Separation Enhancement with Generative Modeling. CoRR abs/2208.12387 (2022) - 2021
- [c86]Max Morrison, Lucas Rencker, Zeyu Jin, Nicholas J. Bryan, Juan Pablo Cáceres, Bryan Pardo:
Context-Aware Prosody Correction for Text-Based Speech Editing. ICASSP 2021: 7038-7042 - [c85]Hugo Flores García, Aldo Aguilar, Ethan Manilow, Bryan Pardo:
Leveraging Hierarchical Structures for Few-Shot Musical Instrument Recognition. ISMIR 2021: 220-228 - [i16]Max Morrison, Lucas Rencker, Zeyu Jin, Nicholas J. Bryan, Juan Pablo Cáceres, Bryan Pardo:
Context-Aware Prosody Correction for Text-Based Speech Editing. CoRR abs/2102.08328 (2021) - [i15]Hugo Flores García, Aldo Aguilar, Ethan Manilow, Bryan Pardo:
Leveraging Hierarchical Structures for Few-Shot Musical Instrument Recognition. CoRR abs/2107.07029 (2021) - [i14]Max Morrison, Zeyu Jin, Nicholas J. Bryan, Juan Pablo Cáceres, Bryan Pardo:
Neural Pitch-Shifting and Time-Stretching with Controllable LPCNet. CoRR abs/2110.02360 (2021) - [i13]Ethan Manilow, Patrick O'Reilly, Prem Seetharaman, Bryan Pardo:
Unsupervised Source Separation By Steering Pretrained Music Models. CoRR abs/2110.13071 (2021) - [i12]Hugo Flores García, Aldo Aguilar, Ethan Manilow, Dmitry Vedenko, Bryan Pardo:
Deep Learning Tools for Audacity: Helping Researchers Expand the Artist's Toolkit. CoRR abs/2110.13323 (2021) - 2020
- [c84]Yichi Zhang, Junbo Hu, Yiting Zhang, Bryan Pardo, Zhiyao Duan:
Vroom!: A Search Engine for Sounds by Vocal Imitation Queries. CHIIR 2020: 23-32 - [c83]Alisa Liu, Prem Seetharaman, Bryan Pardo:
Model Selection for Deep Audio Source Separation via Clustering Analysis. DCASE 2020: 91-95 - [c82]Ethan Manilow, Prem Seetharaman, Bryan Pardo:
Simultaneous Separation and Transcription of Mixtures with Multiple Polyphonic and Percussive Instruments. ICASSP 2020: 771-775 - [c81]Prem Seetharaman, Gordon Wichern, Bryan Pardo, Jonathan Le Roux:
Autoclip: Adaptive Gradient Clipping for Source Separation Networks. MLSP 2020: 1-6 - [i11]Alexander Fang, Alisa Liu, Prem Seetharaman, Bryan Pardo:
Bach or Mock? A Grading Function for Chorales in the Style of J.S. Bach. CoRR abs/2006.13329 (2020) - [i10]Alisa Liu, Alexander Fang, Gaëtan Hadjeres, Prem Seetharaman, Bryan Pardo:
Incorporating Music Knowledge in Continual Dataset Augmentation for Music Generation. CoRR abs/2006.13331 (2020) - [i9]Prem Seetharaman, Gordon Wichern, Bryan Pardo, Jonathan Le Roux:
AutoClip: Adaptive Gradient Clipping for Source Separation Networks. CoRR abs/2007.14469 (2020) - [i8]Ethan Manilow, Bryan Pardo:
Bespoke Neural Networks for Score-Informed Source Separation. CoRR abs/2009.13729 (2020) - [i7]Andreas Bugler, Bryan Pardo, Prem Seetharaman:
A Study of Transfer Learning in Music Source Separation. CoRR abs/2010.12650 (2020)
2010 – 2019
- 2019
- [j22]Meinard Müller
, Bryan Pardo, Gautham J. Mysore, Vesa Välimäki:
Recent Advances in Music Signal Processing [From the Guest Editors]. IEEE Signal Process. Mag. 36(1): 17-19 (2019) - [j21]Fatemeh Pishdadian, Bryan Pardo:
Multi-Resolution Common Fate Transform. IEEE ACM Trans. Audio Speech Lang. Process. 27(2): 342-354 (2019) - [j20]Yichi Zhang, Bryan Pardo, Zhiyao Duan:
