Jump to content

James Baskett: Difference between revisions

From Wikipedia, the free encyclopedia
Browse history interactively
← Previous editNext edit →
Content deleted Content added
VisualWikitext
No edit summary
Tags: Mobile edit Mobile web edit
Line 31: Line 31:
Baskett was prohibited from attending the film's premiere in [[Atlanta]], Georgia, because Atlanta was [[racially segregated]] by law.<ref name="Atlanta" /><ref name="Bayor1988" />
Baskett was prohibited from attending the film's premiere in [[Atlanta]], Georgia, because Atlanta was [[racially segregated]] by law.<ref name="Atlanta" /><ref name="Bayor1988" />


Although Baskett was occasionally criticized for accepting such a "demeaning" role (most of his acting credits were that of African-American stereotypes), his acting was almost universally praised, and columnist [[Hedda Hopper]], along with Walt Disney, was one of the many journalists and personalities who declared that he should receive an Academy Award for his work.<ref name="indystar" /><ref name = "Frost1">{{cite journal |last=Frost |first=Frost |date= Winter 2008 |title= Hedda Hopper, Hollywood Gossip, and the Politics of Racial Representation in Film, 1946-1948 |url=https://www.jstor.org/stable/20064255 |journal=The Journal of African American History |volume=93 |issue=1 |pages=36–63 |doi=10.1086/JAAHv93n1p36 |jstor=20064255 |s2cid=142114722 |access-date=March 23, 2023}}</ref>
Although Baskett was occasionally criticized for accepting such a "demeaning" role (most of his acting credits were that of African-American stereotypes), his acting was almost universally praised, and columnist [[Hedda Hopper]], along with Walt Disney, was one of the many journalists and personalities who declared that he should receive an Academy Award for his work.<ref name="indystar" /><ref name = "Frost1">{{cite journal |last=Frost |first=Frost |date= Winter 2008 |title= Hedda Hopper, Hollywood Gossip, and the Politics of Racial Representation in Film, 1946-1948 |url=https://www.jstor.org/stable/20064255 |journal=The Journal of African American History |volume=93 |issue=1 |pages=36–63 |doi=10.1086/JAAHv93n1p36 |jstor=20064255 |s2cid=142114722 |access-date=March 23, 2023}}</ref> Baskett himself publicly defended the film and his character in it, saying " "I believe that certain groups are doing my race more harm in seeking to create dissension, than can ever possibly come out of the ''Song of the South''."<ref name = "Frost1"/>


===Academy Honorary Award===
===Academy Honorary Award===

Revision as of 17:07, 1 May 2023

James Baskett
Baskett in Revenge of the Zombies (1943)
Born
James Franklin Baskett

(1904-02-16)February 16, 1904
Indianapolis, Indiana, U.S.
DiedJuly 9, 1948(1948-07-09) (aged 44)
Los Angeles, California, U.S.
Resting placeCrown Hill Cemetery (Indianapolis, Indiana)
Other names
  • Jimmie Baskette
  • Jimmy Baskette
  • Jim Basquette
Occupation(s)Actor, singer
Years active1929–1948
FamilyBill Cobbs (second cousin)

James Franklin Baskett (February 16, 1904 – July 9, 1948) was an American actor who portrayed Uncle Remus, singing the song "Zip-a-Dee-Doo-Dah" in the 1946 Disney feature film Song of the South.

In recognition of his portrayal of Remus, he was given an Honorary Academy Award in 1948, making him the first Black male performer to receive an Oscar.[1]

Career

Baskett in Harlem Is Heaven (1932), in which Variety described his portrayal of "Money" Johnson as "very impressive".[2]

Baskett studied pharmacology as a young man but gave it up to pursue an acting career. He first moved to New York City, New York, where he joined up with Bill 'Mr. Bojangles' Robinson. Using the name Jimmie Baskette, he appeared with Louis Armstrong on Broadway in the 1929 black musical revue Hot Chocolates and in several all-black New York films, including Harlem is Heaven (1932).[2]

He later moved to Los Angeles, California, and had a supporting role in the film Straight to Heaven (1939), starring Nina Mae McKinney. In 1941 he voiced Fats Crow in the animated Disney film Dumbo, and he also had bit parts in several B movies, including that of Lazarus in Revenge of the Zombies (1943), a porter in The Heavenly Body (1944), and native tribal leader Orbon in Jungle Queen (1945).[3][4] From 1944 until 1948, he was part of the cast of the Amos 'n' Andy Show live radio program as lawyer Gabby Gibson.

