Hiroki Yamamura
Hiroki Yamamura 山村 洋貴 | |
---|---|
Born | [1] Anjō, Aichi Prefecture, Japan | February 11, 1981
Nationality | Japanese |
Other names | Takahiro Murayama |
Education | Yoyogi Animation Academy |
Occupation(s) | Animator, character designer |
Years active | 2002–present |
Employer(s) | Studio Lux (2002–2003) Actas (2003–2004?) Studio Pastoral (2004~2012?) Shaft (2012?–present) |
Known for | And Yet the Town Moves Fate/Extra: Last Encore Pretty Boy Detective Club |
Hiroki Yamamura (Japanese: 山村洋貴, Hepburn: Yamamura Hiroki, born February 11, 1981) is a Japanese animator and character designer.
Career
[edit]Yamamura is from Anjō, Aichi Prefecture,[2] and graduated from Yoyogi Animation Academy . Initially, he joined eroge game company Studio Lux as an illustrator around 2002 and used the name Takahiro Murayama (むらやまたかひろ), a play on the Hiragana spelling of his name Hiroki Yamamura (やまむらひろき),[3] but left the company in August 2003.[4] After leaving Studio Lux, Yamamura joined Actas briefly before joining newly founded animation production company Studio Pastoral, where he initially did in-between animation and was quickly promoted to key animator in less than a year, and again to animation director by 2005.
While Studio Pastoral itself was a sub-contracting animation firm not producing its own titles, from the very beginning of the studio's history it developed a close relationship to studio Shaft. Yamamura worked on a number of different titles from a number of different studios that were outsourcing work to Studio Pastoral, but he gained prominence within Shaft's works and mainly took on jobs for the studio. In 2007, he was given his first job as a chief animation director on Shaft's adaptation of Sayonara, Zetsubou-Sensei, with characters designed by Hideyuki Morioka[5]— whom Yamamura had worked with on REC (2006) and liked the designs of.[6] Although from different studios–Morioka an employee of Studio Silver[7]–and doing work for a studio neither belonged to (at the time), Morioka and Yamamura have worked together on numerous occasions since Sayonara, Zetsubou Sensei including all of the series' sequels,[8][9] and the first season of Maria Holic (2009), which Morioka also designed the characters for,[10] and Studio Pastoral assisted in the production of. As previously mentioned, Yamamura worked on Shaft's gross outsources to Studio Pastoral previously, and had met director Akiyuki Shinbo during the latter-half of the production to Negima!? around 2006.[6] Their first meeting occurred when Yamamura was in the Shaft production studio and he was watching Sasuga no Sarutobi (1982) on DVD, and Shinbo had come up to him to ask if he was watching Sasuga no Sarutobi.[6] Sayonara, Zetsubou-Sensei was Yamamura's first time working directly with Shinbo, however;[6] and as a fan of Shinbo's work, having watched his series for a "long time", Yamamura was initially nervous.[6] In 2010, Yamamura started doing character design work, with his first job as such being Shaft's And Yet the Town Moves;[11] and a year later, he also designed the characters for the Katteni Kaizō OVA, an adaptation of another manga from the author of Sayonara, Zetsubou-Sensei.[12]
Yamamura acted as a chief animation director and animation director for Puella Magi Madoka Magica: The Movie (2012–13 trilogy). For the first two films, which are compilations of the TV series re-edited and with redone animation, Yamamura did most of his chief animation director duties alone as character designer and chief animation director Junichirou Taniguchi was busy with other work. The third film was split into 5 units (lettered as A through E) and Yamamura only acted as chief animation director for the D-part and beginning of the E-part, with Taniguchi handling the rest.[13] Aside from that, he was the animation director for the entirety of the A-part and select sequences from the B- and C-parts (namely those animated by Yuuya Geshi and Genichirou Abe).[14]