Siamese Style Convolutional Neural Networks for Sound Search by Vocal Imitation. IEEE ACM Trans. Audio Speech Lang. Process. 27(2): 429-441 (2019) - [c80]Prem Seetharaman, Gautham J. Mysore, Bryan Pardo, Paris Smaragdis, Celso Gomes:
VoiceAssist: Guiding Users to High-Quality Voice Recordings. CHI 2019: 309 - [c79]Max Morrison, Bryan Pardo:
OtoMechanic: Auditory Automobile Diagnostics via Query-by-Example. DCASE 2019: 169-173 - [c78]Fatemeh Pishdadian, Prem Seetharaman, Bongjun Kim, Bryan Pardo:
Classifying Non-speech Vocals: Deep vs Signal Processing Representations. DCASE 2019: 194-198 - [c77]Prem Seetharaman, Gordon Wichern, Jonathan Le Roux, Bryan Pardo:
Bootstrapping Single-channel Source Separation via Unsupervised Spatial Clustering on Stereo Mixtures. ICASSP 2019: 356-360 - [c76]Bongjun Kim, Bryan Pardo:
Improving Content-based Audio Retrieval by Vocal Imitation Feedback. ICASSP 2019: 4100-4104 - [c75]Bongjun Kim, Bryan Pardo:
Sound Event Detection Using Point-Labeled Data. WASPAA 2019: 1-5 - [i6]Prem Seetharaman, Gordon Wichern, Jonathan Le Roux, Bryan Pardo:
Bootstrapping deep music separation from primitive auditory grouping principles. CoRR abs/1910.11133 (2019) - [i5]Ethan Manilow, Prem Seetharaman, Bryan Pardo:
Simultaneous Separation and Transcription of Mixtures with Multiple Polyphonic and Percussive Instruments. CoRR abs/1910.12621 (2019) - [i4]Alisa Liu, Prem Seetharaman, Bryan Pardo:
Model selection for deep audio source separation via clustering analysis. CoRR abs/1910.12626 (2019) - [i3]Max Morrison, Bryan Pardo:
OtoMechanic: Auditory Automobile Diagnostics via Query-by-Example. CoRR abs/1911.02073 (2019) - 2018
- [j19]Zafar Rafii, Antoine Liutkus, Fabian-Robert Stöter, Stylianos Ioannis Mimilakis, Derry FitzGerald, Bryan Pardo:
An Overview of Lead and Accompaniment Separation in Music. IEEE ACM Trans. Audio Speech Lang. Process. 26(8): 1307-1335 (2018) - [j18]Bongjun Kim, Bryan Pardo:
A Human-in-the-Loop System for Sound Event Detection and Annotation. ACM Trans. Interact. Intell. Syst. 8(2): 13:1-13:23 (2018) - [c74]Brian Margolis, Madhav Ghei, Bryan Pardo:
Applying triplet loss to siamese-style networks for audio similarity ranking. DCASE 2018: 128-132 - [c73]Bongjun Kim, Madhav Ghei, Bryan Pardo, Zhiyao Duan:
Vocal Imitation Set: a dataset of vocally imitated sound events using the AudioSet ontology. DCASE 2018: 148-152 - [c72]Prem Seetharaman, Gautham J. Mysore, Paris Smaragdis, Bryan Pardo:
Blind Estimation of the Speech Transmission Index for Speech Quality Prediction. ICASSP 2018: 591-595 - [c71]Mark Cartwright, Bryan Pardo, Gautham J. Mysore:
Crowdsourced Pairwise-Comparison for Source Separation Evaluation. ICASSP 2018: 606-610 - [c70]Ethan Manilow, Prem Seetharaman, Bryan Pardo:
The Northwestern University Source Separation Library. ISMIR 2018: 297-305 - [c69]Julia Wilkins, Prem Seetharaman, Alison Wahl, Bryan Pardo:
VocalSet: A Singing Voice Dataset. ISMIR 2018: 468-474 - [i2]Zafar Rafii, Antoine Liutkus, Fabian-Robert Stöter, Stylianos Ioannis Mimilakis, Derry FitzGerald, Bryan Pardo:
An Overview of Lead and Accompaniment Separation in Music. CoRR abs/1804.08300 (2018) - [i1]Prem Seetharaman, Gordon Wichern, Jonathan Le Roux, Bryan Pardo:
Bootstrapping single-channel source separation via unsupervised spatial clustering on stereo mixtures. CoRR abs/1811.02130 (2018) - 2017
- [c68]Aaron Karp, Bryan Pardo:
HaptEQ: A Collaborative Tool For Visually Impaired Audio Producers. Audio Mostly Conference 2017: 39:1-39:4 - [c67]Fatemeh Pishdadian, Bryan Pardo, Antoine Liutkus:
A Multi-resolution approach to Common Fate-based audio separation. ICASSP 2017: 566-570 - [c66]Bongjun Kim, Bryan Pardo:
I-SED: An Interactive Sound Event Detector. IUI 2017: 553-557 - [c65]Prem Seetharaman, Fatemeh Pishdadian, Bryan Pardo:
Music/Voice separation using the 2D fourier transform. WASPAA 2017: 36-40 - [c64]Ethan Manilow, Prem Seetharaman, Fatemeh Pishdadian, Bryan Pardo:
Predicting algorithm efficacy for adaptive multi-cue source separation. WASPAA 2017: 274-278 - [c63]Ethan Manilow, Bryan Pardo:
Leveraging repetition to do audio imputation. WASPAA 2017: 309-313 - 2016
- [c62]Robin N. Brewer, Mark Cartwright, Aaron Karp, Bryan Pardo, Anne Marie Piper:
An Approach to Audio-Only Editing for Visually Impaired Seniors. ASSETS 2016: 307-308 - [c61]Mark Cartwright, Bryan Pardo, Gautham J. Mysore, Matthew D. Hoffman:
Fast and easy crowdsourced perceptual audio evaluation. ICASSP 2016: 619-623 - [c60]Prem Seetharaman, Bryan Pardo:
Simultaneous Separation and Segmentation in Layered Music. ISMIR 2016: 495-501 - [c59]Taylor Zheng, Prem Seetharaman, Bryan Pardo:
SocialFX: Studying a Crowdsourced Folksonomy of Audio Effects Terms. ACM Multimedia 2016: 182-186 - 2015
- [c58]Mark Cartwright, Bryan Pardo:
VocalSketch: Vocally Imitating Audio Concepts. CHI 2015: 43-46 - [c57]Zafar Rafii, Antoine Liutkus, Bryan Pardo:
A simple user interface system for recovering patterns repeating in time and frequency in mixtures of sounds. ICASSP 2015: 271-275 - 2014
- [j17]Sebastian Ewert, Bryan Pardo, Meinard Müller, Mark D. Plumbley:
Score-Informed Source Separation for Musical Audio Recordings: An overview. IEEE Signal Process. Mag. 31(3): 116-124 (2014) - [j16]Zhiyao Duan, Jinyu Han, Bryan Pardo:
Multi-pitch Streaming of Harmonic Sound Mixtures. IEEE ACM Trans. Audio Speech Lang. Process. 22(1): 138-150 (2014) - [j15]Zafar Rafii, Zhiyao Duan, Bryan Pardo:
Combining rhythm-based and pitch-based methods for background and melody separation. IEEE ACM Trans. Audio Speech Lang. Process. 22(12): 1884-1893 (2014) - [j14]Antoine Liutkus, Derry Fitzgerald, Zafar Rafii, Bryan Pardo, Laurent Daudet:
Kernel Additive Models for Source Separation. IEEE Trans. Signal Process. 62(16): 4298-4310 (2014) - [c56]Bongjun Kim, Bryan Pardo:
Adapting Collaborative Filtering to Personalized Audio Production. HCOMP 2014: 32-33 - [c55]Antoine Liutkus, Zafar Rafii, Bryan Pardo, Derry Fitzgerald, Laurent Daudet:
Kernel spectrogram models for source separation. HSCMA 2014: 6-10 - [c54]Zhiyao Duan, Bryan Pardo, Laurent Daudet:
A novel cepstral representation for timbre modeling of sound sources in polyphonic mixtures. ICASSP 2014: 7495-7499 - [c53]Bongjun Kim, Bryan Pardo:
Speeding Learning of Personalized Audio Equalization. ICMLA 2014: 495-499 - [c52]Mark Cartwright, Bryan Pardo, Josh Reiss:
MIXPLORATION: rethinking the audio mixer interface. IUI 2014: 365-370 - [c51]Prem Seetharaman, Bryan Pardo:
Crowdsourcing a Reverberation Descriptor Map. ACM Multimedia 2014: 587-596 - [c50]Prem Seetharaman, Bryan Pardo:
Reverbalize: A Crowdsourced Reverberation Controller. ACM Multimedia 2014: 739-740 - [c49]Mark Cartwright, Bryan Pardo:
SynthAssist: an audio synthesizer programmed with vocal imitation. ACM Multimedia 2014: 741-742 - [c48]Mark Cartwright, Bryan Pardo:
SynthAssist: Querying an Audio Synthesizer by Vocal Imitation. NIME 2014: 363-366 - 2013
- [j13]Zafar Rafii, Bryan Pardo:
REpeating Pattern Extraction Technique (REPET): A Simple Method for Music/Voice Separation. IEEE Trans. Speech Audio Process. 21(1): 71-82 (2013) - [c47]Michael D. Greenberg, Bryan Pardo, Karthic Hariharan, Elizabeth Gerber:
Crowdfunding support tools: predicting success & failure. CHI Extended Abstracts 2013: 1815-1820 - [c46]Zafar Rafii, Bryan Pardo:
Online REPET-SIM for real-time speech enhancement. ICASSP 2013: 848-852 - [c45]Mark Cartwright, Bryan Pardo:
Social-EQ: Crowdsourcing an Equalization Descriptor Map. ISMIR 2013: 395-400 - 2012
- [c44]Jinyu Han, Gautham J. Mysore, Bryan Pardo:
Audio Imputation Using the Non-negative Hidden Markov Model. LVA/ICA 2012: 347-355 - [c43]Antoine Liutkus, Zafar Rafii, Roland Badeau, Bryan Pardo, Gaël Richard:
Adaptive filtering for music/voice separation exploiting the repeating musical structure. ICASSP 2012: 53-56 - [c42]Zafar Rafii, Bryan Pardo:
Music/Voice Separation Using the Similarity Matrix. ISMIR 2012: 583-588 - [c41]Jinyu Han, Gautham J. Mysore, Bryan Pardo:
Language informed bandwidth expansion. MLSP 2012: 1-6 - [c40]Bryan Pardo, David Little, Darren Gergle:
Building a personalized audio equalizer interface with transfer learning and active learning. MIRUM 2012: 13-18 - [c39]Mark Brozier Cartwright, Bryan Pardo:
Novelty measures as cues for temporal salience in audio similarity. MIRUM 2012: 51-56 - [c38]Bryan Pardo, David Little, Darren Gergle:
Towards Speeding Audio EQ Interface Building with Transfer Learning. NIME 2012 - 2011
- [j12]Zhiyao Duan, Bryan Pardo:
Soundprism: An Online System for Score-Informed Source Separation of Music Audio. IEEE J. Sel. Top. Signal Process. 5(6): 1205-1215 (2011) - [c37]Mark Brozier Cartwright, Zafar Rafii, Jinyu Han, Bryan Pardo:
Making Searchable Melodies: Human versus Machine. Human Computation 2011 - [c36]David Little, Bryan Pardo, Beverly Wright:
A Computational Model of Auditory Perceptual Learning: Predicting Learning Interference Across Multiple Tasks. CogSci 2011 - [c35]Edward Scott, Pubudu Madhawa Silva, Bryan Pardo, Thrasyvoulos N. Pappas:
Adaptive user interfaces for relating high-level concepts to low-level photographic parameters. Human Vision and Electronic Imaging 2011: 78650A - [c34]Zhiyao Duan, Bryan Pardo:
A state space model for online polyphonic audio-score alignment. ICASSP 2011: 197-200 - [c33]Zafar Rafii, Bryan Pardo:
Degenerate Unmixing Estimation Technique using the Constant Q Transform. ICASSP 2011: 217-220 - [c32]Zafar Rafii, Bryan Pardo:
A simple music/voice separation method based on the extraction of the repeating musical structure. ICASSP 2011: 221-224 - [c31]Jinyu Han, Bryan Pardo:
Reconstructing completely overlapped notes from musical mixtures. ICASSP 2011: 249-252 - [c30]Zhiyao Duan, Bryan Pardo:
Aligning Semi-Improvised Music Audio with Its Lead Sheet. ISMIR 2011: 513-518 - 2010
- [j11]Zhiyao Duan, Bryan Pardo, Changshui Zhang:
Multiple Fundamental Frequency Estimation by Modeling Spectral Peaks and Non-Peak Regions. IEEE Trans. Speech Audio Process. 18(8): 2121-2133 (2010) - [c29]Zhiyao Duan, Jinyu Han, Bryan Pardo:
Song-level multi-pitch tracking by heavily constrained clustering. ICASSP 2010: 57-60
2000 – 2009
- 2009
- [c28]Andrew T. Sabin, Bryan Pardo:
2DEQ: an intuitive audio equalizer. Creativity & Cognition 2009: 435-436 - [c27]Ben Duane, Bryan Pardo:
Streaming from MIDI Using Constraint Satisfaction Optimization and Sequence Alignment. ICMC 2009 - [c26]Jiahui Liu, Larry Birnbaum, Bryan Pardo:
Spectrum: Retrieving Different Points of View from the Blogosphere. ICWSM 2009 - [c25]Zafar Rafii, Bryan Pardo:
Learning to Control a Reverberator Using Subjective Perceptual Descriptors. ISMIR 2009: 285-290 - [c24]Zhiyao Duan, Jinyu Han, Bryan Pardo:
Harmonically Informed Multi-Pitch Tracking. ISMIR 2009: 333-338 - [c23]Andrew T. Sabin, Bryan Pardo:
A method for rapid personalization of audio equalization parameters. ACM Multimedia 2009: 769-772 - [c22]Jana Zujovic, Lisa Gandy, Scott Friedman, Bryan Pardo, Thrasyvoulos N. Pappas:
Classifying paintings by artistic genre: An analysis of features & classifiers. MMSP 2009: 1-5 - [c21]Jinyu Han, Bryan Pardo:
Improving separation of harmonic sources with iterative estimation of spatial cues. WASPAA 2009: 77-80 - 2008
- [c20]Jiahui Liu, Larry Birnbaum, Bryan Pardo:
Categorizing blogger's interests based on short snippets of blog posts. CIKM 2008: 1525-1526 - [c19]Yan Gao, Ming Yang, Xiaonan Zhao, Bryan Pardo, Ying Wu, Thrasyvoulos N. Pappas, Alok N. Choudhary:
Image spam hunter. ICASSP 2008: 1765-1768 - [c18]Michael Skalak, Jinyu Han, Bryan Pardo:
Speeding Melody Search With Vantage Point Trees. ISMIR 2008: 95-100 - [c17]David Little, Bryan Pardo:
Learning Musical Instruments from Mixtures of Audio with Weak Labels. ISMIR 2008: 127-132 - [c16]Bryan Pardo, David Little, Rui Jiang, Hagai Livni, Jinyu Han:
The vocalsearch music search engine. JCDL 2008: 430 - 2007
- [j10]John F. Woodruff, Bryan Pardo:
Using Pitch, Amplitude Modulation, and Spatial Cues for Separation of Harmonic Instruments from Stereo Music Recordings. EURASIP J. Adv. Signal Process. 2007 (2007) - [j9]Roger B. Dannenberg, William P. Birmingham, Bryan Pardo, Ning Hu, Colin Meek, George Tzanetakis:
A comparative evaluation of search techniques for query-by-humming using the MUSART testbed. J. Assoc. Inf. Sci. Technol. 58(5): 687-701 (2007) - [c15]Brendan Fox, Andrew T. Sabin, Bryan Pardo, Alec Zopf:
Modeling Perceptual Similarity of Audio Signals for Blind Source Separation Evaluation. ICA 2007: 454-461 - [c14]Brendan Fox, Bryan Pardo:
Towards a Model of Perceived Quality of Blind Audio Source Separation. ICME 2007: 1898-1901 - [c13]David Little, David Raffensperger, Bryan Pardo:
A Query by Humming System that Learns from Experience. ISMIR 2007: 335-338 - [c12]David Little, David Raffensperger, Bryan Pardo:
User Specific Training of a Music Search Engine. MLMI 2007: 72-83 - [c11]Nathan D. Nichols, Jiahui Liu, Bryan Pardo, Kristian J. Hammond, Larry Birnbaum:
Learning to gesture: applying appropriate animations to spoken text. ACM Multimedia 2007: 827-830 - 2006
- [j8]Bryan Pardo:
Introduction. Commun. ACM 49(8): 28-31 (2006) - [j7]William P. Birmingham, Roger B. Dannenberg, Bryan Pardo:
Query by humming with the VocalSearch system. Commun. ACM 49(8): 49-52 (2006) - [j6]Bryan Pardo:
Finding structure in audio for music information retrieval. IEEE Signal Process. Mag. 23(3): 126-132 (2006) - [c10]John F. Woodruff, Bryan Pardo, Roger B. Dannenberg:
Remixing Stereo Music with Score-Informed Source Separation. ISMIR 2006: 314-319 - 2005
- [b1]Bryan Pardo:
Probabilistic sequence alignment methods for on-line score following of music performances. University of Michigan, USA, 2005 - [c9]Bryan Pardo, William P. Birmingham:
Modeling Form for On-line Following of Musical Performances. AAAI 2005: 1018-1023 - [c8]Bryan Pardo, Manan Sanghi:
Polyphonic Musical Sequence Alignment for Database Search. ISMIR 2005: 215-222 - [c7]David A. Shamma, Bryan Pardo, Kristian J. Hammond:
MusicStory: a personalized music video creator. ACM Multimedia 2005: 563-566 - 2004
- [j5]Roger B. Dannenberg, William P. Birmingham, George Tzanetakis, Colin Meek, Ning Hu, Bryan Pardo:
The MUSART Testbed for Query-by-Humming Evaluation. Comput. Music. J. 28(2): 34-48 (2004) - [j4]Bryan Pardo, Jonah Shifrin, William P. Birmingham:
Name that tune: A pilot study in finding a melody from a sung query. J. Assoc. Inf. Sci. Technol. 55(4): 283-300 (2004) - [c6]Bryan Pardo:
Tempo Tracking with a Single Oscillator. ISMIR 2004 - 2003
- [j3]Caroline Menezes, Bryan Pardo, Donna Erickson, Osamu Fujimura:
Changes in syllable magnitude and timing due to repeated correction. Speech Commun. 40(1-2): 71-85 (2003) - [c5]Roger B. Dannenberg, William P. Birmingham, George Tzanetakis, Colin Meek, Ning Hu, Bryan Pardo:
The MUSART testbed for query-by-humming evaluation. ISMIR 2003 - 2002
- [j2]Bryan Pardo, William P. Birmingham:
Algorithms for Chordal Analysis. Comput. Music. J. 26(2): 27-49 (2002) - [j1]William P. Birmingham, Bryan Pardo, Colin Meek, Jonah Shifrin:
The MusArt Music-Retrieval System: An Overview. D Lib Mag. 8(2) (2002) - [c4]Bryan Pardo, William P. Birmingham:
Improved Score Following for Acoustic Performances. ICMC 2002 - [c3]Bryan Pardo, William P. Birmingham:
Encoding Timing Information for Musical Query Matching. ISMIR 2002 - [c2]Jonah Shifrin, Bryan Pardo, Colin Meek, William P. Birmingham:
HMM-based musical query retrieval. JCDL 2002: 295-300 - 2000
- [c1]Bryan Pardo, William P. Birmingham:
Automated Partitioning of Tonal Music. FLAIRS 2000: 23-27
Coauthor Index
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