This article must adhere to the biographies of living persons (BLP) policy, even if it is not a biography, because it contains material about living persons. Contentious material about living persons that is unsourced or poorly sourcedmust be removed immediately from the article and its talk page, especially if potentially libellous. If such material is repeatedly inserted, or if you have other concerns, please report the issue to this noticeboard.If you are a subject of this article, or acting on behalf of one, and you need help, please see this help page.
This article was reviewed by member(s) of WikiProject Articles for creation. The project works to allow users to contribute quality articles and media files to the encyclopedia and track their progress as they are developed. To participate, please visit the project page for more information.Articles for creationWikipedia:WikiProject Articles for creationTemplate:WikiProject Articles for creationAfC articles
This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Wikipedia's articles about people. All interested editors are invited to join the project and contribute to the discussion. For instructions on how to use this banner, please refer to the documentation.BiographyWikipedia:WikiProject BiographyTemplate:WikiProject Biographybiography articles
This article is within the scope of WikiProject India, which aims to improve Wikipedia's coverage of India-related topics. If you would like to participate, please visit the project page.IndiaWikipedia:WikiProject IndiaTemplate:WikiProject IndiaIndia articles
Selina Sharma is within the scope of the WikiProject Regional and national music, an attempt at building a resource on the music of all the peoples and places of the world. Please visit the project's listing to see the article's assessment and to help us improve the article as we push to 1.0.Regional and national musicWikipedia:WikiProject Regional and national musicTemplate:WikiProject Regional and national musicRegional and national music articles
This article is within the scope of WikiProject Women writers, a collaborative effort to improve the coverage of women writers on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.Women writersWikipedia:WikiProject Women writersTemplate:WikiProject Women writersWomen writers articles
This article is within the scope of WikiProject Women in Music, a collaborative effort to improve the coverage of Women in music on Wikipedia. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.Women in MusicWikipedia:WikiProject Women in MusicTemplate:WikiProject Women in MusicWomen in music articles
“Parallel forms in South and North Indian classical music: kriti and dhrupad”, in Dhrupad Annual, vol.10, pp.1-76 (Banaras: All India Kashi Raj Trust), 1995
“Samaja, haveli samgita and dhrupada: the musical manifestation of bhakti”, in Journal of Vaishnava Studies, vol.4, no.2, pp.157-77 (Brooklyn: FOLK Books), 1996
“Offering, blessing, expression of divine love: the rôle of music in several religious contexts in India”, in Journal of the Indian Musicological Society, vol. 27 (Jan.-Dec. 1996), pp. 1-16 (Bombay & Baroda: Indian Musicological Society), 1996
“The mela concept of Ramamatya: a historical inquiry into the South Indian råga system”, in Journal of the Music Academy Madras, vol.68, pp.94-109, 1997
“The dhrupada composition in samajagayana, haveli samgita and North Indian classical music” (proceedings of the Symposium on ‘Bandish’, National Centre for Performing Arts, Bombay, October 1997), pp.20-26, 1998
“Rhythm and meter in Sinhalese vannama dances: a living representation of early Indian tala?”, in Journal of the Indian Musicological Society, vol. 29, pp. 142-81 (Bombay & Baroda: Indian Musicological Society), 1998
“Classical dhrupada: the principal gharanas”, in Journal of the Indian Musicological Society (Baroda), vol.30, pp.24-41, 1999
“Dhrupada in the Vaishnava temples”, in Journal of the Indian Musicological Society (Baroda), vol.30, pp.42-57, 1999
“The Vrindavan movement”, in Journal of the Indian Musicological Society (Baroda), vol.30, pp.80-90, 1999
“Dhrupada: a select bibliography”, in Journal of the Indian Musicological Society (Baroda), vol.30, pp.132-4, 1999
(with Nancy Lesh) “Dhrupada discography”, in Journal of the Indian Musicological Society (Baroda), vol.30, pp.127-31, 1999
“Enacting divine deeds: the rasalila dramas of Vraja”, Kannada translation in Taranga Weekly (Manipal), 2 September 1999, pp.58-9, 1999
“‘The man of my heart’: reflections on religious content and musical structure in Baul songs of Bengal”, in Sudhamahi Regunathan (ed.), Songs of the spirit…the world of sacred music (New Delhi: Tibet House), pp.23-31 (reprint of essay first published in Selina Thielemann, Sounds of the sacred (1998), 2000