Since 2009, Shaft had started adapting Nisio Isin's Monogatari series of light novels; and when Bakemonogatari, the first season–directed by Shinbo and Tatsuya Oishi, and with character designs by Akio Watanabe–ended, a new adaptation titled Kizumonogatari was announced.[15] However, for several years, Oishi worked on the project and Shinbo invested in Tomoyuki Itamura to continue with other parts of the series, which Yamamura occasionally participated in alongside other series. Eventually, production on the films started with Hideyuki Morioka taking on duties as chief animation director (and character designer, co-credited with Watanabe); and around the spring of 2014, Yamamura was joined as the second chief animation director.[16] Eventually, the project was announced to be a film trilogy that premiered in 2016 and 2017. For the first film, Morioka and Yamamura split their duties as animation directors somewhat evenly, with Morioka working on the first half of the film and Yamamura on the second half, or split scene-by-scene.[17][16] For the second and third films, however, they divvyed up the work based on the characters: Morioka supervised the drawings for the female characters, and Yamamura was in charge of the male characters;[16] and for any particularly important scenes, Oishi assigned them to Yamamura or Morioka.[16] Oishi was adamant about the female characters being "cute" and the male characters being "hot" to appeal to the fans,[16] which coincides with Yamamura's drawing style according to Shinbo's comment that his drawings appeal to women.[18]
In 2018, Yamamura collaborated with Masaaki Takiyama to draw the character designs and supervise the animation to Fate/Extra: Last Encore.[19] In 2020, Yamamura participated as one of the chief animation directors for the first season of Magia Record, helping on 10 of the 13 episodes.[20] Unlike with Kizumonogatari, however, he and Nobuhiro Sugiyama, the other chief animation director helping series character designer Junichirou Taniguchi, did not split the work between time halves or characters. Instead, they divided the work mainly through scene type: Sugiyama supervised the "daily" scenes, while Yamamura focused mainly on the "action" scenes.[21] Yamamura found difficulty in drawing the characters cutely, so he used Sugiyama's supervised parts as references due to a scene in episode 2 that Yamamura thought was impressive.[21] The next year, he designed the characters for an adaptation of another Nisio Isin title, Pretty Boy Detective Club.[22]
Yamamura's employment history during the 2010s is ambiguous. He still belonged to Studio Pastoral as of the 2000s, but Pastoral's relationship with Shaft ended around 2011 or 2012. Whether Yamamura stayed with Pastoral and did work for Shaft, left Pastoral and went freelance (working exclusively with Shaft), or left Pastoral and joined Shaft is not known. However, both he and Shaft veteran animator Genichirou Abe participated on Onimai: I'm Now Your Sister! (2023) with "Shaft" (シャフト) listed parenthetically next to their names in the credits. In early 2023, Yamamura's Twitter account also mentioned him as a part of Shaft.[1]
Works
[edit]This is an incomplete list.
Teleivison series
[edit]Highlights character design and chief animation direction roles.
Year | Title | Director(s) | Studio | Roles | Ref(s) |
---|---|---|---|---|---|
2007 | Sayonara, Zetsubou-Sensei | Akiyuki Shinbo | Shaft | Chief animation director | [5] |
2008 | (Zoku) Sayonara, Zetsubou-Sensei | Akiyuki Shinbo Yukihiro Miyamoto |
Shaft | Chief animation director | [8] |
