Page:The Harvard Classics Vol. 51; Lectures.djvu/267

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CRITICISM AND THE ESSAY
257

of the "Æneid"[1] of Virgil, "that noble poet and great clerk." In this work he tells us he stood in great doubt between those advisers who urged him to use language which could be understood of the common people and those who wanted him to use the most curious terms he could find. He chose a middle path, "forasmuch as this present book is not for a rude uplandish man to labour therein ne read it, but only for a clerk and a noble gentleman that feeleth and understandeth in feats of arms, in love and in noble chivalry."


CAXTON ON MALORY

Finally, we have his Prologue to the great book of "King Arthur" [2] compiled by his contemporary, Sir Thomas Malory. If the Troy story was the favorite classical tale in mediæval times, the romances connected with King Arthur were the most notable and the most widely diffused of more recent imaginative literature. Founded on a minute basis of old British history, the Arthurian legends had passed from the chronicles into romance, finding their most important artistic development in France, but spreading in translation and paraphrase into every country of western Europe. At the close of the Middle Ages, an English knight, Sir Thomas Malory, collected, chiefly from French prose versions, materials for a loosely organized compilation of all the more important adventures, and retold them in a style and spirit that make his book one of the great monuments of English prose. For this book Caxton had the warmest admiration; and, though here, if anywhere, we have a literature of entertainment, in it also Caxton finds a possibility of moral and spiritual improvement. Few of his words are better known than his worthy praise of Malory: "And I, according to my copy, have down set it in print, to the intent that noble men may see and learn the noble acts of chivalry, the gentle and virtuous deeds that some knights used in those days, by which they came to honour, and how they that were vicious were punished and oft put to shame and rebuke; humbly beseeching all noble lords and ladies and all other estates, of what estate or degree they be of, that shall see and read in this said book and work, that they take the good and honest

  1. H. C., xxxix, 24. For a modern translation, see H. C., vol. xiii.
  2. H. C., xxxix, 20. For the story of the Holy Grail from Malory, see H. C., xxxv, 105-214, and cf. Dr. Maynadier's lecture in the series on Prose Fiction.