Tonight Show Quotes

“I haven't heard anything new that I've liked on the show. A lot of the bands we play with are just bad, especially those alternative rock bands. They can do it in the studio but they can't play live... I see the audience applauding while they're playing, and I wonder if it's just because they're fans of the band and don't care, or out of spite. Because it certainly isn't because they sound good.

Branford Marsalis on the musical acts booked on The Tonight Show.”
― Neil Strauss Branford Marsalis, Everyone Loves You When You're Dead: Journeys into Fame and Madness

“Carson didn’t even bother to ask Henry Bushkin to sit down. “I hear you’re trying to steal my goddamn company,” Carson said when Bushkin walked into his living room.”
― Henry Bushkin, Johnny Carson

“One of Johnny’s head writers, Larry Klein, went directly to Carson and told him that Ed Weinberger and Henry Bushkin were trying to steal his company.”
― Henry Bushkin, Johnny Carson

“In mid-1986, Letterman got an unexpected call from Dave Tebet, the Carson Productions executive who worked with “Late Night.” Tebet said that he and Henry Bushkin, Johnny Carson’s extremely powerful attorney, business partner, and author of his 2013 tell-all, wanted to meet with Letterman—by himself, totally confidentially. Letterman was stunned when he heard what they had come to propose: They were offering him the “Tonight ” show; they wanted him to take Johnny Carson’s job. Bushkin, in his role as head of Carson Productions, said that the company intended to maintain ownership of the “Tonight ” show after Johnny stepped down, and now was the time to line up Letterman to slip into Johnny’s chair. The details were vague, and to Letterman they sounded deliberately so. He said he was flattered, he listened politely, but his radar was signaling a warning. Neither man told Letterman how or when this ascension would be accomplished, a problem that started sounding even worse when Bushkin advised Letterman that no one at NBC or anywhere else knew of the plan yet—not even Carson.
Letterman, already nervous, now started to feel as if he were getting close to a fire he didn’t want to be in the same campground with. They asked Letterman not to tell anyone, not even his management. They would get back to him.
The more Letterman thought about it, the more it sounded like a palace coup. His immediate instinct was to stay out of this, because there was going to be warfare of some sort. He feared Carson would interpret this maneuver as plotting and he guessed what might happen next: Johnny’s best friend Bushkin wouldn’t take the fall. Nor would his old crony, Tebet. It would be the punk who got blamed for engineering this.
Letterman broke his promise and called Peter Lassally, Carson’s producer. Lassally was shocked by what he heard. He suspected that Bushkin was involved in all sorts of machinations that never benefited Carson. He thought about telling Johnny, but other attempts to alert the star to questionable activities by Bushkin had been harshly rebuffed. Lassally decided to see what developed and advised Dave to keep Bushkin and Tebet at a distance.
Letterman had a couple of more phone calls from Bushkin and Tebet about the deal; they discussed it with Ron Ellberger, the Indianapolis attorney that Letterman still employed. Tebet blamed the lawyer for muddying up the deal, and eventually said that Carson knew of the plan and had approved of the idea of lining up Letterman for the future.
But Tebet was lying; Carson had never heard a word about it, and when he did—long after the approach had taken place and Bushkin and Tebet were both long gone—Carson exploded with rage at the thought that this plotting had gone on behind his back. He knew exactly what he would have done if he had learned of it at the time: He would have fired Bushkin and Tebet before another day elapsed. Letterman had guessed right in steering clear of the coup. When he learned that Carson hadn’t known what was going on, Letterman was deeply thankful for his cautious instincts.
When the offer from Bushkin melted away, Letterman tried not to give it any second thoughts. Only for the briefest time did he think that he might have walked away from an offer to host the “Tonight” show. The next time, it would not be nearly so easy to take.”
― Bill Carter, The Late Shift: Letterman, Leno & the Network Battle for the Night

“Critics—as well as the network and his own producers—often cited Jay Leno’s apparent lack of interest in the stories guests on the show told. Certainly most of the staff knew that Jay devoted little time preparing to speak to guests. Worse, was a habit Jay adopted later in his Tonight Show run. As described by one A-level movie star guest, an appearance with Jay could be thoroughly disconcerting...

'I’m sitting there telling him a story about some damn thing that happened and I realize he’s not looking at me at all,” the star said. 'His eyes are going straight past me. The audience can’t see this because he’s still looking vaguely in my direction, but his eyes are not on me at all. When he went to commercial I took a look over my shoulder. There was a guy with cue cards standing off to the side behind him. Jay was just reading the questions off the cards. Not paying attention to me at all. The whole thing was so artificial; I was totally put off by it.'

”
― Bill Carter, The Late Shift: Letterman, Leno & the Network Battle for the Night

“Conan O'Brien doesn’t have it,' the NBC lawyers assured Jeff Gaspin, Entertainment Chairman (at NBC Universal). 'Conan was guaranteed The Tonight Show. He was not guaranteed that it would start at 11:35 p.m'.”
― Sean Kenin, The War for Late Night: When Leno Went Early and Television Went Crazy