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- La Dame aux bêtes est un tableau réalisé par Albert Gleizes en 1914. Cette huile sur toile est le portrait cubiste d'une femme entourée d'un chien et deux chats. Exposée au Salon des indépendants de 1914, elle est aujourd'hui conservée dans la collection Peggy Guggenheim, à Venise. (fr)
- Woman with Animals, originally referred to as La dame aux bêtes and Portrait de Mme D.V. or Madame Raymond Duchamp-Villon, is a painting created late 1913 and completed during the month of February, 1914, by the French artist, theorist and writer Albert Gleizes. The painting was exhibited at the Salon des Indépendants, Paris, 1 March – 30 April 1914 (titled Portrait de Mme D.V.). Woman with animals is executed in a personal Cubist style noted by the fusing background and figure, the multiple perspective or successive views at various moments in time of the Mrs. Duchamp-Villon's face and other elements, the freestyle brushstrokes delineating juxtaposing planes. The work was restored in 1940 by Jacques Villon and Robert Delaunay. Formerly in the collection of Marcel Duchamp, the work—along with a 1913 lavis and gouache study of the same subject entitled La femme aux bêtes—has been in the Peggy Guggenheim Collection, Venice, Italy, since 1940. (en)
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- Albert Gleizes, 1914, Woman with Animals, oil on canvas, 196.4 x 114.1 cm, Peggy Guggenheim Collection.jpg (en)
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- La Dame aux bêtes est un tableau réalisé par Albert Gleizes en 1914. Cette huile sur toile est le portrait cubiste d'une femme entourée d'un chien et deux chats. Exposée au Salon des indépendants de 1914, elle est aujourd'hui conservée dans la collection Peggy Guggenheim, à Venise. (fr)
- Woman with Animals, originally referred to as La dame aux bêtes and Portrait de Mme D.V. or Madame Raymond Duchamp-Villon, is a painting created late 1913 and completed during the month of February, 1914, by the French artist, theorist and writer Albert Gleizes. The painting was exhibited at the Salon des Indépendants, Paris, 1 March – 30 April 1914 (titled Portrait de Mme D.V.). Woman with animals is executed in a personal Cubist style noted by the fusing background and figure, the multiple perspective or successive views at various moments in time of the Mrs. Duchamp-Villon's face and other elements, the freestyle brushstrokes delineating juxtaposing planes. The work was restored in 1940 by Jacques Villon and Robert Delaunay. Formerly in the collection of Marcel Duchamp, the work—along w (en)
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- La Dame aux bêtes (fr)
- Woman with Animals (en)
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