“Dhrupada: the foundation of North Indian music”, Kannada translation in Taranga Weekly (Manipal), 1 June 2000, p.46, 2000
“Sound as the conveyor of the sacred message: nitya kirtana in bhakti”, in Samskritika Upahara (Varanasi: M. Banerjee), year 2, no.5 (June-July 2000), pp.25-33, 2000
“Sex change in piety”, in Discover India, July 2000, pp.20-1, 2000
“Mediaeval Vrajabhasha poetry: musical renditions in North Indian Vaishnava temples”, in Hindi: language, discourse, writing (New Delhi: Mahatma Gandhi International Hindi University), vol.1, no.2 (July-September 2000), pp.241-56, 2000
“Devotional poetry in performance: samajagayana at the temple of Shri Radharamana in Vrindaban”, in Mariola Offredi (ed.), The Banyan Tree. Essays on Early Literature in New Indo-Aryan Languages (New Delhi: Manohar), vol.2, pp.559-74, 2000
“Troubadors of the Spirit”, in Discover India, February 2001, pp.26-7, 2001
“The Vaishnava temple music traditions of Vraja as source for interdisciplinary studies”, in Samskritika Upahara (Varanasi: M. Banerjee), year 2, no.9 (February-March 2001), pp.72-5, 2001
“Samgita evam dharma: vaishnava drishti”, in Bahuvacana, vol.1/7, April-July, 2001 (New Delhi: Mahatma Gandhi International Hindi University), pp.253-71, 2001
“The significance of music in India: reasons and impact”, German translation in Info-Heft der Deutsch-Indischen Gesellschaft Berlin, no.56 (August-September 2002), pp.1-4, 2001
“The musico-poetic gems of Vraja: tattva revealed through beauty”, in Urmila Sharma (ed.), The Alchemy of Love & Wisdom as expressed through the holistic life and works of Prof. Prem Lata Sharma (New Delhi: Radha Publications), pp.677-81, 2002
“Sound as conveyor of the sacred message: nitya kirtana in bhakti”, in Urmila Sharma (ed.), The Alchemy of Love & Wisdom as expressed through the holistic life and works of Prof. Prem Lata Sharma (New Delhi: Radha Publications), pp.682-90, 2002
“Baul darshana: the philosophy of humanity”, in Samskritika Upahara (Varanasi: M. Banerjee), year 2, no.13 (November 2002), pp.80-85, 2002
“Man turns human”, in U can change the world (Ladnun, Rajasthan: Jain Vishva Bharati Institute), vol.1, no.2 (December 2002), pp.24-6, 2002
“Theological concepts of the Bhagavata Purana reflected in devotional poetry of Vraja: an example from Paramananda Dasa”, in Journal of the Asiatic Society (Calcutta: The Asiatic Society, published in 2003), vol. XLIV, no.3 (2002), pp.33-42
“Baula samgita evam sadhana”, in Bahuvacana, vol.3/10, January-March, 2002 (New Delhi: Mahatma Gandhi International Hindi University), pp.214-26, 2002
“The inner treasury of Vraja culture”, in U can change the world (Ladnun, Rajasthan: Jain Vishva Bharati Institute), vol.1, no.6 (April 2003), pp.47-9, 2003
“Baula ka sandesha - ahimsa ka sandesha, baula ki sadhana - vishvashanti ka sadhan”, in Thaati. samskriti para ekagra, no.2, year 2 (June 2003), pp.142-55 (Faizabad: Spic Macay Uttar Pradesh), 2003
(with Saurabh Goswami) “Asakti and anuraga: the two dimensions of attachment”, in U can change the world (Ladnun, Rajasthan: Jain Vishva Bharati Institute), vol.2, no.6 (June 2004), pp.46-8, 2004
“The Baul singers of Bengal and their philosophy of humanity”, in Journal of the Indian Musicological Society (Bombay & Baroda: Indian Musicological Society), vol.35, pp.33-49, 2004
(with Saurabh Goswami) “Devotion revealed through beauty: the conjunction of music and art in Vaishnava liturgy”, in Journal of the Indian Musicological Society (Bombay & Baroda: Indian Musicological Society), vol.35, pp.96-104, 2004
(with Saurabh Goswami) “The mahotsava: celebration of joy, joy of celebration”, in U can change the world (Ladnun, Rajasthan: Jain Vishwa Bharati Institute), vol.2, no.10 (October 2004), pp.8-9, 2004
(with Saurabh Goswami) “Sañjhi kala: drishyakala ani samgita yañca vilobhaniya sangama”, in Parama Mitra (Thane), year 3, vols.3 and 4 (Diwali Special, October-December 2004), pp.95-101, 2004
“Continuity and change in dhrupada”, Proceedings of the Seminar on Continuity and Change: Indian Music, National Centre for Performing Arts, Mumbai, January 2004 (Mumbai: Sangeet Research Academy), pp.53-61, 2004
“Vaishnava art and the environment”, in U can change the world (Ladnun, Rajasthan: Jain Vishva Bharati Institute), vol.3, no.2 (February 2005), pp.18-20, 2005
“Vraja: centre of divine play”, in U can change the world (Ladnun, Rajasthan: Jain Vishva Bharati Institute), vol.3, no.3 (March 2005), pp.61-3, 2005
“Singing hearts”, in U can change the world (Ladnun, Rajasthan: Jain Vishva Bharati Institute), vol.3, no.5 (May 2005), pp10-11, 2005
“Baul sadhana: maintaining the ‘temple of the soul’”, in U can change the world (Ladnun, Rajasthan: Jain Vishva Bharati Institute), vol.3, no.11 (November 2005), pp.43-5, 2005
.jpg){kind=small}