2009 | Maria Holic | Akiyuki Shinbo Yukihiro Miyamoto |
Shaft | Chief animation director | [10] |
(Zan) Sayonara, Zetsubou-Sensei | Akiyuki Shinbo Yukihiro Miyamoto |
Shaft | Chief animation director | [9] | |
2010 | And Yet the Town Moves | Akiyuki Shinbo | Shaft | Character designer Chief animation director |
[11] |
2014 | Mekakucity Actors | Akiyuki Shinbo Yuki Yase |
Shaft | Chief animation director (#3, 6, 9, 12) | [23] |
2018 | Fate/Extra: Last Encore | Akiyuki Shinbo Yukihiro Miyamoto |
Shaft | Character designer Chief animation director |
[19] |
2020 | Magia Record: Puella Magi Madoka Magica Side Story | Doroinu Various |
Shaft | Chief animation director (#2, 4–6, 8–13) | [24][20] |
2021 | Pretty Boy Detective Club | Akiyuki Shinbo Hajime Ootani |
Shaft | Animation character designer Chief animation director |
[22] |
2022 | RWBY: Ice Queendom | Toshimasa Suzuki Kenjirou Okada |
Shaft | Chief animation director | [25] |
2023 | Zom 100: Bucket List of the Dead | Kazuki Kawagoe | Bug Films | Chief animation director (#3) |
OVAs/ONAs
[edit]Year | Title | Director(s) | Studio | Roles | Ref(s) |
---|---|---|---|---|---|
2008–2009 | (Goku) Sayonara, Zetsubou-Sensei | Akiyuki Shinbo Yukihiro Miyamoto |
Shaft | Chief animation director | |
2009–2010 | (Zan) Sayonara, Zetsubou-Sensei Bangaichi | Akiyuki Shinbo Yukihiro Miyamoto |
Shaft | Chief animation director | |
2011 | Katteni Kaizō | Akiyuki Shinbo Naoyuki Tatsuwa |
Shaft | Character designer Chief animation director |
[12] |
2017 | The Beheading Cycle: The Blue Savant and the Nonsense Bearer | Akiyuki Shinbo Yuki Yase |
Shaft | Chief animation director (#8) | |
2024 | Monogatari Series Off & Monster Season | Akiyuki Shinbo Midori Yoshizawa |
Shaft | Chief animation director (#7–8) | [26] |
Films
[edit]Year | Title | Director(s) | Studio | Roles | Ref(s) |
---|---|---|---|---|---|
2012 | Puella Magi Madoka Magica: Beginnings | Akiyuki Shinbo Yukihiro Miyamoto |
Shaft | Chief animation director | [27] |
Puella Magi Madoka Magica: Eternal | Chief animation director | [28] | |||
2013 | Puella Magi Madoka Magica: Rebellion | Chief animation director | [29] | ||
2016 | Kizumonogatari I: Tekketsu | Akiyuki Shinbo Tatsuya Oishi |
Shaft | Animation director | [30] |
Kizumonogatari II: Nekketsu | Chief animation director | [31] | |||
2017 | Kizumonogatari III: Reiketsu | Chief animation director | [32] | ||
Fireworks | Akiyuki Shinbo Nobuyuki Takeuchi |
Shaft | Chief animation director Sub-character designer |
[33] |
Notes
[edit]Works cited
[edit]- Shinbo, Akiyuki (2012). 新房語 [Shinbogatari] (in Japanese). Ichijinsha. ISBN 978-4758012591.
- Kizawa, Yukito; Takayama, Atsushi; Saitou, Fusano, eds. (2014). 劇場版魔法やまどかマギカ[新編]叛逆の物語公式ガイドブック only you. [Movie Version Puella Magi Madoka Magica [New Edition] Story of Rebellion Official Guidebook only you.]. Houbunsha. ISBN 978-4832244290.
- Oota, Keiji; Shaft (August 18, 2017). パンフレット 打ち上げ花火、下から見るか?横から見るか? [Pamphlet: Fireworks, Should We See It from the Side or the Bottom?] (in Japanese). Toho.
- Maeda, Hisashi; Nakagami, Yoshikatsu; Kawabata, Takeshi; Nishitani, Nanako (2020). マギアレコード 魔法少女まどか☆マギカ外伝 TVアニメ公式ガイドブック 1巻 [Magia Record Puella Magi Madoka Magica TV Anime Official Guidebook Volume 1] (in Japanese). Houbunsha. ISBN 978-4832272019.
References
[edit]- ^ a b 山村洋貴(シャフト)/お仕事がアニメ! [Hiroki Yamamura (Shaft)/My job is anime!]. Twitter. Retrieved March 8, 2023.
- ^ 「100の質問【むらやまたかひろ】」 [100 Questions (Takahiro Murayama)]. Archived from the original on April 9, 2002.
- ^ 山村洋貴 [Hiroki Yamamura]. Oricon (in Japanese). Retrieved March 8, 2023.
- ^ スタジオパクリ(終) [Studio Palki (End)]. February 3, 2004. Archived from the original on February 6, 2004.
- ^ a b さよなら絶望先生 [Sayonara, Zetsubou-Sensei]. Shaft (in Japanese). Retrieved March 8, 2023.
- ^ a b c d e Shinbo 2012, p. 67.
