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Samuel Byrne was an Australian naïve painter and folk historian who visually chronicled the rise of Broken Hill, from its frontier days right through to the establishment of a modern city. Without any formal training, Byrne took to painting when he was in his seventies after retiring from a lifetime working on Broken Hill's mines. His painstakingly detailed panoramas of Broken Hill's township were discovered by Leonard French, who brought him to the attention of Sydney and Melbourne's art connoisseurs. Byrne is best known for painting his memories of subjects that held a personal fascination for him; Broken Hill's rabbit plagues, Sturt's desert peas, dust storms, industrial riots, and pioneering mining scenes. As a trade unionist and having first hand experience of the harsh mine condition

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  • Samuel Byrne was an Australian naïve painter and folk historian who visually chronicled the rise of Broken Hill, from its frontier days right through to the establishment of a modern city. Without any formal training, Byrne took to painting when he was in his seventies after retiring from a lifetime working on Broken Hill's mines. His painstakingly detailed panoramas of Broken Hill's township were discovered by Leonard French, who brought him to the attention of Sydney and Melbourne's art connoisseurs. Byrne is best known for painting his memories of subjects that held a personal fascination for him; Broken Hill's rabbit plagues, Sturt's desert peas, dust storms, industrial riots, and pioneering mining scenes. As a trade unionist and having first hand experience of the harsh mine conditions, his works are often imbued with a working-class consciousness and show a deep sensitivity to the plight of the victimised. Although the media often compared him to Grandma Moses, as James Gleeson writes, Byrne "paints in a manner that is so consistent that we are obliged to acknowledge it as a personal style." Of Sam Byrne, John Olsen wrote "no [other] Australian painter has portrayed, with such enduring simplicity and humanity, the world of the 1890s." Elwyn Lynn described the folk painter as a "raconteur in paint". James Gleeson described him as a "genuine primitive", an "innocent of art", whose visual experience has not been filtered by conceptions of style or technique. (en)
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  • 1978-01-01 (xsd:gYear)
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  • 1955-01-01 (xsd:gYear)
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  • 1883-07-10 (xsd:date)
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  • Michael Eldrige Samuel (en)
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  • 1883-01-01 (xsd:gYear)
dbo:deathDate
  • 1978-02-24 (xsd:date)
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  • 1978-01-01 (xsd:gYear)
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  • 1883-07-10 (xsd:date)
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  • Michael Eldrige Samuel (en)
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  • 2 (xsd:integer)
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  • Sam and Florence Byrne in 1915 (en)
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  • 1978-02-24 (xsd:date)
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  • Naïve art, Folk Historian (en)
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  • Sam Byrne (en)
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  • Australian (en)
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  • Painter (en)
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  • Broken Hill Cemetery (en)
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  • Signature of Sam Byrne, Australian Painter.png (en)
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  • 150 (xsd:integer)
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  • Florence Byrne (en)
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  • 33.0
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  • 1955 (xsd:integer)
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  • Samuel Byrne was an Australian naïve painter and folk historian who visually chronicled the rise of Broken Hill, from its frontier days right through to the establishment of a modern city. Without any formal training, Byrne took to painting when he was in his seventies after retiring from a lifetime working on Broken Hill's mines. His painstakingly detailed panoramas of Broken Hill's township were discovered by Leonard French, who brought him to the attention of Sydney and Melbourne's art connoisseurs. Byrne is best known for painting his memories of subjects that held a personal fascination for him; Broken Hill's rabbit plagues, Sturt's desert peas, dust storms, industrial riots, and pioneering mining scenes. As a trade unionist and having first hand experience of the harsh mine condition (en)
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  • Sam Byrne (painter) (en)
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  • Sam Byrne (en)
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