About: Lucie Weidt

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Lucie Weidt (May 11, 1876 – July 28, 1940) was a German-born Austrian soprano noted for her prowess in the operas of Richard Wagner. Born in what is now Opava in Silesia, Weidt was the daughter of composer and Kapellmeister , who was one of her first teachers, along with Rosa Papier. For most of her career she was on the roster of the Vienna State Opera, beginning in 1903 and continuing until 1926. She first succeeded , who was retiring, and soon began sharing major Wagner roles with Anna Bahr-Mildenburg. She also became known for her portrayal of Leonore in Fidelio, and she created for Vienna the Marschallin in Der Rosenkavalier. For Milan she was the first Kundry. Between 1908 and 1910 she appeared in Munich. During the 1910–11 season Weidt was on the roster of the Metropolitan Opera, si

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  • Lucie Weidt, eigentlich Marie-Luise, auch Lucy (11. Mai 1876 in Troppau, Österreichisch-Schlesien – 28. oder 31. Juli 1940 in Wien), war eine österreichische Opernsängerin der Stimmlage Sopran, langjähriges Ensemblemitglied der Wiener Staatsoper, dortselbst Kammersängerin und später Ehrenmitglied, die insbesondere für die Gestaltung hochdramatischer Rollen bei Richard Wagner und Richard Strauss Berühmtheit erlangte. Sie gastierte in München, New York, Buenos Aires, Mailand und anderenorts. (de)
  • Lucie Weidt (May 11, 1876 – July 28, 1940) was a German-born Austrian soprano noted for her prowess in the operas of Richard Wagner. Born in what is now Opava in Silesia, Weidt was the daughter of composer and Kapellmeister , who was one of her first teachers, along with Rosa Papier. For most of her career she was on the roster of the Vienna State Opera, beginning in 1903 and continuing until 1926. She first succeeded , who was retiring, and soon began sharing major Wagner roles with Anna Bahr-Mildenburg. She also became known for her portrayal of Leonore in Fidelio, and she created for Vienna the Marschallin in Der Rosenkavalier. For Milan she was the first Kundry. Between 1908 and 1910 she appeared in Munich. During the 1910–11 season Weidt was on the roster of the Metropolitan Opera, singing Brünnhilde in both Die Walküre and Siegfried and Elisabeth in Tannhäuser. In 1912 she was singing in Buenos Aires. She won praise from Leoš Janáček for her portrayal of Kostelnička in Jenůfa at its Vienna premiere in 1918. The following year she created the role of the Nurse in Die Frau ohne Schatten for the same company. Weidt died in Vienna. She left recordings for G&T (Vienna 1904) and Gramophone (Vienna 1909). (en)
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  • Lucie Weidt, eigentlich Marie-Luise, auch Lucy (11. Mai 1876 in Troppau, Österreichisch-Schlesien – 28. oder 31. Juli 1940 in Wien), war eine österreichische Opernsängerin der Stimmlage Sopran, langjähriges Ensemblemitglied der Wiener Staatsoper, dortselbst Kammersängerin und später Ehrenmitglied, die insbesondere für die Gestaltung hochdramatischer Rollen bei Richard Wagner und Richard Strauss Berühmtheit erlangte. Sie gastierte in München, New York, Buenos Aires, Mailand und anderenorts. (de)
  • Lucie Weidt (May 11, 1876 – July 28, 1940) was a German-born Austrian soprano noted for her prowess in the operas of Richard Wagner. Born in what is now Opava in Silesia, Weidt was the daughter of composer and Kapellmeister , who was one of her first teachers, along with Rosa Papier. For most of her career she was on the roster of the Vienna State Opera, beginning in 1903 and continuing until 1926. She first succeeded , who was retiring, and soon began sharing major Wagner roles with Anna Bahr-Mildenburg. She also became known for her portrayal of Leonore in Fidelio, and she created for Vienna the Marschallin in Der Rosenkavalier. For Milan she was the first Kundry. Between 1908 and 1910 she appeared in Munich. During the 1910–11 season Weidt was on the roster of the Metropolitan Opera, si (en)
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  • Lucie Weidt (de)
  • Lucie Weidt (en)
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