- ^ "Animation Studio Silver Staff". Silver (in Japanese). Retrieved March 8, 2023.
- ^ a b 俗・さよなら絶望先生 [(Zoku) Sayonara, Zetsubou-Sensei]. Shaft (in Japanese). Retrieved March 8, 2023.
- ^ a b 懺・さよなら絶望先生 [(Zan) Sayonara, Zetsubou-Sensei]. Shaft (in Japanese). Retrieved March 8, 2023.
- ^ a b まりあ†ほりっく [Maria Holic]. Shaft (in Japanese). Retrieved March 8, 2023.
- ^ a b それでも町は廻っている [And Yet the Town Moves]. Shaft (in Japanese). Retrieved March 8, 2023.
- ^ a b "Katteni Kaizō" (in Japanese). King Records. Retrieved March 8, 2023.
- ^ Kizawa, Takayama & Saitou 2014, p. 114.
- ^ Kizawa, Takayama & Saitou 2014, p. 114-115.
- ^ Loo, Egan (July 28, 2010). "NisiOisin's Kizumonogatari Light Novel Gets Anime (Updated)". Anime News Network. Retrieved March 8, 2023.
- ^ a b c d e Cirugeda, Kevin "yuyucow" (February 27, 2021). "Kizumonogatari Staff Roundtable: Chief Animation Directors and Unit Directors". Sakugablog. Retrieved March 8, 2023.
- ^ Cirugeda, Kevin "yuyucow" (March 23, 2021). "Kizumonogatari Staff Interview: Ace Animators' Commentary". Sakugablog. Retrieved March 8, 2023.
- ^ Shinbo 2012, p. 69.
- ^ a b Loo, Egan (December 31, 2017). "Fate/Extra Last Encore Anime's Latest Video Confirms More of Cast, Staff". Anime News Network. Retrieved March 8, 2023.
- ^ a b Maeda et al. 2020, p. 6-38.
- ^ a b Maeda et al. 2020, p. 111.
- ^ a b Hodgkins, Crystalyn (March 13, 2021). "Pretty Boy Detective Club TV Anime Reveals New Promo Video, More Staff, More Cast". Anime News Network. Retrieved March 8, 2023.
- ^ メカクシティアクターズ [Mekakucity Actors]. Shaft (in Japanese). Retrieved March 8, 2023.
- ^ Loo, Egan (September 8, 2019). "Magia Record: Puella Magi Madoka Magica Side Story Anime's 1st Promo Reveals January Delay, More Cast & Staff, Song Artists". Anime News Network. Retrieved March 8, 2023.
- ^ Pineda, Rafael Antonio (March 24, 2022). "Shaft Animates New RWBY TV Anime RWBY: Ice Queendom". Anime News Network. Retrieved March 7, 2023.
- ^ "Monogatari Series Off & Monster Season" (in Japanese). Retrieved June 30, 2024.
- ^ 劇場版 魔法少女まどか☆マギカ[前編] 始まりの物語 [Puella Magi Madoka Magica: Beginnings]. Shaft (in Japanese). Retrieved March 8, 2023.
- ^ 劇場版 魔法少女まどか☆マギカ[後編] 永遠の物語 [Puella Magi Madoka Magica: Eternal]. Shaft (in Japanese). Retrieved March 8, 2023.
- ^ Loo, Egan (July 8, 2013). "3rd Madoka Magica Film's Main Staff, Cast Listed". Anime News Network. Retrieved March 8, 2023.
- ^ 傷物語 I鉄血編 [Kizumonogatari I: Tekketsu]. Shaft (in Japanese). Retrieved March 8, 2023.
- ^ 傷物語 II熱血編 [Kizumonogatari II: Nekketsu]. Shaft (in Japanese). Retrieved March 8, 2023.
- ^ 傷物語 III冷血篇 [Kizumonogatari III: Reiketsu]. Shaft (in Japanese). Retrieved March 8, 2023.
- ^ Oota & Shaft 2017, p. 43.
External links
[edit]- Hiroki Yamamura on Twitter
- Hiroki Yamamura at Anime News Network's encyclopedia
- Hiroki Yamamura at IMDb