dbo:abstract
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- Robert Watson Hughes AO MBE (27 March 1912 – 1 August 2007) was a Scottish-born Australian composer. His melodies are driven by short motives and unrelenting ostinato figures. Hughes wrote orchestral works, music for ballet and film, some chamber works and an opera that has never been performed. While some of his works are available in published form, there are a number of well-crafted orchestral works that were recorded but never commercially published. Like other composers of his generation, including Dorian Le Gallienne, Raymond Hanson and Margaret Sutherland, Hughes has been considered by musicologists to write in a style reminiscent of the English pastoral school. However, Hughes listened to a wide range of music and surrounded himself with a variety of musical influences which included Debussy, Roussel, Prokofiev, Stravinsky, Sibelius and Bartók. Hughes was also a champion for other Australian composers, through roles that drew on his administrative skills. His own music has of recent times only infrequently been heard either in the concert hall or on recordings. However, his music was earlier championed by many notable conductors including Sir Bernard Heinze, Sir Eugene Goossens, Willem van Otterloo, John Hopkins – and overseas by Sir John Barbirolli, Sir Malcolm Sargent, Norman Del Mar, Josef Krips, Walter Susskind, and Sir Colin Davis. (en)
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rdfs:comment
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- Robert Watson Hughes AO MBE (27 March 1912 – 1 August 2007) was a Scottish-born Australian composer. His melodies are driven by short motives and unrelenting ostinato figures. Hughes wrote orchestral works, music for ballet and film, some chamber works and an opera that has never been performed. While some of his works are available in published form, there are a number of well-crafted orchestral works that were recorded but never commercially published. Like other composers of his generation, including Dorian Le Gallienne, Raymond Hanson and Margaret Sutherland, Hughes has been considered by musicologists to write in a style reminiscent of the English pastoral school. However, Hughes listened to a wide range of music and surrounded himself with a variety of musical influences which includ (en)
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