In 1945, he auditioned for a bit part voicing one of the animals in the new Disney feature film Song of the South (1946), based on the Uncle Remus stories by Joel Chandler Harris. Walt Disney was impressed with Baskett's talent and hired him on the spot for the lead role of Uncle Remus. Baskett was also given the voice role of Brer Fox, one of the film's animated antagonists, and also filled in as the main animated protagonist, Brer Rabbit, in one sequence. This was one of the first Hollywood portrayals of a black actor as a non-comic character in a leading role in a film meant for general audiences.[5]

Baskett was prohibited from attending the film's premiere in Atlanta, Georgia, because Atlanta was racially segregated by law.[6][7]

Although Baskett was occasionally criticized for accepting such a "demeaning" role (most of his acting credits were that of African-American stereotypes), his acting was almost universally praised, and columnist Hedda Hopper, along with Walt Disney, was one of the many journalists and personalities who declared that he should receive an Academy Award for his work.[8][9] Baskett himself publicly defended the film and his character in it, saying " "I believe that certain groups are doing my race more harm in seeking to create dissension, than can ever possibly come out of the Song of the South."[9]

Academy Honorary Award

On March 20, 1948, Baskett received an Academy Honorary Award for his performance as Uncle Remus.[10]

He was the first African-American male actor to earn an Academy Award. Additionally, Baskett was the last adult actor to receive an Honorary Oscar for a single performance.[11]

Illness and death

Baskett had been in poor health during the filming of Song of the South due to diabetes and he suffered a heart attack in December 1946 shortly after the film's release. His health continued to decline, and he was often unable to attend the Amos 'n' Andy radio show he was on, missing almost half of the 1947–1948 season. On July 9, 1948, during the show's summer hiatus,[12] James Baskett died at his home of heart failure resulting from diabetes at age 44.[13][14] He was survived by his wife Margaret and his mother Elizabeth. He is buried at Crown Hill Cemetery in Indianapolis.[15]

Filmography

Year Title Role Notes
1932 Harlem Is Heaven Money Johnson Film debut; credited as Jimmy Baskette
1933 20,000 Cheers for the Chain Gang Vocalist Uncredited
1938 Gone Harlem unknown Credited as Jimmie Baskette
1938 Policy Man unknown Credited as Jimmie Baskette
1939 Straight to Heaven First Detective
1940 Comes Midnight unknown
1941 Dumbo Fats Crow (voice) Uncredited
1943 Revenge of the Zombies Lazarus Alternative title: The Corpse Vanished
1944 The Heavenly Body Porter Uncredited
1945 Jungle Queen Orbon Credited as Jim Basquette
1946 Song of the South
(final film roles)

See also

References

  1. ^ Murfin, Patrick (March 21, 2013). "An Oscar for Uncle Remus". Heretic, Rebel, a Thing to Flout. Retrieved June 26, 2020.
  2. ^ a b "Harlem Is Heaven", Variety (New York, N.Y.), June 7, 1932, page 20. Retrieved January 30, 2018.
  3. ^ "Movies till Dawn: Almost Weirder Than Now". April 7, 2020.
  4. ^ "Jungle Queen". April 16, 2015.
  5. ^ As Jim Korkis notes, "Song of the South came out in 1946 and there was no balance of media images... African American performers often portrayed comic roles where their characters were described as lazy, slow-witted, easily scared or flustered, subservient and worse. That image was what the American public was seeing and accepting as the norm for African Americans." Jim Korkis, "The Sad Song of the South", USA Today (accessed 24 August 2013)
  6. ^ In a 15 October 1946 article in the Atlanta Constitution, columnist Harold Martin noted that to bring Baskett to Atlanta, where he would not have been allowed to participate in any of the festivities, "would cause him many embarrassments, for his feelings are the same as any man's." The modern claim that no Atlanta hotel would give Baskett accommodation is false: there were several black-owned hotels in Atlanta at the time, including the Savoy and the McKay. Atlanta's Black-Owned Hotels: A History.
  7. ^ Bayor, Ronald H. (1988). "Roads to Racial Segregation: Atlanta in the Twentieth Century". Journal of Urban History. 15 (1): 3–21. doi:10.1177/009614428801500101. S2CID 144988189.
  8. ^ Mitchell, Dawn (February 22, 2019). "Indianapolis actor famous for 'Zip-a-Dee-Doo-Dah' was groundbreaking Oscars recipient". The Indianapolis Star. Archived from the original on December 4, 2019. Retrieved December 13, 2019.
  9. ^ a b Frost, Frost (Winter 2008). "Hedda Hopper, Hollywood Gossip, and the Politics of Racial Representation in Film, 1946-1948". The Journal of African American History. 93 (1): 36–63. doi:10.1086/JAAHv93n1p36. JSTOR 20064255. S2CID 142114722. Retrieved March 23, 2023.
  10. ^ Cohen, Karl F. (2004). Forbidden Animation: Censored Cartoons and Blacklisted Animators in America. McFarland. p. 61. ISBN 978-0-7864-2032-2.
  11. ^ Brayton, Tim (February 11, 2015). "Black History Month: Song of the South's Forgotten Oscar". The Film Experience. Retrieved June 26, 2020.
  12. ^ Old-time.com
  13. ^ AFI
  14. ^ Auchmutey, Jim (November 12, 2006). "Finding Uncle Remus". accessatlanta.com. Archived from the original on February 14, 2012. Retrieved November 17, 2008.
  15. ^ Bodenhamer, David J.; Barrows, Robert Graham; Vanderstel, David Gordon, eds. (1994). The Encyclopedia of Indianapolis. Indiana University Press. p. 485. ISBN 978-0-253-31222-8.
Wikimedia Commons has media related to James Baskett.
Retrieved from "https://en.wikipedia.org/w/index.php?title=James_Baskett&oldid=1152679099"